RPSC Senior Teacher Recruitment 2025: Registration For 6500 Posts To Begin On August 19, Details Here
The Rajasthan Public Service Commission (RPSC) has announced recruitment for Senior Teacher posts. Interested and eligible candidates can apply online through the official RPSC website at rpsc.rajasthan.gov.in. The application process for the RPSC Senior Teacher posts will begin on August 19, 2025, and the last date to submit applications is September 17, 2025.
This recruitment drive aims to fill 6,500 Senior Teacher posts across different subjects. Candidates are advised to complete their registration well in advance of the deadline to avoid any last-minute issues.
Eligibility Criteria
For Subjects: Hindi, English, Mathematics, Sanskrit, Urdu, Punjabi, Sindhi, Gujarati
Must have completed graduation or an equivalent degree recognised by the UGC, with the subject you want to teach as an optional subject.
Must also have a Degree or Diploma in Education, recognised by the National Council for Teacher Education (NCTE) or the Government.
Physics, Chemistry, Zoology, Botany, Microbiology, Biotechnology, Biochemistry.
Must also have a Degree or Diploma in Education recognised by NCTE/Government.
Must have completed graduation or equivalent with at least two of these subjects as optional:
History, Geography, Economics, Political Science, Sociology, Public Administration, Philosophy.
A Degree or Diploma in Education recognised by NCTE/Government is also required.
Age Limit
The candidate should be between 18 to 40 years old.
Age relaxations may apply as per government rules.
Selection Process
Selection will be done through a competitive examination.
RPSC may also use methods like scaling, moderation, or normalisation if needed while evaluating answer sheets.
Application Fee
₹600/- for General (Unreserved), Creamy Layer of Backwards Classes and Extremely Backwards Classes.
₹400/- for Reserved categories, including SC, ST, Backward Class (Non-Creamy Layer), Extremely Backward Class (Non-Creamy Layer), EWS, Sahariya Tribe, and Persons with Disabilities.
view comments
First Published:
July 18, 2025, 15:11 IST
Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Time of India
2 hours ago
- Time of India
'The Fantastic Four: First Steps' box office collections day 3: Pedro Pascal's film gains momentum over weekend; mints Rs 19.60 crores in India
'The Fantastic Four: First Steps' opening weekend saw impressive numbers. The movie starring (other actor's names), earned around Rs 7 crore net on its third day (Sunday) across India. As reported by the Sacnilk website, the total three-day India net collection stands at ₹19.60 crore. Tired of too many ads? go ad free now After a decent Friday opening of ₹5.5 crore and a noticeable 29% jump on Saturday to ₹7.1 crore, the superhero saga maintained its pace on Sunday. English 3D leads the way in key cities The English IMAX 3D version continued to drive the film's box office momentum. The occupancy rates peaked in the evening at 59.12%. Mumbai, Bengaluru, and Pune witnessed evening occupancy rates hovering around 66-68%. Morning shows were relatively tepid at 32.90%, but picked up steadily through the day. The English 3D occupancy across India was recorded at an average of 47.75%. Hindi versions show modest growth The Hindi versions, both 3D and 2D, showed mixed results. While Hindi 3D reached an overall occupancy of 33.95% on Sunday, the 2D version remained subdued with a 21.67% average. Afternoon and evening shows saw the best turnout in both formats. The 3D version reached over 50% occupancy in the evening. Regional versions in Tamil and Telugu contributed modestly to the weekend total. Starring Pedro Pascal, , , Ebon Moss-Bachrach, and Julia Garner, 'The Fantastic Four: First Steps' appears to have connected with urban sci-fi fans. With reviews praising the ensemble cast and visual spectacle, the film is now eyeing weekday sustainability. Though its regional draw is limited, the English-speaking audience has turned up in strong numbers—especially for IMAX 3D viewings—laying a decent foundation for the film's Indian run. Let's wait and watch whether the Marvel film will surpass DC's 'Superman' in the coming days in terms of box office collections. The Fantastic Four: First Steps - Official Tamil Trailer
Time of India
10 hours ago
- Time of India
State prepares for Olympiad 2025
Ranchi: The Jharkhand Council of Educational Research and Training (JCERT) has initiated preparations for the Jharkhand State Olympiad-2025 scheduled to be held in the second week of Nov. The Olympiad aims to foster academic excellence and nurture a spirit of healthy competition among students from govt and govt-aided schools across the state. Students studying in Classes VII, VIII, and IX will be eligible to participate in the Olympiad. The registration process has commenced, and the last date for submission is Aug 5, 2025. Interested students are required to fill out the Google registration form with the help of their respective school headmasters. Registration Link: The Olympiad will include examinations in English, mathematics, science, social science, and general knowledge, and will be conducted in both Hindi and English mediums. Each student may choose a maximum of two subjects. The exam pattern will consist of two sections. The first section will have 50 multiple-choice questions (MCQs), while the second section will contain 5 Higher Order Thinking Skills (HOTS) questions. The total duration of the exam will be 75 minutes, including the initial 10 minutes for reading the questions. Importantly, there will be no negative marking for incorrect answers. It will be conducted in two phases: the district-level (first phase) and the state-level (second phase). Students who excel subject-wise in the first phase will qualify for the second phase. JCERT will provide all participating schools with the required question papers and OMR sheets. No examination or registration fee will be charged to any student. Director Shashi Ranjan has instructed all district education officers and district superintendents of education to ensure maximum participation in their respective districts. Headmasters have also been advised to actively motivate students to register and prepare for the said, "Jharkhand has consistently performed well in this Olympiad, securing the position of national champion for the past two years, reflecting the growing academic strength of the state's govt school students. The 2025 Olympiad is expected to further boost academic competitiveness and inspire excellence across the state."
