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THE PARTY'S HERE! PARAMOUNT+ ANNOUNCES CANADA'S FIRST-EVER MTV SHORE FORMAT, CANADA SHORE (wt)

THE PARTY'S HERE! PARAMOUNT+ ANNOUNCES CANADA'S FIRST-EVER MTV SHORE FORMAT, CANADA SHORE (wt)

Casting is Now Open to all Canadians Until April 30, 2025
Produced by Canada's Insight Productions
TORONTO, April 8, 2025 /CNW/ -- Get ready, Canada 'it's t-shirt time'! Paramount+ announced today that casting is now open for the first-ever Canadian iteration of the smash-hit, international MTV reality 'Shores' franchise: CANADA SHORE (working title). The series is set to film in Summer 2025 and will be produced by Canada's Insight Productions.
Paramount+ in Canada is looking for ten fresh-faced, unapologetically wild Canadian singletons who embody the 'Shores' spirit. Together, they'll unite to make one big, imperfect family, ready to experience the most unforgettable, unfiltered summer of their lives. Nationwide casting is now open, and Canadians can apply HERE until April 30th.
The original series, JERSEY SHORE, was a pioneering cultural phenomenon that Canadians embraced. It launched the career of several fan-favorite, party-going housemates, including Mike 'The Situation' Sorrentino; Paul DelVecchio a.k.a DJ Pauly D; Jenni 'JWOWW' Farley; Nicole 'Snooki' Polizzi; Sammi 'Sweetheart' Gia; Deanna Cortese; Ronnie Ortiz-Magro; Angelina Pivarnick; and Vinny Guadagnino. Including the new Canadian version, the format has now spawned 18 spin-offs, with recent additions being AUSSIE SHORE and FRENCHIE SHORE.
'Canadians have loved this fun, shocking, and authentic format since JERSEY SHORE first debuted in 2009,' said Vanessa Case, Vice President of Content at Paramount+ and Pluto TV Canada. 'We're confident audiences will embrace this Canadian iteration, with its larger-than-life personalities, raw drama, and those unforgettable moments that define what becoming a Shore family is all about.'
Kelly Bradshaw, EVP, MTV Entertainment Group added: 'We are incredibly proud of how the 'Shores' franchise continues to expand around the world. Each new series is a testament to this tried-and-true format's global appeal, inviting new, local viewers into the 'Shores' universe whilst enticing long-standing fans back for a fresh take on it – and we're sure Canada won't disappoint.'
'Canadians may have a reputation for being polite, but we can be just as feisty, loud, dramatic, and unapologetic as anyone else,' said Erin Brock, showrunner on Canada Shore (wt) and Co-Chief Content Officer at Insight Productions. 'And Insight is on the hunt for the wildest, most outrageous young Canadians who want to party with their future chosen family this summer. We're beyond excited to team up with Paramount+ and can't wait to introduce Shore fans worldwide to a bold new crew!'
Paramount+ in Canada is currently home to AUSSIE SHORE, as well as being the streaming destination for all seasons of JERSEY SHORE and JERSEY SHORE FAMILY VACATION.
About Paramount+
Paramount+ is a global digital subscription video streaming service from Paramount that features a mountain of premium entertainment for audiences of all ages. Internationally, the streaming service features an expansive library of original series, hit shows and popular movies across every genre from world-renowned brands and production studios, including SHOWTIME®, BET, CBS, Comedy Central, MTV, Nickelodeon, Paramount Pictures and the Smithsonian Channel™, in addition to a robust offering of premier local content. The service is currently live in Australia, Austria, Canada, the Caribbean, France, Germany, Ireland, Italy, Japan, Latin America, Switzerland, the U.K. and the U.S.
For more information about Paramount+ and CANADA SHORE (WT), please visit www.paramountplus.com, and follow @ParamountPlusCA on social media.
About SHOWTIME/MTV Entertainment Studios & Paramount Media Networks
SHOWTIME/MTV Entertainment Studios & Paramount Media Networks is a global network of media assets that reaches over one billion people in more than 180 countries featuring some of the most iconic brands in entertainment including SHOWTIME, MTV, Comedy Central and Paramount Network among others – and, its Studios arm which produces 120+ series annually, including some of today's biggest hits such as Yellowstone, Yellowjackets, Emily in Paris, 1883, 1923, George & Tammy, South Park, Tulsa King, RuPaul's Drag Race, The Challenge and Jersey Shore, to name a few.
About Insight Productions
Insight Productions, known for its award-winning ratings juggernauts, is Canada's most established content producer and an industry leader in the development, financing, and production of hit programming. Led by CEO & Chair John Brunton, the company has created some of the most dynamic and top-rated programs including 12 seasons of Big Brother Canada – the most watched reality program across specialty channels in Canada – on which Erin Brock served as showrunner. Other hit programming includes The Amazing Race Canada; original formats Battle of the Blades and The Launch; Top Chef Canada; Stronger Together/Tous Ensemble (the largest multi-platform broadcast and highest viewed non-sporting broadcast in Canadian television history); The JUNO Awards, Canada's New Year's Eve: Countdown; and The Tragically Hip: A National Celebration, a live concert special on CBC watched by one in three Canadians. Recent collaborations include a strategic production partnership with Groupe Fair-Play to develop and produce English and French-language programming, The Legacy Awards with The Black Academy and Every Child Matters: Reconciliation Through Education with the National Centre for Truth and Reconciliation. Insight Productions was founded in 1979 and has since created thousands of hours of ground-breaking content. For more information, please visit InsightTV.com, @insightprod on X, and Facebook.
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For Bruins draft pick Will Moore, hockey always has been music to his ears
For Bruins draft pick Will Moore, hockey always has been music to his ears

