
Can we use TikTok, WhatsApp calls in Oman
The TRA also clarified that it does not directly ban applications but regulates services through the issuance of licenses and by encouraging local companies.
It also clarified that TikTok is currently not banned, and the issues faced by users are due to technical reasons.
The Observer has been informed that several TikTok users have started using it without a VPN.
He said all TRA decisions seek to balance the economic aspect with the needs of those benefiting from this type of service.
Laws are developed after considering the feedback of the international companies providing such services, and even the community gets time to express their opinion, he said.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Muscat Daily
11 hours ago
- Muscat Daily
TRA crackdowns on illegal wireless networks in Oman
Muscat – Telecommunications Regulatory Authority (TRA) has conducted a series of field inspections in coordination with relevant authorities targeting unauthorised wireless networks that redistribute Internet services without official licences. The move is part of ongoing efforts to safeguard the security and stability of the sultanate's telecommunications infrastructure and to maintain the quality of services provided to users. In a statement, TRA said the inspections were launched following detection of several violations that pose risks to information security and integrity of communications networks. It noted that illegal networks cause technical interference, disrupt service quality and speed in neighbouring areas, and expose users' personal data to risks such as misuse and hacking. The authority confirmed that it is taking firm action, including removal of unauthorised equipment and initiating legal proceedings against violators in collaboration with other agencies. TRA urged individuals and institutions to comply with telecom regulations and refrain from setting up or using unlicensed communication networks. It reaffirmed its commitment to continue inspection drives to ensure a safe and reliable telecommunications environment in the sultanate.


Observer
16 hours ago
- Observer
TRA starts to crack down on illegal wireless networks
Muscat: The Telecommunications Regulatory Authority (TRA) has launched inspections to crack down on illegal wireless networks as part of the efforts to protect the security and stability of telecommunications networks and ensure the quality of services provided to users. TRA, in cooperation with relevant authorities, launched field inspection campaigns to seize wireless networks that illegally redistribute internet services. This campaign comes after detecting unlicensed activities that threaten information security and network integrity, and cause technical interference, leading to a deterioration in the quality and speed of services for subscribers in neighboring areas, as well as exposing personal data to the risk of hacking and surveillance. The TRA is taking firm action, including removing violating devices and holding those responsible accountable in cooperation with relevant authorities. It also called on individuals and institutions to abide by the laws and regulations governing the telecommunications sector and to avoid establishing or using illegal networks. TRA previously warned of several risks when creating wireless networks to share Internet services, which can cause technical glitches. 'There is a possibility of interference in wireless networks and the impact on the speed and quality of service for the rest of the subscribers in the same area.' It warned that creating Internet services without a license can make the user liable to legal liability, apart from the fact that all data is vulnerable to hacking and misuse of the service for fraud and hacking.


Observer
5 days ago
- Observer
The Creator Economy: Journalism Meets Influencer Culture
By Qingshuai Liu & Wenkang Lyu In recent years, the creator economy has surged in prominence, fundamentally altering the dynamics of media, journalism, and entertainment. At its core is the growing influence of digital content creators—often referred to as influencers—who combine personal branding, social media, and commercial ventures into profitable careers. This development represents a fusion of traditional journalism with influencer culture, as these media entrepreneurs increasingly operate at the intersection of content creation, commerce, and self-promotion. In this article, we'll explore how these new-age journalists are redefining the media landscape and leveraging their influence to blur the lines between traditional reporting, entertainment, and personal branding. The Emergence of the Creator Economy The term 'creator economy' refers to the vast ecosystem of independent content creators who produce and monetise content online. This includes influencers, bloggers, YouTubers, TikTok creators, and podcasters who use platforms like Instagram, YouTube, TikTok, and Patreon to build a direct relationship with their audiences. Unlike traditional media institutions, these creators often operate without editorial gatekeepers, giving them full control over the content they produce and share. The creator economy has exploded in the past decade, driven by the rise of social media platforms and the increasing importance of digital communities. The traditional media model, once reliant on large organisations, advertising, and a centralised editorial process, has given way to a more decentralised and personalised approach. Instead of relying on broadcast or print outlets for information, audiences now turn to content creators for everything from news to entertainment and product recommendations. While the creator economy encompasses a broad range of niches, one particular area that stands out is the blending of journalism with influencer culture. This hybrid model not only challenges traditional notions of what journalism can be but also reshapes the role of the journalist in today's media landscape. Journalism Meets Influencer Culture Journalists have always served as intermediaries between information and the public. However, in the digital age, their role has evolved. Media entrepreneurs—often with a background in traditional journalism—are increasingly harnessing the power of influencer culture to deliver news, analysis, and opinions to their audiences in a more personal and interactive way. One notable example of this convergence is the rise of Substack journalism and independent newsletters. Journalists like Glenn Greenwald, Matt Taibbi, and Bari Weiss have transitioned from major media