How to get Sleep Token tour tickets: Los Angeles, Orlando, Brooklyn, and more
Comprised of members who have remained famously anonymous, the band adopted pseudonyms and wear masks for every concert. Vessel (lead singer and songwriter), II (bass guitar), IV (lead guitar and backing vocals), and Espera (backing vocal trio) signed on with Spinefarm Records and released their first full album in 2019.
The 2025 tour will support Sleep Token's fourth album, 'Even in Arcadia,' which was released on May 9. Following the March release of the record's single 'Emergence,' the song reached the Billboard Hot 100 with almost 10 million plays in the US alone in one week.
If you're looking for how to get tickets to Sleep Token's 2025 tour, then we've got you covered. Here's our breakdown of the tour schedule, purchasing details, and price comparisons between resale and original tickets. You can also browse concert and ticket specifics at your convenience on StubHub and Vivid Seats.
Sleep Token's 2025 tour schedule
The band's 2025 tour is scheduled to start on September 15 in Duluth, Georgia. With 18 total shows across the US, the tour is scheduled to come to a close with Sleep Token's final performance in Los Angeles scheduled on October 11. They will also be playing at the Rock am Ring Festival in Germany, from June 6 through 8, and the 2025 Download Festival in the United Kingdom on June 13 through 15.
North America
September 16, 2025 Duluth, GA $308 $263
September 17, 2025 Orlando, FL $309 $166
September 19, 2025* Louisville, KY $284 $337
September 20, 2025 Greensboro, NC $392 $103
September 22, 2025 Brooklyn, NY $115 $224
September 23, 2025 Worcester, MA $294 $172
September 24, 2025 Philadelphia, PA $200 $172
September 26, 2025 Detroit, MI $251 $150
September 27, 2025 Cleveland, OH $509 $181
September 28, 2025 Rosemont, IL $192 $176
September 30, 2025 Lincoln, NE $118 $96
October 1, 2025 Minneapolis, MN $326 $149
October 3, 2025 Denver, CO $244 $236
October 5, 2025 West Valley City, UT $167 $163
October 7, 2025 Tacoma, WA $115 $109
October 8, 2025 Portland, OR $109 $102
October 10, 2025 Oakland, CA $307 $141
October 11, 2025 Los Angeles, CA $605 $201
International
Date City StubHub prices Vivid Seats prices
June 6 - 8, 2025* Nurberg, Germany $245 N/A
June 13 - 15, 2025* Castle Donington, United Kingdom N/A $500
*Dates are for music festival appearances the band will make alongside a lineup of artists.
How to buy tickets for Sleep Token's 2025 concert tour
You can buy standard original tickets for Sleep Token's 2025 dates on Ticketmaster. However, due to high demand to see the band perform live, original tickets have entirely sold out.
Tickets to Sleep Token's concert tour can also be purchased through verified resale ticket vendors like StubHub and Vivid Seats. As original tickets have sold out, you may find better luck with seating variety and availability on these sites.
Sleep Token will also play at two international festivals before coming to the US. They will appear at the Rock am Ring festival in Germany from June 6 through June 8. There are no official day passes for this festival, and the original three-day passes are sold out. Resale passes are not available on Vivid Seats.
The band will then perform at the 2025 Download Festival in the United Kingdom. Original day passes are still available on the tour website and on Ticketmaster; however, only weekend passes are available on Vivid Seats. Resale passes for this festival are not available on StubHub.
How much are Sleep Token tickets?
Ticket prices for Sleep Token's 2025 tour dates vary depending on the date, location, and demand for each show. Due to the generally high demand for tickets, prices do vary significantly between concert dates, and many are quite expensive.
On StubHub, the lowest-cost tickets to Sleep Tokens 2025 shows range from $115 for the September 22 show in Brooklyn to $604 for the Los Angeles show on October 11. The Los Angeles show is almost sold out on StubHub, which makes the tickets more expensive than average. Ticket prices on StubHub still vary greatly, typically falling from $100 to $300.
Vivid Seats offers similar prices, with the least expensive tickets ranging between $96 for the September 30 in Lincoln, Nevada, up to $500 for the Festival in the United Kingdom from June 13 to June 15. Only weekend passes are available to attend the Festival, which makes those passes notably more expensive than standard concert tickets. In general, tickets on Vivid Seats range from $100 to $250.
