‘Star Wars' actor Kenneth Colley dies at 87
Colley died at his home in England on Monday, according to a statement shared by his agent, Julian Owens.
Before his death, Colley been admitted to a hospital for an arm injury he suffered in a fall, but he quickly contracted COVID-19 that eventually developed into pneumonia.
Throughout his 64-year career, Colley worked continuously in film, television and on the stage, playing a wide variety of characters from Jesus in 'Monty Python's Life of Brian' to the Duke of Vienna in Shakespeare's 'Measure for Measure' for the BBC.
In 'The Empire Strikes Back' and 'Return of the Jedi' he played Admiral Piett, an imperial officer in command of Darth Vader's flagship Executor. He reprised the role in 2012's animated 'Lego Star Wars: The Empire Strikes Out.'
His role in the popular franchise earned him a legion of sci-fi fans across generations.
Colley also appeared in films such as Clint Eastwood's 'Firefox' and British TV shows like 'Coronation Street,' 'EastEnders' and 'Return to Treasure Island.' More recently, he appeared in two episodes of 'Peaky Blinders.'
Owens remembered Colley as always remaining humble despite being one of the 'finest character actors with a career spanning 60 years.'
'Ken loved attending conventions and meeting the fans,' Owens said. 'He traveled all over the world yet could never quite grasp why everyone wanted his autograph.'
Colley was proceeded in death by his wife, Mary, to whom he'd been married for more than 60 years.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


CNN
40 minutes ago
- CNN
Our favorite male movie stars of the moment are flirty, fun and a much-needed breath of fresh air
The summer celebrity forecast predicts clear skies, and an unproblematic leading man heatwave in the form of Jonathan Bailey and Pedro Pascal. In a time marked by division – over politics and pretty much everything else – Pascal and Bailey have seemingly united the internet by abiding by a fairly simple principle: It's ok to have fun being a celebrity. Case in point: Bailey matched wits – and clutched pearls – with one of the web's most gifted in the art of the flirt, Amelia Dimoldenberg, who on Friday welcomed the fellow Brit on her popular YouTube series 'Chicken Shop Date.' Their blush-inducing conversation ranged from Dimoldenberg calling their relationship 'tantric' (Bailey qualified that description with, 'From afar') to her asking him about the chaps he was planning to wear to Beyoncé's Cowboy Carter tour show that evening. 'Are they going to be with the bum, or without the bum?' she asked, to which Bailey responded, 'We'll see, maybe they'll evolve as the night goes on.' For those who don't know him, Bailey was first introduced to most after an enchanting run on three seasons of 'Bridgerton.' He then caught our attention when he starred in 'Wicked' part one last year as the dashing Prince Fiyero. Next up, Bailey is starring in 'Jurassic Park: Rebirth' alongside Scarlett Johansson, out this week, before he reprises his role as Fiyero in 'Wicked: For Good' in November. What has made audiences fall in love with Bailey offscreen though, is that he can be devilishly flirty and disarmingly wholesome all in the same breath. Further proof: The viral craze that was Bailey's so-called 'slutty little glasses,' a moniker for the eyewear that he sports in 'Jurassic Park: Rebirth' coined by internet personality Blakely Thornton. The moniker stuck after audiences saw Bailey's eyeglasses in the first trailer for the film. Fully embracing the moment, Bailey told Entertainment Tonight at the London premiere of 'Jurassic World: Rebirth' earlier this month that he's 'thrilled that people are having a hormonal explosion linked to optical supports.' He also saw his viral moment as an opportunity for good. Bailey and spectacle maker Cubitts recently partnered to launch a limited-edition pair of sunglasses, inspired by his eyewear worn in the film, according to WWD. A portion of the sales will benefit Bailey's charity The Shameless Fund, which he established last year in support of the LGBTQ+ community to 'live authentically.' Bailey is also busy living out his dream of playing in the 'Jurassic' orchestra when they recorded the score for the new film at Abbey Road Studios. Bailey was able to perform the clarinet solo that played over a scene where his character interacted with a dinosaur for the first time. 