This new Xperia Play-like sliding handheld can emulate PS2, Gamecube, and more
TL;DR ANBERNIC has shown off emulation performance on the upcoming RG Slide handheld.
With a sliding design like the Xperia Play or PSP Go, it's unique in the gaming handheld space.
ANBERNIC has not yet announced a release date or pricing.
Last week, ANBERNIC gave us our first glimpse of its upcoming sliding handheld, the RG Slide, but today we finally got a full look at the Xperia Play clone, complete with emulation performance. If you feel any nostalgia for the Xperia Play or PSP Go, this one is worth keeping an eye on.
The RG Slide will have a 120Hz 4.7-inch LTPS display with a 4:3 ratio, making it perfect for retro games. ANBERNIC showed off performance in PS2 and Wii emulation in the video above, which it seems to handle well. However, the version of Twilight Princess in the video appears to be the GameCube version, despite claiming to be the Wii version.
Nevertheless, the video also showcases performance in demanding Android games like Genshin Impact. This confirms that the device will be Android-based, rather than Linux-based. This was previously hinted at by the fan vent in the back, which isn't typically found in budget Linux devices.
The sliding form factor might be making a comeback this year.
ANBERNIC stopped short of revealing the pricing, release date, or full specs of the RG Slide, but it's likely sporting the UNISOC Tiger T820. This has been a staple on ANBERNIC devices for years, and while it's not the most powerful, it's capable of everything shown in the video. It's also relatively cheap, hopefully reducing the RG Slide's final cost.
This is the first sliding retro gaming handheld we've seen announced in decades, as Sony has been sitting on the patent for the design since 2010. That patent expires later this month, which could explain the sudden resurgence of the sliding form factor. ANBERNIC is often one of the first to adopt new designs, but other companies may soon follow suit.
Got a tip? Talk to us! Email our staff at
Email our staff at news@androidauthority.com . You can stay anonymous or get credit for the info, it's your choice.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
12 hours ago
- Yahoo
Tom Holland Announces Exciting Update On Next Spider-Man Movie
Tom Holland has officially broken the silence—and for Spider-Man fans, it was worth the wait. During a brief but buzz-worthy comment, Discussing Film posted that Holland revealed that work is about to begin on Spider-Man: Brand New Day, the next installment in the wildly successful franchise. The announcement, made via a viral social media clip, has already set off a flurry of speculation, theories, and excitement across the Marvel fandom. While details remain tightly under wraps, the confirmation of the film's title—Brand New Day—hints at what could be a fresh direction for the web-slinger following the events of No Way Home. That film, which saw Peter Parker make the ultimate sacrifice to protect the multiverse, ended with him alone, forgotten by his closest allies, and ready to start over. The new title fits that emotional reset perfectly. Marvel Studios and Sony have not yet released an official synopsis, casting news, or production timeline, but Holland's statement makes it clear that development is well underway. It's a rare update in what's been a long period of silence since 2021's multiverse-shattering finale. Fans of the comics will recognize Brand New Day as the name of a 2008 comic book storyline in which Peter Parker rebuilds his life after erasing his identity from public memory. If the film pulls inspiration from those issues, audiences could see a stripped-down, back-to-basics Spider-Man, something fans have been craving since the character first joined the MCU. As for Holland, this marks his fourth solo outing in the red-and-blue suit and his seventh appearance as Peter Parker overall. His performance has helped redefine the character for a new generation, and Brand New Day seems poised to explore his most personal story yet. With development now confirmed, the question isn't if Spider-Man will return—it's when. And judging by the buzz around Holland's comment, fans will be watching every move Holland Announces Exciting Update On Next Spider-Man Movie first appeared on Men's Journal on Jun 28, 2025
Yahoo
a day ago
- Yahoo
No, you're not dreaming: the Venus Optics Laowa 12mm f/2.8 FF II C&D Dreamer is coming next week