Who is opening for Sleep Token's tour?
As of this writing, no openers have been confirmed for the tour, and as this is their first US tour as the headlining act, we aren't sure what to expect. On Sleep Token's previous UK tour, their shows were opened by Northlane.
Will there be international tour dates?
While the tour is primarily a US headlining tour, Sleep Token will appear at two festivals before embarking on the journey to the US. The first festival will be from June 6 through June 8 in Germany, and the second will be on June 14 in the United Kingdom.
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A new generation of kids will hear the violin and harp strings trickle down from heaven while they're half asleep on a Saturday morning and will automatically know what time it is: You know your parents don't play about this album, so get up and get to cleaning. Sincerely, is a ride and must be listened to straight through to be able to appreciate the full scope of it. The crib will be spotless by the time 'ILYSMIH' fades off into the distance. — ANGEL DIAZWith Mayhem, Lady Gaga achieved what so many veteran hitmakers set out to do but rarely accomplish – creating a brand-new album that somehow evokes the best of their earliest hits while feeling wholly original and modern, delighting casual fans and die-hards alike. Nowhere is that link between the old and new clearer than on 'Perfect Celebrity,' a flawless sequel to 2009's 'Paparazzi,' which pre-fame Gaga created before understanding just what she was signing up for in the coming years. But 'Perfect Celebrity' was written with eyes wide open ('You love to hate me,' 'I'm made of plastic like a human doll') – Lady Gaga has lived every moment of this life, and even as she fully understands all the pitfalls and dark sides of fame, she's here to be our 'Perfect Celebrity.' Fittingly for an album with a signature hit called 'Abracadabra,' Gaga pulled off a magic trick with this project. — KATIE ATKINSONEmbarking on a new romance can be equally thrilling and terrifying, perhaps even more so when it's with a dear friend and bandmate — and you're pouring it all into your solo album. Such is the case with Lucy Dacus's fourth studio album, Forever Is a Feeling, a dreamy revelation of her romantic relationship with fellow Boygenius member Julien Baker. Whether sharing her partner's physical proclivities — 'Pull me by the ankles to the edge of the bed/ And take me like you do in your dreams' — or her own long-running infatuation — 'I notice everything about you, I can't help it/ It's not a choice, it's been this way since we met' — Dacus tips her hand but doesn't overshare, keeping some details to herself. The album is musically gentler than much of her previous work, though when she finally lets the guitar rip on Forever closer 'Lost Time,' it's a cathartic payoff. — CHRISTINE WERTHMANMuch has been made of Maren Morris' decision to leave the country music industry behind, and how such a departure could affect her future in music at large. Consider Dreamsicle a resounding rebuttal to that speculation, as Morris harnesses her singular power as a versatile singer-songwriter to its full effect. The singer transforms the turbulence of her personal life into a diaristic pop masterpiece, as she crashes out in the privacy of her automobile ('Cry in the Car'), shoos a one-night stand out the door ('Bed No Breakfast') and finds her own sense of self-worth post-divorce ('Too Good'). Dreamsicle, much like its titular treat, offers something sweet and refreshing just when you need it most. — Cyrus has accomplished a tremendous amount in her now-nearly-two-decade-long career in pop music, but the one thing fans still wanted from her was an album that was undeniably more than the sum of its parts, a coherent front-to-back listen that demanded to be ingested in full. Consider that final item checked off the resumé with Something Beautiful, a spellbinding set that flows beautifully from the psych-rock power balladry of its title track to the stomping '70s soul-pop of 'Easy Lover' to the peak disco throwdown of 'Walk of Fame' and 'Reborn,' just getting richer as it goes. It hasn't produced a single anywhere near the size of 2023's culture-conquering 'Flowers,' but it doesn't have to — it's much more important for Cyrus' legacy that she has an album that no one song lives above. — a characteristically robust 37 tracks, I'm the Problem continues to offer a picture window into Wallen's late-night musings about relationships, small-town living and, yes, whiskey. And things feel especially diaristic this time around, with Wallen co-writing 22 of the songs, including the Hot 100-topping Tate McRae duet 'What I