logo
Mini creations by Swedish artists 'Anonymouse,' dubbed 'Banksy Mouse,' go from street to museum

Mini creations by Swedish artists 'Anonymouse,' dubbed 'Banksy Mouse,' go from street to museum

Washington Post27-06-2025
LUND, Sweden — After nine years scurrying in the shadows, the two-person Swedish street art collective known as 'Anonymouse' — dubbed 'Banksy Mouse' by Swedish media — has finally stepped out of the dark and into a museum exhibition.
The mystery began in late 2016 when miniature homes and businesses, all measuring well below knee height, began appearing on the streets of southern Sweden.
It looked like a bunch of mice had opened a tiny restaurant named 'Il Topolino' and a neighboring nut delicatessen 'Noix de Vie.' There was no clue as to who created them besides a signature from anonymous artist group 'Anonymouse.'
The following years saw more mouse homes and businesses appear in unexpected places: First in Sweden, then all over the world from the U.K. to Canada.
The original creation on Bergsgatan, a busy street in Malmö, quickly attracted attention and went viral, drawing crowds. The project was even featured on the popular U.S. TV show 'The Late Late Show with James Corden.'
The two artists behind the whiskery art project stepped out of their anonymity earlier this year. Swedes Elin Westerholm and Lupus Nensén both work in show business, making props and sets for film and television.
'The sweet part is that we're building something for children. Most of us have some kind of relationship to a world where mice live parallel to ours,' said Nensén, citing numerous child-focused fairy tales.
On Friday, a selection of the duo's creations went on display at the Skissernas Museum in Lund, a short trip from Malmö, to celebrate nine years of 'mouse pranks and creativity.'
The duo say the idea for 'Anonymouse' came during a trip to Paris in 2016. Sitting in the French capital's Montmartre district, they soaked up Art Nouveau influences. Their first creation took six months to build, before they secretively installed it on Bergsgatan one cold, dark night.
'It's amazing to see a 70-year-old come over with crutches, and people help them down and have a look,' said Nensén. 'It really does bring out the child in everyone.'
The artists have since created a mini pharmacy in the Swedish city of Lund, a pastry shop near Stockholm, a castle on the Isle of Man, and a radio studio in Quebec, Canada. The duo created between two and three projects a year.
Record store 'Ricotta Records,' which the pair installed in Lund in 2020, features tiny, mouse-sized record covers, such as 'Back to Brie' by Amy Winemouse and 'Goodbye Yellow Cheese Roll' by Stilton John.
Westerholm said 'part of the game is taking something that's a bit dumb really seriously.'
'We spent a lot of time coming up with mice and cheese puns over the years,' Nensén said.
The museum's exhibit rooms host six miniature worlds, once secretly installed on nearby Swedish streets, as well as sketches and preparatory works from the archives. The exhibit will run until late August.
'They are hidden, they are not in common areas where you would expect an artwork. There's one in the basement, one on a balcony, and so on,' exhibit curator Emil Nilsson said.
'I hope (visitors) take away a sense of adventure when they enter the museum looking for these hidden miniature worlds.'
After revealing their identities earlier this year, Westerholm and Nensén announced their mouse building adventures were over, bringing an end to the viral street art project.
'It's been nine years,' said Westerholm. 'It's time to end it, I think.'
Anonymouse won't return. But will the duo never build anything small in a public place again?
'We never know, we can't promise anything,' Westerholm said.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

How the sequel '28 Years Later' shows a 'compassionate' side of horror
How the sequel '28 Years Later' shows a 'compassionate' side of horror

