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From unimpressed mums to Peter Garrett's butt: The Spicks and Specks stories you haven't heard

From unimpressed mums to Peter Garrett's butt: The Spicks and Specks stories you haven't heard

Over its 20-year history, and 308 episodes, Spicks and Specks (named after the 1966 Bee Gees song) has become one of Australian television's enduring success stories: a family-friendly quiz show that celebrated music and comedy, revelled in nostalgia and sparkled with the chemistry of its three stars, Adam Hills, Myf Warhurst and Alan Brough. It turned a generation of musicians and comedians into household names and still remains one of the few outlets for live music on TV. For the show's 20th anniversary season, Hills, Warhurst and Brough share their memories of the iconic music quiz show, with an assist from frequent guest stars Dave O'Neil, Hamish Blake, Denise Scott and Brian Mannix.
Adam Hills, host: It was pitched to me as a music quiz show that also celebrated Australian music and showed new music. But the thing that really got me was when I sent an outline of games for the show and I remember sitting on a plane back from London reading the outline for Substitute, and it was where you sing a well-known song using the words of an unrelated book. And I used the Qantas magazine, and thought of some songs, and went through it, and went, 'Oh, wow. I could see this could be a thing.' It was like a cross between a trivia quiz and Countdown.
Myf Warhurst, team captain: I got a call at Triple J, where I was working, and they said, 'Can you come for an audition?' I thought it sounded like a bit of fun and I said yes to everything back in those days! I turned up for the audition, and I literally got a call within a day. I hadn't met you [Adam]. I knew Alan. And then I was like, 'Oh, what's the show?'
Alan Brough, team captain: Well, approached is a big word for how it happened. I think [TV producer] Anthony Watt called me and said, 'I'm involved in a show about music. Do you want to do it?' And I went, 'Yeah.' And that was all I knew.
Do you remember watching the first episode go to air?
Myf Warhurst: It was a very strange experience because I'd not had any mainstream television experience prior to this, and it was like a dream of mine, growing up in the country, [to be on ABC TV] because we only had the ABC. It was like, 'Oh, I've made it.' But then I spoke to mum on the phone and she said, 'Yes, it's very good, but I hope you recorded that on VHS, just for your files.' She thought it was so bad! Mum loves the show, by the way. Nance is the biggest fan.
Alan Brough: My mum, when she came over to Australia [from New Zealand], she said, 'I saw that show you're on.' And I said, 'Oh.' And she said, 'Thank god all the useless stuff you know, it's come in handy.'
Myf Warhurst: It's often been compared to overseas shows like Never Mind the Buzzcocks, which was much more competitive. They take the mickey out of some artists, but we never did that. We were very supportive and played very nicely with everybody.
What was it like being a guest on the show?
Denise Scott, comedian: I know f--- all about music. Every time, including an episode I just did recently, I feel sick because of my complete lack of knowledge of music. I keep thinking, 'What am I doing here?' But it did give me confidence about telling what I thought were pretty boring stories, they made everyone laugh.
Hamish Blake, TV presenter: [On my first episode] I knew – and know – very little about music trivia, a deficiency I was assured wouldn't be a problem. But the fact it's a show that's 100 per cent about music made me nervous of that assurance.
Dave O'Neil, comedian, who has appeared more than 60 times, more than any other guest: It was a perfect show for me because I don't have that much knowledge about sport or current affairs, but music, I'm going to be up for it.
Brian Mannix, lead singer of the Uncanny X-Men: The first time I went on, I had a couple of beers. I think I was on about six times before I was ever on the winning team.
Hamish Blake: I was almost exclusively on Myf's team and have a lot of fond memories of celebratory high-fives after looking in each other's panicked eyes and pulling answers out of thin air that somehow were correct. Also, being on Myf's team gave me a front-row seat to appreciate Alan doing his thing and being able to name the cab driver who dropped Freddie Mercury to Live Aid or some other wild fact.
Denise Scott: They always put a question in that they assume you might know. For me, it'll be about Julie Andrews. But otherwise, I must admit, I do try and give a bit of time to looking at YouTube clips of various artists. I don't even know what to Google. I don't even know what name to search for. And then I think, 'Who am I kidding?'
Brian Mannix: The show has been really good to me. I talked to [musician] Wilbur Wilde about this the other day, because our mothers have passed away, and I said the good thing is we get to see our mothers every Mother's Day because me and Wilbur had our mums on the show for the Mother's Day episode and we get to see it in repeats.
Were you ever starstruck?
