Former Gotham Bar and Grill Building Goes Up for Sale at $6.5 Million
Skip to main content Current eater city: New York
Plus, a new Mexican restaurant debuts on the Lower East Side — and more intel Jun 27, 2025, 2:19 PM UTC
After several closings and rebrandings, Gotham Bar and Grill officially called it quits at the end of last year. Now, Crain's New York reports that the 12 E. 12th Street building is up for sale for $6.5 million — including the 4,220-square-foot restaurant with additional basement storage, plus the 12 floors of condos above it.
Gotham Bar and Grill first opened in 1984 with esteemed chef Alfred Portale; in 2019, the restaurant decided to shake things up, bringing on Victoria Blamey to reimagine the menu. It closed in 2020 as the pandemic hit in New York, before rebooting for a third time in 2021, dropping bar and grill from the name as well. Chef Ron Paprocki, a former Gotham pastry chef, most recently led the kitchen. But, earlier in 2024, the restaurant was a victim of a cyberattack in which it lost $45,000, and the financial drawbacks factored into the restaurant's decision to permanently call it quits.
Comal opened this week from Gaz Herbert, the former executive chef at the King team's Jupiter in Rockefeller Center. Herbert, who is British but grew up in Mexico, serves dishes like lengua al pastor, mussels with corn custard, crispy sweetbread with pineapple and tortilla, and skate wing guiso. He's joined in the kitchen by head chef Scott McKay, an Acru and Atomix alum. The restaurant is located in what was Gem Wine, 116 Forsyth Street, between Broome and Delancey streets.
Nuyores is on the way to 154 W. 13th Street, near Seventh Avenue, from chef Oscar Lorenzzi — the space was previously Il Totano, which closed abruptly after just a few months, from Top Chef's first-ever winner, Harold Dieterle, in partnership with Alexandra Shapiro of the Upper East Side's Flex Mussels and Hoexters (neither is involved in the new venture). Most recently, Lorenzzi oversaw the kitchen at East Harlem's Contento, which closed with a particularly heartfelt post following its focus on accessibility. At his new restaurant, Lorenzzi is looking to give a New York spin to the Peruvian cooking he's come to be known for, with dishes under $30. See More: Coming Attractions
Intel
NYC Restaurant Openings
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
23 minutes ago
- Yahoo
Tekmar Group First Half 2025 Earnings: UK£0.019 loss per share (vs UK£0.003 loss in 1H 2024)
Revenue: UK£12.3m (down 24% from 1H 2024). Net loss: UK£2.65m (loss widened by UK£2.29m from 1H 2024). UK£0.019 loss per share (further deteriorated from UK£0.003 loss in 1H 2024). This technology could replace computers: discover the 20 stocks are working to make quantum computing a reality. All figures shown in the chart above are for the trailing 12 month (TTM) period Looking ahead, revenue is forecast to grow 24% p.a. on average during the next 3 years, compared to a 3.1% growth forecast for the Energy Services industry in the United Kingdom. Performance of the British Energy Services industry. The company's shares are down 2.2% from a week ago. Before you take the next step you should know about the 1 warning sign for Tekmar Group that we have uncovered. Have feedback on this article? Concerned about the content? Get in touch with us directly. Alternatively, email editorial-team (at) article by Simply Wall St is general in nature. We provide commentary based on historical data and analyst forecasts only using an unbiased methodology and our articles are not intended to be financial advice. It does not constitute a recommendation to buy or sell any stock, and does not take account of your objectives, or your financial situation. We aim to bring you long-term focused analysis driven by fundamental data. Note that our analysis may not factor in the latest price-sensitive company announcements or qualitative material. Simply Wall St has no position in any stocks mentioned. Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
an hour ago
Fans criticize Beyoncé for shirt calling Native Americans 'the enemies of peace'
A T-shirt worn by Beyoncé during a Juneteenth performance on her 'Cowboy Carter' tour has sparked a discussion over how Americans frame their history and caused a wave of criticism for the Houston-born superstar. The T-shirt worn during a concert in Paris featured images of the Buffalo Soldiers, who belonged to Black U.S. Army units active during the late 1800s and early 1900s. On the back was a lengthy description of the soldiers that included 'Their antagonists were the enemies of peace, order and settlement: warring Indians, bandits, cattle thieves, murderous gunmen, bootleggers, trespassers, and Mexican revolutionaries.' Images of the shirt and videos of the performance are also featured on Beyoncé's website. As she prepares to return to the U.S. for performances in her hometown this weekend, fans and Indigenous influencers took to social media to criticize Beyoncé for framing Native Americans and Mexican revolutionaries as anything but the victims of American imperialism and promoting anti-Indigenous language. A publicist for Beyoncé did not respond to requests for comment. The Buffalo Soldiers served in six military units created after the Civil War in 1866. They were comprised formerly enslaved men, freemen, and Black Civil War soldiers and fought in hundreds of conflicts — including in the Spanish-American War, World War I, and World War II — until they were disbanded in 1951. As the quote on Beyoncé's shirt notes, they also fought numerous battles against Indigenous peoples as part of the U.S. Army's campaign of violence and land theft during the country's westward expansion. Some historians say the moniker 'Buffalo Soldiers' was bestowed by the tribes who admired the bravery and tenacity of the fighters, but that might be more legend than fact. 