logo
I knew I needed Sir Geoff Palmer in my documentary instantly

I knew I needed Sir Geoff Palmer in my documentary instantly

The National15-06-2025
Little did either of us realise that we would be meeting numerous times in that location over the next five years and how the footage we would create would have such an impact.
I was on a mission. As a Scottish-Persian filmmaker, whose family members had experienced racism, and witnessing the damaging impact of countries being colonised, I wanted Scotland to own up to its past.
I had been meeting numerous inspirational people in Scotland who knew about Scotland's links to transatlantic slavery, who were reaching out to the public in many ways.
READ MORE: How Niamh Jobson's life is inspiring bone cancer treatment fundraising
But it was still not mainstream. I wanted Sir Geoff in my documentary because he was excellent at communicating his wealth of knowledge about slavery in a personable way. But I soon found out from attending his lectures that his skill came at a cost. Geoff emailed me after a lecture saying 'on the night someone stabbed my back tyre … £216 later I don't mind, the response at the lecture was worth it.'
At a similar time to meeting Sir Geoff I also met Adam Ramsay, a journalist who had submitted a petition to Edinburgh City Council. Adam was challenging the brief inscription on the Melville Monument that had no mention of Henry Dundas's impact on Britain's transatlantic slave trade.
Sir Geoff had been lecturing about British generals and politicians linked to slavery including Dundas. I knew if I told Geoff about Adam's petition and connected them up there could be the potential of a good story.
I was right. Geoff and Adam clicked, the dream team was formed and filming began. What I then witnessed was that the depth of Geoff's knowledge of Dundas would go to stratospheric levels due to his amazing aptitude for focus, his enviable intellect and his unbelievable persistence that was needed to make change.
This is what made this a Bafta-winning documentary. There were so many highs and lows, long lulls of no action and by 2020 a stalemate. Then there was the murder of George Floyd. The frustration Sir Geoff felt about this stalemate and Floyd's murder pushed him to make his seminal speech at Holyrood Park in the summer of 2020 and action was finally taken.
What I really appreciated was the trust and faith Geoff had in me, an emerging filmmaker, as I filmed him time and again. The initial footage we did was for YouTube and socials. There was a time I interviewed him and realised that the Costa Coffee signage was in the background. After apologising profusely and asking for a re-interview he accepted it graciously and agreed to drive back to Edinburgh from Penicuik.
Our trust and bond developed over time. He opened up about his cancer when I witnessed him experiencing side effects during filming. I let him know about my father, also battling cancer, and we realised they were attending the same hospital.
Admiration for Geoff continued as he excelled and revelled in high-pressure situations I set up, such as the group debate I created for Channel 4 News in 2018 where Sir Geoff, Adam Ramsay, Bobby Dundas, and Michael Fry attended. These were the four people battling it out about the inscription at council meetings and they were now battling it out on screen.
READ MORE: 'Naked and Unashamed' cements Nan Shepherd's place in Scotland's literary canon
As his cancer developed by 2022, he still managed to attend a screening and Q&A at Edinburgh Filmhouse despite his obvious side-effects.
The broadcast of the first Channel 4 News film on the Dundas debate had a big impact in Scotland and the interest in Dundas and Scotland's slavery past started widening. This interest kept building as more journalists covered the story. It also sparked a petition on Dundas in Canada.
Sir Geoff was starting to reach a bigger audience with a massive uplift in social media followers. This kept going. I produced another Channel 4 News film in 2020 and then the BBC broadcast my one-hour documentary Scotland, Slavery And Statues numerous times from October 2020.
After these broadcasts, Sir Geoff chuckled to me about how many were speaking to him in the streets and supermarket in Penicuik. He was becoming a household name. Another serendipitous outcome for me was that Sir Geoff's son Ralph noticed my name on the end credits and realised there was a family connection.
I have focused on Sir Geoff's involvement with the Melville Monument and the legacy of the new plaque and its educational benefits for those who visit it.
But in parallel to this we all know the many other causes he has been involved in, the organisations and charities he has been part of, the people he has helped, the awards he has been given. It is outstanding. I was in awe of his levels of energy and drive and this was while he was battling cancer. He was a powerhouse that has left an amazing legacy.
Geoff asked me to keep sharing footage I took of him to keep his message going and to keep educating and this I will do.
In his final message to me he said: 'It was a delight to work with you, and you should take pride in your award … you gave a fair stand to us all to bring Scotland's honest history of slavery to Scotland' and I responded saying 'it was your grit and persistence that played a big role in making the documentaries successful…'
Rest in Peace Sir Geoff. Condolences to Sir Geoff's family.
Parisa Urquhart is a Bafta-winning documentary maker. Scotland, Slavery And Statues can be watched here in tribute to Sir Geoff.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Stop taking Glastonbury so seriously
Stop taking Glastonbury so seriously

