Bengals quarterback Joe Burrow reveals he canceled Batmobile purchase after home burglary
The two-time Pro Bowler will no longer have the car to fit the part, though.
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Burrow revealed on Netflix's latest season of "Quarterback" that he canceled his previous purchase of a real-life Batmobile, Batman's go-to ride in Gotham City.
Burrow rethought the acquisition after his Cincinnati home was broken into last December. The burglary occurred while Burrow and the Bengals were on the road playing the Dallas Cowboys in Week 14.
He had originally mentioned he was buying the replica vehicle, which goes for $3 million, during last year's in-season "Hard Knocks" series that featured all four AFC North teams.
"I didn't end up getting the Batmobile because I just had other things I wanted to deal with at that point," Burrow said on "Quarterback," which was released Tuesday.
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After a 27-20 win over the Cowboys on Dec. 9, Burrow found out his house was ransacked.
Law enforcement responded to Burrow's home around 8:14 that night. While Burrow was away, a bedroom window on the back side of his house was broken and rooms were rummaged through.
A federal grand jury in Cincinnati charged three men believed to be operating as part of a South American Theft Group, according to the U.S. Attorney's Office for the Southern District of Ohio.
"Quarterback" shows a conversation between Burrow and then-Bengals defensive coordinator Lou Anarumo from last winter. Burrow explains the fallout of the burglary, noting stolen jewelry but also, more importantly, an invasion of privacy.
As shown in "Quarterback," Burrow discusses the inconvenience of having news vans camped out by his house and even talks about the possibility of him moving houses.
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"I just get very uncomfortable," Burrow told the show in another scene. "My life is very public. That comes with the job, but there's certain parts of your life that are yours. Your house is one of those."
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Tom's Guide
13 minutes ago
- Tom's Guide
Netflix drops first trailer for new mystery thriller series — and it looks like a twisty ride full of murder and secrets
Netflix has just dropped a trailer for the twist-filled thriller 'The Hunting Wives,' but here's a curveball: it didn't originate with Netflix. The new series was actually acquired from Starz, meaning it won't carry the streamer's original branding, but that's not stopping it from becoming a potential No. 1 hit when it debuts on July 21. Originally developed by Starz, the show quietly changed hands in a strategic move that now places it in front of Netflix's global audience. And if the trailer is anything to go by, this southern-set mystery could have viewers hooked. With a starry cast led by Brittany Snow and Malin Åkerman, the story follows a bored housewife who relocates to East Texas and falls in with a seductive clique of elite women, a decision that leads to obsession, betrayal, and ultimately, murder. Malin Akerman, Brittany Snow, Katie Lowes, Chrissy Metz, and Dermot Mulroney star in The Hunting Wives — a new series premiering July 21. When Sophie moves to East Texas, an intoxicating group of affluent women usher her into a world of seduction, jealousy, and murder. 9, 2025 The trailer for 'The Hunting Wives' introduces a group of wealthy women living lives of leisure, spending their days sipping cocktails, flirting, and shooting for sport. But their seemingly carefree world takes a dark and sudden turn when a night of fun spirals into chaos. Sophie (Snow) and Margo (Akerman) find themselves entangled in a deadly situation, forced to cover up a murder in a town where secrets run deep and trust is in short supply. As the pressure mounts, it becomes clear that betrayal could come from anywhere, even from those closest to them. For now, the new series appears to be available exclusively in the United States. While there's a chance it could be licensed in other countries later (especially if it becomes a breakout hit) it's currently geographically limited to the U.S. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. 'The Hunting Wives' centers on Sophie, a woman who relocates to a small town in Texas and quickly becomes entangled with a dazzling group of local wives. Their days are filled with high-end fashion, midday cocktails, and weekend hunting trips, but beneath the surface, there's far more going on. 