News18
a day ago
- News18
The Mathematics Of The Gita
The Gita is an intriguing work; there is much more hidden in its short review of the entire gamut of Indian darshana than is visible on a surface view The Gita is a literary masterpiece. When I say literary, I am not including its remarkable exposition of the various Indian darshanas and their integration into a coherent vision, or its rhetoric, or the spiritual stepwise evolution experienced by the seeker who dives into it and adheres to it from beginning to end. I bring to your attention an aspect of the Gita that is often ignored. Its symphonic structure conceived in 700 shlokas is an expression of what Sri Aurobindo called complex harmonies. Its structure of independent shlokas that are strung together through the various means of rhythm, internal referencing, refrains, and a didactic and dialogic process that builds up chapter by chapter creates a kaleidoscopic experience that is fluid, alive, and constantly fresh. My soon-to-be-released book The Literary Genius of the Gita explores this aspect of the scripture. But there is another more esoteric and hidden aspect that might be worth exploring. That is its mathematical structure of matrix-like configurations that too has hitherto been ignored. The present essay is an attempt to explore this characteristic of its poetry. It may be worth mentioning here that the tradition of Sanskrit poetry, as shown by Pingala in Chhanda Shastra, is unique that its letters or varnas can be arranged in a binomial pattern. That is, the short syllables are assigned a value of 1 and the longer syllables a value of 2. When the varnas are represented by their mathematical value, we see interesting patterns emerge that were described by him in detail as an aspect of Sanskrit prosody. The only other language that assigns a mathematical structure to its phonemes that I know of is Hebrew especially in the Kabbalistic traditions. Modern mathematical structures such as Pascal's triangle and Fibonacci numbers were described by Pingala in his Meru Prastara couple of millennia ago. How far can we explore this today with artificial intelligence? Recently a write-up was published by Thomas Kissel in the journal Greek Reporter with the title 'Greek Philosopher Plato's Secret Code Discovered and Solved, Historian Claims'. It claims that there is a code of musical pattern buried in Plato's writings, most notably The Republic, discovered by a historian, Dr Jay Kennedy. The code seems to portray the entire Greek musical scale that contains twelve notes. We too have studied the patterns in the Gita from an Indic perspective with the help of our custom-designed AI software. These are the findings we came up with that may be of interest: We know that the Gita is divided into 18 chapters containing a total of 700 shlokas. Triadic structures are frequently seen such as three gunas (sattva, rajas and tamas). Sri Krishna classifies a tri-fold structure of many of his essential concepts, such as the triune path of Jnana-Karma and Bhakti, and the three types of knowledge, three kinds of action, three types of understanding and even three types of happiness in the 18th chapter, and these elements correspond to the three gunas that underline the play of Prakriti, or the principle of manifestation in Sankhya Yoga. Number 9 is often employed metaphorically. For example, the body is described as the 'city of nine gates' in chapter 5. Other symbolic use of numbers such as 1000 appear in chapter 11 to describe the dazzling manifestation of Sri Krishna's Vishvaroopa. There may be more as our AI system tells us: 'Some intriguing patterns emerge when looking at the proportions and sequence of verses in the Gita." 'Golden Ratio in Structure: It has been observed that the most climactic chapter – Chapter 11, where Arjuna witnesses Krishna's universal cosmic form (viśvarūpa) – occurs about 61 per cent of the way through the 18-chapter text. Chapter 11/18 is approximately 0.611 of the way in, which is remarkably close to the golden ratio (≈0.618). By verse count, too, the revelation of the cosmic form falls in the general vicinity of the 432nd verse out of 700 (around 61.7 per cent) — not exact, but notably close. This could be coincidental, but it does mirror a common storytelling technique of placing a dramatic 'golden climax" about two-thirds through a work. The fact that viśvarūpa darśana is the Gita's emotional and philosophical high point lends credence to the idea that the text intentionally peaks around the