
‘You acted as appellate authority': Delhi HC asks Centre if it exceeded its powers by suggesting 6 cuts in ‘Udaipur Files'
The bench of Chief Justice D K Upadhyaya and Justice Tushar Rao Gedela was dealing with a petition by Mohammad Javed, an accused in the murder of Udaipur-based tailor Kanhaiya Lal on alleged communal grounds, which purportedly forms the basis of the film. Javed is seeking a postponement in the movie's release until the trial ends, emphasising that it will jeopardise his right to a fair trial.
Earlier this month, Darul Uloom Deoband principal Maulana Arshad Madani had filed a Public Interest Litigation (PIL) pointing out that the movie is 'replete with dialogues and instances that had led to communal disharmony in the very recent past and thus carry every potential to again stoke the same communal sentiments'.
On July 10, the high court had temporarily stayed the film's release while allowing those aggrieved by the purported vilification of Muslims in it to represent before the Central government and seek a review of the CBFC's decision to greenlight the release. The court had noted that provisions under the Cinematograph Act empower the Centre to exercise revisional powers over the Central Board of Film Certification's (CBFC) certification of a film.
Javed, represented by Senior Advocate Menaka Guruswamy, argued before the bench on Wednesday that the Centre has exercised its revisional powers in a manner that contravenes the statutory scheme prescribed under the Cinematograph Act.
Guruswamy submitted, 'The statute, as it stands today, envisages three kinds of revisional powers that can be exercised by the central government. The legislature never intended the Central government to be the film board…it's a revisional power, they are not the board, they could not have suggested cuts.'
Under Section 6 of the Act, the Central government, while exercising revisional powers over CBFC certification already granted to a film, may either deem it to be an uncertified film in the whole or any part of India, or change the rating of certification, or may suspend the exhibition of the film.
The Centre, represented by Additional Solicitor General Chetan Sharma, on Wednesday argued that in exercise of its revisional powers it had constituted a committee of five members which included members from the Ministry of Information and Broadcasting, Ministry of Home Affairs, and three others, which then recommended six cuts to the film which the filmmakers incorporated. The court, however, inquired if the Centre had exceeded its jurisdiction given the specific contours in which it can exercise its revisional powers as outlined under Section 6.
Chief Justice Upadhyaya orally posed a question to ASG Sharma, saying, 'The kind of order you passed, suggesting for six cuts, whether this revisional authority is available with you?…Central government can only pass 3 (types of) orders, as enumerated under section 6 (2) (of the Cinematograph Act)… This committee (of five members) was formed to aid the ministry (of Information and Broadcasting), and based on the recommendations, the ministry could have passed an order as per Section 6… By suggesting cuts, you have acted as an appellate authority…'
'It is the case of (Centre exercising its revisional powers) outside its jurisdiction… You are not exercising administrative powers, it is a statutory remedy which the petitioners were relegated to and if you are exercising the revisional powers, you have to exercise it within the four corners which confer that power,' he added.
The bench has now kept the matter for further consideration on August 1, when the Centre is expected to explain its position on the court's query.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


India Today
6 hours ago
- India Today
Not just 2-part film, Ramayana is now available as an AI series
'Ramayana' has been part of Indian mythology for ages. But what if we tell you that it is now being re-interpreted into a series using Artificial Intelligence? Yes, you heard it right! Mumbai-based Cinefai Studios released the trailer for their latest project, 'Ramayana', a few days ago. The trailer of the new episodic series offers a glimpse into the classic Indian epic crafted entirely using advanced AI critic Taran Adarsh shared the trailer for the series on X. He also informed that the first episode of the series is already out. The trailer showcases the gripping tale of Ram and Sita retold through next-generation visualisation techniques. It is available for viewing on the studio's Instagram and YouTube channels. Several social media users reacted to the post, saying the trailer looks good. One of the users said, "This is really mesmerising (sic)" Second user said, "AI influence is going to be epic in coming times (sic)". Another said, "Next level VFX (sic)."The 'Ramayana' series has used AI tools to create realistic imagery and intricate character designs. The AI technology allows the makers to achieve detailed visuals with fewer resources than the traditional route. However, it remains to be seen if the series manages to preserve the cultural and emotional essence of Valmiki's tale of Rama, Sita, and Bollywood is also gearing up to bring a grand spectacle of 'Ramayana' on the big screen. Directed by Nitesh Tiwari, this film is being produced with a budget exceeding Rs 4,000 crore, divided into two parts. The film will reportedly feature heavy use of VFX alongside AI-generated dubbing upcoming film features Ranbir Kapoor as Lord Ram, Sai Pallavi as Sita, Yash as Ravana, Sunny Deol as Hanuman and Vikrant Massey as Lakshman. The first part of the film is scheduled for a Diwali 2026 release, followed by the second part in 2027.- Ends