'I'm sort of shaking,' Bailey said in a featurette for the film after recording his solo. 'It's a total dream come true.' And then, of course, there's bee-swatter and Internet 'daddy' Pascal, who is literally everywhere lately. He not only recently appeared (and absolutely broke our hearts) in the second season of HBO's 'The Last of Us,' but he also showed up in Celine Song's anti-rom-com 'The Materialists,' out now. If that weren't enough, he will also be appearing in the Ari Aster-directed drama 'Eddington' and Marvel's 'Fantastic Four,' both out later this month. He'll also be reprising his role as the titular helmeted hero in the 'Star Wars: The Mandalorian and Grogu' film next year. Outside of being one of the most sought-after movie and TV stars of the time, Pascal, like Bailey, is an outspoken advocate for LGBTQ+ causes. In April, Pascal set the internet abuzz when he attended Marvel's 'Thunderbolts*' premiere in London wearing a white t-shirt that read 'protect the dolls' to show support for the transgender community, including his sister, Lux Pascal, who came out as a transgender woman in 2021. The t-shirt was designed by London-based designer Conner Ives. All profits from the shirt benefit Trans Lifeline, a charity that offers emotional and financial support to transgender people. The Pascal craze came to a boiling point last month when a lookalike contest was held in New York City, as part of a growing trend that brings out doppelgängers of our most sought out celebs. 'It's the Pedro takeover,' Emma Stone, who stars alongside him in 'Eddington,' gushed about Pascal during an appearance on 'Jimmy Kimmel Live!' last week. 'He's so wonderful. He's talented, he's gorgeous, he's nice, he's funny.' We can see it, too, Emma. Even Robert Downey Jr., who will appear alongside Pascal in Marvel's upcoming 'Avengers: Doomsday,' can't get enough of Pascal. 'Pascal's slow trajectory to becoming a household name who is on a wildly hot streak kind of reaffirms my faith in our industry,' Downey said in a Vanity Fair interview published last week. Pascal celebrated his milestone 50th birthday in April and spoke playfully and modestly about the renaissance he's currently having at this age. 'Stepping into my 40s felt adult and empowered,' Pascal told the publication. 'Fifty felt more vulnerable—much more vulnerable… What a silly thing for a 50-year-old man—to have all this attention!' 'Silly'? Not quite. More like superb. CNN's Dan Heching contributed to this story.
Yahoo
an hour ago
- Yahoo
La Roux Wants You to Know That Beyond Singing, She Also Writes, Produces and Performs Her Music
If you are attending the Friday opening night of the 59th edition of the Karlovy Vary International Film Festival, get ready for stars, fireworks and 'Tropical Chancer,' 'I'm Not Your Toy' and 'Bulletproof' courtesy of La festival, kicking off the European summer holiday season, has a track record of free opening night concerts that get the Czech spa town grooving. Two years ago, Russell Crowe rocked the crowd, and electronic band Morcheeba got folks moving. Last year, Kosheen was in the house – well, actually in the square outside the Hotel Thermal. This year, another big British name is ready to bring the party to Karlovy Vary, which runs through July 12: Grammy-winning synthpop act La Roux. And is tradition, the fireworks on stage will be followed by a fireworks display. More from The Hollywood Reporter The Front Man Speaks: 'Squid Game' Star Lee Byung-hun Unpacks His Character's Mysterious Inner Thoughts Tennis Star Taylor Fritz Is Eyeing His First Grand Slam - and He Really Hates to Lose Moncler Casts Real Life Couple Brooklyn and Nicola Peltz Beckham in "London, A Love Affair" Campaign La Roux's self-titled debut album in 2009 was a critical and commercial success and won numerous awards. It produced such hits as the ones mentioned above. It was the creation of singer Elly Jackson, known for reddish hair that also inspired the band name, and record producer Ben Langmaid, who later left the duo. Jackson followed up the debut album with 2014's Trouble in Paradise, followed by 2020's Supervision. Ahead of the Karlovy Vary performance, Jackson, born in London to actors Trudie Goodwin and Kit Jackson, talked to THR about how her music has changed, her next album, why she deserves more credit, and how female music creators must often still fight to get it. How do you