logo
Judge Blocks Emotional Distress Evidence in Blake Lively's Case Against Justin Baldoni

Judge Blocks Emotional Distress Evidence in Blake Lively's Case Against Justin Baldoni

Yahoo04-06-2025
Blake Lively's legal battle with Justin Baldoni has taken a sharp turn, as a federal judge has now ruled that she cannot move forward with her emotional distress claims. The decision follows a back-and-forth between both parties over Lively's refusal to release medical records.
Blake Lively's legal battle with Justin Baldoni took a significant turn when a federal judge ruled that her emotional distress claims cannot proceed and barred her from presenting related evidence at trial.
On Tuesday, Judge Lewis Liman ruled that her claims related to emotional distress would not move forward, after Lively's attorneys indicated they would be dropping them. The decision came in response to a motion from Baldoni's legal team, who had pushed the court to compel Lively to release private medical records, including therapy notes.
Judge Lewis Liman denied the motion to compel those records, citing Lively's intent to withdraw the related claims. He wrote, 'The motion to compel … is denied based on Plaintiff's representation that the relevant claims will be withdrawn.' However, the judge also made it clear that if the claims aren't formally dismissed, Lively won't be allowed to submit any evidence related to emotional distress.
The judge also addressed Blake Lively's attempt to have her claims dismissed without prejudice, saying, 'Lively's request that 'because the parties have agreed to dismiss Ms. Lively's tenth and eleventh causes of action…the Court exercise its inherent authority and authority under Rule 15 to dismiss them without prejudice' is denied without prejudice to renewal.' He further instructed both parties to either jointly 'stipulate to whether dismissal is with or without prejudice,' or have Lively submit a formal motion.
Although Justin Baldoni's lawyers did not respond to the ruling, Lively's attorneys, Esra Hudson and Mike Gottlieb, issued a pointed statement. They called Baldoni's motion 'utterly pointless.' They added that while the standalone emotional distress claims are being withdrawn, Lively still plans to seek emotional distress damages through other claims in the lawsuit, such as sexual harassment and retaliation. (via Variety)
Originally reported by Disheeta Maheshwari on ComingSoon.
The post Judge Blocks Emotional Distress Evidence in Blake Lively's Case Against Justin Baldoni appeared first on Mandatory.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Iconic ‘60s Singer and Satirist Dies at 97
Iconic ‘60s Singer and Satirist Dies at 97

Yahoo

time3 hours ago

  • Yahoo

Iconic ‘60s Singer and Satirist Dies at 97

Iconic '60s Singer and Satirist Dies at 97 originally appeared on Parade. The year is 1967. The black-and-white TV screen reveals an impeccably dressed, bespectacled academic in his late 30s. His fingers fly over the ivory keys of a baby grand piano. The first words out of his mouth are 'when you attend a funeral.' What follows is a familiar narrative about loss making you think of your own relatives weeping for you at your funeral, sung with appropriate pomp and circumstance. Then… something shifts. 'Don't you worry,' the singer knowingly smiles at his audience. 'For if the bomb that drops on you/ gets your friends and neighbors too,/ there'll be nobody left behind to grieve.' The song, 'We Will All Go Together When We Go,' picks up as he merrily continues to sing of the likelihood of impending nuclear destruction. The audience is unabashed with their delight, for the man on the screen is not your average run-of-the-mill entertainer. He is, instead, the legendary satirist Tom Lehrer, 97, who passed away in his home in Cambridge, Massachusetts on Saturday, according to Variety. Born in Manhattan in 1928 to a Jewish family, math prodigy Lehrer started his higher education at Harvard when he was 15. Known for his razor-sharp wit and darkly funny, politically savvy songs, the Harvard-educated mathematics professor had a surprising entry into entertainment, and an even more unexpectedly short tenure there. In a 1997 interview with Elijah Wald, Lehrer described what led him to write satirical songs in the first place. He had no yearn for fame or even any real love of performance, despite his natural stage presence. Instead, 'I would listen to the radio and think, 'I can write a song as good as that,' and the problem is, they already have people who can write songs 'as good as that' so what do they need one more for? What is necessary is somebody that can write something different.'' Lehrer was certainly different from anyone who came before him, and his unique blend of musical wit would inspire generations of entertainers to come. In the wake of his death, his fans – including the famous ones – flocked to social media to pay their respects. 'My last living musical hero is still my hero but unfortunately no longer living,' Alfred 'Weird Al' Yankovic, 65, posted to Instagram. 'RIP to the great, great Mr. Tom Lehrer.' Fans filled the comments section with 'RIP's and condolences aplenty. 'I'll miss him forever,' wrote one distraught fan. In the early '50s, Lehrer self-released a few albums while still a professor by trade, with teaching posts including Harvard, the Massachusetts Institute of Technology (MIT) and the University of California, according to The BBC. 'I don't like people to get the idea that I have to do this for a living,' Lehrer deadpanned to one live audience in discussing his academic roots. 'I could be making, oh, $3,000 a year just teaching.' After the release of his first album, 'the word spread like herpes,' Lehrer quipped to Wald, describing how his self-released record went old school viral, selling a shocking 10,000 copies according to Variety. Before long Lehrer was performing in nightclubs, concert halls, and recording live concerts for television, his next record rising to number 18 on the American charts. In his songs, Lehrer explored socially taboo subjects with his signature light tunes and unabashedly frank lyrics. Along with exploring nuclear conflicts in the aforementioned 'We Will All Go Together When We Go,' Lehrer took on sexuality in 'The Masochism Tango' and 'Smut,' racism in 'National Brotherhood Week,' and addiction in 'The Old Dope Peddler.' He also made time for some lighter subjects, like mocking classic spring ballads in his own ode to the season, 'Poisoning Pigeons in the Park.' He was in the height of his career in the '60s and '70s when, abruptly, Lehrer left the entertainment industry, eschewing fame in favor of a quiet life as a math teacher one quarter of the year, and a 'cheerful layabout' for the rest of the time. "I learned 25 years ago that you didn't have to shovel snow,'' he told Wald in the 1997 interview. "You didn't even have to see snow, and that was a great revelation to me.'' After his retreat from the public eye, Lehrer's popular satire returned to the press in 1980 when they were put together in the musical revue 'Tomfoolery.' Now, despite his passing, Lehrer's songs and his signature wit will live on forever, if the overflowing comments section of Weird Al's Instagram post is any indication. One fan perfectly mimicked Lehrer's signature sense of humor with a reference to his song 'Poisoning Pigeons in the Park' in the comment, 'The pigeons are safe, BUT AT WHAT COST.' Another fan commented with a reference to Lehrer's aforementioned song about bereavement, 'We Will All Go Together When We Go.' 'I thought we'd all go together,' the fan wrote along with a crying emoji. Iconic '60s Singer and Satirist Dies at 97 first appeared on Parade on Jul 28, 2025 This story was originally reported by Parade on Jul 28, 2025, where it first appeared. Solve the daily Crossword

