
Gary Busey, 81, pleads guilty to groping woman at New Jersey horror movie convention
The Lethal Weapon star, 81, admitted during a Zoom court hearing on Thursday that the incident was 'not an accidental touching'.
2
2
Busey was accused of inappropriately grabbing two women's buttocks and attempting to unhook another woman's bra during a photo shoot at the Monster-Mania convention at the Doubletree Hotel in Cherry Hill on August 13, 2022.
One victim claimed Busey placed his face near her chest and allegedly asked 'where she got them' before reaching for her bra strap.
Busey initially denying any wrongdoing — even telling paparazzi in Malibu that 'none of that happened' and the women 'made up a story'.
But the actor has now pleaded guilty to one count of fourth-degree criminal sexual contact.
Under a plea deal, three other counts of criminal sexual contact and one count of attempted criminal sexual contact were dropped.
.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Guardian
28 minutes ago
- The Guardian
The inside story of the Murdoch editor taking on Donald Trump
The danger posed to Donald Trump was obvious. It was a story that not only drew attention to his links to a convicted sex offender, it also risked widening a growing wedge between the president and some of his most vociferous supporters. The White House quickly concluded a full-force response was required. It was Tuesday 15 July. The Wall Street Journal had approached Trump's team, stating it planned to publish allegations that Trump had composed a crude poem and doodle as part of a collection compiled for Jeffrey Epstein's 50th birthday. The claim would have been damaging at any moment, but the timing was terrible for the president. The Epstein issue was developing into the biggest crisis of his presidency. Strident Maga supporters had been angered by the Trump administration's refusal to release government files relating to the late sex offender. Trump and his loyal press secretary, Karoline Leavitt, reached for the nuclear option. From Air Force One, they called the Journal's British editor-in-chief, Emma Tucker. They turned up the heat. Trump fumed that the letter was fake. Drawing wasn't his thing. Threats were made to sue, a course of action he had previously unleashed against other perceived media enemies. Washington DC began to hum with rumours that the Journal had a hot story on its hands. When no article materialised on Wednesday, some insiders perceived a growing confidence within the White House that their rearguard action had killed the story. They were wrong. DC's gossip mill had reached fever pitch by Thursday afternoon. The article finally emerged in the early evening. The city collectively stopped to read. In the hours that followed publication, the tension intensified. Trump revealed he had confronted Tucker, stating the story was 'false, malicious, and defamatory'. By Friday, he had filed a lawsuit suing the Journal and its owners for at least $10bn (£7.6bn). Tucker was at the centre of a maelstrom of stress and political pressure. It was the greatest challenge of her two and a half years heading the Journal, but far from the first. Two months in, having been parachuted in from London, she was fronting a campaign to have the reporter Evan Gershkovich returned from a Russian prison. She had also faced denunciations from journalists as she pushed through a modernisation drive that included brutal layoffs. Her plans focused on giving stories a sharper edge. On that metric, the Trump call suggested she was overachieving. Throughout her rise, an enigmatic quality has surrounded Tucker. Friends, colleagues and even some critical employees describe an amiable, fun and disarmingly grounded person. Many regarded her ability to retain such qualities in the treacherous terrain of the Murdoch empire as uncanny. The puzzle is exacerbated by the assumption she does not share the rightwing, pro-Brexit views of Rupert Murdoch, News Corp's legendary mogul. Yet Murdoch doesn't hand the Journal to just anyone. While the pro-Maga Fox News is his empire's cash cow, the Journal is his prized possession, giving him power and respectability in wider US political circles, as the Times does in the UK. So, why Tucker? The answer, according to people who have worked with her, is her possession of two qualities Murdoch rates highly: a willingness to make unpopular decisions for the sake of his businesses and a lust for a politically contentious scoop. Lionel Barber, a former Financial Times editor who also worked with Tucker for the FT in Brussels, said: 'She has a very sharp nose for a good news story – always did.' Tucker edited the University of Oxford's student magazine, the Isis, and joined the FT as a graduate trainee. 