Adam Hills: My favourite was Weird Al Yankovic because I was a comedy nerd. I was losing my mind. And he's one of the few people that have been on the show that I've kept in touch with. I've caught up with him. He's met my kids, and he still sends me a birthday email every year.
Alan Brough: Lloyd Cole from Lloyd Cole and the Commotions. [Producer] Anthony Watt knew I loved him, so he didn't tell me he was coming on. I walked into the green room [and saw him] and I went, 'F---' and then walked out, had a few breaths, came back in, and I said, 'I'm really sorry.' And he said, 'It's happened before.'
Myf Warhurst: For me, growing up, Countdown on the ABC was all we had. We didn't have much and no internet, obviously, because I'm ancient. So when all these Australian pop stars that I grew up adoring came on the show, it was wild. I did shows with Sharon O'Neill from New Zealand, and Jane Clifton from Jo Jo Zep and the Falcons and Renee Geyer.
Dave O'Neil: I met Peter Garrett from Midnight Oil, which was great because I showed him my Year 10 folder, which had his butt on the front. It freaked him out a little bit. And because I was a big fan of Oz rock, they started putting me with difficult people, like Chris Bailey from the Saints. He was really grumpy. I remember Jim Keays, from the Masters Apprentices, said to me once, 'Adam's a busy person, he hosts this and The Gruen Transfer.' And I said, 'That's Wil Anderson.' He thought Wil Anderson and Adam Hills were the same person. At that point he'd been on the show four or five times.
Denise Scott: I had an interesting – oh, I can't say who it was because it was an American performer, a quite well-known musician – and he talked to himself the whole show so quietly and no one else knew except me. It was a mental health issue.
OK, who was the worst at Substitute?
Alan Brough: It was Hamish [Blake] doing Eye of the Tiger. He did all of the song and then he stopped, and I think Adam said, 'Hamish, can you tell us what it is?' And he said, ' Eye of the Tiger.' And you may have said, 'Are you sure?' And then he did it again, and we still didn't know what it was.
Hamish Blake: Now that I think about it, that segment is literally for professional singers so, of course, I was the No. 1 worst.
Denise Scott: I did have to do Substitute, but interestingly, I only ever got asked to do it once…
Brian Mannix: The last time I did the show, I was dressed up in a Taylor Swift ballerina outfit. I don't often get to do that.
In 2011, Hills, Warhurst and Brough decided it was time to leave the show. It was briefly rebooted for one season in 2014, with a new host and team captains, but it didn't last. Do they ever regret calling it quits in 2011?
Myf Warhurst: I thought it was perfect timing because we'd done it for seven years and told all our stories. It meant people got to miss us, and we got to step away and realise how much joy the show had given us. It's one of the sweetest gigs for Alan and I, because we just turned up, basically. We sit back, knowing that we get to talk about what we love, meet people we love and hang out with our friends that we love.
Adam Hills: You don't realise what you've got until you finish it. My manager had a really good phrase for it, he said, 'It's important to go off and do other things and realise that you're not magic.'
Alan Brough: He's wrong because you got even more famous after we stopped. So you are magic.
Dave O'Neil: My mum would watch [the repeats] in the nursing home and then ring me up and say, 'Did you dye your hair? I saw you on TV last night.' And I was like, 'Mum, that episode was 15 years old!'
Who made the first move to get the band back together in 2018?
Alan Brough: I made the first move once. It didn't work out and I didn't do it ever again…
Adam Hills: It was the ABC wanting a one-off Aus music special. As soon as we all walked into the make-up room, it was like we'd never been away from each other. And I think, probably, at the end of that episode, there was talk of maybe we could do a couple of specials, and then, we could do a small series…
Do you have another 20 years in you?
Alan Brough: I don't think I've got 20 years of life.
Myf Warhurst: We were talking about it today. We might do one in the nursing home. A reality show, maybe.
Adam Hills: Music is constantly refreshing itself, and especially now with Spotify and the internet and all that kind of stuff. So as long as there's more music to talk about, then I think we could probably still talk about it.
Alan Brough: There's a picture of the three of us, just as you go into the make-up room, and when we first came back, my daughter, who was born in 2011, walked past that at the age of 10 or something, and went, 'Oh, Myf and Adam look good, but you have got much older.'
Adam Hills: We're like a three-part harmony. If you look at it in a musical sense, we each bring something different. And when you have all those three voices on their own, the voices are fantastic, but all those three voices together, it's bigger than the sum of the parts.
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Julian McMahon's vast fortune revealed after theory emerged about Scientology link following Aussie actor's shock death at 56
Julian McMahon's vast fortune revealed after theory emerged about Scientology link following Aussie actor's shock death at 56

