
Francis Ford Coppola stopped by the Coolidge Corner Theatre for a screening, an award, and a conversation about life
Get Starting Point
A guide through the most important stories of the morning, delivered Monday through Friday.
Enter Email
Sign Up
The rest of the event was intended as a conversation between Coppola and the Boston College professor
Advertisement
The celebrated director of the 'Godfather' trilogy, the Vietnam fever dream 'Apocalypse Now' (1979), and the surveillance thriller 'The Conversation' (1974) had requested a white board, on which he instructed an assistant to list 10 elements of human life that, he suggested, need wholesale reform, including work, money, education, politics, and the law.
Advertisement
Dressed in a safari jacket, a tie, and boat shoes, the 86-year-old filmmaker launched into a spontaneous lecture about human enterprise and ingenuity. He peppered his commentary with references to books he's read on the history of civilization.
'It's time to talk about the future in this wreck of a world we're in now,' he said.
Career politicians, he proposed, should be replaced by citizen caretakers with short terms – a new mayor every two months, say. We should abolish money and let the robots do the manual labor, he went on, while human beings create things for each other.
The Boston-based composer
To demonstrate, Coppola invited a group of young audience members onstage to participate in the improv exercises he often uses on his movie sets. He formed a circle with the group, then instructed them to toss around an imaginary ball while adding sound effects: 'Bip!' 'Pow!'
His spontaneous work with actors often helps determine the stories he tells, he explained.
'When you make a movie you don't know how to make, something wonderful happens,' he said: The movie tells you what it should be. 'Megalopolis,' with its abundant allusions to the classic films that inspired Coppola, was one of those films.
'Every movie I ever loved since I was a kid, I tried to put in this movie,' he said.
Advertisement
A few audience members asked questions. One wanted to know why the populist politician Clodio Pulcher (played by Shia LaBeouf) was treated with such scorn in the film.
'What's so bad about populism?' the man asked. Coppola's reply was simple.
'I love people, and I want them to be happy,' he said. 'We should all have ice cream.
'I like populism when it doesn't hurt other people.'
A little after 11 p.m., Coppola received a warning that he should wrap up his talk. He seemed prepared to talk until morning.
'I can stop time,' he joked.
The last dimension of social life listed on Coppola's white board was 'celebration.' Famous not just for his movies but for his wineries, his San Francisco cafe, and his all-consuming love of art and ideas, Coppola had one last thought for the dwindling crowd.
'I wish we could just throw a party now,' he said.
James Sullivan can be reached at
.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Verge
a day ago
- The Verge
Nintendo raises the Switch 1 price from $299 to $339
The original Nintendo Switch, which has cost $299.99 in the US since its release in 2017, is now priced at $339.99 on Nintendo's online store. Other first-gen Switch models are now more expensive, too, with the Switch OLED going from $349.99 to $399.99, and the Switch Lite increasing from $199.99 to $229.99. Nintendo said on Friday that its decision to raise the price was 'based on market conditions,' just after implementing a similar new set of prices in Canada on August 1st. The US announcement came just one day after President Donald Trump signed an executive order that will impose new 'reciprocal' tariffs on a range of countries. Trump's growing list of tariffs now includes a 20 percent levy on products imported from Vietnam, where Nintendo has transferred most of its production. Nintendo also issued $10 price increases for the Alarmo and Switch 1 Joy-Cons, which now cost $109.99 and $89.99, respectively. Prices aren't changing for the Switch 2 console, as well as Switch and Switch 2 games, whether physical or digital. With the price increase, the Switch OLED is now only slightly less expensive than the $449.99 Switch 2 (which doesn't have an OLED display). The Switch 2 has been a massive hit so far, selling over 6 million units since launch despite Nintendo struggling to keep up with demand. Posts from this author will be added to your daily email digest and your homepage feed. See All by Emma Roth Posts from this topic will be added to your daily email digest and your homepage feed. See All Entertainment Posts from this topic will be added to your daily email digest and your homepage feed. See All Gaming Posts from this topic will be added to your daily email digest and your homepage feed. See All News Posts from this topic will be added to your daily email digest and your homepage feed. See All Nintendo


The Verge
a day ago
- The Verge
The Nintendo Switch just got more expensive
Nintendo has just raised the price of the original Switch in the US. The console, which has cost $299.99 since its release in 2017, is now priced at $339.99 on Nintendo's online store. The price hike will make other first-gen Switch models more expensive, too, with the Switch OLED going from $349.99 to $399.99, and the Switch Lite increasing from $199.99 to $229.99. Nintendo also issued $10 price increases for the Alarmo and Switch 1 Joy-Cons, which are now priced at $109.99 and $89.99, respectively. On Friday, Nintendo announced that it would be raising the price of its family of original Switch consoles and accessories this way, just like it already did in Canada. The company noted that the change won't impact the prices of the Switch 2 console, or Switch and Switch 2 games, whether physical or digital. With the price increase, the Switch OLED is now only slightly