'She was a very convivial colleague, great company and good on a night out, but you knew when it came down to the work, she would nail it,' said a colleague. 'Very hard-nosed.' After stints in Brussels and Berlin, she won a powerful ally in Robert Thomson, then the FT's foreign editor. Thomson became a close friend to Murdoch, a fellow Australian, while working in the US for the FT. Thomson jumped ship to edit the Times of London in 2002 and in 2008 was dispatched to New York to oversee Murdoch's freshly acquired Journal. Before he went, Thomson helped lure Tucker to the Times, where she eventually became deputy editor. It was her elevation to editor of the Sunday Times in 2020 that seems to have impressed Murdoch. She showed a willingness to make difficult staffing decisions and widened the Sunday Times's digital ambitions, recasting the pro-Brexit paper to appeal to a wider audience. It was there she made an enemy of her first populist world leader. Just months into her tenure, the Sunday Times published a damning account of how Boris Johnson, the then UK prime minister, had handled the Covid pandemic. Downing Street erupted, taking the unusual step of issuing a lengthy rebuttal, denouncing 'falsehoods and errors'. The paper was called 'the most hostile paper in the country' to Johnson's government, despite having backed him at the previous year's election. Rachel Johnson, the former prime minister's sister, is one of Tucker's closest friends. 'I don't think she was ever reckless,' said one Sunday Times staffer. 'But I think she absolutely wanted to push the boundaries of getting as much into the public domain as she possibly could.' Many assumed Tucker's destiny was to edit the Times, but she was catapulted to New York to run the Journal at the start of 2023, immediately embarking on a painful streamlining process. Senior editors were axed. Pulitzer prize winners ditched. The DC bureau, the most powerful, was particularly targeted with layoffs and new leadership. One reporter spoke of people crying, another of the process's serious mental impact. It made Tucker's editorship divisive, leading to the extraordinary spectacle of journalists plastering her unoccupied office with sticky notes denouncing the layoffs. Even some who accepted cuts questioned the methods. Several pointed to the use of 'performance improvement plans', with journalists claiming they had been handed unrealistic targets designed to push them out the door. One described it as 'gratuitously cruel'. A Journal spokesperson said: 'Performance improvement plans are used to set clear objectives and create a development plan that gives an employee feedback and support to meet those objectives. They are being used exactly as designed.' The Tucker enigma re-emerged at the Journal, as staff noted the same mix of personable demeanour, enthusiasm for stories and willingness to make cuts. 'She's very emotionally intelligent – like, the 99th percentile,' said one. They said morale had improved more recently. New hires have followed. A cultural shift on stories also arrived. What emerges is a Tucker Venn diagram. At its overlapping centre lie stories with two qualities: they cover legitimate areas of public importance and aim squarely at eye-catching topics with digital reach. Tucker gave investigative reporters the examples of Elon Musk and China as two potential areas. Some complained the topics were 'clickbaity'. However, one journalist who had had reservations conceded: 'Musk turned out to be a pretty good topic.' Tucker's use of metrics around web traffic and time spent reading a story irked some reporters. Headlines were made more direct. Honorifics such as 'Mr' and 'Mrs' were ditched. There was a ban on stories having more than three bylines. 'She loosened a lot of the strictures that we had,' said one staffer. 'We're encouraged to write more edgy stories.' Positioning the Journal as a punchy rival to the liberal New York Times juggernaut may be a good business plan, but doing so while not falling foul of Murdoch's politics remains a delicate balance. 