HBD Vijay: Seaside mansion, supercars and more; 'Jana Nayagan' actor's net worth
(Picture Courtesy: Facebook)
Thalapathy Vijay
, one of South India's most celebrated stars, is celebrating his birthday on this day (June 22). On this special day, let's take a look at the net worth of the Tamil superstar.
As reported by India Times, with a net worth estimated at Rs 600 crore (approx.
$72 million), Vijay lives a life as grand as his on-screen persona.
A mansion by the bay
At the heart of Vijay's luxurious life is his breathtaking bungalow in Neelankarai, Chennai. This seaside residence which is located along Casuarina Drive, is inspired by Tom Cruise's famous beach house. It boasts modern architectural design and a pristine white façade. Overlooking the Bay of Bengal, the property is a peaceful retreat.
Earnings that rival legends
Vijay's stardom reflects in his earnings.
He reportedly took home Rs 100 crore for the film 'Beast'. This even out-earning of Rajinikanth, who charged Rs 90 crore for Darbar. His annual income is pegged between Rs 100 to Rs 120 crore, combining blockbuster movie salaries and brand endorsements. He earns approximately Rs 10 crore annually from endorsing top brands, according to reports.
Exclusive | Kajol CANDID On Horror Fears and Son Yug's Voice Debut In 'Karate Kids: Legends'
Garage of the gods
Vijay's luxury car collection is every auto enthusiast's dream. Among his prized possessions are:
Rolls Royce Ghost – Rs 2.5 crore, BMW X5 and X6, Audi A8 L, Range Rover Evoque – Rs 65 lakh, Ford Mustang – Rs 74 lakh, Volvo XC90, Mercedes Benz GLA – Rs 87 lakh.
A life fit for a superstar
From ruling the box office to enjoying a lifestyle of international standards, Joseph Vijay Chandrasekhar, aka Thalapathy Vijay, shows what it means to be a modern-day superstar.
On the work front, Vijay will be next seen in 'Jana Nayagan' which is an action flick directed by H. Vinoth. The reports say that 'Jana Nayagan' will mark Vijay's last outing.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
NDTV
17 minutes ago
- NDTV
Watch: Dubai Crown Prince 'Fazza' Wins Hearts By Covering Everyone's Restaurant Bill
An act of generosity by the Crown Prince of Dubai, Sheikh Hamdan bin Mohammed bin Rashid Al Maktoum, has gone viral on social media. Affectionately known as 'Fazza', a pseudonym used for his poetry, meaning "the one who helps" in Arabic, the crown prince surprised diners at a Dubai mall restaurant by paying for everyone's meal during an impromptu visit. In a video shared by local media outlet Lovin Dubai, a woman claimed that she was visiting the La Maison Ani restaurant in the mall when she spotted the crown prince, who had also come for lunch. "Sheikh Hamdan came to this restaurant for lunch, and he covered the bill for everyone in the restaurant," the woman said. "He paid the entire bill," she added, estimating that the total bill amount might have been between Rs 5.8 lakh (AED 25,000) and Rs 6.9 lakh (AED 30,000). View this post on Instagram A post shared by Lovin Dubai | لوڤن دبي (@lovindubai) Also Read | Controversy Erupts As Scientists Start Work To Create Artificial Human DNA Social media reacts As of the last update, the video had received over half a million views, with the majority praising the crown prince for his benevolence and generosity. "That's faz doing what he does best. There's a reason why Dubai tops the list for a lot of things!" said one user, while another added: "I don't have words to say how wonderful the Royal family is. Long life for all of them. Allah bless and protect the UAE." A third commented: "Sheikh Hamdan and his brothers always do it as their father Sheikh Mohammed did before them." A fourth added: "A true prince with a heart for his people." Sheikh Hamdan was appointed Crown Prince of Dubai in 2008, after serving as Deputy Ruler from 2006 to 2008. The prince is known for poetry, adventure sports (skydiving, scuba diving), and philanthropy, supporting causes like Dubai Cares and environmental sustainability. His Instagram, with over 17 million followers, showcases his hobbies, including photography, animals.
