logo
Hollywood studios sue AI company over ‘unauthorised' Darth Vader and Minions copies

Hollywood studios sue AI company over ‘unauthorised' Darth Vader and Minions copies

New York: Disney and Universal are suing popular artificial intelligence image-generator Midjourney, marking the first time major Hollywood companies have taken legal action against a maker of generative AI technology that could upend the entertainment industry.
The copyright lawsuit in a Los Angeles federal court claims Midjourney pirated the libraries of the two Hollywood studios to generate and distribute 'endless unauthorised copies' of their famed characters, such as Darth Vader from the Star Wars franchise and the Minions from Despicable Me.
'Midjourney is the quintessential copyright free-rider and a bottomless pit of plagiarism. Piracy is piracy, and whether an infringing image or video is made with AI or another technology does not make it any less infringing,' the companies state in the complaint.
The studios also say the San Francisco-based AI company ignored their requests to stop infringing on their copyrighted works and to take technological measures to halt such image generation.
Midjourney didn't respond to a request for comment but its CEO David Holz addressed the lawsuit in a weekly conference call with users on Wednesday after someone asked if it would endanger the tiny start-up's future.
Loading
'I can't really discuss any ongoing legal things because the world isn't cool like that, but I think Midjourney is going to be around for a very long time,' Holz said. 'I think everybody wants us to be around.'
In a 2022 interview with The Associated Press, Holz described his image-making service as 'kind of like a search engine' pulling in a wide swath of images from across the internet. He compared copyright concerns about the technology with how such laws have adapted to human creativity.
'Can a person look at somebody else's picture and learn from it and make a similar picture?' Holz said. 'Obviously, it's allowed for people and if it wasn't, then it would destroy the whole professional art industry, probably the non-professional industry too. To the extent that AIs are learning like people, it's sort of the same thing and if the images come out differently then it seems like it's fine.'
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Helena Bonham Carter and Pierce Brosnan can't save this clanger of a film
Helena Bonham Carter and Pierce Brosnan can't save this clanger of a film

The Age

time3 hours ago

  • The Age

Helena Bonham Carter and Pierce Brosnan can't save this clanger of a film

FOUR LETTERS OF LOVE ★★ (M) 109 minutes At the outset of Four Letters of Love, a man is touched by God. Toiling away in a dingy Dublin office, middle-aged civil servant William Coughlan (Pierce Brosnan) spies a square of sunlight on his desk and spontaneously decides to chuck it all in and become a painter. Before long, he's doing artist stuff like growing his hair shoulder-length and abandoning his family. Meanwhile, in the west of Ireland, we're introduced to Isabel Gore (Ann Skelly), a younger free spirit who says things like 'I want to go wild today' as she frolics on the edge of a cliff. With all that, we're still only a couple of minutes into this wildly over-the-top melodrama, directed by UK-based Polly Steele, whose previous credits include the unfortunately titled climbing documentary The Mountain Within Me, and scripted by the Irish writer Niall Williams, adapting his 1997 novel. Williams' field isn't out-and-out trash but a particular brand of frantic 'literary' overwriting, much of which gets channelled here into Fionn O'Shea's voiceover as William's son Nicholas, looking back at his early-1970s youth from decades on ('To these days I am to return again and again throughout my life, for in them is the immanence of love'). Isabel and Nicholas are soulmates, she with her frizzy red hair, he with his look of gormless yearning. But the film takes its time bringing them together, tantalising us by having them cross paths a couple of times without meeting. By halfway through, one of William's paintings has wound up in the possession of Isabel's parents, Margaret (Helena Bonham Carter) and Muiris (Gabriel Byrne). But even when Nicholas seeks it out, this isn't enough to put him in the same room as Isabel, who is meanwhile set on marrying Peader (Ferdia Walsh-Peelo), her designated Mr Wrong. In spirit, this is a very slightly elevated Hallmark movie – but there are worse things to be, and under the circumstances it's a point in Steele's favour that she isn't afraid of excess. Like Williams, she goes all out: wide-angle lenses, shafts of light illuminating otherwise drab interiors, sweeping shots of the craggy coastline with waves crashing onto rocks.