'There's a particular moment now where the Wall Street Journal has to prove its mettle as the pre-eminent business and financial markets media organisation,' said Paddy Harverson, a contemporary of Tucker's at the FT, now a communications executive. 'They're up against Trump, yet they have an historically centre-right editorial view. She has guided the paper along that tightrope really well.' Allies said Tucker laid a marker of intent in terms of punchy stories when she published an article on the alleged cognitive decline of Joe Biden. It was initially described as a 'hit piece' by the Biden administration. Some see the Epstein story as the latest evidence of Tucker's shift. There are journalists, however, who blame Trump's response for giving the story attention it simply didn't warrant. Others disagree about the extent of Tucker's changes, pointing to the Journal's history of breaking contentious stories, including the hush money paid to Stormy Daniels. However, the net result of the Epstein letter saga has been to draw attention to Tucker's attempted change in tone. Trump's lawsuit means the furore may only just be beginning. Many seasoned media figures assume Murdoch, who does not respond well to bullying, will not back down. However, neither billionaire will relish having to face depositions and disclosures. Any settlement from Murdoch could put pressure on Tucker, depending on its details. Dow Jones, which publishes the Journal, has said it has 'full confidence in the rigour and accuracy of our reporting, and will vigorously defend against any lawsuit'. The courts may yet reject Trump's case. 'I don't think [Murdoch] will just flop over,' said Barber. 'The issue here is that Trump went around boasting that he killed the story … For an editor, that's very difficult. But I'm pretty damn confident there's no way [Tucker] would publish without having it properly sourced.'


Daily Mail
28 minutes ago
- Daily Mail
Victims of killer self-driving Tesla on autopilot get a huge payout after four-year legal battle
A Miami jury has found Tesla was partly responsible for the 2019 crash of a self-driving vehicle that killed a woman and left her boyfriend badly injured to the tune of $242million in damages. Naibel Benavides Leon, 22, died after a Tesla Model S slammed in to her and boyfriend Dillon Angulo, then 27, in 2019. The couple had pulled over to look at the stars at the side of a road near Key Largo, Florida, when they were struck by the vehicle after driver George McGee took his eye off the road to reach for his phone. The federal jury held that Tesla bore significant responsibility because its technology failed and that not all the blame can be put on a reckless driver, even one who admitted he was distracted by his cellphone before hitting a young couple out gazing at the stars. The decision comes as Musk seeks to convince Americans his cars are safe enough to drive on their own as he plans to roll out a driverless taxi service in several cities in the coming months. Footage from the Tesla's front camera showed McGee blow through a red light as he speeds down the road at nearly 70mph. The car passes a stop sign and crashes through several other road signs before striking the couple's vehicle, which was parked 40 feet off Card Sound Road by County Road 905. Benavides Leon was thrown 75 feet and died at the scene, while Angulo suffered serious injuries, according to a wrongful death lawsuit filed against Tesla by the woman's estate. The decision ends a four-year long case remarkable not just in its outcome but that it even made it to trial. Many similar cases against Tesla have been dismissed and, when that didn't happen, settled by the company to avoid the spotlight of a trial. 'This will open the floodgates,' said Miguel Custodio, a car crash lawyer not involved in the Tesla case. 'It will embolden a lot of people to come to court.' The case also included startling charges by lawyers for the family of Leon and for her injured boyfriend Angulo. They claimed Tesla either hid or lost key evidence, including data and video recorded seconds before the accident. Tesla said it made a mistake after being shown the evidence and honestly hadn´t thought it was there. 'We finally learned what happened that night, that the car was actually defective,' said Benavides' sister, Neima Benavides. 