India.com
7 hours ago
- India.com
Dev Anand made her star, Dawood Ibrahim was madly in love with her, producer was murdered, she left India, went to Pakistan due to..., name is...
The most memorable era of Bollywood was from the 80s to the 90s when many new faces tried their luck in the industry. While some sustained, others had to leave as they couldn't make a mark. Then there were those actors and actresses who were allegedly known for their connection with the underworld. Today, we will discuss an actress who was Pakistani but wanted to become a big name in Bollywood. However, she had to leave the industry soon, and the reason was fugitive Dawood Ibrahim. If you are wondering who we are talking about, this actress is Anita Ayub. Who is Anita Ayub? Born in Karachi, Pakistan, Anita studied in an all-girls college. She earned a master's degree in English Literature from Karachi University before moving to India to pursue acting. Anita enrolled at the Roshan Taneja School of Acting in Mumbai, where Roshan Taneja became her mentor. In 1993, she returned to India to shoot an advertisement, during which she met Dev Anand. Impressed by her ad, Dev Anand cast her in his film Pyar Ka Tarana. In 1993, Anita made her in the film Pyar Ka Tarana alongside Dev Anand. After this, she again worked with Dev Anand in the film Gangster in 1995, which was a box-office success. Anita Ayub's Career Was Ruined A major turn in Anita's life came when rumors about her dating Dawood Ibrahim began to spread. Both were spotted together multiple times. In 1995, producer Javed Siddiqui turned down the actress an refused to cast her in his next Bollywood project, and shortly afterward, he was murdered. Many reports claim that Siddiqui was shot by Ibrahim's men. Later, the Pakistan-based magazine Fashion Central reported that many in the industry believed Anita Ayub to be a Pakistani spy, leading to her being banned from films. Following these allegations and controversies, her Bollywood career came to a complete halt.


Mint
7 hours ago
- Mint
Genes or jeans? American Eagle defends Sydney Sweeney denim ad after backlash over controversial campaign
The Pittsburgh-based retailer recently launched a new line of denim called The Sydney Jean in partnership with the actress. Proceeds from the collection will benefit Crisis Text Line, a mental health support service. The fall 2025 campaign was initially introduced as 'a return to essential denim dressing,' with the Euphoria star modelling a 1970s-inspired ensemble that included flare jeans and a matching denim jacket. In one of the promotional videos, Sweeney is seen playing with words, telling viewers, 'Genes are passed down from parents to offspring, often determining traits like hair color, personality and even eye color.' She then adds, 'My jeans are blue.' Each video ends with the tagline: 'Sydney Sweeney has great jeans.' The campaign quickly sparked controversy online, with some critics accusing it of using the 'great jeans' phrase as a thinly veiled reference to eugenics. The conversation prompted American Eagle to clarify its stance in a statement posted on Instagram on August 1. ''Sydney Sweeney Has Great Jeans' is and always was about the jeans. Her jeans. Her story. We'll continue to celebrate how everyone wears their AE jeans with confidence, their way (sic),' the post read. 'Great jeans look good on everyone (sic).' People were quick to point out American Eagle's fault. One person commented, ' yup. it's about 'jeans'. after saying jeans 'determine traits like hair color, personality and even eye color' (sic).' Another person wrote, 'didn't think the response could be even worse than the ad but it somehow was (sic).' A third person wrote, 'So now 'jeans' are passed down from parents to offspring? Let's be fr it was never about jeans (sic).' Meanwhile, the other section of the audience is in total support of the brand as well as Sydney Sweeney. While one person wrote, 'Love this so much. It's literally a hot girl wearing jeans (sic),' another person commented, 'Hire Sydney Sweeney for more ads (sic)!' While the ad's wordplay drew polarising reactions, the brand maintains the message is centred solely on celebrating individuality and personal style through denim. For American Eagle, the focus remains on 'her jeans,' not her genetic makeup.