Yahoo

time36 minutes ago

  • Yahoo

How the sequel '28 Years Later' shows a 'compassionate' side of horror

In 2002, the British horror hit '28 Days Later' helped repopularize the zombie subgenre, leading to post-apocalyptic entertainment like 'The Walking Dead' and 'The Last of Us.' Ever since, director Danny Boyle has been saying to anyone who'll listen that the people infected with a rage virus aren't zombies. They're just like us but sick, not undead. And in the new sequel '28 Years Later' (in theaters June 20), the infected have changed a lot, even showing qualities that hint they're much more than mindless, flesh-eating machines. 'Obviously, 28 years is quite a compressed amount of time for evolution to really establish itself. But they are evolving just like humans evolve,' Boyle says. Join our Watch Party! Sign up to receive USA TODAY's movie and TV recommendations right in your inbox With '28 Years Later,' Boyle and original writer Alex Garland have returned to this post-apocalyptic world with something akin to the recent 'Halloween' revamp. The new film is a direct follow-up to '28 Days,' pretty much ignoring the events of 2007's '28 Weeks Later,' and begins a planned trilogy that will continue with director Nia DaCosta's '28 Years Later: The Bone Temple' (in theaters Jan. 16). Garland sees 'Days' and 'Years' as coming-of-age stories of a sort with 'a young person in a state of innocence who's then having that innocence robbed,' the writer says. In the original film, it's bicycle courier Jim (Cillian Murphy), who wakes up in a hospital after an accident finding a London devoid of people. He learns the hard way how much the world has changed since the rage virus started, with the infected running and biting at him, and Jim in a sense 'becomes an infected' by giving in to his own rage to save people important to him. '28 Years Later' fast-forwards nearly 30 years, with the rage virus contained to the borders of the United Kingdom. Twelve-year-old Spike (Alfie Williams) lives with his parents, Jamie (Aaron Taylor-Johnson) and Isla (Jodie Comer), in a small, heavily defended community on Holy Island. In an old-fashioned society where everyone has a job to do, children are taught what life used to be like and 'the infected play a role in their mind. They're being told that they will one day meet them,' Boyle says. "So they mythologize them a little bit.' Jamie takes Spike on a rite of passage to the mainland for the first time to kill an infected. Father and son barely make it back alive, but when Spike learns of a mysterious doctor who could help his sick mom with her undiagnosed ailment, he returns to a dangerous landscape on a journey more about protecting life than taking it. 'He chooses not to follow in his father's footsteps,' Boyle says of Spike. "That's one of the things that always gives us hope with teenagers. Even though they might drive you mad, they want their own challenges." Spike ultimately meets the man he's searching for, Dr. Kelson (Ralph Fiennes). He's built a Bone Temple of skulls as a memorial to victims of the infected, and Kelson sees survivors and infected people as alike. 'A key thing about how we approached the zombie genre was we didn't make them supernatural. They're not reanimated dead people. If you were a doctor, that would be the correct way to look at it," Garland says. One of themes of the movie is "how much should a sick person be differentiated from a healthy person? And why is that differentiation fair?' Over three decades, the infected of '28 Days Later' – the fast-running "zombies" that freaked moviegoers out in 2002 – have evolved and organized. Most of them are still scary quick, skinny and now naked. Bigger, stronger Alphas have emerged like the leader Samson, while 'Slow-Lows' are fat, bloated and 'closer to the ground,' Boyle says. 'They expend a lot less energy but they're nevertheless very dangerous if they're provoked or disturbed or stimulated.' And like the original film, the '28 Years Later' trilogy explores humanity in inhuman times among its pockets of survivors. Whereas Christopher Eccleston's Major Henry West in the original film "28 Days" is a soldier "who has gone crazy and collapsed into a more violent, degenerative state than the infected have,' Garland explains, Kelson is the inverse to him and creates "a different kind of commentary on people, which has something to do with being reasonable and compassionate in the face of an incredibly difficult situation." This article originally appeared on USA TODAY: '28 Years Later' sequel explores horror and post-apocalyptic hope

Celine Spring 2026: Scarves, and Other Keepsakes
Celine Spring 2026: Scarves, and Other Keepsakes