New Statesman​

time35 minutes ago

  • New Statesman​

Stop taking Glastonbury so seriously

Illustration by André Carrilho Worthy Farm in Somerset, where Glastonbury Festival has been held 39 times, is 25 miles away from the sea. But once a year it is thronged by seagulls: this is an annual chips-in-styrofoam mecca for the scavenger birds – an event as unmissable for them as it is for the ageing-millennial liberals who populate the site, squatting on the fun that was once the preserve of the young. Parsing the 210,000-strong crowd at the festival is a process of subtle distinction, such as: who is 35 and who is 38? And, does this person live in Stoke Newington or Finsbury Park? Do they work at Deloitte or at a respectable grade in the civil service? Glastonbury in 2025 is where the professional class come to listen to Busta Rhymes (doyen of the 1990s) perform 'Break Ya Neck', with right-hand man, Spliff Star, and pretend the culture hasn't left them behind. Even though of course it has. It is not totally homogenous: there are the elites literally at the peripheries, their clean and catered camps looming from on-high over the grounds (metaphor alert!); and there are attendees on the more feral end of the spectrum (who would think, may I ask, to pitch their tent one metre downstream of the busiest bathrooms on the grounds?). But in its total average, the Glastonbury crowd leans towards the staid, stable and rote. When Richard Tice, the deputy leader of Reform, turned down a chance to debate a Green Party leadership hopeful he said his team feared that Glastonbury would not be safe for him. This is fair – if he is afraid of seagulls or management consultants. I was surprised, nonetheless, by the level of political noise the festival generated this year, from this most un-radical of crowds: a man with a straw boater and a collapsible camping chair – a friend for Tice, perhaps? – sat politely in front of me as Kneecap exploded on to the West Holts Stage on the Saturday afternoon. One member of the Belfast rap trio, Mo Chara, was charged with a terror offence in May, accused of brandishing a Hezbollah flag at a 2024 gig. There were questions about whether the festival should cancel the set entirely; the BBC did not air it live for fear the group would say something on stage that contravened its guidelines and standards ('kill David Attenborough', perhaps). Before the festival had even started, Kneecap – with its anti-British posture and radical Irish republicanism – became the story. And then the trio were overtaken when the previously irrelevant rap duo Bob Vylan led the crowd in chants of 'death, death to the IDF'. Everyone – Wes Streeting, Glastonbury itself – was 'appalled', the BBC terribly sorry for broadcasting it; the world rather worried that these rappers had finally been the ones to radicalise the farmer's-market liberals around the festival. But as I watched Kneecap in the baking heat and saw exactly what I was expecting to (Palestine flags and Irish tricolours everywhere) and heard exactly what I was expecting to (Deloitte account managers joining in with 'Free Palestine' and 'Fuck Keir Starmer' chants) I was struck by the powerlessness of it all. Subscribe to The New Statesman today from only £8.99 per month Subscribe This is transient, ephemeral politics. In 2017 Jeremy Corbyn was the main character of Glastonbury, and when his electoral platform totally fell apart, all of a sudden no one at the festival was singing 'Oh, Jeremy Corbyn' anymore. Brexit was the great affront to the Glasto-class at the festival in 2016, and I spotted not one EU flag over the entire week in 2025; the very lonely Ukraine flag I saw looked almost out of date. There is no idée fixe of Glastonbury, but instead the politic du jour. It is hard to blame the millennial consultants and civil servants for rifling through a Rolodex of causes at such a clip. They came of age in the financial crisis and have been politically impotent since; things they don't like (the 2011 Liberal Democrat betrayal, Osborne austerity, Brexit, 'Boris Johnson') keep happening to them. In a country where politics itself is no longer very political and culture feels stuck – Rod Stewart (80) shared a stage on the Sunday with Ronnie Wood (78) and Lulu (76) – all that's left is these end-of-June howls of outrage from staffers at the Big 5. There was a time when liberal Britain could group together to stop the things it did not like, such as the slave trade or Mary Whitehouse. Or redirect the national trajectory: abolishing the death penalty and legalising abortion. They can't anymore. And so here they are with me in Somerset, eating cheese toasties, worrying about seagulls and raging against a non-specified, shapeshifting machine. The ambient Remainer-ism of the past decade of Glastonbury has been traded for this slightly edgier cause, with spikier standard bearers (Kneecap, Bob Vylan). But the sense of a non-committal, window-dressing politik is the same. To fly a Palestine flag in front of the Other Stage during Franz Ferdinand's set is to say: yes, I am a Glastonbury Goer. Just as was the case with open borders in 2018 (prime-time bullshit, by the way, in a camp that has border walls resembling Trump's). But to interrogate the hard politics or even the logic of it all is to misunderstand the project. There are too many drugs to do for that. The worst place to have an ear infection is 41,000 feet over the Atlantic in Delta economy class. The second worst place to have an ear infection is during country/hip-hop crossover event Shaboozey's performance of 'Bar Song (Tipsy)' on Sunday afternoon. It was – like the set by rock band Terrorvision, the crowd at the Information Stage when the independent MP Zarah Sultana appeared, and the 'sound bath' I suffered through at the, er, Healing Fields – extraordinarily loud. But not merely content with the audial invasion, Glastonbury Festival endeavours to assault you with wall of visual noise too: 'PASTA,' a sign screams at me; 'REDUCE, REUSE [and, plot twist], RESPECT' rolls across a TV screen; a posh woman with a hat like I have never seen before (steampunk meets pheasant massacre) walks past; the firework budget alone for the five days I suspect could feed a medium-sized Cambodian town for a year; the lights at the Levels Stage, designed for the ecstasy brain, are too frenetic for the sober one. I understand why these 'Sensory Calm' tents have cropped up everywhere: the one next door to the Kneecap performance got more use than usual. By Sunday the drugs had nearly run out; the politics – already predictable – were exhausting; the atmosphere was increasingly antsy. Deloitte awaited the revellers, they had just remembered. The site smelled like pickled sewage and everyone was taking the last of their ketamine. But, after a three-week cleanup job, the only evidence left of this, all the noise and all the mess, will be the famous Pyramid Stage. The rest – the pheasant-graveyard hat, the man in the boater, the PASTA vendors, the pair camping one metre downstream of the toilets, the elites at the top of the hill – will be gone from Worthy Farm for another year, almost as though nothing happened. And the seagulls will flee, like the ravens leaving the tower of London, to declare a new political lodestar for the Glastonbury class. All of it fair weather, all of it temporary. [See more: Jeff Bezos's Venetian wedding was a pageant of bad taste] Related