golden-section division. In other words, the narrative pacing aligns with an aesthetically pleasing ratio. (Whether Vyāsa consciously used the golden ratio is speculative; however, Indian tradition did employ harmonious proportions in art and architecture. The ancient Vedic science of design, Vāstu Śāstra, extensively uses the golden ratio in temple architecture, so the concept of an ideal division would not be foreign to the culture." There may be more such as instances of the use of Vedic and Pingala's numerology in the Gita, such as the use of Fibonacci numbers, Golden ratio in verse ratios, conscious numerology, etc. The Gita also uses musical and cosmic symbols. When we ran the AI application on the verses of the Gita, its conclusions seemed to support the hypothesis I have presented in my upcoming book, in pointing out the basic 'musical and mathematical resonance in language: it is worth noting that the Bhagavad Gita is mostly composed in anuṣṭubh meter, a quantitative verse form of 32 syllables (in two halves of 16 syllables each). This even, steady meter lends a rhythmic and almost mathematical cadence to the entire text. Each śloka can be seen as a couplet of two 16-syllable lines, giving the discourse a structured flow. This consistency is analogous to a piece of music maintaining a time signature – it imposes an underlying order on the content. The Gita occasionally uses other meters for special verses (some verses in Chapter 11 use triṣṭubh meter, 44 syllables, to convey the grandeur of the scene), but by and large the metrical discipline is maintained. The uniform meter might not be a 'code," but it is a designed pattern that aids memorization and recitation, reflecting the oral mathematicality of Sanskrit prosody" There is more. Mantric repetitions, alliteration, sound patterns, puns and double meanings, structured lists, recurring phrases or formulae, etc. It was impressive to have our AI application decode another aspect of The Literary Genius of the Gita. It concludes, 'In essence, the Gita's linguistic fabric is highly patterned, but these patterns serve didactic and emphasis purposes more than hiding secret messages. The 'code' of the Gita's language is in its mantra-like quality — through repetition, parallelism, and enumeration, it imprints ideas on the mind. For example, by the end, the reader has heard dharma dozens of times, yoga in many compounds, the refrain of 'surrender' in various forms — a bit like a musical theme recurring in different keys. This can be likened to a computational algorithm where key variables (dharma, atman, yoga, bhakti, etc) are revisited in multiple contexts, steadily building a complete picture. Notably, when comparing to the idea of a 'Plato code' (where a hidden musical-temporal structure was proposed in Plato's texts), the Gita's approach to encoding wisdom is more overtly structured rather than cryptographically hidden. It uses the natural Sanskrit propensity for symmetry and repetition as its 'code', making the text rhythmic, memorable, and conceptually clear." Indeed, the Gita is an intriguing work. There is much more hidden in its short review of the entire gamut of Indian darshana than is visible on a surface view. It is my hope that we uncover this multi-dimensionality and let it reveal the cryptic, the occult and esoteric aspects of its message. It is a 'highly ordered work', as our AI says, but there is a lot of method in its inspiration. Perhaps that is the great and open secret that invites us repeatedly to its mystery and genius. (This research was conducted using a novel, fine-tuned large language model [LLM] with expertise in Sanskrit literature, Hindu philosophy, and symbolic mathematics, combined with Python-based computational tools for structural and numerical analysis, including verse distribution mapping and golden ratio detection.) top videos View all (AI analytics was done by Ed Laughman, who attended medical school in Jena, Germany, before discovering a passion for healthcare technology. He has 15 years of experience in AI, machine learning, mathematics, and modern computation.) Pariksith Singh is author, poet, philosopher and medical practitioner based in Florida. Views expressed in the above piece are personal and solely those of the author. They do not necessarily reflect News18's views. view comments Location : New Delhi, India, India First Published: July 27, 2025, 12:05 IST News opinion Opinion | The Mathematics Of The Gita Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.