'At the end of the day, we really don't have that kind of information,' said Cale Carter, director of exhibitions at the Buffalo Soldiers National Museum in Houston. Carter and other museum staff said that, only in the past few years, the museum made broader efforts to include more of the complexities of the battles the Buffalo Soldiers fought against Native Americans and Mexican revolutionaries and the role they played in the subjugation of Indigenous peoples. They, much like many other museums across the country, are hoping to add more nuance to the framing of American history and be more respectful of the ways they have caused harm to Indigenous communities. 'We romanticize the Western frontier,' he said. 'The early stories that talked about the Buffalo Soldiers were impacted by a lot of those factors. So you really didn't see a changing in that narrative until recently.' There has often been a lack of diverse voices discussing the way Buffalo Soldiers history is framed, said Michelle Tovar, the museum's director of education. The current political climate has put enormous pressure on schools, including those in Texas, to avoid honest discussions about American history, she said. 'Right now, in this area, we are getting push back from a lot of school districts in which we can't go and teach this history," Tovar said. "We are a museum where we can at least be a hub, where we can invite the community regardless of what districts say, invite them to learn it and do what we can do the outreach to continue to teach honest history.' Beyoncé's recent album 'Act II: Cowboy Carter' has played on a kind of American iconography, which many see as her way of subverting the country music genre's adjacency to whiteness and reclaiming the cowboy aesthetic for Black Americans. Last year, she became the first Black woman ever to top Billboard's country music chart, and 'Cowboy Carter' won her the top prize at the 2025 Grammy Awards, album of the year. 'The Buffalo Soldiers play this major role in the Black ownership of the American West,' said Tad Stoermer, a historian and professor at Johns Hopkins University. 'In my view, (Beyoncé is) well aware of the role that these images play. This is the 'Cowboy Carter' tour for crying out loud. The entire tour, the entire album, the entire piece is situated in this layered narrative.' But Stoermer also points out that the Buffalo Soldier have been framed in the American story in a way that also plays into the myths of American nationalism. As Beyoncé's use of Buffalo Soldiers imagery implies, Black Americans also use their story to claim agency over their role in the creation of the country, said Alaina E. Roberts, a historian, author and professor at Pittsburgh University who studies the intersection of Black and Native American life from the Civil War to present day. 'That's the category in which she thought maybe she was coming into this conversation, but the Buffalo Soldiers are even a step above that because they were literally involved in not just the settlement of the West but of genocide in a sense,' she said. Several Native influencers, performers, and academics took to social media this week to criticize Beyoncé or call the language on her shirt anti-Indigenous. 'Do you think Beyoncé will apologize (or acknowledge) the shirt,' an Indigenous news and culture Instagram account with more than 130,000, asked in a post Thursday. Many of her critics, as well as fans, agree. A flood of social media posts called out the pop star for the historic framing on the shirt. 'The Buffalo Soldiers are an interesting historical moment to look at. But we have to be honest about what they did, especially in their operations against Indigenous Americans and Mexicans,' said Chisom Okorafor, who posts on TikTok under the handle @confirmedsomaya. Okorafor said there is no 'progressive' way to reclaim America's history of empire building in the West, and that Beyoncé's use of Western symbolism sends a problematic message. 'Which is that Black people too can engage in American nationalism," she said. "Black people too can profit from the atrocities of American empire. It is a message that tells you to abandon immigrants, Indigenous people, and people who live outside of the United States. It is a message that tells you not only is it a virtue to have been born in this country but the longer your line extends in this country the more virtuous you are.'