Want,' which marks his first collab with a woman and provides a much-needed female perspective to his typically navel-gazing views on love. Oh, and if you're looking for the true pinnacle of situationship songwriting, the brooding 'Just in Case' somehow makes casual dating seem romantic — because he's just keeping his bed warm while he waits for his true love to return. But the jam-packed project's ultimate love interest has to be Tennessee, spotlighted across the album – nowhere better than on the cunning 'TN,' which makes excellent use of a series of abbreviations to spell out just how forever intertwined Wallen is with his beloved home state: 'When I take my last breath, that's the dirt that they gonna bury me in/ TN.' When he takes his last breath, we also have a feeling Wallen will still be singing about women, whiskey and the Volunteer State. — Mexican singer-songwriter always finds a way to strike the perfect balance between reinventing herself without compromising her folk essence, sounding worldly while still honoring her Latin American roots. Cancionera is no exception here: a bold offering of son jarocho, tropical and ranchera music that also integrates natural sounds (courtesy of Soundwalk Collective) for an elevated listening experience. The 14-track set is a rich and nuanced musical landscape that sets up Lafourcade for another potential sweep at this year's Latin Grammys. — Choke Enough, the debut album from French singer-producer Marylou Maniel under her Oklou moniker, recalls the icy pop minimalism of Grimes, the hypnotic New Age tranquility of Enya and the experimental dance-R&B thump of FKA Twigs at different points, the synthesis of its influences is so fully realized that nothing else sounds quite like it. Part of that distinctiveness comes from Oklou's fragile yet warm vocal delivery, which is deployed at different distances — on the title track, for instance, she sounds like an echo from a wholly different song, before being shoved into the front of the mix for a breathtaking refrain. — J. LipshutzAfter a five-year layoff, Ovrkast. doled out his first full-length mixtape since 2020's Try Again with May's While the Iron Is Hot. The East Oakland rhymer dazzles over soul-grabbing samples with elastic precision on the set, shining alongside lyrical heroes Saba ('Dog Days') and Vince Staples ('Strange Ways'). Even when 'Kast is playing iso-ball, he lights up the scoreboard on standout tracks 'Spike Lee' and 'NEW ERA,' proving why he has box-office potential akin to another West Coast messiah by the name of Kendrick Lamar. — CARL LAMARREAs part of Animal Collective, Noah Lennox has spent years challenging listeners with experimental pop sounds — but in his own work as Panda Bear, Lennox's music is more like a watercolor painting, with ideas gently bleeding into each other to create the full soft-focus picture. Lennox has shown a penchant for doing more with less in his solo releases, never overcrowding his songs and letting his melodies shine, and this year's Sinister Grift feels like the pinnacle of this approach. This isn't Jimmy Buffett's beach, but the music is beachy, in the breezy, relaxed, bright sense of the word. The easygoing vibe and Lennox's eternally youthful voice hide lyrical undertones of sorrow, regret and a heavy heart that 'bends before it breaks.' Yet Lennox keeps moving, and ends the album with dukes up on 'Defense,' as he and guest Cindy Lee fight against hard times, with electric guitar becoming their Excalibur. — Glory is Perfume Genius' seventh album in 15 years, it's also his first proper studio album in five, one wrung out of pandemic-era depression. The first-blush assessment that Glory is softer and less abrasive than Mike Hadreas' previous album belies the melancholy, nostalgia, uncertainty and other overcast emotions that make up Glory's core. 'Clean Heart' is a twinkling, fragile indie pop song about what you lose and discover as time passes; 'No Front Teeth' alternates between Aldous Harding's gentle, meditative chorus and a grimy '90s alt-rock flavor; while 'Full On' brings an almost medieval musical flavor to some of his most arresting lyrics: 'I saw every quarterback crying/ Laid up on the grass/ And nodding like a violet.' — JOE LYNCHPinkPantheress polishes her Y2K sonics with carefully curated U.K. pop and dance samples and syncopated beats for her sophomore mixtape Fancy That. From the moment her featherlight vocals greet listeners with 'My name is Pink and I'm really glad to meet you' on the bubbly garage opener 'Illegal' to the thumping bassline and sweet come-ons of the Panic! At the Disco-sampling hit single 'Tonight,' the English singer-songwriter-producer beckons us to the