'Justice was achieved.' The decision comes as Elon Musk (pictured) seeks to convince Americans his cars are safe enough to drive on their own as he plans to roll out a driverless taxi service in several cities in the coming months Tesla has previously faced criticism that it is slow to cough up crucial data by relatives of other victims in Tesla crashes, accusations that the car company has denied. In this case, the plaintiffs showed Tesla had the evidence all along, despite its repeated denials, by hiring a forensic data expert who dug it up. 'Today´s verdict is wrong,' Tesla said in a statement, 'and only works to set back automotive safety and jeopardize Tesla´s and the entire industry´s efforts to develop and implement lifesaving technology,' They said the plaintiffs concocted a story 'blaming the car when the driver - from day one - admitted and accepted responsibility.' In addition to a punitive award of $200 million, the jury said Tesla must also pay $43 million of a total $129 million in compensatory damages for the crash, bringing the total borne by the company to $243 million. 'It's a big number that will send shock waves to others in the industry,' said financial analyst Dan Ives of Wedbush Securities. 'It's not a good day for Tesla.' Tesla said it will appeal. Even if that fails, the company says it will end up paying far less than what the jury decided because of a pre-trial agreement that limits punitive damages to three times Tesla´s compensatory damages. Translation: $172 million, not $243 million. But the plaintiff says their deal was based on a multiple of all compensatory damages, not just Tesla´s, and the figure the jury awarded is the one the company will have to pay. It´s not clear how much of a hit to Tesla´s reputation for safety the verdict in the Miami case will make. Tesla has vastly improved its technology since the crash on a dark, rural road in Key Largo, Florida, in 2019. But the issue of trust generally in the company came up several times in the case, including in closing arguments Thursday. The plaintiffs´ lead lawyer, Brett Schreiber, said Tesla´s decision to even use the term Autopilot showed it was willing to mislead people and take big risks with their lives because the system only helps drivers with lane changes, slowing a car and other tasks, falling far short of driving the car itself. Schreiber said other automakers use terms like 'driver assist' and 'copilot' to make sure drivers don´t rely too much on the technology. 'Words matter,' Schreiber said. 'And if someone is playing fast and lose with words, they´re playing fast and lose with information and facts.' Schreiber acknowledged that the driver, George McGee, was negligent when he blew through flashing lights, a stop sign and a T-intersection at 62 miles an hour before slamming into a Chevrolet Tahoe that the couple had parked to get a look at the stars. The Tahoe spun around so hard it was able to launch Benavides 75 feet through the air into nearby woods where her body was later found. It also left Angulo, who walked into the courtroom Friday with a limp and cushion to sit on, with broken bones and a traumatic brain injury. But Schreiber said Tesla was at fault nonetheless. He said Tesla allowed drivers to act recklessly by not disengaging the Autopilot as soon as they begin to show signs of distraction and by allowing them to use the system on smaller roads that it was not designed for, like the one McGee was driving on. 'I trusted the technology too much,' said McGee at one point in his testimony. 'I believed that if the car saw something in front of it, it would provide a warning and apply the brakes.' The lead defense lawyer in the Miami case, Joel Smith, countered that Tesla warns drivers that they must keep their eyes on the road and hands on the wheel yet McGee chose not to do that while he looked for a dropped cellphone, adding to the danger by speeding. Noting that McGee had gone through the same intersection 30 or 40 times previously and hadn´t crashed during any of those trips, Smith said that isolated the cause to one thing alone: 'The cause is that he dropped his cellphone.' The auto industry has been watching the case closely because a finding of Tesla liability despite a driver´s admission of reckless behavior would pose significant legal risks for every company as they develop cars that increasingly drive themselves.