Business of Fashion
2 hours ago
- Business of Fashion
Jonathan Anderson's Grunge Aristocracy at Dior
PARIS — The enormous tent constructed in the Place Vauban for Jonathan Anderson's debut at Dior was printed with a silvery evocation of the past, a monochrome image of Christian Dior's decorous couture salon. Fast forward to the present, 75 years later. That tent had been exhaustively climate-controlled to allow for the hanging of two paintings by Jean Siméon Chardin, the 18th century artist who is regarded as the master of the still life. He was a favourite of Dior's, Anderson's too. The Chardins were his idea. So was the inspiration for the showspace, clad in velvet like the Gemäldegalerie in Berlin, home to one of the finest collections of European art from the 13th to the 19th century. One Chardin came from the Louvre, the other from the National Gallery of Scotland. Reflect for a moment on the logistics involved in transporting monstrously valuable works of art to a tent packed with an unruly, heatstruck audience for one hour on a Friday afternoon in Paris and you'll maybe garner some notion of the political and financial power that a fashion conglomerate like LVMH, which owns Dior, now wields. Ah yes, the present. Dior Menswear Spring/Summer 2026. (Spotlight/ And the future? Well, for that single stretch of showtime, it rested in Anderson's hands. He's been cast as Dior's saviour in a challenging market — and is the first to oversee women's, men's and haute couture collections since Monsieur Dior himself first experimented with menswear. Unsurprisingly, Anderson has been soft-pedalling expectations. 'You have to, because no one gives anyone any time anymore,' he conceded at a preview earlier this week. In another exchange, he said, 'My idea is to be slightly optimistic, it's not going to happen overnight. We have to be realistic today.' But his attempt at lowering the temperature was clearly unsuccessful. His audience was littered with pop stars, movie stars and a full platoon of fashion peers, many of whom were on their feet at show's end. Dior Menswear Spring/Summer 2026. (Spotlight/ Anderson was insistent that Dior was something alien to him. 'It's not a character that I know.' But that's what seduced him. 'It's like buying a chateau in the South of France that you saw on a website, a very British thing to do. It's beautiful, but it needs so much renovation. You have to start somewhere, and as you go, you realise, 'Wow! It's amazing what they did in the 18th century with door handles,' and then you find the next thing and the next thing.' And those 'next things' were the years of input from all the designers who have worked for Dior over the decades. To isolate the most striking carryover from the past in Anderson's debut collection: Maria Grazia Chiuri's wildly successful book tote reappears rendered as the covers of specific titles, In Cold Blood, Bonjour Tristesse, and, luridly best of all, Dracula. ('Because it's Irish,' he said archly.) He compared the learning process to doing a PhD in Dior. What did he come away with? 'I feel the name is bigger than the individual designer. It was always like that. So that was the whole idea for me.' Dior Menswear Spring/Summer 2026. (Spotlight/ There will undoubtedly be plenty of people who look at what Anderson showed on Friday and question his concept of permanence. 'My idea was to decode it to recode it,' he explained, sort of. 'That's how the collection was built.' Take the first look, practically a manifesto in one outfit. 'How I feel I'm going to tackle men,' Anderson declared. 'Formality, history, the material, Irishness.' The cargo shorts were panniered with the extravagant folds of the Delft dress from 1948, originally carved from 15 metres of duchesse satin, duplicated for today in undyed denim. The jacket featured the classic Bar silhouette, cut here from Donegal tweed. The model sported a formal stock tie. 