Boston Globe

time2 hours ago

  • Boston Globe

For Bruins draft pick Will Moore, hockey always has been music to his ears

At the time, it was a bittersweet realization for Vanusa, who grew up in Sao Paulo and had hoped Will would take a shine to soccer. Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up 'So, it's the funniest thing, we are not a hockey family. I am Brazilian, Patrick is American. We have family all over the world and we never thought hockey was going to be — even though we lived in Toronto — we never thought hockey was going to be his main sport,' said Vanusa. 'So, we tried to really get him into soccer. We got all the Brazilian uniforms, every uniform we got him, we got him to play in the field, we got all excited. Advertisement 'He would always run away from the soccer field and go inside the arena. And back then he didn't even have the vocabulary. He would say, 'I don't want to play soccer, I want to play that,' that meaning hockey.' Advertisement Vanusa even volunteered as an assistant coach to try and keep Will in the beautiful game. 'We tried to grab him and bring him back, but it didn't work. We tried for a year and a half and finally I said, 'OK hockey's the winner.' ' Ironically, Will went back to soccer and played competitively until his early teens. He also excelled at tennis and lacrosse. 'He played lots of sports, and he has good movement,' said Vanusa. 'Like what the Brazilians call 'Ginga,' for soccer — he has a little bit of that.' Will's interests weren't limited to sports, however. A gifted musician, piano was his first love, and it even trumped hockey for awhile. 'Piano was what I started with. Piano was the first thing, hockey was the last thing,' said Moore, standing in the lobby of the JW Marriott in Los Angeles, shortly after slipping on a Bruins sweater for the first time. 'Music just came natural to me. Hockey was always something that I had to work my [rear] off for and do whatever I could to make it to the next level. But piano, that was just my thing. My hands were built for it. I didn't have to practice that much. Ears were perfect for it. And yeah, it just came along nicely.' Will Moore (right) battles at Bruins development camp. David L Ryan/ Globe Staff The 6-foot-3-inch, 181-pound Moore, who will attend Boston College in the fall filling out his game and his frame, said his hockey chops and piano chops have melded well. 'I have good puck skills and soft hands. It just translates into your creativity. There's a lot of creative aspects that go into music and yeah, I like to translate that in my hockey game, bring a creative style of hockey,' said Moore, who enjoys playing Beethoven and Chopin to relax. 'I'm a big body, but I have a sort of finesse, and I bring a lot of offensive upsides.' Advertisement After playing in Mississauga and Toronto as a youth, Moore, who has dual Canadian-United States citizenship, jumped at the opportunity to join the US National Team Development Program in 2023. 'It was a no-brainer,' said Moore, noting the program's success in building strength and the ability to test himself against elite competition. 'As I continue to develop my size and strength, coming into the Program at 155 [pounds], that led to some early struggles. But over the last couple of years, I gained a lot of strength [and] still a lot of room to grow. But overall, that's translated to puck protection and more power in my stride. I'm going to keep going and keep building and hopefully develop into the player I know I can be.' Moore has flashed signs of vision and smarts to become a solid and reliable 200-foot center. He works hard to create around the net in the offensive end and defend at the crease in his own end. The added strength has led to added confidence. 'You definitely don't want to get pushed around the puck knowing that you have full confidence with a guy on your hip,' he said. 'Using my IQ, I know I can make the right play and yeah, it helps a tremendous amount and just going to keep building and building, putting in a great summer and hopefully have a great year at Boston College.' Advertisement Bruins general manager Don Sweeney believes Moore, who collected 23 goals and 47 points in 55 games as a line driver for the USNTDP last season, will thrive at BC. 'He's got a lot of physical maturing to still do. I think the college environment will lend him to be able to do that with their strength program,' said Sweeney. 'It will be good, it will be a nice test for him, the skill, the hockey sense, the skating ability. They're right on track for him to jump into that [BC] lineup and compete for ice time.' For Vanusa and Patrick, the draft outcome seemed like destiny. 'We wanted an American university for him,' said Vanusa. 'So, I think the stars were aligning way back for him to go to BC and now Boston has drafted him.' Important move Jokiharju a good early sign for Bruins The Bruins locked up Henri Jokiharju on a three-year deal. Matthew J. Lee/Globe Staff The free agency splashes felt more like ripples in Boston July 1, but the Bruins may have made one of their most important moves on the eve of the big day. That's when general manager Don Sweeney locked up Henri Jokiharju for the next three seasons at $3 million per. The right-shot defenseman jumped right into the Boston lineup after being acquired from the Sabres at the deadline (for a 2026 fourth-round draft pick), averaging 21:22 minutes of ice time in 18 games. An unrestricted free agent following the season, there was mutual interest in continuing the relationship and things came together pretty quickly. 