feel about how your music and your style have evolved and changed over time and how much you have developed as an artist? I feel that probably the biggest difference is that, as time has gone on, I've learned how to be more authentically myself in my work, whilst creating stylized worlds. When I first started, thinking about it from a psychological perspective, maybe there was some kind of covering up of who I really am, but under the guise of creating characters. Although I'm really proud of that time and I wouldn't change it for anything, and I love all the visuals I did, it's nice to be able to take the shell off a little bit as you get older and learn to be who you are, but still in an artistic landscape. That's been a nice process, a kind of unmasking, but hopefully not in a really boring way. Where did the name La Roux come from? Basically, I just didn't want it to be my name, because I think that's really boring. Generally, names as a kind of artist name are quite dull nowadays anyway. And I also wanted it to be a name that meant that I could do lots of different things throughout my career. I felt there was an ability within that to have a bigger musical scope. I wanted my name to be able to encapsulate different things and feelings, and that's when I decided to come up with a project guy that I did the artwork with on the first album is Alex Brown. We're friends and we met when he was still at uni. I told him, 'I've given myself this week to come up with a name for the project, and if it goes on any longer than that, it's going to get silly.' When I went round to his house, he said, 'I just found this '80s baby name book in a skip outside – maybe you'll find a name in here.' The first page I opened said Laroux,' and I'd wanted the name to encapsulate my red hair. I also wanted to have the letter X in it, because my music was electronic, and when I was a teenager, those things went together. And I also wanted it to be a bit French, because I have some French heritage in my background. And weirdly, that is exactly what those words mean. La Roux means red-haired one in French. But even more handily, it's the male version of that. So it's actually, kind of by accident, a very androgynous name as well. A friend once said: 'La Roux reminds me a bit of an actress…' Tilda Swinton? Exactly! Have you met her? Or was she an inspiration for you? Weirdly, I didn't actually know who she was when I was younger. My mom is an actress in the U.K., and she knew who she was, of course. And obviously, I know who Tilda Swinton is now, but I didn't then. I was very young. My mum was like: 'There's some similarity between you and Tilda Swinton. And I said: I don't even know who she is, so it can't be intentional.' Anything that I had been like had probably come more from listening to Annie Lennox my whole life. I just happened to be ginger, and I had short hair, and I like '80s music, so the things are going to get combined. So no, it wasn't intentional at all. But then I met her, and we had a couple of pictures together, and she's very sweet. So, it was a brilliant moment. With your family background and your talents, have you done any acting or have you created any film or TV music? One of the biggest frustrations of my career is that people never asked me to produce anything when I produced my last three albums, and I play all the parts, and I arrange and compose every record. It's always been really shocking to me that no one has asked me to do a soundtrack. No one's ever asked me to write anything on commission or produce anything. I find it very strange that it makes me feel like we must still live in a sexist world that I hope we don't live in, but we do. I would love to do that, but I've never been asked. I did get asked to audition for a film role once or twice, but weirdly, being on stage in front of 50,000 people wouldn't scare me, but doing that scares the living daylights out of me. I really like doing little bits of silly sort of acting in music videos. I really enjoy that. And I don't think I'd be a terrible actress, but the setting would have to be very right. And I'm not the kind of be-it-all, do-it-all kind of artist. I like music. Friends of mine in Central and Eastern Europe all know your music. It seems like you have a fan base there…but have you played a film festival before? I can't remember exactly where 'Bulletproof' was a number