When you buy through links on our articles, Future and its syndication partners may earn a commission. Lens-maker Venus Optics has officially announced that it will be releasing a new 12mm f/2.8 full-frame autofocus lens on June 25, 2025. The Laowa 12mm f/2.8 FF II C&D Dreamer will be available in Sony E and Nikon Z mounts with full autofocus, and there will also be Canon RF and L-mount Alliance versions, although these will be manual-focus only. While Venus Optics has garnered a stellar reputation for producing innovative and often unusual manual focus lenses with remarkably low distortion, this new lens is only the second from the brand to have autofocus, joining the recently released Laowa 10mm f/2.8 FF II C&D Dreamer, which again offers autofocus in its Nikon and Sony versions, with other mounts only having manual focus. According to Venus Optics, the 'C&D Dreamer' designation in its Laowa lens range is broken down as follows. The 'C' signifies a compact build, the 'D' means minimum distortion, and the 'Dreamer' bit is reserved for lenses that exhibit soft, artistic image rendering. Indeed, it is compact and light, weighing around 377 grams, depending on the lens mount, and has a reasonably svelte 72mm filter thread. And Venus Optics claims that it produces images with a near-zero distortion. We'll see if our tests bear this out when we get our hands on a review sample. It's not the first 12mm f/2.8 Laowa lens – that honor goes to the Laowa 12mm f/2.8 Zero-D, which was released back in 2016. But while this 'Zero-D' model signifies a 'close-to-zero distortion' design, it is a significantly heftier lens, weighing in at around 609 grams, and is only available in manual focus, whatever the mount. While pricing details are expected to be officially released at the time of the announcement on June 25, I expect the lens will be competitively priced. As a rough guide, the autofocus versions of the Laowa 10mm f/2.8 lens cost £799 / £849 / AU$1,449.
Buzz Feed
a day ago
- Buzz Feed
28 Years Later Was Actually Filmed Using iPhones – Danny Boyle Explains Why
28 Years Later director Danny Boyle has opened up about his decision to shoot much of the film using an iPhone camera. The horror sequel was released last week, and has already proven to be a big success with both critics and cinemagoers. Danny previously helmed the original movie 28 Days Later, shot on hand-held cameras, giving the film the effect of looking like found footage, and his new offering used similarly lo-fi techniques. In a new interview with YouTuber Matti Haapoja's How They Filmed That series, Danny explained his motivations for using iPhone cameras (although it's worth pointing out he didn't just rifle in his pocket for his phone and start shooting, these were souped-up iPhones with impressive enhancements, with some shots requiring as many as 20 at a time to film) to record 28 Years Later. '[Using iPhones] allowed us to be very light, in our footprint, in areas of the country that we wanted to suggest hadn't been touched for 28 years,' Danny said. 'Now, a crew coming in with the normal equipment level, it's going to make a big footprint. 'We used drones a lot, as well, so we could film sequences that cameras couldn't possibly [achieve] without terribly disrupting the landscape, and making it look like a herd of elephants had gone through.' Danny added that the use of multiple iPhones and drones in 'arrays' allowed 'certain visceral moments of the film' to be even more impactful, allowing viewers to 'push inside' the two-dimensional shot in front of them before being 'thrown back out again'. Similarly, he told Wired: 'Filming with iPhones allowed us to move without huge amounts of equipment. 'A lot of Northumbria [where 28 Years Later was shot] looks like it would have looked 1,000 years ago. So we were able to move quickly and lightly to areas of the countryside that we wanted to retain their lack of human imprint.' During a separate interview with IGN, he also conceded that the iPhone-quality filming felt like something of a callback to 28 Days Later's shooting techniques. 'We decided to carry it as an influence,' he explained. Sony It's not just the use of iPhones as filming equipment that has generated conversation around 28 Years Later, though. The movie's dramatic climax has also raised plenty of eyebrows – with Danny having recently explained the meaning behind those perplexing final scenes.
