logo
Hermès: Summer in the city

Hermès: Summer in the city

Fashion Network2 days ago
"Hot town, summer in the city," were the lyrics to B.B. King's greatest classic, and the leitmotif of an insouciantly chic Hermès collection staged on a steamy Saturday in Paris.
See catwalk
Presented inside the Conseil de Surveillance, a temple to French 1930s Rationalist architecture, a beautiful building sadly devoid of air conditioning. So much so, the cast looked the coolest people – literally and figuratively – at this show.
An airy collection, where trousers were made of leather lattice material, and cardigans in knitted leather. Half the shirts had openings, inserts or little fabric windows, 'latticed with light and air,' in the words of Hermès designer, Véronique Nichanian.
Lightness in leisure, with striking new proportions - wide pants and short jackets – and a huge sense of ease.
'It's about a guy being cool in the city, and the sense of the wind blowing through it,' added Nichanian.
She opened with surgical smocks or Henleys – in second-skin calfskin, all worn with a new fringed foulard. Not a tie anywhere. Then played around with multifunctional garments – chemise jackets or safari/parkas. When she did work with exotic skins, she used them in hunters gilets.
Her leather sandals full of slits; her flip flops were trimmed with rope. Over a dozen guys carried huge, big bags, totes, weekenders or sailor keep-alls.
See catwalk
'I love a great big bag, since I am a tiny one,' laughed the diminutive, but always dynamic designer.
Big deep bags made in canvas and leather, or finished in prints of show jumpers or a dancing monkey, 'just for fun, as we need a little more these days.'
After last season, when she stunned Hermès veterans with a squadron of shorts, Nichanian this time abandoned them completely, just when every second menswear collection had multiple short pants options.
She made it her much admired understated palette of putty, string, vanilla, dust and coffee, and produced in the finest fabrics available, there is no better statement of easy elegance in menswear today than Hermès.
The opening lines of King's classic tune rhymes: 'Hot town, summer in the city. Back of my neck getting' dirty and gritty.'
Nothing could be further from that chez Hermès, thanks to these excellent clothes.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Donald Trump signs an executive order ending US sanctions on Syria
Donald Trump signs an executive order ending US sanctions on Syria

France 24

time3 hours ago

  • France 24

Donald Trump signs an executive order ending US sanctions on Syria

01:52 01/07/2025 DR Congo: Tshisekedi addresses peace deal with Rwanda on Independence Day 01/07/2025 Gaza rescuers say Israeli forces kill over 50 as ceasefire calls mount 01/07/2025 France's public media reform faces strikes and heated assembly debates 01/07/2025 Algerian court upholds five-year jail term for French-Algerian writer Boualem Sansal 01/07/2025 Europe suffocates under an intense heatwave 01/07/2025 France shuts schools as heatwave grips Europe 01/07/2025 'Iranians don't trust the sky anymore, they don't trust the ground as before' 01/07/2025 France bans smoking in more public spaces France 01/07/2025 Jury returns to deliberate for a second day at Sean 'Diddy' Combs' sex trafficking trial

'In our blood': Egyptian women reclaim belly dance from stigma
'In our blood': Egyptian women reclaim belly dance from stigma