one, but I remember it being big in that part of the world. I've played all over Germany. I've played in Poland. And I have played a fashion show or two. But I don't think I've done a festival before. How important was or is 'Bulletproof' to you personally and your career? Actually, 'Bulletproof' came at the end of the first record. It was the last thing we wrote for the record. And it wasn't intentional. What happened was: Ben was on the phone, and I was in the living room on the keyboard, and I started playing the main sounds, an arpeggiated part. And he just came in and said, 'Record that!' And then we just wrote the song. I was pissed off at the time because I'd been trying to date somebody, and they'd been dicking me around. I'd been listening to a lot of Yazoo, and that was a big reference on the day. Why 'Bulletproof' is weird for me is that it was throwaway when I wrote it, and it still feels really throwaway to me. It's like it's not for me, even though I wrote every single part in it and co-wrote the lyrics with Ben. It doesn't represent who I am as an artist or a person at all. For me, I would say it's outside of the catalog, which is probably also why it's successful. But I feel that track just has a completely different feeling from anything else, which is also why it's big. We'd already written the album. We were already getting signed to Polydor. We were in a very relaxed, confident space, and I think for both of us, that day was just easy, because it just flowed. And we knew we'd written a really good song, but neither of us knew we'd written something that was going to essentially pay us for the rest of our lives. It is crazy when you think about what an afternoon can do. Which one of your tracks is, or are, a good representation of who you are as an artist and person? I would say 'Tropical Chancer,' 'Sexotheque,' 'Cruel Sexuality' [on album 2, Trouble in Paradise]. 'Colourless Colour' [from the first album] was very me at that time, probably the most me track on that album at the time. And 'Quicksand' was a big one for me back then, too. And then later, 'Otherside' is my favorite track from Supervision and is the most me. 'Automatic Driver' and 'Gullible Fool' as well. Since these days, it seems like everything is political, any political or social issues you'd like to share?Just: Free Palestine. What's next for La Roux? I have a new record that is written and finished, and it's on its way. I'm also working on other music. I've gotten back into my flow now. Anything you can share about this fourth studio album you just mentioned? Is it different in any way? It's a La Roux record. It's not like I've gone down some wild [path] or anything, but at the same time, I would say that it's a lot warmer. It's got R&B references, but I wouldn't say that it's an R&B record. It has R&B moments, but it's a pop record. It's got my own slant on an R&B flavor, shall we say? Before I let you get back to work, anything else you'd like to highlight or follow up on? The only thing at the moment is that I've really realized how frustrating I find it that I don't get recognized in the same way as my male counterparts for my production work. That's something I want to talk about. I kind of just ignored it in the past and was just like, 'Whatever, it is what it is.' But it's something that I recently found I actually really need to speak up about, because otherwise it's just going to continue. I am doing three years of work at a computer by myself, and then people ask: 'Which guy did this?' It's beyond frustrating, as I'm sure you can imagine. So, I'm now always trying to remind people that, when you listen to my music, I wrote and performed all of it, unless it's a saxophone or the odd bass part that's difficult. Maybe three parts across an entire album are performed by somebody else. Sometimes, I get a percussionist in at the end who specializes in percussion. Or if I want the piano to be really grandiose and old-school, then I would get a pianist in. But I would have written the basic part already. That happens maybe three times across an entire album, and still, I don't get the credit for the other 90 percent or 80 percent that I did. It's just very frustrating. It's not just men who do it. Women do it as well. We're just brought up in a way where we categorize certain tasks into genders, and we don't know exactly where it starts or how we do it. It