Lions star owns up to bedroom blunder after arriving late to camp in Australia
Lions star owns up to bedroom blunder after arriving late to camp in Australia

Daily Mirror

timean hour ago

  • Daily Mirror

Lions star owns up to bedroom blunder after arriving late to camp in Australia

Blair Kinghorn was the last member of the British and Irish Lions squad to arrive and as soon as he checked into the team hotel waltzed into his room and accidentally woke up Maro Itoje Blair Kinghorn got off the wrong foot when he arrived on the Lions tour by disrupting skipper Maro Itoje's beauty sleep in Brisbane. The Scotland full-back joined up with party late because was playing in Toulouse's epic 39-33 extra-time Top 14 final win over Bordeaux-Begles in Paris on Saturday night. ‌ Kinghorn partied all night with his teammates and families, then jumped on a midday flight to Dubai on Sunday, stopping there before flying on to Queensland. ‌ The new arrival got into Brisbane just before midnight and thought he had a single room as he blundered through the door only to find captain Itoje trying to sleep in bed. Kinghorn explained: 'I got in about quarter to 12. I was thinking 'surely there won't be anyone in the room'. I go in, chuck the bags down and up he pops. I was like 'uh, sorry'. He'd been sleeping and I woke him up. It was funny, he woke up, shook my hand and went straight back to sleep. I went straight from Paris because we went from Toulouse for the final on Thursday, so I had to make sure all my stuff was ready. 'Luckily my mum and my wife were there to help me take everything up because packing for two separate things is a bit stressful. I think I've got everything. All you need is your boots and your passport, so that's fine. 'It's good to finally be here and it feels a bit more real for me now. I'm actually here, I've got all the kit, I'm with the boys, it feels great.' Kinghorn might have been an unwelcome disturbance for Itoje but he is aiming to be a big noise on tour now he has finally arrived down under. The Scotsman's career has taken off since a mid-season switch to Toulouse from Edinburgh in December 2023 and he has won two Top 14 titles and a Champions Cup since the move. ‌ At Toulouse he rubs shoulders with French superstars like Antoine Dupont, Thomas Ramos, Romain Ntamack and Thibaud Flament. So, joining up with the best of British with the Lions is not hard for the 28-year-old who is used to training with the top players in the game. And he insists a two-month lay-off with a knee injury this season will work in his favour now he is on tour having peaked for the French final last weekend. He added: 'I was injured for eight weeks so this is fine. Getting injured is never good. You're sitting on the sidelines, not really involved in the rugby stuff but it is kind of refreshing for the brain. If you are not motivated to be here, then you shouldn't be here. It is not tough at all. 'Everyone's here to do their best and to win the Test series. Every training session is going to be competitive. Everyone's motivated and that brings the best out of people. At Toulouse, the squad is so deep and so talented that you've got to be on top of your game. It is high pressure.'

