logo
Film Body Writes Open Letter To Border 2 Makers About Diljit Dosanjh's Casting: "Deeply Disappointed"

Film Body Writes Open Letter To Border 2 Makers About Diljit Dosanjh's Casting: "Deeply Disappointed"

NDTV5 days ago

New Delhi:
The Federation of Western India Cine Employees (FWICE) has expressed disappointment and concern about the casting of actor-singer Diljit Dosanjh in the upcoming film Border 2.
Directed by Anurag Singh, Border 2 stars Varun Dhawan, Sunny Deol, Diljit Dosanjh, and Ahan Shetty. The upcoming sequel to the 1997 blockbuster Border has a production team that includes Bhushan Kumar, Krishan Kumar, JP Dutta, and Nidhi Dutta.
Gulshan Kumar's T-Series presents the film in association with JP Dutta's JP Films. Border 2 will hit theatres on January 23, 2026.
FWICE has sent a letter to Bhushan Kumar, Chairman & Managing Director, T-Series, JP Dutta, and Nidhi Dutta Producers, JP Films, and director Anurag Singh.
The letter reads, "The Federation of Western India Cine Employees (FWICE), representing the core workforce of the Indian film and television industry, is deeply disappointed and concerned by the casting of actor-singer Mr Diljit Dosanjh in your upcoming film Border 2 produced under the banner of JP Films in collaboration with T-Series and directed by Mr Anurag Singh."
Calling the casting decision "blatant violation" of "FWICE's official directive to boycott Mr Diljit Dosanjh, which was issued after his unpatriotic act of working with a Pakistani actress, Ms Hania Aamir, in the film Sardaar Ji 3.
The letter added, "By choosing to collaborate with an artist who has so brazenly ignored the ongoing tensions and national sentiment, your production has directly undermined the stand taken by the Indian film industry in solidarity with the nation."
Diljit has found himself on the receiving end of a social media backlash after the trailer of his upcoming Punjabi film, Sardaar Ji 3, which features Pakistani actress Hania Aamir, dropped online.
"FWICE has time and again made its position clear - we will not accept or tolerate any cooperation or collaboration with Pakistani artists in any form or on any platform. Such actions are a disservice to the sacrifices made by our armed forces and citizens who continue to face the consequences of cross-border hostilities and terrorism," the letter reads further.
Asserting how "disturbing" it is "that a film like Border 2, which is supposed to honour the valour and sacrifice of Indian soldiers, has engaged an individual who has recently chosen to prioritize personal gain over national respect by associating with talent from a hostile nation. This not only defeats the spirit of the film but also sends a disheartening message to every Indian."
"We hereby request you to immediately reconsider your casting decision. FWICE urges you to stand by the nation and the industry's collective stand. Let us reiterate - for us, the nation comes first, and we expect the same unwavering commitment from every respected member of the film fraternity," the letter concluded.
On June 23, Federation of Western India Cine Employees (FWICE) expressed strongest condemnation and outrage against actor-singer Diljit Dosanjh, Gunbir Singh Sidhu, Manmord Sidhu and director Amar Hundal for casting Pakistani actress Hania Aamir in their upcoming film Sardaar Ji 3.
In light of this event, FWICE makes a direct and urgent appeal to the Prime Minister of India, the Home Minister, the Minister of External Affairs, and the Minister of Information & Broadcasting to take strict and immediate action against Diljit Dosanjh, Gunbir Singh Sidhu, Manmord Sidhu and director Amar Hundal, as per an official statement.
In the letter to Prime Minister Narendra Modi, FWICE wrote, "We, the undersigned office bearers of the Federation of Western India Cine Employees (FWICE), representing scores of dedicated workers who form the backbone of India's film and television industry, write with deep outrage and unwavering conviction over an act that not only defies the laws and directives of our country but insults the soul of our nation."
FWICE has sent a letter to the Chairperson, Central Board of Film Certification (CBFC), to "withhold certification of the film Sardaar Ji 3 containing Pakistani artists."
"The controversy comes in the wake of Pahalgam terror attack on April 22, followed by India's Operation Sindoor on May 7, in which air strikes were carried out on terror bases in Pakistan and Pakistan-occupied Kashmir. Several Pakistani artists, including Hania Aamir, had their social media accounts made no longer accessible in India following the ghastly Pahalgam attack.
Meanwhile, sharing the trailer of the horror-comedy franchise on his Instagram on Monday, Diljit announced that the film will release exclusively overseas on June 27, 2025.
The comments section of the actor's social media platform quickly turned into a storm of angry reactions, with Indian netizens expressing their disappointment over his decision to work with a Pakistani artist, amidst tensions between the two countries.
The trailer of Sardaar Ji 3 is currently not on YouTube India but has been shared by Diljit on his Instagram page.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Tale Beyond Time
Tale Beyond Time