'The Hunting Wives' is based on a bestselling novel, a sharp and sultry story that dives headfirst into the lives of wealthy southern women and the secrets they try to keep buried. As Sophie slips deeper into their seductive world, the dynamic begins to shift. The women (charmed by Sophie's quiet presence and mysterious past) become increasingly fixated on her. And while Sophie appears to be swept up in their allure, she may be hiding a few secrets of her own. At the center of it all is Margo, the group's leader. She takes a special interest in Sophie, even confiding personal details as their bond intensifies. But things start to spiral as Margo's husband (Dermot Mulroney) launches a political campaign, forcing her to clean up her image. The cast also includes Evan Jonigkeit as Sophie's husband, Graham, Chrissy Metz as Starr, a devout outsider who doesn't fit in with the elite wives, and Katie Lowes as Jill, a pastor's wife with a fierce maternal streak. Jaime Ray Newman plays Callie, a sharp-shooting member of the inner circle, and George Ferrier rounds out the group as Brad, whose 'charm hides darker layers.' 'The Hunting Wives' is based on May Cobb's bestselling novel, a sharp and sultry story that dives headfirst into the lives of wealthy southern women and the secrets they try to keep buried. The series comes from showrunner Rebecca Cutter, best known for 'Hightown' and 'Gotham.' Season 1 will feature eight episodes in total, with composer Jeff Danna behind the score. Judging by the newly released trailer, this looks like a twist-filled binge-watch, and I'm certain it will climb the ranks in Netflix's top 10 list based on the intriguing premise alone. While it's not labeled a Netflix original, 'The Hunting Wives' seems to have the right ingredients to draw viewers in with its dark twists and southern setting. Set to premiere on U.S. Netflix on July 21, it will be interesting to see how viewers respond once it's released since there hasn't been much build-up.


Buzz Feed
28 minutes ago
- Buzz Feed
22 Rules Behind The Dallas Cowboys Cheerleader Training
I don't know about you, but I was floored when I watched Netflix's America's Sweethearts: Dallas Cowboys Cheerleaders, the docuseries chronicling the making of the Dallas Cowboys cheerleading squad. And since Season 2 dropped on June 18, we've gotten even more of an inside look at the inner workings of the iconic team, for better or for worse. The participants' passion, athleticism, and dedication were inspiring, and TBH, it broke down the stereotypes I had about cheerleaders if I'm being totally honest. The process of making the squad is an intense, months-long affair where sweat, tears, and extreme makeovers are just a small part of the process. After three days of binge-watching the docuseries, here's what I learned about what it's actually like to become a DCC: Hundreds apply online for the first round of auditions. Applicants turn in one headshot and one full-length photo, accompanied by a 20-second intro and a 60-second freestyle dance video. In Season 1, Kelli Finglass, the director of the Dallas Cowboys Cheerleaders program, mentions there were around 500 who applied online. In Season 2, Kelli shares that the number could now be in the thousands due to the popularity of the show. The head of the DCC hiring committee is Kelli Finglass and Judy Trammell, the head of choreography. Both cheered for the team in the '80s. Charlotte Jones, the EVP and Chief Brand Officer of the team, also oversees the program. From the video auditions, around 75 hopefuls are invited for in-person live solo performances in Frisco, Texas, where a panel of judges votes for contestants to move on to the next round. Becoming a DCC is highly competitive. Veterans — former team members who made it to the squad the previous year — still have to go through the live solo performance auditions and pass. And after that, they still have to make it through training camp. After contestants pass the live performances stage, they audition to showcase their moves on the turf. "The audition process is pretty comprehensive," Kelli says in Season 2. "The solos can show us amazing dancers with brilliant technique and years of training, but they're not doing a lyrical, contemporary, modern piece on our football field. A stadium requires an arena performer as opposed to possibly a soloist or a concert dancer." She adds, "It becomes a skill to learn how to project on a football field." Once they make it through the football field auditions, they're selected for training camp — but the audition process isn't over. Around 45 make it to training camp, with additional cuts to follow as they get closer to the finish line. Rachel Gill, who previously cheered for the DCC, wrote in D Magazine that "showmanship is a big factor in the judging." She said, "The directors can work with someone on improving her dance skills or be lenient with those who do not learn quickly as long as they execute the choreography when needed. But it is difficult to teach performance showmanship. You either have it, or you don't." At training camp, potential members get to finally learn the iconic AC/DC's "Thunderstruck" choreography. "I've been watching that dance since I was little, so to actually start learning it was surreal but much harder than expected," said Kelly Villares, who auditioned in Season 1. "The steps, there's so much to think about." The "Thunderstruck" dance routine has been performed by the DCC since the opening of the AT&T Stadium in Arlington, Texas in 2009, and has been part of the pre-game routine for the Dallas Cowboys. It's performed at every