Billy Joel Says Elton John's Rehab Comments Were ‘Rock Bottom' For Him in HBO Documentary: ‘There Was Bad Blood For a Little While'
Billy Joel Says Elton John's Rehab Comments Were ‘Rock Bottom' For Him in HBO Documentary: ‘There Was Bad Blood For a Little While'

Yahoo

timea day ago

  • Yahoo

Billy Joel Says Elton John's Rehab Comments Were ‘Rock Bottom' For Him in HBO Documentary: ‘There Was Bad Blood For a Little While'

Billy Joel is opening up about a tough moment with longtime friend and tourmate Elton John. In the second part of the new two-part HBO Documentary, 'Billy Joel: And So It Goes,' the 'New York State of Mind' singer shared how John's public comments that he needed rehab strained their friendship. More from Variety HBO Doc 'Billy Joel: And So It Goes' Candidly Examines Singer's Struggles with Money, Alcohol, and Critics 'Billy Joel: And So It Goes' Review: The Tribeca Festival Opens with a Luscious Longform Documentary That Captures Just the Way He Is 'Billy Joel: And So It Goes' Directors Share Inspirational Message From Ailing Singer: 'He Will Be Back' 'Elton had made a comment that he thought I needed real rehab,' Joel said in the film, referencing an interview he did with 'Rolling Stone' in 2011. 'He chalked it up to, 'Oh, he's a drunk.' And that really hurt me.' He added, 'I said, wait a minute? Don't you know me better than that? And there was bad blood for a little while. There was a dovetailing of things that happened during that time.' Joel and John first co-headlined a stadium together in 1994 during their 'Face to Face' tour. In the first part of the documentary, Joel admitted that he once 'resented' the comparisons to the 'Your Song' singer but eventually grew to embrace it as they continued to perform onstage together. According to People, John told Rolling Stone that they had 'so many cancelled tours because of illnesses and various other things, alcoholism' coming off their joint tour in 2010. John said of Joel in the film, 'He's going to hate me for this, but every time he goes to rehab, they've been light… I love you, Billy, and this is tough love.' In 2005, Joel went to rehab at the Betty Ford Center after his then-wife Katie Lee issued an 'ultimatum.' The couple divorced in 2009. After rehab, the 'Piano Man' singer took a break from the spotlight and stopped touring. In the documentary, Joel described John's comments as making him feel 'clobbered' and noted it was 'rock bottom' for him. 'I was disillusioned with what I thought it was all supposed to mean,' he said. 'It was like all the signs were pointing to me: Enough. And I wrote this letter to the band. 'I don't want to do this anymore. I'm gonna stop.' The second part of 'Billy Joel: And So It Goes' premiered on Friday, July 25. Best of Variety New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? Final Emmy Predictions: Talk Series and Scripted Variety - New Blood Looks to Tackle Late Night Staples Solve the daily Crossword

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store