New Indian Express

timean hour ago

  • New Indian Express

Tale Beyond Time

Bengaluru is set to witness an extraordinary cultural event as the timeless Sanskrit classic Mrcchakatikam takes to the stage in the awe-inspiring tradition of Kutiyattam – one of the world's oldest living theatre forms. Directed by G Venu, a pioneer in reviving and sustaining this ancient art, the production by Natanakairali is set to make its world premiere in the city, marking a milestone in contemporary Indian classical theatre. Presented by Bhoomija, with support from the Rohini Nilekani Philanthropies Foundation, Mrcchakatikam (The Little Clay Cart) – unlike most Sanskrit dramas rooted in divine mythology and royal epics – bursts with life through its vivid, deeply human characters. From star-crossed lovers and crafty thieves to streetwise gamblers and philosophical monks, set against an ancient urban backdrop, the play resonates with themes of love, justice, social tension and political intrigue – making it as timely today as it was centuries ago. 'I chose this play because it is very ancient, but at the same time, very different from other Sanskrit plays. The main characters here are ordinary people – not kings or gods. Also, the culture depicted in the play is quite ideal. That 2,000 years ago, the author, Sudraka, was thinking about women's freedom and other progressive ideas left me with a yearning to produce it for a long time,' begins Venu. The production features prominent personalities like Sooraj Nambiar, Pothiyil Ranjith Chakyar, Kapila Venu [daughter of G Venu], Margi Sajeev Narayanan Chakyar, Saritha Krishnakumar and Kalamandalam Jishnu Prathap to name a few. Also featured are Nepathya Sreehari Chakyar, Sankar Venkateswaran, Margi Anjana Sajeev, Gurukulam Tharun and Arun Kapila, among others.

When life is a game
When life is a game

New Indian Express

timean hour ago

  • New Indian Express

When life is a game

While I was researching options for this article, my husband was joking about how some childhood memories linger forever. He then went on to recite a couplet written by Kabir Das that he had learned in school. It was almost as if he had just studied it for a test yesterday. Kabir Das was a 15th-century Indian mystic poet and saint whose verses continue to resonate across religious and cultural boundaries. Born in or around 1398 in Varanasi, Kabir was one of the most influential figures of the Bhakti movement. It was his birthday in June, which was reason enough to do some digging. With my passion for traditional games, I started researching Kabir Das's associations with games and play. There is no historical record or mention of Kabir Das engaging in games or recreational play as we think of it today. His life was centered around spiritual inquiry, poetic expression, and challenging the religious orthodoxy of his time, even when he was a child.

Mu-synch for the soul
Mu-synch for the soul

New Indian Express

timean hour ago

  • New Indian Express

Mu-synch for the soul

It is a known factor that the universal language of music knows no bounds – bridging cultures and connecting people from all walks of life. Known for blending Afro-Caribbean rhythms with funk and global grooves, French-Caribbean musician David Walters is an example of this phenomenon, of creating music which resonates with audience from diverse backgrounds. He recently brought it to the city as part of the Fête de la Musique festival, held at Alliance Francaise de Bangalore on Friday, as a part of his Indian tour. 'I was surprised to receive such a warm welcome from an audience that barely knows me, an audience of all ages, from children as young as three years old to those in their 80s, 20s, and entire families. These are real encounters with the audience – baths of joy,' he shares. For Walters, music is a deeply emotional process. 'What inspires me is what I experience. I draw from lived experiences – moments of love, loss, melancholy, joy, and rebirth. My deepest inspirations come from these emotions – they are numerous and infinite,' he shares. This philosophy is reflected in his aim – to bring along and blend global influences in music. 'Caribbean rhythms are naturally part of me – they are in my DNA – and when I combine them with global influences, like Indian folk or soul from the '70s, it becomes a fusion of emotions and experiences,' Walters notes. Collaboration and cultural exchange are central to Walters' process. 'I've worked with artistes like Seun Kuti, Flavia Coelho, Keziah Jones, and many others – all born out of real human encounters,' he says. His recent collaboration with Indian classical musicians, including Rajasthan Roots, has been a revelation. 'Indian music carries immense depth, tradition, and learning. Working with them has taken me out of my comfort zone in the best way,' he adds. For Walters, live performance is more than just entertainment; it's a way to heal and connect with others. 'Music for me is more than sound; it's a space of expression and healing. And dance helps us heal, it cares and uplifts us – just like music. They are not opposed but complementary,' he emphasises, adding, 'Also, I like to leave space for the musicians I play with to express themselves. The voice may be the first instrument, but I believe that instruments, silence, and emotion also speak deeply. That honesty on stage is what allows for a real connection.' Currently touring around the nation with an aim to engage in intimate musical residencies with local folk musicians, Walters hints at potential collaborations with more Indian musicians. 'I do hope to stay longer in India someday to record with Indian musicians – there's a soulful connection between India and the Caribbean, not just musically but culturally too, especially considering the Indian diaspora in the Caribbean since colonial times,' he concludes.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store