The Guardian
28 minutes ago
- The Guardian
Bring Her Back to Destination X: the week in rave reviews
Disney+/National Geographic; available now Summed up in a sentence A powerful, gripping look back at the tragic events that overwhelmed New Orleans in 2005. What our reviewer said 'This series is a devastatingly precise illustration of systemic failure, political impotence and media distortion.' Phil Harrison Read the full review Further reading 'There's New Orleans before and after': revisiting Hurricane Katrina in a new docuseries BBC iPlayer; available now Summed up in a sentence A surreally elaborate reality competition that makes contestants live on a coach with blacked-out windows, drives them around Europe – and forces them to guess where they are for cash. What our reviewer said 'Destination X does not close like a vice around you in the manner of The Traitors, nor does it have the cockle-warming aspect of Race Across the World. But it's fun to go along for the ride.' Lucy Mangan Read the full review BBC iPlayer; available now Summed up in a sentence This powerful documentary tells the story of Japan's deployment of kamikaze pilots to bomb US ships in the Pacific during the second world war; missions that killed almost 4,000 Japanese and 7,000 American soldiers. What our reviewer said 'Clear answers are not to be found here but, as we gaze at photographs of squadrons of men under the age of 25, whose whole adult lives were rehearsals for their death, we have to ask why.' Jack Seale Read the full review Channel 4; available now Summed up in a sentence A belated airing of the hugely controversial documentary that the BBC refused to show: a horrifying investigation into claims that Israel's Defence Force has systematically targeted Palestinian medics. What our reviewer said 'This is the sort of television that will never leave you. It will provoke an international reaction, and for extremely good cause. Forget what got it stopped at the BBC. It is here now and, regardless of how that happened, we owe it to the subjects to not look away.' Stuart Heritage Read the full review In cinemas now Summed up in a sentence The Philippou brothers seal their position as dark chiefs of modern horror in story of an orphan trying to save his stepsister from a villainous Sally Hawkins. What our reviewer said 'It's a horror preying with hideous expertise on our protective instincts towards the vulnerable, our fear of our own vulnerability, the shame and guilt of abuse, and survivors' wretched sense of loyalty to their abusers.' Peter Bradshaw Read the full review Further reading 'It's very risky': the Philippou brothers on horror films, back yard wrestling and knocking back Hollywood In cinemas now Summed up in a sentence Highly amusing spoof reboot of Zucker, Abrahams and Zucker's comedy classic, with Liam Neeson as the son of Leslie Nielsen's Lt Frank Drebin, appearing opposite Pamela Anderson. What our reviewer said 'It is a life-support system for some outrageous gags, including sensational riffs on Buffy the Vampire Slayer and Sex and the City, and one showstopping are-they-really-gonna-do-it reference to OJ Simpson, who featured in the original films.' Peter Bradshaw Read the full review Further reading The return of the spoof: can comedy's silliest subgenre make a comeback? In cinemas now Summed up in a sentence Third in a playful trilogy from Norwegian novelist and film-maker Dag Johan Haugerud, about a 17-year-old whose memoir about her passion for a teacher rattles three generations. What our reviewer said 'I can imagine two different sorts of US English-language remake: one which ramps up the wry indie comedy, and another which transfers the emphasis to a dead-serious generational family drama. Neither would have this insouciant flavour.' Peter Bradshaw Read the full review In cinemas now Summed up in a sentence Heartwrenching follow-up to 20 Days in Mariupol, in which photojournalist Mstyslav Chernov is embedded with the 3rd Assault Brigade during a gruelling counteroffensive in Ukraine. What our reviewer said 'The forces brutally fight every metre of the way, heading for the symbolic liberation of the largely ruined village of Andriivka in north-eastern Ukraine. They are carrying a precious Ukrainian flag, and it is their mission to fix this to any broken bit of wall they can find, to proclaim their national spirit is not dead.' Peter Bradshaw Read the full review Further reading 'The soldiers want you to see what they're going through': the heartbreaking follow-up to 20 Days in Mariupol Multiple digital platforms; available now Summed up in a sentence Deba Hekmat is impressively subtle as a British-Iranian teen whose celebrations come unstuck on a complicated A-level results day. What our reviewer said 'Director Sasha Nathwani gets a headlong rush of energy from his zesty young cast, as they roam all over London – first in a horribly uncool 80s car, then on