'An English stock,' Anderson explained, 'the French is looser. I like the idea of something that makes you lift your head up. There's an etherealness to the formality.' The shoes were based on the sandals he wore to school in the summer. In other words, a weird but winning fusion which spanned the decades between the Frenchman and the Irishman. Dior Menswear Spring/Summer 2026. (Spotlight/ 'For me, it's about a quiet radicalism,' Anderson said. 'For the customer, this is already going to be something that is pretty wild, but in my head, it's normal.' Why is it easy for me to imagine Christian Dior saying something similar 75 years ago? And if my proposed compatibility still seems like a bridge too far, there's their shared obsession with the 18th century. 'I got the guy who's been sourcing things for me for years to find me the best 18th century menswear, and then we meticulously recreated it. There was no point in changing the fit. When I saw it, I thought, 'That's Dior. Let's just put it up there as a thing.'' Like his own version of Martin Margiela's 'Replications' which he loved so much when he was starting out in fashion. Rebecca Mead's profile in the New Yorker earlier this year quoted Anderson saying this: 'Authenticity is invaluable. Originality is nonexistent. Steal, adapt, borrow. It doesn't matter where one takes things from. It's where one takes them to.' So Anderson showed his delicately toned, edibly alluring duplication of the jacket and waistcoat from an aristocrat's summer day look for the court of Louis XV with a dress shirt, black jeans and unlaced Dior trainers. Dior Menswear Spring/Summer 2026. (Spotlight/ Like that first look, it was a provocative encapsulation of the idea of personal style, or how you put things together to express yourself. A midnight blue velvet tail coat over chambray jeans, for instance. Or a delicately frogged white shirt over white jeans. Artistry and calculated artlessness, all of it set to a sensational Frederic Sanchez soundtrack that swung from Springsteen to Little Simz. Velvet, denim, sandals and a stock tie – 'I would love to be able to wear that,' Anderson said. 'Every time I've done a menswear show, I've always wanted to be able to do something I would love to be able to pull off. For me this is a fantasy, because it has to be. I find each person in the show equally attractive because I think they embody the 'thing.' I believe it, and if I believe it, then I want to dress like it.' Fashion as an act of faith: Anderson mastered that challenge at Loewe, and, if early reactions are any indication, he'll be able to translate that mastery to Dior. Dior Menswear Spring/Summer 2026. (Spotlight/ Finding the future in the past is not a particularly novel concept, but if I think for a moment that everything Anderson has done is almost like a movie, it clarifies how he was able to draw such an extraordinary cast of characters to Loewe and his own brand. One of them, director and frequent collaborator Luca Guadagnino, has been tracking him all week with a film crew. The designer talked about the looks in the show that were pure youthful street as his acknowledgement of Jean-Luc Godard and the nouvelle vague that transformed French cinema and French style, from New Look to New Wave. Anderson said it's also about him getting used to living in Paris, trying to work out what he loves about the city. 'I'm on Île Saint-Louis and there's something about this idea of tight grey corridors that have light at the end. No matter when you see people, they're always backlit. And everything looks great backlit. I find it fascinating because it feels like cinema somehow, and really that is how we approached the challenge.' Dior Menswear Spring/Summer 2026. (Spotlight/ The city is currently plastered with posters of artist Jean-Michel Basquiat and footballer Kylian Mbappé, the faces of the new Dior man (or, as Anderson says of Mbappé, 'a new vision of France'). 'I have to find a new language,' Anderson said. 