Money problems forcing N.L. Folks Arts Society, annual festival to likely shutter
Newfoundland and Labrador Folk Arts Society board president Julie Vogt told CBC News financial constraints continue to hamper the effort this summer, and it's looking likely that year's festival will be the final one, and the society itself will also shutter.
"I encourage everyone to allow us to go out with grace, get your tickets for this last folk festival. Remember all the wonderful feels that you've ever had and come celebrate with us because that's what it's going to be — a celebration," she told CBC News on Monday.
The tipping point was missing out on a multi-year ArtsNL grant that the society had hoped to land to sustain its operation.
In an email to members on Friday, Vogt wrote the new board found it highly unlikely it could raise an additional $75,000 to fill the gap left behind from the ArtsNL money. The board also assessed an "extremely low" probability that ticket sales for this year's festival would meet even a "modest budget."
But this summer's event will go ahead as planned, running from July 11 to July 13 in Bannerman Park in downtown St. John's.
Vogt said the society had a $140,000 fundraising goal, and landed just $8,000 short.
"We were that close," she said.
The festival itself costs about $192,000 to pull off. That's before a ticket is sold or performers are paid.
Vogt said she's disappointed the festival couldn't reach its 50th year, and big plans were in the making.
"It's gut-wrenching, but we are going to give you the best folk festival we can with the small number of people that we have to do it," she said.
Vogt also offered reassurance that performers scheduled to perform will be paid and the festival will be the same festival people are familiar with.
As for the future, Vogt said there would need to be a miracle to keep the society and festival going, such as an angel investor and support from the public.
While small donations are welcomed, she encouraged people to buy tickets for this year's event, too.
It's not the first time the society and its festival have been on shaky ground.
In January, then-president Deborah Coombs announced temporary layoffs of five staffers due to rising costs having an impact on the bottom line.
Then, Vogt revealed in March, the festival was in danger of closing due to heavy financial strain, as the 2024 event left the society with over $100,000 in debt.
In response, the society appealed to the public to help raise funds, and launched a "Save our Festival" campaign.
In April Vogt said $23,000 was raised, the 2025 event would go ahead and they were pursuing more corporate sponsorships.
The society also has youth programs that support young people interested in traditional music.
Those include members of the musical trio the Salt Beef Junkies, who learned to play from older mentors through the society's Young Folk at the Hall program.
"That's the sad part about this news, about today, is that well, it's been our childhood," Ty Simms told CBC News on Monday. "That's how a lot of young musicians get their first big gig in Newfoundland."
The trio is opening up the festival on the main stage this year, and are hoping they can draw enough people to keep the society alive.
"Hopefully more funding does come, because the Folk Festival is probably one of the best festivals in the province," said accordion player Luke Mercer.
Simms said the festival helps keep young people interested in Newfoundland music.
"If you have kids, if you have even teenagers, who are looking into new music or even just want to come hear in Newfoundland music … go support the Newfoundland Folk Festival."