home game, and the iconic choreography is renowned for its precision and flair. The iconic dance routine features a "Point 1" and "Point 2" position, which are the two positions at the head of the dance sequence. It's an honor to take on these positions as a DCC. Usually, the ones chosen are veterans who demonstrate dance skills, a positive representation of the DCC, and showmanship. Another part of the making-the-team process includes an ANTM-like makeover session. Recruits are taken to a salon where hairstylists and makeup artists recommend new looks and hairstyles. "We have now seen them dance. We've seen them in an audition, competition environment," said Kelli. "And now, we're trying to make sure they are at their best look." Having that "DCC look" is a rather high ideal and there's a lot of pressure to live up to the standard and look a certain way. "There's this beauty about DCC that's perfect, and everyone thinks you're this perfect person," said Jayln Stough, who cheered with the team for five years. "We are looking for it to be exact with everyone. To get our makeup done right, our hair done, our nails done. Always smiling, never sad." She added, "That trickles into the locker room. That trickles into our everyday lives." In the end, out of the hundreds who apply and check all those boxes, only 36 women make the team, comprising returning veterans who have successfully rejoined and the new recruits. Once they make the team, they get to rock the iconic DCC uniforms. It's rumored that they only receive one pair, which means they have to keep it pristine and stay the same size since it's tailored to their body from when they're first recruited. "You don't get a new uniform," explained Kat Puryear, a retired veteran who cheered for the team for four years. "Once you're fitted for that uniform, that size is the size you get. You don't get to go up. If you go up, they're like, 'Why does this not fit you?'" Everyone also has to return their uniforms, even those who retire. Victoria Kalina, a fourth-year veteran in Season 1, spoke about her struggles with depression and disordered eating, and how being a part of the DCC didn't make it any easier. "As a dancer, that's the hardest thing that you can fight are eating disorders, plus depression," she said. "Game time comes, so then you just gotta get into those baby clothes, get into that baby uniform, and that cycle just keeps going." While there isn't an official height or weight requirement to become a DCC, it's suggested in the series that it helps if the cheerleaders are all around the same height, since they have to support each other physically in the kick line. The Dallas Cowboys Cheerleaders have been a huge part of pop culture since the '70s, and their uniforms are so iconic that they're actually hung in the Smithsonian. "To tell people you were a Dallas Cowboys Cheerleader, they all wanted to be your best friend all of a sudden," said one alumnus who danced for the team in the '70s. The cheerleaders refer to leadership, like Kelli and Judy, as "Ma'am." For Abby Summers, who auditioned in Season 2 and who grew up in Ohio, it was a bit of a culture shock. "I mean, first the 'Yes, ma'm.' Never said that in my life," she said. "But I do understand that's respect for them." Being a DCC is incredibly physical, especially since splits are required to make the team, and the team's signature moves are high kicks and the jumping splits. Kat, who danced for four years, said, "Both my hips are torn. Some girls' backs and necks are pretty messed up. A lot of girls get surgery." "Every single girl is super talented, and I'll be completely honest," said Jada McLean, a five-year vet, when discussing the new recruits and their live solo performances, "I have felt my body break down since I've been here, so watching them can be intimidating because I remember when there was a point in my life that I could do really cool tricks and stuff, and now, I'm just trying to keep my body in one piece."However, many of the cheerleaders share in the series that the moves are just so integral, they can't imagine not doing them. For the rookies, at the end of their inaugural year, they receive matching pinky rings commemorating their first year as a Dallas Cowboys Cheerleader. At public appearances, a "no-touch" policy is implemented. Fans are usually given a football to hold to prevent physical contact. "The football is so people don't touch us because people get freaking handsy," said Kat. "Especially when they start to know your name." In Season 1, Sophy Laufer, a second-year vet at the time, experienced an incident where she was allegedly "touched inappropriately" by a photographer during a game. She reported it to her teammates, who told the security guards and alerted the police. However, a statement was shared on the show: "After conducting an investigation, which included reviewing security footage from AT&T stadium, the Arlington police department determined there was not enough evidence to conclude that a criminal offense occurred." Regarding the situation, Jada said, "Just because