Sky News AU

timean hour ago

  • Sky News AU

Julian McMahon's vast fortune revealed after theory emerged about Scientology link following Aussie actor's shock death at 56

Julian McMahon's vast fortune has been revealed after a theory emerged about a Scientology link following the actor's death at the age of 56. McMahon's wife Kelly confirmed in a statement the Australian-American star died in Clearwater, Florida, on Thursday after a battle with cancer. 'With an open heart, I wish to share with the world that my beloved husband, Julian McMahon, died peacefully this week after a valiant effort to overcome cancer,' she told Deadline on Friday. 'Julian loved life. He loved his family. He loved his friends. He loved his work, and he loved his fans. His deepest wish was to bring joy into as many lives as possible." McMahon's career took off with his role as Cole Turner in the hit supernatural television series Charmed from 2000 to 2003. He soon gained wider recognition from 2003 to 2010 in the medical drama Nip/Tuck, in which he played the role of plastic surgeon Dr Christian Troy. Over three decades as a leading man, the US-based star accumulated a net worth of $16 million USD ($24 million AUD) at the time of his death, according to reports. McMahon earned $125,000 USD ($192,000 AUD) per episode in Nip/Tuck. His salary then doubled the following year, and he continued to reach career milestones thereafter. McMahon added to his fortune through real estate, selling his home in the Hollywood Hills in 2015 for $2.18 million USD ($3.3 million AUD). The sale saw the star earn a tidy profit of $1.5 million USD ($2.3 million AUD). The development comes after the location of McMahon's death, Clearwater, stood out to social media users for the Church of Scientology being widely known to dominate the city on Florida's Gulf Coast. Scientology's world headquarters, Flag, is located in the heart of downtown, where its members reportedly own a large portion of the area's real estate. The mention of Clearwater in Kelly McMahon's statement sparked a fierce online debate about why the actor, who had no public ties to the area, would spend his final days there. 'I was wondering if Julian McMahon was a Scientologist since (Kelly's statement) said he died in Clearwater," one person wrote on Instagram. "Because why else would he live the last few months of his life there? The only celebrities that do are usually Scientologists. Surprised, that's for certain!" Another conspiracist took to X to question, 'Why was Julian McMahon in Clearwater when he died? Like, that's Scientology city.' However, another person offered a different theory as the debate continued on Reddit. 'He was an Australian who loved the beach," the fan wrote. "I don't see him being involved with Scientology.' is not suggesting McMahon or his family are affiliated with Scientology. It remains unclear whether McMahon has been living in Clearwater in the months before his death, and his family has not commented further. The actor, his wife Kelly, his ex-wife Brooke Burns and daughter Madison are not mentioned in any publicly available Scientology records.