India Today
27 minutes ago
- India Today
Bollywood 2025 mid-year box office: Chhaava won, Sikandar lost - any lessons learnt?
The year 2025 began on a mild note for Bollywood at the box office. January didn't see any exceptional performances from a Hindi film, and it was only when 'Chhaava' arrived in February that the industry began to take a sigh of half-yearly box office report is not exceptional, despite big titles taking over the ticket window in the first half of the year. This has to do more with the amount of choices available to the audience via OTT platforms, and their direct rejection of watching anything running in theatres which is mediocre, redundant and sometimes, plain spoke to various industry experts, including directors, producers and trade analysts, to gauge how the Hindi film industry really performed from January-June, with the current week marking the end of the first year.'Chhaava' all the way! 'Chhaava' is the clear winner, it seems, when it comes to discussing the flagbearer of Bollywood in 2025 so far. The Vicky Kaushal film wasn't just historically relevant - it also resonated with the audience emotionally and provided dramatic relief to them - something a big-screen entertainer is supposed to Laxman Utekar directorial collected around Rs 601.54 crore nett in India, and grossed over Rs 800 crore worldwide, becoming the highest-grossing Hindi film of 2025 so far. 'Sitaare Zameen Par', starring Aamir Khan, is another clear winner - a film still running in theatres - further cementing the fact that emotions are still the best way to connect to the that box-office response in the first half can clearly be summed up as 'unpredictable', film producer and trade analyst Girish Johar told "If we analyse the first six months of last year vis a vis this year, we have done a little better. We are around 8 to 10 per cent higher, because films like 'Chhaava' did well and other films, even 'Housefull 5', have done good business."He underscored the importance of mid-budget films not finding their audience at the box office. "By and large, the first six months are a little better but, what is worrisome is the medium and the small films are not doing exceptionally well. These are the critical ones which are not working at the box office. We have a stronger second half of the year which we really hope does well and adds value to the box office," Johar explained.A 'mixed-bag' of a year so far!For Anand Pandit, one of the leading film producers, it was all what he called a "mixed bag". While speaking to us, he elaborated, "The first half of 2025 was a mixed bag for Bollywood. While a few tentpole films performed well, many others struggled to make an impact. It's becoming increasingly clear that audiences are getting more selective. They're looking for fresh narratives, emotional depth, and a sense that their time and money are well spent. A star-studded cast alone no longer guarantees success. Even big-budget films can fall short if the content and execution aren't strong."advertisementPandit also focussed on 'Chhaava' leading from the front. "That said, there were standouts like 'Chhaava,' which delivered grounded storytelling with detailed production design, and 'Raid 2,' which successfully expanded on an existing franchise. These films did well at the box office, showing that when there's a unique element and genuine interest is sparked, audiences respond," he said."The first six months can be seen as a period of recalibration for the industry," he does this mean that the industry has now understood what has worked for the audience? The answer is not there - nothing specific or cumulative, at least. The industry still seems to be struggling with identifying the taste of the audience.A clear sense of what worked and what didn't'Oh My God' producer Hemal A Thakkar seems to have a bit of an answer, though. In a conversation with he said the audiences demand sincerity. He had a three-point list to explain what worked for the audience in the first-half of the rooted in emotion and purpose — where the story felt personal, not manufactured.""Relatable drama and family-centric narratives with a clear voice.""Content that respects audience intelligence, especially the youth."Thakkar, who is also a writer and a director, and the co-founder of Funder of Playtime Creations with actor Paresh Rawal, also clarified that the audience is not looking out for unnecessarily stretched grand spectacles on the big screen. So, what needs to be rejected then? Thakkar has a three-point list:Over-produced spectacles with thin are designed around star images rather than human to force nostalgia or recreate past magic without the soul.'Sikandar' remains the biggest disappointmentOne of the biggest tentpole movies of the year, and visibly the biggest Bollywood disappointment so far, was 'Sikandar'. The