Yahoo

timean hour ago

  • Yahoo

Celine Spring 2026: Scarves, and Other Keepsakes

The ivory-and-black silk scarves artfully wrapped around Celine's runway invitations were out in force on Sunday, guests winding them around their necks, threading them through belt loops, or dangling them from handbags — buh-bye Labubu. The choice of this keepsake was very considered and intentional, like everything about Michael Rider's strong debut at the French house. More from WWD Rene Caovilla Introduces Opulent Couture Capsule Collection Celine North America Has a New President Celine Has Your Ticket for the Wolfgang Tillmans Exhibition 'Scarves are something I wear and everyone wears differently,' he told a clutch of reporters after the show. 'It's also something you tend to keep and something maybe you give to your children, or a friend. But I liked the idea, particularly at Celine, where scarves mattered so much at the very beginning.' Rider kept the best bits of the Hedi Slimane era, and the Phoebe Philo one — of which he was an integral part — and threw in some of his own recent past as creative director of Polo Ralph Lauren, tossing sweaters over a few shoulders, preppy-style. He left some things behind, notably the recent rash of Rue Cambon references, but it was fun to spot such Easter eggs as a Luggage bag elongated into a weekender with a zippered pocket now curved like a smile, or a logo T-shirt and skinny jeans on a gangly, long-haired guy, also shown in a looser version. Like many of the designers making debuts at houses this season, Rider has a lot of stakeholders to please, and billions of business at stake at a moment of luxury doldrums. So this was a crowd-pleaser of a collection that balanced heritage and novelties in the right measure. The show was staged on a rainy afternoon at Celine headquarters on Rue Vivienne, models whisking in two directions across the limestone floors to propulsive hits by The Cure. The tailoring was distinctive: strong-shouldered jackets with a high-button stance, giving them a pinched and pleasing Empire line — and narrow, buttonless coats with elegant, cutaway openings. The pants were cool, cut slim as leggings or loose as culottes, some with cuffs and satin stripes like tuxedo pants. Pleated carrot shapes and harem pants tucked into glove-soft wrestling boots fed a vague '80s mood. This coed show also covered all the categories, from day to evening, Rider's LBDs trimmed with garlands of jet beading; his ivory infanta gown as simple as a T-shirt and unadorned but for the cutest little chest pocket. Some of the bags and costume jewelry dangled too many charms and gewgaws, but you could discern new shapes and colors in Triomphe canvas, and raffia totes in all sizes, too. His design successor at Polo, Karen Brown, and a small crew from Lauren headquarters came to cheer him on, as did designers Lucie and Luke Meier, Jonathan Anderson and Raf Simons, adding to the electric atmosphere at the show. While unaccustomed to the spotlight, having worked behind the scenes his entire career, Rider seemed at ease talking to reporters backstage, while not giving too much away. He spoke about the values of Celine — quality, timelessness and style — aligning with his. 'I was thinking a lot about something very real,' he said. 'Also, there's a foundation here that we're building on… We were as much about the beginning of the company as the nine wonderful years I was here, as well as the last six years.' Founded in 1945 by Céline Vipiana and based initially on shoes, Celine has been part of the LVMH Moët Hennessy Louis Vuitton stable since 1996 — and has seen its ups and downs. While American Michael Kors revved up the house when he was at the design helm from 1997 to 2004, it struggled to reclaim that buzz under former Burberry designer Roberto Menichetti and Prada alum Ivana Omazic. Philo and Slimane ultimately propelled Celine into fashion's big leagues, and Rider seems keen to make it a byword for classics with plenty of panache, and the right degree of zing. It's becoming nearly customary for designers to write a letter after the show, rather than typical show notes, and Rider's tells you where his head is at. 'I've always loved the idea of clothing that lives on, that becomes a part of the wearer's life, that may capture a moment in time but also speaks to years and years of gestures and occasions and change, of the past, the present and the future, of memories, of usefulness and of fantasy — of life really.' Launch Gallery: Celine Spring 2026 Ready-to-Wear Collection Best of WWD Windowsen RTW Spring 2022 Louis Shengtao Chen RTW Spring 2022 Vegan Fashion Week Returns to L.A. With Nous Etudions, Vegan Tiger on the Runway

Caterina Murino is pregnant
Caterina Murino is pregnant

Yahoo

timean hour ago

  • Yahoo

Caterina Murino is pregnant

Caterina Murino is pregnant. The 47-year-old actress - who is best known for her role as Solange in Casino Royale opposite Daniel Craig - is expecting her first child with Edouard Rugaud, her partner of eight years, following an "excruciating" journey with IVF treatment, during which she suffered two miscarriages. Caterina, who will give birth to a baby boy at the end of summer, shortly before turning 48, told France's Gala magazine: 'At my age, I had to ask medicine to help nature. "You don't always decide when the right time to become a mother comes.' Despite her fertility struggles, Caterina has enjoyed a smooth and healthy pregnancy. She said: 'I haven't had any discomfort, no diabetes, no insomnia.' And while she is feeling anxious about her delivery, the Italian star feels confident in "the fantastic work" of her midwife team. Caterina has hailed her pregnancy a "magical moment". She told Italy's Costa Smeralda: 'I feel I am living a magical moment. Soon I will become a mother, and I believe we all have a huge responsibility today: raise conscious human beings.' The Garden of Eden actress has admitted she only understood the "significance" of her breakout role in 2006's Casino Royale much later. She told Costa Smeralda: 'It was a tremendous opportunity, but perhaps I only understood its significance later. 'I was the first Bond girl in the Daniel Craig era, in a film which marked a change of mood in the saga. Today, I look back at it with gratitude and realisation: not so much for the glamour surrounding it, but for the chance it gave me to build an international career.' Caterina received death threats in response to her saucy scene with Daniel in the movie. She said: "When he kissed me in the film… it was so sexy, so real. It must have looked very real, because among the many fan letters I got was a death threat from someone who was jealous."

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store