Download our free CBC News app to sign up for push alerts for CBC Newfoundland and Labrador. Sign up for our daily headlines newsletter here. Click here to visit our landing page
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New York Post
a day ago
- New York Post
Couple hounded with calls after their number is listed on t-shirt decorated with missing cat poster
What a purr-fect cat-astrophe. A Canadian couple is being hounded with calls about their missing cat — and all because their number was splashed across a t-shirt decorated with a poster of a lost cat by a brand 3,000 miles away on Long Island. Jonathan McCurrach and Natasha Lavoie's phone has been on fire with strangers calling to tell them they've found their feline, Torbo. However, the British Columbian couple doesn't even have a cat named Torbo. Their furry friend is Mauser, and he's happily chilling at home. 'Sometimes, like six times a day, I'm getting these really random phone calls and people leaving me voicemails saying that they found my cat and they want money for my cat,' Lavoie told CBC News. The contemporary clothing company, Wisdumb, based in Smithtown, NY, made the missing cat t-shirt. CBC News 'I'm like, 'My cat's at home in the air conditioning.'' At first, the pair first thought the calls, which mainly came from the U.S., were scams. 'When we started actually picking up the calls or responding to the voicemails, I thought it was some attempt at a scam. You hear about scams all the time about missing pets,' McCurrach told the outlet. 'Half the time, they just cut you off and go like, 'No, I've got your cat. I want the money for the cat.' And I'm like, 'No, there's no money, there's no cat.' And they usually hang up.' After months of their phone ringing off the hook, McCurrach finally asked a caller how they got their number. The caller explained their digits were printed on the t-shirt, made by the contemporary clothing company Wisdumb, based in Smithtown, NY. CBC News reached out the business, which reported the shirt was no longer available for purchase online, and said in an email that 'the use of a real number within the art created was not intentional.' The couple also contacted the company, which offered them a similar answer, but no 'real apology.' Natasha Lavoie and Jonathan McCurrach didn't receive a 'real apology' from the company. CBC News Lavoie said she's not ready to change her number because it has a 604 area code, British Columbia's first, which is now difficult to get. 'I've had my number for 20 years,' she told the outlet firmly. 'I don't want to change it. I'll just keep not answering.' Lavoie thinks purr-haps she deserves compensation for the aggravation the clothing has caused. 'I feel like I deserve a T-shirt after this,' she added. 'I think we both do.'
Yahoo
10-07-2025
- Yahoo
Stampede concertgoers raise safety concerns after rapper draws huge crowd
A Calgary Stampede concert headlined by hip-hop superstar Don Toliver has raised safety concerns among attendees, with some wondering whether the artist — who currently has over 35 million monthly listeners on streaming platform Spotify — was too popular for a free show in a relatively small venue. The Houston, Texas rapper took the stage Tuesday night at the Calgary Stampede's Coca-Cola Stage, which offers complimentary outdoor concerts included in Stampede admission. Known for his energetic music, Don Toliver has released multiple RIAA-certified platinum songs including hit records After Partyand No Idea. After headlining arenas around the world on his 2024-2025 North America and Europe tour, the announcement of Don Toliver's free performance in Calgary came as a surprise to fans. "To have a pretty big artist, in a free show, in a smaller venue is kind of a recipe for disaster," concertgoer Elise Pigeon told CBC News. Pigeon was one of the many people who attended the concert, which also featured performances from R&B singers Tinashe and Charlotte Day Wilson. Another attendee, Serena Freitas, said she needed help from security to get out of the crowd for her own safety after the rapper's first few songs. "It was just too crowded and way too pushy … I stopped being able to breathe pretty quickly," she told CBC News. Freitas said she had spent 11 hours in front of the Coca-Cola Stage waiting for Don Toliver's performance before he came on at 9:30 p.m. As an avid fan of the rapper, she knew the concert would be "really crowded," but that the situation quickly got out of control when he took the stage. "I've never had to be pulled out of a concert in my life," said Freitas, who shared footage of her experience on TikTok. Further back in the crowd, Ereyka Alfarero said the experience was a "nightmare" for her. "Literally, I was being crushed," she said. "I'm 5'2 … I'm just there trying to survive." Alfarero said she had already seen Don Toliver perform three times, so she quickly decided to leave shortly after the rapper took the stage — though leaving proved difficult for her. "I was dragged into the front by people pushing and pulling, and there was no way out," said Alfarero. Social media footage appears to show some concertgoers struggling to move or leave during the performance, while other videos feature people enjoying themselves, singing along and dancing. No information on any injuries is currently available from officials. Aaron Paramedical provided standby medical services at the Calgary Stampede. According to company president Scott Wardley, there were eight to 10 staff assigned solely to the Coca-Cola Stage. Representatives of Don Toliver could not be reached for comment ahead of publication. Kerrie Blizard, the Calgary Stampede's director of public safety, said during a media availability on Wednesday that the concert "was a great success." "The concert had great attendance last night and it's not any levels of attendance that we didn't anticipate," she said. To handle the anticipated crowd size, an alternate viewing location for the concert was set up at another site, with a livestream of the concert offering a "laidback atmosphere" compared to the Coca-Cola Stage's mosh pits. Blizard said footage of the crowd shows that "there was ample room for people to dance and move about," and that "when we heard the remarks from the fans leaving at the end of the night, the majority of what we heard was very positive." She said Stampede Park as a whole has "no assigned capacity" for the number of visitors it welcomes. According to the Calgary Stampede, 193,033 people were at the park on Tuesday. Five hours before Don Toliver was scheduled to take the stage, the Calgary Police Service addressed concerns around the event in a social media post on Tuesday afternoon. "We are aware of concerns circulating on social media regarding the size of the crowd expected for tonight's Coke Stage performance at the Calgary Stampede," read the police statement, which also outlined steps for staying safe. Police officers joined Calgary Stampede security personnel to help manage the crowd. During the Wednesday media availability, the Calgary Police Service's Stampede incident commander Scott Campbell declined to comment on the safety of the concert. He noted that officers responded to medical incidents during the show and "arrested and ejected" a person for "climbing on a structure during the concert." He added that there is "no indication" a stabbing Tuesday night, which left three people seriously injured, "has anything to do with the concert."