Neurodivergent TV characters used to be rare. Now they take the lead
Neurodivergent TV characters used to be rare. Now they take the lead

The Age

time3 hours ago

  • The Age

Neurodivergent TV characters used to be rare. Now they take the lead

Patience Evans (Ella Maisy Purvis) is a young English woman who works in relatively untroubled isolation in the criminal records department of police headquarters in York. A wiz with data, she loves puzzles and finds it easier to relate to animals than to people. Shrinking from physical contact, she habitually moves around town in headphones as she finds all sorts of sounds – traffic noise, conversations – unsettling. At home and at work, she cocoons herself in distinctive environments fashioned to suit her needs. Austin Hogan (Michael Theo) is a young Australian man who's worked as a forklift driver and loves trains – although he prefers to call them railways. He studies national flags, favours deerstalker hats and folds origami cranes when he's stressed. He discovered a London-based branch of his family when author Julian Hartswood (Ben Miller) was identified as his biological father. Patience and Austin are the title characters in a couple of very different series. But the British crime thriller Patience (ABC) and the Australian-English sitcom Austin (ABC) share a common feature, and it's increasingly evident on TV: the eponymous characters and the actors playing them are autistic. That's a notable shift: in decades past, neurodivergent characters were more likely to be marginal diversions, maybe seen as odd or labelled as crazy or eccentric, perhaps used as light relief. Another quality Patience and Austin share – also increasingly evident – is that, in both productions, the protagonists' neurodivergence is depicted more as an attribute than an affliction. In Patience, which is adapted from the French series Astrid et Raphaelle (not available here), her ability to process volumes of information and to identify patterns that others miss bring her to the attention of Detective Inspector Beatrice Metcalf (Laura Fraser). Austin, having discovered his connection with Julian in the 2024 debut season of the comedy, has been welcomed into the Hartswood family. His earnest, unflinchingly honest nature proves a disarming foil for Julian who might – or might not – be his dad, a connection that the first episode of the new season throws into doubt. Julian can be sly and opportunistic, inclined to skate around the morality of a situation when some benefit to him is involved – the kind of behaviour that Austin wouldn't contemplate. Patience and Austin approach things differently from the neurotypical types around them, and both shows identify the ways in which this can be an asset. However, Patience, being a drama, spends more time dealing with the challenging side of the condition – such as self-doubt, anxiety and isolation – while the comedy portrays Austin as more of a blithe spirit sometimes challenged by circumstances. Over recent years, increasing numbers of neurodivergent characters have appeared on-screen, particularly in crime series. Sometimes their conditions are specifically identified, sometimes their behaviour only suggests that they're on the spectrum. That's the case with Saga Noren (Sofia Helin) in the Swedish-Danish thriller The Bridge (Stan). She's a gifted detective who doesn't work well with others: she's brusque without intending to be impolite; she misreads social signals; she doesn't understand humour. She also absorbs information, whether she's playing poker or surveying a crime scene, differently from those around her. Along comparable lines, in the mystery comedy-drama Monk (Foxtel), Tony Shalhoub plays a private detective with obsessive-compulsive disorder who's also plagued by myriad phobias. Once, he was a San Francisco policeman, but his mental-health spiralled after the murder of his wife, and he works for the department as a consultant. Loading In style and tone, Monk was something of a precursor to High Potential (Disney+), which has been adapted from the French-Belgian series, HPI (Acorn, AMC). In it, Kaitlin Olson stars as a single mum and night-time cleaner of homicide-division offices who scans the whiteboard, sifts through rubbish bins and solves cases that confound the daytime detectives. With her dangly earrings, micro-skirts and lollipops, Morgan doesn't immediately generate confidence from other cops: some of them are predictably sceptical until her talent shines. But the beleaguered head of the squad recognises Morgan's, well, high potential, and engages her as a consultant. Beyond the lead characters in a range of productions, neurodivergent characters are also more frequently appearing as members of ensembles, such as Quinni (Chloe Hayden) in Heartbreak High (Netflix) and Rose (Leah Byrne) in Dept. Q (Netflix). Neurodivergent protagonists often have a champion, a steadfast supporter, friend, parent or mentor who recognises their gifts and learns to understand their differences. In part, that's the role of Detective Bea in Patience, as it is of protective father figure Dr Aaron Glassman (Richard Schiff) in The Good Doctor (Amazon Prime, Stan, Netflix, 7Plus). Adapted from the Korean series Good Doctor (Netflix), it stars Freddie Highmore as Shaun Murphy, a surgical resident at a California hospital who is autistic and has savant syndrome. As Austin and this hospital drama indicate, the presence of neurodivergent protagonists isn't confined to crime shows. For example, there's the Korean comedy-drama Extraordinary Attorney Woo (Netflix), in which rookie lawyer Woo Young-woo (Park Eun-bin), who has Asperger's syndrome, brings her skills to legal battles. Woo is wide-eyed and sweet-natured, with a special interest in whales and dolphins, her understanding of human behaviour often stemming from her observations of marine animals. It's a trait she shares with Sam Gardener (Keir Gilchrist), who's fascinated by penguins in Atypical. Robia Rashid's beautifully calibrated comedy-drama (Netflix) has autistic teenager Sam negotiating the complications of family life as he's navigating the minefield of adolescence and high school. Robia's series is funny, touching and illuminating as it examines the challenges for Sam and his family. It's as though TV fictions have evolved to a stage where a recognition of neurodiversity, and inclusion of it, is now desirable in the creation of communities. That said, Highmore offered a useful insight when I interviewed him soon after the globally successful premiere season of The Good Doctor. Commenting on the thinking behind the series, he said the show's producers were determined that Shaun should not be seen as representative of everyone who is autistic. As he put it, 'It's the same as if you had a neurotypical lead character in a television show: they would never possibly represent everyone who's neurotypical, and no one would expect them to.'