less expensive than the $449.99 Switch 2 (which doesn't have an OLED display). The Switch 2 has been a massive hit so far, selling over 6 million units since launch despite Nintendo struggling to keep up with demand. Nintendo said its decision to raise the price of its original console is 'based on market conditions.' The announcement came just one day after President Donald Trump signed an executive order that will impose new 'reciprocal' tariffs on a range of countries. Trump's growing list of tariffs now includes a 20 percent levy on products imported from Vietnam, where Nintendo has transferred most of its production. Posts from this author will be added to your daily email digest and your homepage feed. See All by Emma Roth Posts from this topic will be added to your daily email digest and your homepage feed. See All Entertainment Posts from this topic will be added to your daily email digest and your homepage feed. See All Gaming Posts from this topic will be added to your daily email digest and your homepage feed. See All News Posts from this topic will be added to your daily email digest and your homepage feed. See All Nintendo


San Francisco Chronicle
2 days ago
- San Francisco Chronicle
Francis Ford Coppola said George Lucas made him direct ‘The Godfather,' says America may fall like ancient Rome
Before he broke through with 'American Graffiti,' before he became an instant legend with ' Star Wars,' George Lucas became the unsung hero of another American classic that changed cinema history: ' The Godfather.' Or so claims the director of that 1972 masterpiece, Francis Ford Coppola. 'Everyone turned 'The Godfather' down, all the wonderful directors of the time,' the 86-year-old filmmaker told an enthusiastic crowd at the Palace of Fine Arts. 'So they tried to hire me. Here was the logic: 'One, he's Italian-American, so if it gets a lot of flack, they'll blame him. Two, there's a script that wasn't very good, and he's become a successful screenwriter, so he'll rewrite the script. And three, he's young and has two kids and a pregnant wife, so we can just push him around and order him to do everything we want.' 'Well, I turned it down. I had a young apprentice, and we had come together to start a company (San Francisco-based American Zoetrope). His name was George Lucas. He said, 'We can't turn it down, we have no money, the sheriff is going to chain our door because we haven't made the taxes on the thing. You have to do it, we have no other alternatives.' I said, 'You're right George.'' Billed as 'An Evening with Francis Ford Coppola and 'Megalopolis' Screening,' the event in Coppola's adopted hometown on Friday, Aug. 1, finished off a six-city tour designed to create more awareness and discussion of his 2024 $120 million self-financed dream project that tanked at the box office. Coppola was certainly generous with his time. The event lasted nearly four hours, with a screening of the two-hour, 18-minute film followed by a 90-minute discussion with the filmmaker simply sitting in a chair pontificating on a wide range of issues while occasionally taking questions from the audience. Topics included anthropology, history, societal evolution, and the philosophy of human innovation and creativity. ' Megalopolis,' which likens the fall of Rome to the current state of American politics and culture, is informed by the development of human civilization over 300,000 years, noting that patriarchal societies began with the domestication of horses. So, not your typical film discussion. Still, the audience who paid prices ranging from $61-$205 and mostly filled the 1,000-seat venue were enthusiastic and attentive, giving the auteur standing ovations as he took the stage and as he left it. However, there was a small but steady stream of people who began leaving about 45 minutes in. One topic that hits close to home for Coppola is homelessness in San Francisco. The director noted that he founded a nonprofit, North Beach Citizens, in 2001 to help the unhoused find housing, food, and services because he felt the city wasn't doing enough. 'I used to walk to work and see these homeless people sleeping, and people would call them human garbage. What, are we crazy?' said Coppola, who added that the solution to most of society's problems has to be addressed first at the community level, inverting the top-down aspect of federal government. Coppola did, of course, give insights to his films, from the two 'Godfathers' to the San Francisco-shot, Watergate-era thriller ' The Conversation ' (1974); the troubled production of the Vietnam 'Apocalypse Now' (1979); and 'Bram Stoker's Dracula' (1992), his biggest non-'Godfather' box office hit.\ And, of course, 'Megalopolis.' Although he did not address various controversies about its production, including on-set inappropriate behavior (and no one asked about it, either), he believes it serves a warning about America and yet provides hope for the future. America will get out of its mess, Coppola said, as today's generation of children matures. 'Look at the world around us right now, wars all over the place, and the most horrible thing of all children being killed,' Coppola said. 'The kids being killed in Sudan or in the Middle East, someone was gonna find a cure for cancer or write the most gorgeous music ever been written or make a great film. So to me the children are precious. They are our future.' For now, Coppola refuses to release 'Megalopolis' digitally, content to tour with the movie for special one-off screenings. The film only made $14 million globally after its release in September. He did acknowledge there eventually will be a Blu-ray, and the man known for re-editing his past films teased the audience with an alternate cut of the film. 'Right now I'm working on 'Megalopolis Unbound,'' he said to laughter, and ended the night.