Yahoo
06-07-2025
- Yahoo
How a Canadian's AI hoax duped the media and propelled a 'band' to streaming success
A Canadian who duped journalists in an elaborate AI music hoax says he apologizes to anyone hurt by his experiment but that it's been "too fascinating" to turn away from. A man using the pseudonym Andrew Frelon posed as the spokesperson for a band called The Velvet Sundown — which he later said he had no involvement with — creating a media frenzy that propelled the AI-assisted "band" to a million monthly listeners on Spotify. He spoke with CBC News over the phone Friday on condition that his real name not be revealed. CBC News agreed not to use his real name because he fears harassment based on the hateful messages he's received online, and worries he would lose work if identified. The sticky online saga began when the band appeared on music streaming platforms several weeks ago and amassed hundreds of thousands of streams from two full-length albums. Its blend of laid-back 1970s-inspired rock and modern indie pop appeared on several popular Spotify playlists, including one featuring Vietnam War songs. But savvy listeners noticed something was off. The band's supposed members had no digital footprint, and there was no record of them ever having performed live. The album art and profile photo, featuring four shaggy-haired rockers, also carried hallmarks of generative AI. But as the controversy gained steam, an account on social media platform X purporting to represent the band emphatically denied that any of the music was created by artificial intelligence, calling the accusations "lazy" and "baseless." CBC reached out to the X account on Wednesday and attempted to arrange an interview through a Gmail account purporting to represent the band. Then, a man calling himself Andrew Frelon told Rolling Stone, in an article that was published online later that day, that he is behind The Velvet Sundown and the X account, and that he used generative AI platform Suno to create the songs. He called the project an "art hoax." WATCH | Expert speaks on AI regulation: But just as the mystery appeared to be solved, a different X account linked to the official Velvet Sundown Spotify page posted a statement saying Frelon has nothing to do with the band. "Someone is attempting to hijack the identity of The Velvet Sundown," said the statement, which also appeared on the band's Spotify and Instagram accounts on Thursday. That same day, Frelon, who gave the Rolling Stone interview, posted a lengthy blog confirming he had nothing to do with the band and that nearly everything he told the magazine, including his name, was a lie. The actual band's identity was once again a mystery. It turned out the hoax was, in fact, part of a bigger hoax. Speaking with CBC News on Friday, Frelon maintained that he has "zero" connection to the Velvet Sundown. Asked about his motivation for maintaining such a complicated ruse, Frelon said the way the whole thing has played out has become like "artistic jet fuel." "There's so many weird cultural, technical things at play here. It's too fascinating of a mystery for me to turn away from," he said. The real person behind Andrew Frelon is an expert on web platform safety and policy issues, with extensive experience using generative AI. He was born in the United States but lives in Canada. Several major American publications have interviewed him about his other AI projects and safety and policy issues work. CBC News verified his identity through screen shots and a Signal video chat. Frelon sent screen shots of his correspondence with Rolling Stone to confirm he was the person who did that interview. Frelon said he attempted last year to monetize his own AI music project with a friend. Certain that The Velvet Sundown was generated by AI, and surprised by its seemingly overnight success, he decided to become the band's de-facto publicist as a "social engineering" experiment. To further sow confusion, Frelon shared posts made by the official Velvet Sundown X account, to intentionally make it look like it was connected to the account he runs. He also generated and posted AI "photos" of the band in various settings and scenarios, and said he used ChatGPT when initially responding to reporters. Part of his intention