'Obviously I wanted to know what Boston thought about me, but I did not think about going to free agency that much,' said Jokiharju, reached at his summer cabin outside Tampere, Finland. 'I just wanted to stay in Boston after the trade because I got a good taste of Boston, what it's about, and what the organization seems to be about. I expected if they wanted to keep me there, it would happen right before free agency.' Advertisement Landing a multiyear deal was important to Jokiharju, who acknowledged he knew his time in Buffalo was coming to an end. 'I was really hoping for three-plus years in Boston or wherever I wanted to go next, but I was really, really pleased and happy that we got it done with Sweeney in Boston,' said Jokiharju. 'So, really, really excited to start a new chapter.' 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Jokiharju, who likes to mix in some fishing and golf with his offseason hockey training, credits his father, Juha , who played professionally in Europe and his brother, Juho , who played collegiately at Clarkson, with helping him develop his game. Advertisement 'They were massive,' he said. 'My dad was a coach. He still watches my games and same thing with my brother and of course we talk about hockey during the season. They were major factors in how I became a hockey player and where I am right now, so I am thankful for both of them.' The 6-foot, 200-pound Jokiharju, who has 19 goals and 97 points in 407 games, sees himself as a well-rounded defenseman. 'I just try to take care of the D zone first and try to bring some more offense for the next couple of years,' said Jokiharju, a first-round pick of the Blackhawks in 2017. 'I know I can make some plays with the puck, hang on to the puck and be good on the breakouts. I can make plays in the neutral zone and the offensive zone, too. So, I think I'm a pretty good, mobile, two-way player.' Remembering LB Byers always willing to lend a hand Lyndon Byers passed away on July 4. ROBINSON-CHAVEZ, Michael GLOBE P A couple of leftover nuggets about Lyndon Byers from former teammate and 1982 Bruins draft class alum Bob Sweeney , who remembered Byers, who died July 4 at 61, as someone who not only cared about his teammates but about his community. Whenever Sweeney needed help for an event, LB was one of the first to raise his hand. 'When I was running the alumni after 'Chief' [ Johnny Bucyk ] and then the [Boston Bruins] Foundation, if I ever needed help, LB would show up,' said Sweeney. 'Whether it was a hockey clinic for kids or just going to see a kid in the hospital, he would do that, and he wouldn't just spend a minute with them, he'd spend a lot of time with people that need it. So, he was very giving in that way.' 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He's laughing because Park is just up there in shorts and a t-shirt 😆 — Alex Daugherty (@AlexDaugherty1) Loose pucks Quiz time: What player holds the record for best plus-minus in a single season? ... Tremendous news for NHL fans as the league and the Players' Association agreed to a four-year collective bargaining agreement this past week. The new deal takes effect in 2026-27, through the 2029-30 season. It is the latest example of the extraordinary relationship between commissioner Gary Bettman and NHLPA executive director Marty Walsh . In the leadup to the 4 Nations Face-Off, Bettman called Walsh, the former mayor of Boston, 'a great partner.' Among the big changes in the agreement are contract lengths and signing bonuses. Contract lengths will be limited to a maximum of seven years for players re-signing with their current team, or six if signing with a new club. Additionally, signing bonuses will be capped at 60 percent of a player's salary ... How in the wide, wide world of sports is Matt Grzelcyk still available? The Townie defenseman is coming off perhaps his best season, setting career highs in games (82), assists (39), and points (40), while helping to manage the Pittsburgh power play. Some team is going to get a bargain soon ... While we're on the subject of top remaining free agents, a flyer on Victor Olofsson seems like a no-brainer. The winger can play both sides and is coming off a nice year with 15 goals and 29 points and a plus-17 in 56 games for the Golden Knights ... Fresh off a Frozen Four appearance, Penn State scored the biggest goal in program history when Gavin McKenna committed to Hockey Valley this past week. The consensus No. 1 pick in the 2026 NHL Draft, McKenna is the biggest name to join the college ranks since the NCAA reversed course and opened its doors to Canadian Hockey League players. McKenna will earn a reported $700,000 for playing for the Nittany Lions (thank you, NIL) ... Best of luck to winger Tyler Johnson , who retired after a 13-year run, the majority spent in Tampa Bay, where he won a pair of Stanley Cups. 'The moment is bittersweet, but I leave the game with no regrets,' Johnson, who played nine games for the Bruins last season, wrote on social media ... Congratulations are in order for Ryan Bourque , who was named an assistant coach on Ryan Mougenel's Providence Bruins staff. The son of Bruins icon and Hall of Famer Ray , Ryan has coached with the US National Team Development Program and the ECHL's South Carolina Stingrays ... If you're really missing some hockey (and c'mon, who isn't?), the World Junior Summer Showcase will take place in Minneapolis Tuesday-Aug. 2. Among those invited to Team USA are Bruins prospects James Hagens , Will Moore , Will Zellers , and Elliott Groenewold ... Quiz answer: Bobby Orr was a plus-124 (not a typo) during the 1970-71 season. Jim McBride can be reached at