Strict Wimbledon rules and how Lewis Hamilton and Pippa Middleton got in trouble
Strict Wimbledon rules and how Lewis Hamilton and Pippa Middleton got in trouble

Daily Mirror

timean hour ago

  • Daily Mirror

Strict Wimbledon rules and how Lewis Hamilton and Pippa Middleton got in trouble

Tickets to Wimbledon are often difficult to get hold of, but entry to the Royal Box is even more coveted, and even the elite can sometimes fall afoul of the rules Attending Wimbledon isn't as straightforward as visiting the other majors in tennis. And the criteria for a ticket in the Royal Box are even more strict than the usual red tape. So much so that even esteemed guests like Lewis Hamilton and Pippa Middleton can be denied access like anyone else. And that duo are just some of the famous faces to have failed in their efforts to comply with the rules over the years. ‌ Hamilton was educated on Wimbledon etiquette the hard way after he was invited to watch the men's singles final from the Royal Box in 2015. However, he ended up missing the clash between Novak Djokovic and Roger Federer after flaunting the dress code rules. ‌ Anyone sitting in the most prestigious seats available at SW19 is expected to dress smart, which means a tie is compulsory for men. Not only did Hamilton forget that, but he also turned up painfully late for the honour and was turned around at the door as a result. A source with knowledge of the situation said at the time: "Lewis turned up an hour late and wasn't wearing a tie. He was told he would need to put one on to enter the box but he threw a bit of hissy fit, which lasted a couple of minutes, and then left. There is a strict dress code, and the staff manning the box had no choice. He was asked not to enter the box." Hamilton, 40, had won his first Formula 1 world championship with Mercedes around six months prior to the misunderstanding. He was also named BBC Sports Personality of the Year for 2014, but that wasn't enough to earn him an exemption for the royal treatment. Tardiness was also what resulted in Middleton - the younger sister of Kate, the Princess of Wales - and mum Carole being excluded from the box. That's after they too turned up late and were prevented from sitting alongside their own family. That just goes to show how seriously Wimbledon staff take the matter. So much so that not even two extended members of the Royal Family can bag a seat if they don't meet the requirements, though Pippa and Carole were permitted to take up two standard Centre Court seats instead. ‌ And they aren't alone in that regard. That's after Meghan Markle, the Duchess of Sussex, irked the Royal Box standard-bearers in 2019. Fans spotted the wife of Prince Harry wasn't sitting next to the other members of the Royal Family, as she usually would be. And The Times reported that was due to the fact she was wearing denim jeans, which is frowned upon in Wimbledon members' areas. The same report suggested the Los Angeles-born Royal angered organisers after leaving once Serena Williams had played her match. Andy Murray was yet to play at the time, and it's considered poor form for Royal Box attendees to miss any British players in action. ‌ "She wanted to come incognito but there were problems," said an All England Club source, per The Times. "They couldn't invite her into the royal box because she was wearing jeans but that didn't really matter because all she wanted to do was come and watch Serena. Andy Murray was on Court 1 afterwards and it was a massive faux pas not to watch a Brit when she is signed up to the royal family." Former world No. 1 Ilie Nastase was also barred from entering the Royal Box in 2017 due to comments he made at the Fed Cup that year. The then-Romania captain made sexist remarks when he labelled the British duo of Anne Keothavong and Johanna Konta "f*****g b*****s" and was banned from the competitions for three years as a result. It's somewhat gratifying to think even household names are held to the same standard as anyone else. But then not all of us have the privilege of being asked to rub shoulders with royalty for one of the greatest shows in all of sport.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store