France 24

time14 hours ago

  • France 24

'In our blood': Egyptian women reclaim belly dance from stigma

Once iconic figures of Egypt's cinematic golden age, belly dancers have watched their prestige wane, their art increasingly confined to nightclubs and wedding halls. "No woman can be a belly dancer today and feel she's truly respected," said Safy Akef, an instructor and great-niece of dance legend Naima Akef, a fixture on the silver screen during the 1950s. Despite her celebrated lineage, Safy, 33, has never performed on stage in Egypt. "Once the show ends, the audience doesn't respect you, they objectify you," she told AFP. Today, belly dance is known for skin-baring theatrics performed by foreign dancers and a handful of Egyptians. The shift has fuelled moral disapproval in the conservative society and pushed even the descendants of iconic starlets away. "People ask me all the time where they can see belly dancing that does justice to the art," said Safaa Saeed, 32, an instructor at a Cairo dance school. "I struggle to answer," she told AFP. Saeed, who was enchanted by Akef as a child, is now part of a movement led by choreographer Amie Sultan to reframe the art as part of Egyptian heritage, fit for theatres, festivals and UNESCO recognition. Colonial baggage A classically trained ballerina turned belly dancer, Sultan prefers to call what is formally known as oriental dance baladi, from the Arabic word "balad", meaning homeland. "Baladi reflects the soul of who we are." "But now it carries images of superficial entertainment, disconnected from its roots," she told AFP. This disconnection, Sultan said, stems from shifting moral codes -- and colonial baggage. In her book "Imperialism and the Heshk Beshk", author Shatha Yehia traces the artform's roots to ancient Egypt, but says the modern colloquial term only emerged in the 19th century, coined by French colonisers as danse du ventre, or "dance of the belly". While descriptive, the phrase exoticised the movement and shaped perceptions both at home and abroad. "Heshk beshk", an old onomatopoeic Egyptian expression evoking a performer's shaking moves, "is not merely a label for the dancer", Yehia writes. "It is the Egyptian vernacular version of a femme fatale, the destructive woman who wields her body and feminine power to get what she wants. It's not just a label of vulgarity or immorality, it's synonymous with evil and debauchery." Yehia argues that views on "heshk beshk" -- now shorthand for provocative, lowbrow dancing -- were shaped both by Western imperialism and local conservatism. The fallout has been generational. Akef's great-aunt was a star who "acted, danced and created iconic film tableaux". But Safy instead has chosen to train others, including in Japan, where she spent three years teaching Egyptian folk and belly dance. 'Place of our own' Sultan launched the Taqseem Institute, named after the improvisational solos of Arabic music, in 2022. Since then, dozens of women have been trained at the school, seven of whom now teach full-time. The students are trained not only in choreography, but also in musicality, history and theory. They study the evolution of Egyptian dance from pre-cinema figures like Bamba Kashshar and Badia Masabni through the golden age icons like Tahiya Carioca and Samia Gamal. Sultan even takes the message to universities, giving talks to demystify the art form for new audiences, while her dancers work to preserve its history. In 2023, she staged El-Naddaha, a performance blending Sufi themes with traditional and contemporary Egyptian movement. Still, challenges remain. "We want to have a place of our own -- like the old theatres -- a teatro where we can regularly perform," Saeed said. Sultan is also pushing for official recognition. She has begun the process of campaigning for the dance to be inscribed on UNESCO's Intangible Cultural Heritage list. But the path is long and requires support from the country's culture authorities. For the time being, the dancers at Taqseem focus on their next performance. Barefoot and clad in fitted dancewear, they hold one final run-through, undulating to a melody by Egyptian diva Umm Kulthum as the beat of a tabla drum echoes. It's a dream come true for Saeed, who has been dancing since she was a child. "I believe it's in our blood," she said with a smile. © 2025 AFP

NASA eyes summer streaming liftoff on Netflix
NASA eyes summer streaming liftoff on Netflix

France 24

time20 hours ago

  • France 24

NASA eyes summer streaming liftoff on Netflix

"Whether you're a die-hard space nerd or someone who just really, really enjoys seeing Earth glow from 250 miles up, the countdown has officially begun," Netflix said in a blog post announcing the new NASA+ feed. Programming will include "jaw-dropping Earth views from the International Space Station (ISS), astronaut spacewalks that make your palms sweat" and rocket launch livestreams, according to Netflix. NASA said its partnership with the entertainment company, which reported over 300 million subscribers in December, aims to "bring space a little closer to home." "Our Space Act of 1958 calls on us to share our story of space exploration with the broadest possible audience," wrote Rebecca Sirmons, general manager of NASA+. The stream is committed to "inspiring new generations -- right from the comfort of their couch or in the palm of their hand from their phone," she added. NASA+ programming will remain free of charge for viewers on the website and the agency's mobile app. Netflix announced a similar partnership with French television group TF1 earlier this month, its first such deal with a major traditional broadcaster anywhere in the world. That programming is slated to launch in summer 2026, giving Netflix subscribers in France access to five TV channels and a streaming platform. The terms of the Netflix deal were not made public, but follow in the footsteps of other partnerships to expand its content offerings. The company entered new territory at the end of 2024 by livestreaming two NFL games and a boxing match between YouTube personality Jake Paul and retired professional boxer Mike Tyson.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store