FLO and KAYTRANADA Get in 'The Mood' for a Summer-Ready Single
FLO and KAYTRANADA Get in 'The Mood' for a Summer-Ready Single

Hypebeast

time3 hours ago

  • Hypebeast

FLO and KAYTRANADA Get in 'The Mood' for a Summer-Ready Single

Summary London-based R&B girl groupFLOhas joined forces with renowned Haitian-Canadian producer and DJKAYTRANADAfor a catchy new single titled 'The Mood.' Blending Kaytranada's signature house-influenced production with FLO's smooth, confident vocals, the track is a breezy yet punchy anthem perfect for summer. The song kicks off with bass-heavy synth notes and ambient swooshes, leading into Jorja's sharp opening verse, immediately setting the tone. Stella's raspy yet feminine vocals take over on the chorus, adding flair and rhythm, while Renée brings lush vocal layering that adds depth. With Kaytranada's signature bounce and subtle techno textures underneath, the track builds into a club-ready groove — a bold, fresh sound that feels destined to become a new summer anthem. Speaking on the track, FLO shared: ''The Mood' is a fun and fresh take on sex. Sometimes you're not in the mood! We made this song two years ago and it still feels brand new to us. We are so honored to have been able to work with Kaytranada and so happy that the world can enjoy it with us!!!' Known for charting hits like 'Walk Like This,' which landed them on the UK Singles Chart Top 100, FLO continues to build momentum following collaborations with artists likeMissy ElliottandKehlani. On the other side of this powerhouse pairing is Kaytranada, one of the most critically acclaimed producers in contemporary music, known for his Grammy-winning work and signature genre-fusing sound. Together, their new track 'The Mood' arrives as one of FLO's most anticipated releases to date. Check out 'The Mood' below — now available to stream on all platforms.