Ten new books to add to your reading pile
Ten new books to add to your reading pile

Sydney Morning Herald

time9 hours ago

  • Sydney Morning Herald

Ten new books to add to your reading pile

What's good, what's bad, and what's in between in literature? Here we review the latest titles. See all 51 stories. Looking for some psychological suspense? A reimagining of literary history? Perhaps a deep-dive into the work of the late Australian historian John Hirst, or a gripping real-life account of women working for the French resistance during World War II? Our reviewers have these and more covered in this week's reviews. Happy reading! FICTION PICK OF THE WEEK Famous Last Words Gillian McAllister Penguin, $34.99 A nightmare day – one that seems too strange to believe. Camilla is dropping her daughter Polly off on her first day at school, and husband Luke, a mild-mannered writer, isn't there. He isn't responding to messages, which is unlike him. Her annoyance quickly escalates into alarm when the police arrive asking to talk to her about her husband, and shock sets in when she's told the news of an unfolding hostage situation in London. He's being held hostage, she thinks. She's incredulous at viewing video evidence of Luke as the hostage-taker. How on earth did her husband become a violent criminal, without the slightest warning? At a gut level, Camilla refuses to concede that Luke could possibly do what she is seeing him do with her own eyes, but she agrees to assist DCI Niall Thompson conduct hostage negotiations, hoping to defuse the crisis without bloodshed. The game will change, and the inexplicable will become clear in this taut and twisting thriller. Fans of Liane Moriarty (and superior, character-driven psychological suspense generally) should lap this one up. Stephen King's private detective Holly Gibney returns in Never Flinch, with more than enough to keep her occupied. There seem to be two cases, though her friend, Izzy Jaynes, a detective at Buckeye police department, is handling one of them. It starts with a sinister letter sent to police from a would-be serial killer who promises to mete out lethal vigilante justice to 13 guilty persons and one innocent, to avenge a grave wrong committed. The threat isn't idle. Chapters told from the killer's perspective are interwoven as the body count climbs, but when Izzy turns to Holly for assistance, Holly is temporarily indisposed: she's moonlighting as a bodyguard for feminist author Kate McKay, who fears being stalked by a radical religious activist on a speaking tour. Never Flinch is a rather tortured and over-realised novel for King. It really should have been split into two novels, as without radical condensation and extremely brisk exposition, there's simply too much here to merge the two narrative threads successfully without one pulling focus from the other. 'The week I shot a man clean through the head began like any other.' So begins this revenge thriller from Emma Stonex, author of The Lamplighters. It's a killer line, and for Birdie Keller, vengeance has been a long time coming. The ice-cold nature of her rage is amplified by the casual way she goes about her daily domestic routine, as if nothing had changed, as if Jimmy Maguire – the man who murdered Birdie's sister 18 years earlier – had not been released from jail, as if she didn't have a gun and wasn't about to head into London to use it. The Sunshine Man layers multiple perspectives, including Maguire's, and flashes back to the events surrounding the original crime, where lurking in the westering fields of her childhood in Devon and Cornwall, a terrible truth lies in wait. It would have been easy for this one to misfire. Revenge is a basic human impulse, but without complications it isn't always thriller material. Stonex is excellent, though, at playing with the reader's sympathies, allowing elements of the story to be shaped by memory and character, so that provisional judgments jump around until the picture becomes more complete. The Haunting of Mr and Mrs Stevenson Belinda Lyons-Lee Transit Lounge, $34.99 Where did Robert Louis Stevenson get the idea for The Strange Case of Dr. Jekyll and Mr. Hyde? Well, his Calvinist upbringing influenced his psychological fable, but there was, too, a charming man of his acquaintance, Eugene Chantrelle, who was later tried and hanged for murdering his wife, Elizabeth. Geelong-based writer Belinda Lyons-Lee goes behind the scenes, reimagining a piece of literary and criminal history from the viewpoint of Stevenson's wife, Fanny, herself a successful author, who fell in love with the younger Robert after divorcing her wayward husband in the US. In Lyons-Lee's telling, theirs was an intellectual, literary and romantic bond, and their encounter with the two-faced Chantrelle is one of many episodes – including a seance with the Shelleys and a haunted wardrobe – that lace literary biography and an eerie, gothic sensibility. Some of the prose isn't polished to the sort of sheen that might make this dark material truly glisten, but it's fascinating literary historical fiction, nonetheless. Awake in the Floating City Susanna Kwan Simon & Schuster, $34.99 Seas have risen and climate change has caused disastrous flooding in a future San Francisco. Just turned 40, Bo – an artist whose desire to create has dried up, even as the rain refuses to abate – is set to leave the city as part of anexodus of residents. She plans to flee the sodden streets and crumbling buildings and head to Canada, but when the day to leave arrives, she discovers a note urging her to stay. Her elderly neighbour, Mia, is 130 years old, and she's been abandoned to her fate. Taking up Mia's offer to be her part-time paid carer, Bo befriends the supercentenarian and eventually, her muse returns: she begins to make art inspired by Mia's long life, finding a way to be creative in the shadow of catastrophic destruction. Awake in the Floating City is literary cli-fi that proceeds