Salman Khan-starrer happened to be the big Eid box office release this year, but was rejected by the audience left, right and centre.A grand spectacle, directed by AR Murugadoss, collected only Rs 110.1 crore nett in India - a figure that doesn't really match the mammoth screen presence of Salman looked at the failure of grand releases at the box office and analysed, "We are still making films for a 50+ sensibility, while India's true box office audience today is between 18 and 30 - and we're failing to write for them with honesty or urgency."The only film that created some ripples at the box office after 'Chhaava's release in February was 'Sanam Teri Kasam', which was a re-release. The Harshvardhan Rane-starrer performed like a winner from the word go. It was almost like a surprising letter full of love and poetry left at the industry's film ended up collecting Rs 42.2 crore nett in its lifetime run, making more than most of the fresh Bollywood releases this year. What was this phenomenon? Does this mean re-releases have got a future at the box office this year?'Sanam Teri Kasam' - a mystery winnerAnand Pandit said the success of 'Sanam Teri Kasam' re-release doesn't guarantee a confirmed trend. "That was fascinating. Sometimes, a film that doesn't perform well during its initial release may receive a better response later during a re-release. In this case, it is a romantic story with drama, tragedy, and sacrifice. It shows that if a film connects emotionally, it can still find its audience years later," he filmmaker behind films like 'Sarkar 3', 'Total Dhamaal' and 'Chehra', among others, added, "Nostalgia plays a big role for those revisiting the film in theatres, while for younger audiences, it offers a chance to experience what they missed during the original run. However, whether it's a film that went unnoticed or a blockbuster returning to screens, I wouldn't call it a guaranteed trend. It needs careful curation, proper timing, and promotion that makes it feel like a shared event worth revisiting."Mansi Bagla, the producer of Vikrant Massey and Shanaya Kapoor's upcoming film 'Aankhon Ki Gustaakhiyan', credited 'Sanam Teri Kasam's' sheer luck behind its box office elaborated, "There is a good line-up of releases in the second half. So, I don't think re-releases will work. 'Sanam Teri Kasam' was lucky that it got released in February. If it had been released around the Pahalgam attack, it would never have worked. Post the dreadful event, it would not have seen the light of re-release. So, sometimes it's about luck."What is also clear is that stardom is fading. Having a star in a film might get you a few initial eyeballs, but it doesn't guarantee a longer and more sustainable traction at the box Johar agreed when he said, "We should want the film industry as a whole to flourish. The theatrical window has to do well - that is a foregone conclusion. Yes, makers need to ensure that their content is more lapped up by the audiences. Stars are important at the box office, but they are no longer a critical element."Audience has got the game rightAnother lesson that has to be taken from the first half of Bollywood is how the audience has got wider access. "Even regional lines have blurred. We see a lot of southern languages and other language films doing well at the box office. That needs to be said because the audiences are now also even watching those kinds of films. We need to learn, we need to pull up our socks accordingly," Johar said, while explaining the corrective measures that the industry can take to expect a better audience response.'Jaat', 'Kesari Chapter 2', 'Sky Force', 'Raid 2', and 'Bhool Chuk Maaf' were a few Hindi films that kept the ship from sinking entirely. These films kept the industry's hopes up for a strong second half. Things might not have looked absolutely sparkly for Bollywood in the first half, but the second half seems to be shinier and brighter than an interview with us, Anand Pandit shared a few titles that can be trusted to help Bollywood recover what was lost in the first half."We can see a wide range of films across genres lined up for the second half of the year, with 'Alpha,' 'War 2,' 'Thama,' 'Haunted 3D: Ghosts of the Past', 'Param Sundari,' and 'Jolly LLB 3' being some among the ones to watch out for. What I want to say is that in Bollywood, there's space for everyone if the story and narration are compelling. As an industry, we should remain cautiously optimistic," he shared on a positive talked about her own film, which is releasing on July 11. She said, "Right now, 'Aankhon Ki Gustaakhiyan' is to be looked forward to. It's a musical love story. It's unique and has the freshness, a superb pairing, and an old-school base with modern sentiments. Nothing can beat a love story. It's a universal topic. Moviegoers will always love cinema, so I'm sure good