SFDanceworks' program of vulnerability is the hot dance ticket of the summer
SFDanceworks' program of vulnerability is the hot dance ticket of the summer

San Francisco Chronicle​

time18 hours ago

  • San Francisco Chronicle​

SFDanceworks' program of vulnerability is the hot dance ticket of the summer

The air was warm and the rafter seats were filled with the city's leading-edge dance artists for the opening of SFDanceworks. Over eight seasons, the annual pick-up project devoted to contemporary dance with international avant-garde cred has become not just summer's hot ticket, but one of the must-see dates of the annual dance calendar. Yes, the triple-bill that opened at Z Space on Thursday, July 10, and continues through Saturday, July 12, is just one hour and 15 minutes long — and yes, I would gladly watch another hour of whatever artistic director Dana Genshaft, with her taste for movement as explosive as it is touching, might curate. But with dancing of such vulnerability and virtuosity, 75 minutes leaves you stepping back out into the twilight with your senses still abuzz. We live in an age of viral dance clips on social media, and the big 'get' of this program was Emma Portner, a 30-year-old Canadian choreographer with nearly 250,000 followers on Instagram. Her wildly interesting biography includes choreographing a West End musical in London at the tender age of 20, directing movement for celebrity musicians and fashion campaigns, and now choreographing for ballet companies around the world. Her face without makeup, her hair in a utilitarian bun, she could be one of the unnervingly focused dancers of Batsheva Dance Company, except she's more relatable, more human than feral animal in her bite. In 'Elephant,' a duet Portner created last year with Dutch dancer Toon Lobach and has since been touring around the world, she begins sitting on the floor with her pale, naked back to us, chest to chest with her partner in black pants, their legs entwined. Like two symbiotic plants with one root, the dancers lock arms in twisty negotiations of intimacy, rocking a handshake back and forth one moment, flinging out fingers like a tendril the next. It's a simple choreographic premise that grows organically, aided by Portner's sensitivity to composers ranging from the richly classical work of Latvian composer Peteris Vasks to the jazz-inflected work of Finnish singer-songwriter Mirel Wagner, as well as music composed by arranger Alexander Mckenzie and recorded by his Trio Vitruvi. Repeat SFDanceworks collaborator Babatunji Johnson had been advertised to dance this engagement, but former Lines Ballet star and Nederlands Dans Theater member Brett Conway stepped in for this run, and though Johnson is missed, Conway's return to the stage feels like a gift. His precision is extraordinary, and his connection to Portner — who created the duet in response to a chronic facial pain condition — is exquisitely gentle. JA Collective is another viral Instagram phenomenon—the Los Angeles duo composed ofAidan Carberry and Jordan Johnson, who studied with the justly venerated William Forsythe at USC, took off when they choreographed a video for the band Half Alive. This second commission created expressly for SFDanceworks, 'Everything Happens Later,' finds them in a New York state of mind. Five standing dancers shake and rock to a soundscape of train rumblings and screeches; the effect of making us believe they are riding the subway is low-tech as it is compelling. The dance seems to bring us inside an inner world of intense emotions before regularly returning us to the simple, trudging reality of that train. JA Collective's movement style tends to be granular, built on intricate, tiny gestures. But here, Sarah Chou also explodes regularly in a big arabesque reach, and the canvas feels expanded. Emily Hansel becomes a human turnstile the others push, then has an especially beautiful duet with Lani Yamanaka, mouthing a whisper as she presses her face against an outstretched arm. The special effects-inspired music, by fellow USC grad Daniel Mangiaracino, isn't the most memorable, but it does the job. This program launches with flowing, hungry, bounding movement in 'A Measurable Existence,' a Bay Area premiere by New York choreographer Yue Yin, creator of a dance technique, FoCo, drawing on her Shanghai-born background in Chinese classical and folk dance. Ja'Moon Jones and Nat Wilson are jaw-droppingly lovely together, equally sensitive dancing in unison and in close embrace. The music by Dutch sound artist Rutger Zuydervelt is heavy on ominous chord builds, which didn't make for an optimal contrast with JA Collective's premiere. In the next SFDanceworks program, it might be good to have a touch more music in the soundscape, a little less atmosphere. And I do miss the piece in SFDanceworks' mission of placing the new alongside now-historical avant-garde works (in the past Genshaft has presented solos by Martha Graham and José Limón). But this isn't critique so much as begging: More SFDanceworks soon, please.

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