from a positively Biblical extreme weather event. The disaster is evoked in spartan but atmospheric detail, and the characters have some depth, but the plot itself is stretched too thin over the length of a novel, and it sometimes feels like the barest frame for philosophical musing on human nature and need. NON-FICTION PICK OF THE WEEK John Hirst: Selected Writings Edited by Chris Feik La Trobe University Press, $36.99 John Hirst (1942-2016), as this collection of essays and commentaries amply attests, was a historian who went his own way. No stranger to controversy, evident, for example, in his views on colonisation and the dispossession of Indigenous Australians. History in its British imperialist incarnation is almost presented as a kind of impersonal force, indifferent to and beyond moralising by 'liberal fantasists' who, seeking some sort of reconciliation with the wrongs of a shameful past, imagine the tragedy could have been avoided and ignore the inevitability of the brutal 'phenomenon' of European expansion. A point that fellow historian and friend Robert Manne addresses in his commentary, stating historians are also humans and will make judgments. Mind you, at the same time, Hirst was morally outraged with the Stolen Generation and the damage done to Aboriginal culture. Whether talking about his politics over the years, multiculturalism, his pro-republic views or the democratic legacy of the convict years, this is a distillation of a contrarian mind that couldn't help but challenge orthodoxy (especially on the left). Overall, it's impossible not to be impressed by the scope of his works. The Scientist Who Wasn't There Joanne Briggs Ithaka, $36.99 When Joanne Briggs was growing up, her scientist father (who'd been a member of a research team at NASA) was the font of all wisdom. Even when he left his marriage and children, she defended him, saying her father knew all there was to know about science. But the charade of his life crumbled in 1986 when The Sunday Times ran an exposé headed 'The Bogus Work of Professor Briggs'. His daughter's investigation into the fabricated life that was the enigma of her father (who died mysteriously in 1986) is a compelling tale of delusion and deception – Briggs, at one point, imagining him as a spy with another whole hidden life. The story, which ranges from Britain, to the US and Deakin University in Victoria, involves, among other things, questionable research findings for pharmaceutical companies and faked qualifications. The fact and fiction of her father's life is mirrored stylistically in a highly imaginative way, Briggs frequently borrowing from fiction. Often very moving, this is amazingly assured for a first book. The Sisterhood of Ravensbruck Lynne Olson Scribe, $37.99 The eponymous sisterhood refers to four French women – Germaine Tillion, Anise Girad, Genevieve de Gaulle (niece of Charles) and Jacqueline d'Alincourt. All were members of the French Resistance during the war, though part of different networks, and all were caught and packed off to Ravensbruck, the all-female concentration camp in Germany. This thoroughly researched, absorbing tale incorporates the lives of many other female resistance fighters, and a key theme running through the book is that the vital role of women in the movement has been either ignored or played down. It's a story of incredible individual bravery that also emphasises the crucial importance and intensity of the lifelong bond between them that was forged in the hell-hole of Ravensbruck. Each of these women is worthy of her own biography. Tillion, an anthropologist, helped POWs and allied servicemen escape until she was betrayed by a Catholic priest working for the Germans who infiltrated her network. She survived the camp, lived to be 100 and, with Girad, is now buried in the Pantheon along with the greats of French history. Among other things, this is an inspiring study of character, courage and grace under pressure. If Hamlet had taken Tibbits' advice and forgiven all concerned so that he could move on, he might have been a happier character. Mind you, there'd be no play. But this is precisely Tibbits' point – that revenge and anger always end badly, and are emotionally, physically and psychologically destructive. A dead weight that anchors you to the pain of the past. The only effective way out is forgiveness. It doesn't mean absolving the other person of guilt, but the act of forgiving is the most effective way of letting go and conceiving of the future with hope. And it doesn't need to be reciprocal, he points out, quoting Oscar Wilde – 'Always forgive your enemies, nothing annoys them so much' – in this self-help guide with step-by-step strategies. Tibbits is a counsellor as well as a sports coach, and often enough the advice comes across like a half-time revving. And there's the inevitable, rousing 'you can do it' rhetoric, but he's got some pretty valid points. In a recent experiment, scientists placed a number of white volleyballs among a flock of geese hatching their eggs. The geese, attracted by the large, white objects, left their eggs and attempted to hatch the volleyballs. The geese were in the thrall of what Niklas Brendborg calls 'superstimuli' – his point being that humans are no less susceptible to it than geese. To prove it, he looks at food, sex and online screen superstimuli. Obesity, for example, is not the result of increasingly sedentary lives, but the rise of ultra-processed foods designed by food companies to make us eat more, thereby changing our biology. Similarly, recent surveys point to declining sex in relationships being caused by the rising consumption of the sexual form of superstimuli – glossy, air-brushed pornography. Brendborg makes his points entertainingly, while also drawing on copious research material. But there are also occasions when it feels like he's taking a long time to point out the obvious. Capitalism has always been greedy, grasping and devious.