work will come back."The way ahead? Honesty, authenticity and a good heartIt all comes down to finding an honest soul at the end of the day - in your work, stories, what you are trying to offer to the audience, and what you are asking them to spend their hard-earned money put it in a brilliant way when he said that the need of the hour is to realise that "authentic stories always find a way."He summed up the way ahead for the industry and shared, "We are not just in a phase of change — we're in a moment that demands reinvention. The audience is ahead of us. It's time we stopped playing poker and started building a business based on vision, craft, and respect for the viewer - especially the viewer who will shape the next 20 years: Young India."The need for fresh stories - not remakes, not recycled narratives - but original, creative and bold ideas. "We need stories that speak to their aspirations, fears, humour, and emotional complexity. Not just recycled ideas with updated costumes," he though, a better strategy is definitely needed. One of the best things that Pandit emphasised included investing in better said, "We also need to invest more in writing. This includes script development, revisions, and having a solid shooting script as the foundation of the project. At the same time, collaboration between producers, exhibitors, and digital platforms can help design the right release strategy for both theatres and streaming platforms."There is hope. The second half looks promising for Bollywood - but only if we are staying honest - in pushing the right kind of story, by not cheating the audience, and by not selling absolute boredom and fallen creativity to them in the name of a big Bollywood knows the drill already. It will be interesting to see if we rise or go further downhill by the end of the year. See you again then!- Ends IN THIS STORY#Vicky Kaushal#Akshay Kumar#Aamir Khan#Kajol Devgan#Ajay Devgn
India Today
27 minutes ago
- India Today
Siddharth Shukla, Sanjay Kapur, and the alarming rise of heart attacks among the young
Heart disease was once thought to be an issue that mainly affected those aged above 60 years. But noticeable deaths of shocking heart attacks and cardiac arrests in recent years of many famous Indian actors, singers, comedians, and directors have raised alarm amongst many in their 30s, 40s, and Shefali Jariwala's post-mortem is still underway, initial reports suggest that the 42-year-old actor may have suffered a massive heart attack on Friday night. These sudden losses shocked fans and devastated families. Experts have warned that increasing stress, irregular lifestyles, poor diets, and unrecognised medical issues may help to explain how heart disease has now also established itself amongst youth. Here's a look at other such instances when young, seemingly healthy hearts gave out too soon.1. Actor Sidharth Shukla (1980–2021)The Bigg Boss 13 winner and popular TV actor died suddenly on September 2, 2021, at just 40, due to cardiac arrest.2. Actor Puneeth Rajkumar (1975–2021)A much-loved Kannada actor and philanthropist, Puneeth Rajkumar passed away at the age of 46 on October 29, 2021, after a heart attack.3. Singer KK (Krishnakumar Kunnath) (1968–2022)The acclaimed singer died on May 31, 2022, at 53, after a live performance in Kolkata, reportedly due to a heart attack.4. Director/Producer Raj Kaushal (1971–2021)Raj Kaushal, known for his work in films and ads, died on June 30, 2021, at 50 following a cardiac arrest.5. Comedian Raju Srivastav (1963–2022)The famous comedian suffered a heart attack while working out in August 2022 and passed away weeks later, on September 21, at 58.6. Actor/Director Satish Chandra Kaushik (1956–2023)A versatile actor, director, and writer, Satish Kaushik died of a heart attack on March 9, 2023, at 66.7. Actor Siddhaant Vir Surryavanshi (1975–2022)The television actor died tragically at 46 on May 19, 2022, after collapsing during a workout in a gym.8. Actor Chiranjeevi Sarja (1984–2020)The Kannada film star passed away at just 35 on June 7, 2020, due to cardiac arrest, shocking the entire industry.9. Comedian Vivek (1961–2021)A popular face in Tamil cinema, Vivek died on April 17, 2021, at 59, after suffering cardiac arrest.10. Actress Madhubala (1933–1969)One of Bollywood's most iconic actresses, Madhubala, died at only 36 because of heart-related complications.11. Businessman Sanjay Kapur (1971–2025)A prominent businessman and social figure, Sanjay Kapur, passed away due to a heart attack at loss of these young talents serves as a stark reminder that heart disease does not discriminate based on age or outward fitness. Losing their lives at such a young age highlights the importance of raising awareness about the hidden health risks that can affect even those who appear to be in peak condition.- EndsTune InMust Watch advertisement