Helena Bonham Carter and Pierce Brosnan can't save this clanger of a film
Helena Bonham Carter and Pierce Brosnan can't save this clanger of a film

Sydney Morning Herald

time3 hours ago

  • Sydney Morning Herald

Helena Bonham Carter and Pierce Brosnan can't save this clanger of a film

FOUR LETTERS OF LOVE ★★ (M) 109 minutes At the outset of Four Letters of Love, a man is touched by God. Toiling away in a dingy Dublin office, middle-aged civil servant William Coughlan (Pierce Brosnan) spies a square of sunlight on his desk and spontaneously decides to chuck it all in and become a painter. Before long, he's doing artist stuff like growing his hair shoulder-length and abandoning his family. Meanwhile, in the west of Ireland, we're introduced to Isabel Gore (Ann Skelly), a younger free spirit who says things like 'I want to go wild today' as she frolics on the edge of a cliff. With all that, we're still only a couple of minutes into this wildly over-the-top melodrama, directed by UK-based Polly Steele, whose previous credits include the unfortunately titled climbing documentary The Mountain Within Me, and scripted by the Irish writer Niall Williams, adapting his 1997 novel. Williams' field isn't out-and-out trash but a particular brand of frantic 'literary' overwriting, much of which gets channelled here into Fionn O'Shea's voiceover as William's son Nicholas, looking back at his early-1970s youth from decades on ('To these days I am to return again and again throughout my life, for in them is the immanence of love'). Isabel and Nicholas are soulmates, she with her frizzy red hair, he with his look of gormless yearning. But the film takes its time bringing them together, tantalising us by having them cross paths a couple of times without meeting. By halfway through, one of William's paintings has wound up in the possession of Isabel's parents, Margaret (Helena Bonham Carter) and Muiris (Gabriel Byrne). But even when Nicholas seeks it out, this isn't enough to put him in the same room as Isabel, who is meanwhile set on marrying Peader (Ferdia Walsh-Peelo), her designated Mr Wrong. In spirit, this is a very slightly elevated Hallmark movie – but there are worse things to be, and under the circumstances it's a point in Steele's favour that she isn't afraid of excess. Like Williams, she goes all out: wide-angle lenses, shafts of light illuminating otherwise drab interiors, sweeping shots of the craggy coastline with waves crashing onto rocks.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store