dancefloor with reckless abandon and the alluring fantasy of a budding romance. — HERAN MAMOPlayboi Carti's MUSIC pays tribute to his Atlanta roots, earning him back to back No. 1s on the Billboard 200. Hosted by local legend Swamp Izzo, whose ad-libs echo throughout, the album celebrates Carti's rise to the top of the genre. Fusing gritty influences like Lil Wayne and Future with longtime collaborators Skepta and Lil Uzi Vert — plus huge star turns from contemporary pop A-listers Kendrick Lamar and The Weeknd — MUSIC honors Atlanta's legacy while pushing the culture forward, in true Carti fashion. — be hard pressed to find a rapper and a producer that have more chemistry than these two Griselda stalwarts. With Trainspotting, they spun off on their own to give the game a lesson on how to make a modern-era east coast street rap album, with top-tier rhymes and top-shelf beats that only the truest of aficionados can appreciate. There also may be a conversation to be had about whether or not Rome is the current King of New York, but we'll have to leave that for another day. For now, roll something meticulous and enjoy. — British singer-songwriter's debut — on which she co-wrote all 12 tracks, with collaborators like Uffie, Justin Tranter and Cobra Starship alum Ryland Blackinton — calls to mind bits of other beloved dance-pop princesses: the underground rave energy of Charli xcx, the euphoric choruses of Carly Rae Jepsen, the disco coquette purr of Kylie Minogue. But with her big voice, nonchalant humor ('all the good shit in life is always free,' she sings on explosive single 'Free') and assured approach, it's clear Gray has star power all her own. — steered her way into the hearts and playlists of R&B purists earlier this year with her 14-track set FROM FLORIDA'S FINEST. Delivering confessional-style anthems like 'DOWN BAD' & 'CUT UP,' SAILORR's candor can feel SZA-coded for new ears unfamiliar with her talents. Laced with grit, vulnerability and whimsical one-liners that are catchy but maddening to the opposite sex, the Vietnamese-bred singer issues headshots to cheaters and haters. 'BITCHES BREW' best showcases her pop sensibilities, as she takes lyrical swipes at those looking to tear her down. — U.K. has seen precious few new male rockers win over American audiences in recent years, but Sam Fender is poised to break through on these shores. With its 11 hook-laden, guitar-driven, lyrically rich tracks, People Watching has reached a respectable No. 16 on Billboard's Top Album Sales chart — but in the U.K. it achieved the biggest opening week for a British solo act since Harry's House from Harry Styles in 2022. The album's title song showcases Fender's anthemic sensibility, perfectly crafted for arena singalongs. — THOM DUFFYThe prolific English funk band Sault returned with a new album less than four months after Acts of Faith, and it's one of their most compelling releases to date — full of knubby bass lines, catlike guitar riffs, stairstep horn lines, and delicately stirring vocals from lead singer Cleo Sol. 'K.T.Y.W.S.' evokes the great Deniece Williams soul ballad 'Free' with more punch, while 'I.L.T.S.' serves as a showcase for Sol, whose tricky, intricate runs keep disrupting the track's head-nod beat. 'Be yourself,' Sol sings. 'Don't apologize.' — ELIAS LEIGHTThe lore goes that back in the early 2010s, a laptop was stolen from Skrillex, with the equipment containing a stash of music intended for an album release and thereafter lost. Whether that's entirely true or not, the fact remains that the final track of Skrillex's April LP, the mighty, tear-jerky 'Voltage,' has been floating around the internet since the producer's breakout years — with the metal-bending intensity that defined Skrillex's genre-evolving early output, and vocals that evoke his even-earlier work as frontman for emo band From First to Last. The track is thus an apt closer to F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3, a pummeling 34-minute mega-mix of cobbled beats and collaborators that nods to Skrillex's earlier dubstep era and also effectively ends it, a glorious goodbye as the star producer's final album of his long tenure at Atlantic Records. — after Think Later and a top five solo hit ('Greedy'), Tate McRae still found herself on the outside looking in when it came to pop's A-list. Well, the Canadian dancing savant drove her sports car into pole position with So Close to What, joining the next class of stars shaping pop music. McRae's songwriting matured, and she made the most of elevated production to develop a clearer artistic identity with the bionic synths of 'Sports Car' and 'Revolving Door' — both of which reached the Billboard Hot 100's top 