bikes, then via train.' Peter Bradshaw Read the full review Review by Houman Barekat Summed up in a sentence Scorching literary hot takes. What our reviewer said 'Reviewing Bret Easton Ellis's 'deeply needless' 2019 essay collection Long Chu bemoans his descent into fogeyish paranoia, and suggests the author of American Psycho is starting to resemble his most famous creation.' Read the full review Review by Emma Brockes Summed up in a sentence A gossipy, unsparing portrait of the actor and wellness guru. What our reviewer said 'Here's a reveal: Paltrow is such a massive cheapskate she used Goop's food editors to cook for her.' Read the full review Further reading Self-belief and sex eggs: 10 things we learned about Gwyneth Paltrow from an explosive new biography Review by Xan Brooks Summed up in a sentence Precocious 10-year-old Vera Bradford-Shmulkin comes of age in a near-future, post-democracy US. What our reviewer said 'Shteyngart's ode to a good American in a bad America conspires to be, by turns, a rueful human comedy and a coming-of-age caper, a dystopian chiller and an espionage yarn.' Read the full review Review by James Smart Summed up in a sentence Two fortysomething Glaswegians from either side of the tracks form an unlikely friendship. What our reviewer said 'A comic melodrama that's never dull, and a satire that hits most of its targets … a fine choice for anyone who likes a little grit in their holiday read.' Read the full review Further reading John Niven: 'My comfort read? Alan Clark's diaries' Review by Patrick Gale Summed up in a sentence In the rugged far north of Sweden, an elderly man lives out his last days with his beloved dog. What our reviewer said 'As Bo's end draws near, he faces the twin challenges of keeping his beloved Sixten at his side and overcoming his masculine conditioning so as not to die with love unexpressed.' Read the full review Review by Marcel Theroux Summed up in a sentence As his kids leave home, a middle-aged man takes a road trip to figure out his future, and whether to leave his marriage. What our reviewer said 'The relaxed precision of the writing is one of the novel's pleasures. Another is the gradual unpacking of Tom's mind as we travel alongside him.' Read the full review Out now Summed up in a sentence Velvets-style drone rock, trad folk, anarcho-punk and hippy whimsy are all discernible in the Brighton quartet's debut album. What our reviewer said 'The New Eve Is Rising sounds as if it's being played live, by a band who prize immediacy over virtuosity, with all the teetering potential for disaster that suggests. There's a certain white-knuckle intensity to the moment when Circles shifts its rhythm, and given that the change is counted in with such vociferousness, perhaps it hasn't always come off in the past.' Alexis Petridis Read the full review Out now Summed up in a sentence This sequel retains the original's generation-defining mix of dread and debauchery, although it is overshadowed by recent bolder versions of the sound. What our reviewer said 'It's an understandable impulse to make a sequel: rappers have done it for years, and nostalgia-bait has become a dominant form of popular art – to the point that Madonna has been teasing Confessions Part 2. But for an innovator such as AraabMuzik, moving on seems the best path.' Shaad D'Souza Read the full review Out now Summed up in a sentence Kaique Vieira's latest 'bruxaria' album is even bolder and louder than his 2023 debut, as he brings revolutionary spirit to the funk sound of São Paulo. What our reviewer said 'Vieira displays immense skill in balancing his arrangements and allowing each element, no matter how brash, to play clearly without collapsing into muddy loudness. Some listeners may find it too noisy, but succumb to Vieira's relentless energy and there is freedom in the barrage of sounds – an invitation to lose yourself in the cacophony.' Ammar Kalia Read the full review Out now Summed up in a sentence Exaudi, directed by James Weeks, explore late 16th-century choral works in this fascinating and involving disc. What our reviewer said 'The writhing, convoluted lines of these pieces, negotiated with exemplary precision and clarity by the seven singers of Exaudi, their voices perfectly matched and balanced, carry their own expressive power. This is a disc that becomes more fascinating and involving the more you listen to it.' Andrew Clements Read the full review Out now Summed up in a sentence Painted as a villain following Janet Jackson and Britney Spears controversies, the pop-R&B megastar gets back to brass tacks – and bed-rattling. What our reviewer said 'With not a hope in hell of regaining the narrative upper hand, the only weapon in Timberlake's arsenal is to produce bangers beyond reproach. For nearly half of this excessively long album, he gets close.' Laura Snapes Read the full review Further reading Justin Timberlake reveals Lyme disease diagnosis