outlets to creating their own independent platforms, directly monetising their readerships through subscriptions and offering more nuanced, often unfiltered perspectives. This model combines traditional journalism's investigative roots with influencer-driven engagement, where journalists build personal brands, cultivate loyal followings, and generate income through paid subscriptions. Influencers, too, are increasingly adopting journalistic techniques. Platforms like YouTube and TikTok have given rise to a new wave of citizen journalists who report from the ground, sometimes covering stories that traditional media outlets overlook. These creators often break news in real time, offering direct access to their personal experiences, insights, and opinions, often with a level of immediacy and intimacy that mainstream media struggles to replicate. Profiles of Media Entrepreneurs Bridging Content, Commerce, and Personal Branding Some of the most prominent figures in this new media ecosystem are those who have successfully merged journalism, content creation, and commerce. These individuals are no longer just creators—they are full-fledged media entrepreneurs who understand how to monetise their personal brand while still delivering valuable content to their audiences. Philip DeFranco: A Pioneer in Digital Journalism Philip DeFranco is one of the most well-known figures in the creator economy. His YouTube channel, 'The Philip DeFranco Show', has been a mainstay of online news commentary for over a decade. DeFranco has successfully blended journalism with influencer culture, delivering news analysis in a casual, conversational tone that resonates with younger audiences. His business model has evolved from advertising revenue to an entirely audience-supported model, including paid subscriptions and his own merchandise line. What sets DeFranco apart is his ability to mix hard-hitting news with personal commentary, creating a unique form of interactive journalism that keeps his audience engaged. His business, which includes branded merchandise, collaborations, and a podcast, exemplifies how content creators can diversify their revenue streams and bridge content with commerce seamlessly. Emma Chamberlain: From YouTuber to Media Mogul Emma Chamberlain, a YouTube sensation turned media mogul, is another example of how influencers can expand their brand and influence beyond traditional media. Initially known for her relatable and often comedic vlogs, Chamberlain has transformed herself into a major media entrepreneur. Her ventures now include a podcast, branded clothing, and partnerships with major brands. Chamberlain's success demonstrates how the boundary between journalism and influencer culture is increasingly blurred. Her podcast, 'Anything Goes', covers a wide variety of topics, including mental health, personal growth, and celebrity gossip, all delivered with Chamberlain's signature humour and authenticity. While she doesn't see herself as a traditional journalist, her ability to connect with an audience and share compelling content has established her as an influential media personality. Andrew Yang: Entrepreneurial Politics and Digital Journalism Andrew Yang, former U.S. presidential candidate and founder of the forward-thinking nonprofit Humanity Forward, exemplifies a media entrepreneur who leverages his influence to combine content and commerce. Yang utilised his social media platforms and newsletter to engage followers and share his views on politics, technology, and policy. By merging his political activities with his entrepreneurial pursuits, Yang has shown how the creator economy can extend beyond entertainment and news into political influence and public discourse. Through his media efforts, Yang has capitalised on his personal brand to build a platform that actively engages his audience while promoting causes and products. His work illustrates that the creator economy is not limited to entertainment and journalism but can also serve as a vehicle for political engagement and societal impact. The Challenges and Opportunities of Being a Media Entrepreneur While the creator economy offers exciting prospects, it also presents significant challenges. One major hurdle is monetisation. Influencers may amass large followings, but converting that popularity into sustainable revenue remains complex. Platforms like Patreon and YouTube offer some revenue-sharing options, but fluctuating algorithms and platform rules can make a stable income difficult to guarantee. Furthermore, managing personal branding can be both beneficial and burdensome. Unlike traditional journalists working under the auspices of reputable media organisations, media entrepreneurs often need to be their own public relations teams—constantly engaging with followers, updating content, and cultivating their personal image. This can be draining for those who prefer to focus solely on journalism or content creation. Another critical issue concerns ethics. As media entrepreneurs often straddle the line between content creator and businessperson, questions about conflicts of interest arise. For example, reporting on brands with which they are affiliated, or promoting products within journalistic content, can make it difficult for audiences to distinguish between genuine reporting and marketing. These tensions raise important questions about the ethical responsibilities of media entrepreneurs. Despite these challenges, the creator economy presents numerous opportunities. By diversifying revenue streams, building niche audiences, and experimenting with innovative content formats, media entrepreneurs can deliver more personalised, dynamic media experiences. Conclusion: A New Era of Journalism and Media Entrepreneurship The creator economy signifies a profound shift in how content is produced, consumed, and monetised. As traditional media models evolve, journalists and content creators are discovering new ways to merge their craft with the opportunities offered by digital platforms. By blending personal branding, commercial ventures, and creative content, media entrepreneurs are not only reshaping journalism but also pioneering a new form of media altogether. As this era of media entrepreneurship unfolds, the boundaries between content, commerce, and personal branding will become increasingly fluid. The future of journalism, entertainment, and influencer culture will likely be shaped by those able to navigate this dynamic landscape—blending creativity with commercial acumen in ways that resonate with audiences and transform media consumption in the digital age.