we put on this uniform doesn't make us an object. ... I am still a human being who worked hard to put on this uniform. Treat me with respect, even when I have this on, you know?" Safety is a concern for the DCC, especially since their visibility has grown. Kat said of the fame, "I've had letters sent to my personal address." Kelcey Wetterberg, a five-year vet, shared an incident where she discovered someone had placed an AirTag on her car after she'd driven home. It took a mental toll on her, despite alerting the police and filing police reports. "There's never anything they can do until somebody hurts me," she said. Being a part of the DCC is considered a part-time, "hourly employment position," although it's mentioned in the series that during a busy season, they can work up to 40 hours a week due to selected additional appearances. Many juggle two or three other jobs on top of their work with DCC. The requirements are "approximately 10 home games," "3-4 rehearsals a week between 2-3 hours" from late July until the end of the Dallas Cowboys football season, and can include additional appearances. The additional appearances aren't mandatory, but it's considered an honor to be selected, and they're paid. The rehearsals are also told the New York Times in 2024 that she made "$15 per hour" and "$500 per appearance." In Season 2, like many of the other DCC's, she shared that she had another job to supplement her income. In Season 2, DCC vets Jada McLean, Amanda Howard, Megan McElaney, Kleine Powell, and Armani Latimer led the charge in fighting for better wages. In the end, their efforts resulted in a "400%" pay increase. Although, Jada clarified to Variety that the "400%" increase is multi-faceted. Jada said that some veterans will make $75 an hour or more, though the NY Times wrote, the organization, in an email statement, said they will "not confirm the new wages.""For some things, it's actually more than that an hour, but it depends," she told Variety in another interview. For example, for practices, it won't be the $75 hourly rate, however, at the games, "you will be paid more than that an hour." She continued, "Some people are like, '400% of what you're making a year?' I wish! But there have been increases in certain areas of 400%.''We pushed, and we got back good results,' said Armani Latimer, a five-year veteran who, like Jada, retired after Season 2. 'I love the fact that I made a change for the girls that are coming up behind me, even if I'm not getting a chance to benefit.'Kelli said in the docuseries, "You guys have moved some mountains this year that will forever change our organization and, hopefully, dancers organizations across the world," and that this change had been "60-plus-years long overdue." And lastly, if you were wondering whether there are any cheerleader-football player pairings on the show, there aren't and won't be. That's because, according to the series, the cheerleaders sign a "no fraternization" contract regarding the football players that states they cannot "date" or "fraternize" with them. What an exhilarating watch! Did you catch the series? What did you think? Drop your thoughts in the comments.


USA Today
43 minutes ago
- USA Today
Drake London featured as Atlanta Falcons' building block for the future
NFL franchises only go as far as their star players will take them. Teams that are the most successful have multiple stars at every position, such as the Philadelphia Eagles. Drake London has been a star since his days at USC. Each year in Atlanta he has taken his game to a higher level. If Atlanta had more guys like Drake London on offense and defense, the Falcons could finally take back the NFC South. In a recent article, Moe Moton of Bleacher Report highlights the most promising building blocks for each franchise. USC Trojan Drake London is the selection for the Atlanta Falcons. "The Atlanta Falcons have exercised the fifth-year option in Drake London's deal, and they should ramp up negotiations on a multiyear extension. Last year, despite quarterback Kirk Cousins' struggles in the pocket and Michael Penix Jr.'s inexperience, London broke out with 100 receptions for 1,271 yards and nine touchdowns. After a couple of decent but underwhelming years for a former top-eight overall pick, London showcased his full potential even with instability under center. Clearly, the No. 1 receiver in Atlanta and an ascending playmaker, he could make the NFC Pro Bowl roster if Penix makes a second-year leap as the Falcons' full-time starting signal-caller. Atlanta should offer London a pay raise before the price for his extension goes up next offseason." Having his talent on display regardless of quarterback play, and then ascending to being a 1,000-yard receiver, paints London as the future of this Falcon team. He is the player the organization can trust, someone the front office can have faith in retiring after a long and great career as a Falcon. The talent has always been there, but in the NFL Drake London's stardom is growing. We can see him becoming one of the best receivers in the NFL very soon.