with the Velvet Sundown experiment, he said, was blurring reality and trying to see how diligently members of the media would work to verify his identity. "I'm really exploiting the uncertainty," he said. "And I think that's the art." His experiment also highlighted the ease of creating deceptive content and the speed with which it spreads. Frelon said he ultimately hopes to advance the conversation around generative AI, and its risks and benefits. WATCH | Performers want protection against AI: In the process, however, he said he's received a flood of hateful messages and acknowledged that the prank has upset some people. "I didn't mean to do it maliciously, although obviously some of the techniques I used were underhanded and not very cool," he said. "I recognize that, and I apologize for those people affected." Frelon's hoax supercharged The Velvet Sundown's success; the band's audience has grown by about 700,000 monthly listeners on Spotify since his hoax started, hitting one million on Saturday. In yet another twist, the band's official X account admitted on Saturday to its use of AI after playing coy for weeks, saying in a social media statement it is a "synthetic music project guided by human creative direction, and composed, voiced, and visualized with the support of artificial intelligence." It is still not clear who is behind The Velvet Sundown, and its X account has not responded to interview requests from CBC News. Frelon said he received a message from The Velvet Sundown's X account on Saturday, insisting he rename his account and delete all references to the band being "100% human-generated." Frelon's X page is now marked as a "parody" account. AI-generated electronic music, and AI songs mimicking existing artists, have become commonplace, but AI "bands" are a newer phenomenon. Laszlo Tamasi, the man behind hard-rock act The Devil Inside, which has millions of Spotify streams, admitted in June he uses AI to make the music and generate the band's imagery, after fans and music writers raised questions. Other popular artists, like "dark country" act Aventhis and provocative soul singer Nick Hustles, have similarly been revealed to be AI creations with behind-the-scenes input from humans. Nova Scotia-based singer-songwriter Ian Janes, who had his own battle with AI music after a seemingly AI-generated project popped up on Spotify using his name, said in some ways, the music industry has set the stage for an AI takeover by relying so heavily on technology-assisted techniques like quantizing and pitch-correcting. He said listeners have become so accustomed to technology-aided "perfection" in recorded music that when they hear an AI-generated song, it might seem indistinguishable from something made by real people. Conversely, when a human voice goes out of key, or a song speeds up or slows down, people might perceive that as an error. "The conditioning of our ears to algorithmic perfection in music has set the stage for AI to be poised to just take that job from us," Janes said. The Velvet Sundown initially raised suspicions in part because its name seemed derivative of acts like the Velvet Underground and Sunset Rubdown, and its song titles and lyrics also seemed to lack originality. Its most-streamed song, Dust on the Wind, for example, recalls the 1977 Kansas hit Dust in the Wind. But Alexander Olson, a senior research associate at the University of Toronto's faculty of applied science and engineering who researches AI, said it's becoming increasingly challenging for the average person to identify AI in all mediums. WATCH | How artificial intelligence impacts creative industries: "It's made even harder in this setting, because a lot of people are relying on Spotify to choose songs for them and to make those recommendations," he said. Winnipeg-based music critic Darryl Sterdan calls the Velvet Sundown's music "generic" and "forgettable," and said AI is not yet at the point where it can reproduce the soul and "indefinable humanity" behind worthwhile songs. But he predicts it won't be long before AI generates a genuine chart-topping global pop hit, ultimately forcing institutions like the Grammys and Junos to "formally reward" AI creations in a bid to remain relevant. "Then, the deluge will truly begin," he said.