Listen Out: Australian music festival cancelled for 2025 but announces ‘one-off curated parties'
Listen Out: Australian music festival cancelled for 2025 but announces ‘one-off curated parties'

West Australian

time17 hours ago

  • West Australian

Listen Out: Australian music festival cancelled for 2025 but announces ‘one-off curated parties'

Organisers of an annual Australian music festival, which has attracted the likes of Denzel Curry, Flume and Diplo on lineups over the years, have confirmed the event won't be going ahead this year. Listen Out has been cancelled for 2025, with a post shared on social media saying it could happen due to not being able to curate a 'cultural and energetic' lineup that 'flows' between musicians and fans. ' breath. This one's tough. Listen Out won't be going ahead this year,' the post said. 'We've always tried to build something special where the lineup reflects the culture and the energy flows both ways between the artists and last few years have been tough. 'So, we're hitting pause on Listen Out as you know it. But we're not going anywhere.' Instead, the team behind the popular festival will introduce Listen Out Presents. A 'one off carefully curated parties in killer locations around Australia all year long'. Perth has been confirmed as a location for this featuring 'some of the best artists in the world'. 'We're still here for the good in a new way. We're not saying anything now,' the post continued. Disappointed music lovers took to the comments section of the post with messages of outrage. 'This is not okay,' one fan said. Another fan said: 'Had me excited for it.' 'That's a joke, where are all the good festivals going? I was counting on listen out to pull though ugh,' a third added. Some people felt jipped by the fact the festival had last month teased the event and encouraged fans to 'Sign up for Listen Out '25' for updates. The cancellation comes after last year's headliners pulled out within days of the event. South African R&B singer Tyla and US rapper Flo Milli cancelled their Australian trip just two days before they were set to take the stage at venues in Melbourne, Perth, Brisbane and Sydney. Aussie artist Lithe and American DJ John Summit also pulled out. Summit addressed his cancellation in a TikTok video after the event happened saying: 'A lot of American artists dropped from this festival for 'personal reasons''.

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