25. The 21-year-old is making the leap to performing in arenas across America later this year, and now she has the catalog to match. — great blue-eyed-soul singer began the year with a Grammy nod for best new artist and the release of his sophomore album. The punchy 'Bad Dreams,' Part 2's first single, is one of the prime shoulda-been-bigger hits of 2025. It peaked at No. 30 on the Hot 100, simply because 'Lose Control,' the megahit from Swims' first album, refused to recede. The rest of the album features Givēon (on second single 'Are You Even Real'), Muni Long, Coco Jones and GloRilla, an impressive supporting cast that just further solidifies Swims' current leading-man status. – Tesfaye bids adieu to The Weeknd and caps his final trilogy with its third and last installment, Hurry Up Tomorrow. The Canadian Ethiopian superstar reflects on the afflicting nature of fame on 'Drive,' wanting to die at his peak on the Future-assisted 'Enjoy the Show' and leaving it all on the stage on the existential, epic 'Without a Warning,' over his signature synth-pop/R&B production. With the end of the poignant album-closing title track transitioning into the beginning of 'High For This' – the opening track of his 2011 debut mixtape House of Balloons – Tesfaye brings his legendary catalog full circle. — the anthemic rock songwriting on Turnstile's 2022 album Glow On was too undeniable to be contained to the veteran Baltimore band's hardcore-punk fan base, then the experimental ethos of long-awaited follow-up Never Enough was always destined to inspire frustration from genre purists. Yet the band that mixed rap-rock, samba and cowbell breaks on Glow On has simply been given more runway to refute convention on its follow-up: Never Enough rages when necessary on songs like 'Birds,' 'Sole' and the title track, but the synth-pop of 'I Care' and extended dance groove of 'Look Out for Me' are just as compelling, and offer new shades of a band that's coming into its own on a national stage. — J. LipshutzBy the time Valiant reaches his two-year old smash 'Mad Out' at the end of Prove Them Wrong, his second full-length project, the fast-rising St. Andrew, Jamaica-hailing star has already explored hip-hop, trap-dancehall and Spanish guitar-inflected R&B, without ever sacrificing his Patois tongue or slick wordplay. Whether he's working through relationship woes on 'Selfish' or delivering an unruly anthem in the Tommy Lee Sparta-assisted 'Rapid Up,' Valiant spends Prove Them Wrong flaunting his range and versatility, ultimately giving credence to the project's title. — we're only halfway through the year, Ryan Coogler's box office-topping Sinners is already the definitive film of 2025 — and its bluesy soundtrack remains one of its biggest draws. Curated by Oscar winner Ludwig Göransson, Coogler and Serena Göransson, the Sinners soundtrack bolsters both the film's plot and general narrative of the history and influence of Black music through an exploration of Delta blues, early rock n roll, and Irish music. Anchored by stirring orchestral arrangements, true-to-history blues songwriting and Miles Caton's soaring performances on end-credits anthem 'Last Time (I Seen the Sun)' and the Raphael Saadiq-penned 'I Lied to You,' the Sinners soundtrack has cast a supernatural hold on listeners that's even lasted beyond the film's theatrical run. — her Whatever the Weather alias, English IDM producer Loraine James channels some of her most atmospheric impulses, with the conceit that every track is named after a temperature, and to some degree, reflects that temperature. Whatever the Weather II is immersive and hypnotic, like the best ambient music – but it's never monotonous, from the skittering drum tracks that undergird many of its ethereal compositions to the samples of unintelligible chatter and other sound effects that drift in and out of the mix. That unpredictability – much like the meterological phenomena from which James' project takes its name – is what makes the album endlessly rewarding, from its ruminative opening to its curveball folktronica-infused finish. — great songwriter pays tribute to another, as Nelson exquisitely covers works by Rodney Crowell on this set — released in April, just ahead of Nelson's 92nd birthday. The tracks include Crowell's classic 'Shame on the Moon,' previously a hit for Bob Seger. Above the shuffling beat of an ace studio band, with sweet hints of Nelson's picking on his vintage guitar Trigger, he and Crowell duet on the title track, a gentle reflection on the passing of time. 'It's the first and the last of your days flying past,' they sing, 'oh what a beautiful world.' — T.D. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
