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‘Virgin' Review: Lorde's Resonant Personal Pop

‘Virgin' Review: Lorde's Resonant Personal Pop

Perhaps you know the feeling of skepticism bordering on trepidation when a pop star's new album is framed as highly personal. In the celebrity-obsessed social-media era, there might be an implicit expectation that listeners will know nearly all the details of the artist's life, and forming a connection to the music depends on this knowledge. While super-fans parse lyrics in search of who a given song is about or what public incident it's based on, a more casual observer struggles to find a way in. Just how much familiarity with the backstory is necessary to take in what the music has to offer?
In April, singer Ella Yelich-O'Connor, who performs as Lorde, announced her fourth album with a note indicating that it would be an intimate expression of who she is now, and that the process of making it was driven by 'trying to see myself, all the way through.' The New Zealander has been famous since 2013 when her single 'Royals' topped the Billboard Hot 100. She was just 16 years old then, which means that her entire adult life has been lived in the public eye, and she inspires intense parasocial devotion. The challenge for such an artist is to give the rabid fans the insider details they crave while tapping into broader truths for the listening public. The LP she teased this spring, 'Virgin' (Republic), out now, walks this narrow line.
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time9 minutes ago

  • Yahoo

Oasis Announce 30th Anniversary Reissue of ‘(What's the Story) Morning Glory?,' With 5 Unplugged Versions of Classic Tracks

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'And stay in theater!' Donnelly added.

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