'It's going to take time, and I don't want to be rushed. Anything is possible. At the end of the day, it's a job. And you always have to remind yourself that you love the work and you're gonna get the job done.' Consider this debut a great appetiser for the much more complicated meal to come. Dior Menswear Spring/Summer 2026 Dior Menswear Spring/Summer 2026 look 1. (Spotlight/ Dior Menswear Spring/Summer 2026 look 2. (Spotlight/ Dior Menswear Spring/Summer 2026 look 3. (Spotlight/ Dior Menswear Spring/Summer 2026 look 4. (Spotlight/ Dior Menswear Spring/Summer 2026 look 5. (Spotlight/ Dior Menswear Spring/Summer 2026 look 6. (Spotlight/ Dior Menswear Spring/Summer 2026 look 7. (Spotlight/ Dior Menswear Spring/Summer 2026 look 8. (Spotlight/ Dior Menswear Spring/Summer 2026 look 9. (Spotlight/ Dior Menswear Spring/Summer 2026 look 10. (Spotlight/ Dior Menswear Spring/Summer 2026 look 11. (Spotlight/ Dior Menswear Spring/Summer 2026 look 12. (Spotlight/ Dior Menswear Spring/Summer 2026 look 13. (Spotlight/ Dior Menswear Spring/Summer 2026 look 14. (Spotlight/ Dior Menswear Spring/Summer 2026 look 15. (Spotlight/ Dior Menswear Spring/Summer 2026 look 16. (Spotlight/ Dior Menswear Spring/Summer 2026 look 17. (Spotlight/ Dior Menswear Spring/Summer 2026 look 18. (Spotlight/ Dior Menswear Spring/Summer 2026 look 19. (Spotlight/ Dior Menswear Spring/Summer 2026 look 20. (Spotlight/ Dior Menswear Spring/Summer 2026 look 21. (Spotlight/ Dior Menswear Spring/Summer 2026 look 22. (Spotlight/ Dior Menswear Spring/Summer 2026 look 23. (Spotlight/ Dior Menswear Spring/Summer 2026 look 24. (Spotlight/ Dior Menswear Spring/Summer 2026 look 25. (Spotlight/ Dior Menswear Spring/Summer 2026 look 26. (Spotlight/ Dior Menswear Spring/Summer 2026 look 27. (Spotlight/ Dior Menswear Spring/Summer 2026 look 28. (Spotlight/ Dior Menswear Spring/Summer 2026 look 29. (Spotlight/ Dior Menswear Spring/Summer 2026 look 30. (Spotlight/ Dior Menswear Spring/Summer 2026 look 31. (Spotlight/ Dior Menswear Spring/Summer 2026 look 32. (Spotlight/ Dior Menswear Spring/Summer 2026 look 33. (Spotlight/ Dior Menswear Spring/Summer 2026 look 34. (Spotlight/ Dior Menswear Spring/Summer 2026 look 35. (Spotlight/ Dior Menswear Spring/Summer 2026 look 36. (Spotlight/ Dior Menswear Spring/Summer 2026 look 37. (Spotlight/ Dior Menswear Spring/Summer 2026 look 38. (Spotlight/ Dior Menswear Spring/Summer 2026 look 39. (Spotlight/ Dior Menswear Spring/Summer 2026 look 40. (Spotlight/ Dior Menswear Spring/Summer 2026 look 41. (Spotlight/ Dior Menswear Spring/Summer 2026 look 42. (Spotlight/ Dior Menswear Spring/Summer 2026 look 43. (Spotlight/ Dior Menswear Spring/Summer 2026 look 44. (Spotlight/ Dior Menswear Spring/Summer 2026 look 45. (Spotlight/ Dior Menswear Spring/Summer 2026 look 46. (Spotlight/ Dior Menswear Spring/Summer 2026 look 47. (Spotlight/ Dior Menswear Spring/Summer 2026 look 48. (Spotlight/ Dior Menswear Spring/Summer 2026 look 49. (Spotlight/ Dior Menswear Spring/Summer 2026 look 50. (Spotlight/ Dior Menswear Spring/Summer 2026 look 51. (Spotlight/ Dior Menswear Spring/Summer 2026 look 52. (Spotlight/ Dior Menswear Spring/Summer 2026 look 53. (Spotlight/ Dior Menswear Spring/Summer 2026 look 54. (Spotlight/ Dior Menswear Spring/Summer 2026 look 55. (Spotlight/ Dior Menswear Spring/Summer 2026 look 56. (Spotlight/ Dior Menswear Spring/Summer 2026 look 57. (Spotlight/ Dior Menswear Spring/Summer 2026 look 58. (Spotlight/ Dior Menswear Spring/Summer 2026 look 59. (Spotlight/ Dior Menswear Spring/Summer 2026 look 60. (Spotlight/ Dior Menswear Spring/Summer 2026 look 61. (Spotlight/ Dior Menswear Spring/Summer 2026 look 62. (Spotlight/ Dior Menswear Spring/Summer 2026 look 63. (Spotlight/ Dior Menswear Spring/Summer 2026 look 64. (Spotlight/ Dior Menswear Spring/Summer 2026 look 65. (Spotlight/ Dior Menswear Spring/Summer 2026 look 66. (Spotlight/ Dior Menswear Spring/Summer 2026 look 67. (Spotlight/ Dior Menswear Spring/Summer 2026 look 68. (Spotlight/