happens to all of us, and you can't really blame people for just what they've absorbed throughout their lives. But we can try and change it moving forward. It's just about women communicating, unfortunately, slightly louder than men have to, which is also annoying. Maybe we just have to find ways of talking about it and making sure people do know, because otherwise, why would I bother sitting there all day trying to get better at something if no one even knows I'm getting better at it or recognizes that I even did it in the first place. Best of The Hollywood Reporter From 'Party in the U.S.A.' to 'Born in the U.S.A.': 20 of America's Most Patriotic (and Un-Patriotic) Musical Offerings Most Anticipated Concert Tours of 2025: Beyoncé, Billie Eilish, Kendrick Lamar & SZA, Sabrina Carpenter and More Hollywood's Most Notable Deaths of 2025
Yahoo
an hour ago
- Yahoo
Kenneth Colley, Admiral Piett in a Pair of ‘Star Wars' Films, Dies at 87
Kenneth Colley, the British actor who appeared in seven features for director Ken Russell and portrayed the Darth Vader underling Admiral Piett in the Star Wars films The Empire Strikes Back and Return of the Jedi, has died. He was 87. Colley died Monday at his Ashford home in Kent, England, of complications from COVID and pneumonia, his agent Julian Owen announced. More from The Hollywood Reporter How Jamaal Fields-Green Took Charge of the Tony-Favorite 'MJ the Musical' and Made It His Own Why the John Garfield Retrospective at Karlovy Vary May Seem More Political Than Intended Paolo Sorrentino's 'La Grazia' Set to Open Venice Film Festival For Ken Russell, Colley played dramatist Modest Ilyich Tchaikovsky, younger brother of the famed composer, in The Music Lovers (1971), and he did six other features with the director: The Devils (1971), The Boy Friend (1971), Mahler (1974), Lisztomania (1975) — as Frédéric Chopin — The Rainbow (1989) and Prisoner of Honor (1991). In a career that spanned more than 60 years, Colley also enjoyed a fruitful association with Monty Python and its members; he worked with director Terry Gilliam in Jabberwocky (1977) and with Michael Palin and Terry Jones on a 1977 episode of the BBC's Ripping Yarns and played Jesus in Life of Brian (1979). He had a stutter that he said disappeared whenever he was onstage or in front of a camera. Colley's Firmus Piett served as first officer of the flagship Star Dreadnought Executor under Admiral Kendal Ozzel (Michael Sheard) in The Empire Strikes Back (1980), then assumed command of the ship after Ozzel's death at the hands of Vader. He wasn't expected back for Return of the Jedi (1983). 'But I got a call from my agent saying there's been a lot of fan mail about this character and George [Lucas] has decided to put him in the next one, do you want to do it?' he recalled in a 2008 interview. 'I said sure, yeah. Who wouldn't?' He returned to play Piett once more in the 2012 animated telefilm Lego Star Wars: The Empire Strikes Out. Born in Manchester on Dec. 7, 1937, Colley began his professional acting career in 1961 and went to perform for London's Old Vic, The Royal Court Theatre and the Royal Shakespeare Company. Also in the 1960s, he showed up on episodes of The Avengers, Coronation Street and Emergency-Ward 10 and in such films as How I Won the War (1967) and Oh! What a Lovely War (1968). Other notable roles included the Duke of Vienna in Shakespeare's Measure for Measure for the BBC in 1979; a Soviet colonel in Clint Eastwood's Firefox (1982); Adolf Eichmann in the 1985 NBC telefilm Wallenberg: A Hero's Story; a Nazi in the 1988-89 ABC miniseries War and Remembrance; the pirate Ben Gunn on the 1986 Disney Channel miniseries Return to Treasure Island; and a crime boss on the BBC's Peaky Blinders in 2016. Colley's work as Piett made him a popular figure at Star Wars conventions and events all over the world. 'If you let it, it becomes a way of life,' he said in that 2008 interview. 'I think we're now into the third generation of people, who were not born, and it keeps it alive. For me, the personal experience is a very long time ago, but this kind of secondary experience is going on all of the time. I've just signed a picture for someone just a minute ago. I think it may outlive me.' Best of The Hollywood Reporter The 40 Best Films About the Immigrant Experience Wes Anderson's Movies Ranked From Worst to Best 13 of Tom Cruise's Most Jaw-Dropping Stunts