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King remembers victims of Air India plane disaster at Trooping the Colour

King remembers victims of Air India plane disaster at Trooping the Colour

Leader Live14-06-2025

Trooping the Colour was a display of military pomp and pageantry but Charles asked for the traditional programme to include a minute's silence, and for senior royals and officers taking part to wear black armbands as a mark of respect.
When the royal family gathered later on Buckingham Palace's balcony they acknowledged the crowds and watched an aerial display of vintage and modern aircraft with the Red Arrows' finale powered by a blend of sustainable aviation fuel.
The world-famous aerobatic team also used vegetable oil to produce their trademark red, white and blue vapour trails over the royal residence – believed to be a first.
Trooping, also known as the King's Birthday Parade, fell silent after Charles had inspected hundreds of troops on Whitehall's Horse Guards Parade from a carriage with the Queen by his side.
The moment of reflection acknowledged the aviation disaster on Thursday that killed 241 passengers and crew, including more than 50 British nationals, and around 30 people on the ground.
Charles led the royal colonels in wearing black armbands, with the Prince of Wales, Colonel of the Welsh Guards, Princess Royal, Colonel Blues and Royals, and the Duke of Edinburgh, Colonel Scots Guards, all wearing bands on their left arms.
Young royals delighted monarchy fans by making an appearance, with Prince George, Princess Charlotte and Prince Louis riding in a carriage with their mother Kate.
George, Charlotte and Louis joined other members of the royal family, including the Duchess of Edinburgh in the former office of the Duke of Wellington, to watch the spectacle in honour of their grandfather the King.
Kate took her place next to the King and Queen on the dais, in her role as Colonel of the Irish Guards – a symbolic position and one she was unable to take up last year because she was receiving cancer treatment, and instead watched the ceremony with her children.
Trooping the Colour is as much a social occasion as a ceremonial celebration, and stands around Horse Guards Parade were filled with around 8,000 wives, girlfriends and parents of the guardsmen and officers on parade.
The colour – or regimental flag – being trooped this year was the King's Colour of Number 7 Company, Coldstream Guards, also known as the sovereign's bodyguard, which is celebrating its 375th anniversary.
The minute's silence was observed when Charles and Camilla returned to the dais, following an announcement to the spectators and a bugler sounding the Last Post.
During the pageantry, the colour was first trooped through the ranks of soldiers before the guardsmen marched past the King, first in slow then in quick time, with Charles acknowledging the command of 'eyes right' with a salute.
Lieutenant Max Martin, 24, who carried the regimental flag at the heart of the ceremony, said: 'The King's Colour emphasises and symbolises everything that has ever gone before in the Coldstream Guards.
'The gold embroidered silk of the flag is physically heavy, especially in the flourish, but the symbolic weight is heavier still.
'It bears 44 of our 113 battle honours: the achievements and sacrifices of countless generations of our forebears.'
Thousands lined the royal procession route from Buckingham Palace to Horse Guards Parade where Trooping was staged.
A group of activists from the anti-monarchy group Republic staged a 'not my King' protest.
During the fly-past Louis, who was dressed in an identical red tie and suit outfit as older brother George, was seen chatting to his father, William, and waving to the crowds.
The sustainable display be the Red Arrows is in keeping with Charles decades long support for sustainability and climate action.
A Buckingham Palace spokesperson said the King was not involved in the decision but was 'delighted' because he has been encouraging use of the fuel on royal flights where practical and hopes the example will lead to wider use across the aviation sector.

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And, just weeks later, Labour leader John Smith's premature passing would stun us all. They were very sheepish. Cherie Blair was like, 'Would you mind awfully signing something for my kids? They're very big fans.' We just went, 'Waaaargh'. We were f***ed Paul 'Bonehead' Arthurs These deaths paved the way for the twin emergence of a young, homegrown Britpop movement, New Labour and an equally youthful politician named Tony Blair, just 43. My first live encounter with Oasis came in August 1994 during a ferocious show at London's Kentish Town Forum. A provocative, surly, agitated, subversive, volatile performance, clearly signalling that we were witnessing a bombastic new chapter of British rock. Little did I know then what influence this band would have on our lives and my journalistic career. Within months of that embryonic onslaught, the mad-fer-it brothers would begin to determine the way Britons dressed and cut their hair, even the language they would use — and how they might even vote. At Knebworth House, less than two years later, 250,000 shaggy-haired lads and ladettes, boldly clad in England football tops, checked shirts, baggy jeans, Clarks Wallabees, cargo trousers and Adidas, packed that holy, sun-baked field and chanted Noel's council estate hymns dedicated to Britain's youth, excited for their futures and sensing a transformative and more tolerant British society. Life felt more fun and colourful Chris Martin is certainly a mighty talented songwriter, but how many people really want to dress like him or copy his haircut? My passion and journalism throughout this period, working closely with both Oasis and Coldplay, in print, digital and broadcast media, would ultimately combine and contribute to my rise to become The Sun's Editor and my appointment was announced on August 26, 2009. Strange timing because, two days later, Oasis would implode and split up in France, dominating those early papers. But, in a 2017 interview with GQ magazine, Liam would claim that it was my presence in the band's dressing room, before the Paris show, which sparked an incendiary row with Noel, ending the band. Dead forever. Or so we thought. I was mortified. He recalled: 'I saw Dominic Mohan and some other fing clown from The Sun waltzing around backstage, necking our champagne. Not having it.' As if I would be ligging backstage, sipping the Gallagher bubbly, just as I'd landed the biggest job in British journalism. Yes, I've been fortunate enough to witness Oasis live on more than 25 occasions — in Manchester, Tokyo, California, Milan, Oslo, Majorca and even Exeter — but never Paris. It was a case of mistaken identity. I was not there. Sixteen years on, these monumental 2025 congregations and the soul-stirring anthems which will reverberate around Britain's most cavernous venues shall serve to remind us all of a less complex time, where life felt more light-hearted, fun and colourful. A pre-pandemic, analogue world where all our dreams were made before we were chained to an iPhone and a Facebook page.

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