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What Hong Kong can take away from Ne Zha 2's creative success

What Hong Kong can take away from Ne Zha 2's creative success

As the animated Chinese blockbuster
Ne Zha 2 gains widespread attention domestically and internationally, hopes are high that it will be a prime example of a Chinese cultural export. This showcase of Eastern aesthetics embodies the maturity of China's cultural industry and against this backdrop, Hong Kong, once known as the Eastern Hollywood, has a historic opportunity to redefine its cultural soft power.
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Hong Kong cinema has made progress in visual effects, with films like
Warriors of Future setting new standards. However, the cultural industry faces a structural imbalance in original intellectual property (IP) development, having relied traditionally on the
martial arts novels of Jin Yong and more recently,
nostalgic content
This limits market growth and fails to meet the diverse needs of younger audiences. Although the Hong Kong brand
B.Duck has found success in IP licensing, the city still lags behind the mainland in IP development and industry transformation; it doesn't have a successful work like Ne Zha 2, which resonates with Generation Z through innovation and emotional power.
Although the Hong Kong government has supported the creative sector through schemes like the CreateSmart Initiative, the industry still lacks the global reach and influence necessary to compete with major international markets.
Ne Zha 2 was five years in the making, with 138 animation companies across China putting together over 1,900 special effects shots; it is a product of a well-established ecosystem.
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Enlight Media's IP development model for Ne Zha and other films drawn from the classic mythological novel Investiture of the Gods seamlessly integrates various stages, including creation, technological innovation, market expansion and derivative product development, ensuring a complete and efficient industry chain.
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Meet the women who study pole dancing in modern Shanghai
Meet the women who study pole dancing in modern Shanghai

AllAfrica

time13-07-2025

  • AllAfrica

Meet the women who study pole dancing in modern Shanghai

From outside, China is often portrayed as a demure, conservative country. But inside a Shanghai pole-dancing school tucked at the far end of the hall in an otherwise nondescript office building, a different side of the city is revealed. Only a wall of boots is visible beyond the door … although, amid the loud music playing at all hours, on occasion visitors on occasion might glimpse a scantily clad figure walking in high heels from one end of the hall to another. Tutu, originally from Hainan, is both a student at S-pole and an assistant manager, helping to teach classes alongside Hai Xiaohan, the school's founder. For her, and many other young women in Shanghai, pole dancing has been an important means of discovering herself. Tutu 'I saw a pole dancer abroad,' says Tutu. 'At that time, I thought that I also wanted to be as beautiful, sexy and powerful as her, so the first thing I did when I came back was find a school. Later I felt that I liked myself more and more, and every time I practiced, I felt like I was having a conversation with my body, that I had no physical limitations. Even in my normal life, I started to feel more confident when I went out, and it was the first time I really loved my body.' Lena, who works in marketing, is another student at S-pole. For her, pole dancing is the next in a long of sports – 10 years of karate, six of muai thai, two or three of weight lifting. But pole dancing has been the most transformative. 'You feel the spiritual changes after you start dancing,' she says. 'Right now I'm learning my feminine side. I'm a tomboy in my daily life, so when I first started pole-dancing I did it like martial arts, extremely brutal, dancing like I wanted to fight and kill people. My coach says I've got work to do, but I'm making progress.' That said, like millions of office workers studying dancing, yoga, boxing or rock climbing around China, Lena's greatest motivation is a practical one. 'Actually, I do it because I want to eat more food.' In America, pole dancing is generally associated with night clubs – but in China, strip clubs don't exist. Rather, S-pole feels similar to any other exercise studio, but one where students hang in seemingly impossible positions from rotating poles positioned on the floor. They flip in the air, bodies held at a 90 degree angle or testing the limits of human flexibility while energetic techno music throbs in the background. 'Pole dancing looks great but it's very difficult,' says Lena. 'A lot of people have bruises or injuries, and some have even gone to surgery. You need to be very firm as a person to do this. In Chinese we call this jianren [resilience].' Lena Yingying Why work so hard? Some of the most dedicated students are studying for competitions in Japan, Korea or Hong Kong, but a majority are there for different reasons. 'I'm under a lot of pressure at work,' says Yingying, 41, who works for a chemical company. 'I'm a typical person with kids at home. I just work all the time, and family is very stressful. Pole dancing is really interesting, and it helps me to balance my life.' 'Work is really stressful for me,' says Juzi, an employee of a state-owned company, 'and I need to dance to relieve the pressure. I guess most of the students here are company employees doing something like that.' Juzi. But pole dancing isn't just exercise. It's also erotic, seething with an edge of danger and occasional controversy. And for a special kind of person, that's also its appeal. 'Some of my peers, born in the 80s or 90s, might think pole dancing is a little too sexy, too non-mainstream,' says Yingying. 'But the ones born in the late 90s and 2000s—they want sexiness and there's nothing wrong with that.' In fact, says Hai Xiaohan, founder at S-pole and one of China's rare male pole-dancers, the students are part of a larger shift in China as a whole. 'People's minds are changing. It's not like before when we were limited to one thing. These days people just love themselves more, they pay more attention to themselves, and that's important.' Hai Xiaohan 'The people here are very open-minded,' says Tutu, who proudly posts videos on the internet for not just her friends but family. In previous years, this might have resulted in a wave of criticism – but, now, the students don't have to keep what they're doing a secret. 'We don't care about what others think. We're a group of people who love themselves very much.' In Lena's case, pole dancing has led to a connection in a very surprising place – the office. 'The owner of my company has been pole dancing for six years, and she's in her 40s. We take classes together; in thirty minutes we're practicing together for a competition.' 'There hasn't been any criticism,' says Juzi. 'My parents are conservative people, but when they see me dancing, they think it's cool and good.' But twenty years ago? 'No way,' says Yingying. 'Things are completely different now than they used to be.' While friends and family have been largely supportive, the strongest criticism has been directed towards students who post videos online. Fortunately, many of the responses have remained subdued. 'Some people might want to criticize me,' says Yingying, 'but a lot of the comments aren't made public, so I just ignore it. In other cases, the criticism can become more personal. 'Online,' says Lena, 'a lot of the best praise is from women but mostly the slut shaming is also from women. It feels bad when you're doing this impressive thing, then your own people are turning against you.' 'There's nothing wrong with my videos,' says Tutu with a laugh. 'I think I'm just too sexy! But sometimes the very sexy videos don't get much traffic or followers, because they can make people uncomfortable, or people might think what we're doing is something bad.'● Another problem, Lena says, is the male gaze itself, which has always been the perceived audience of pole dancing. 'The thing is, men watch and they assume you're doing it for them, but that isn't right. The way I see it – they can watch it, but their opinion isn't the one that matters. I dance for myself and if I want to post a video, that's for me too. That said, sometimes reaching the right audience can make it all worth it. 'My grandma really likes the videos I post,' says Tutu. 'That surprised me, but I think it really means something.'

China's crackdown on gay erotica stifles rare outlet for LGBTQ expression
China's crackdown on gay erotica stifles rare outlet for LGBTQ expression

HKFP

time12-07-2025

  • HKFP

China's crackdown on gay erotica stifles rare outlet for LGBTQ expression

Chinese women who publish homoerotica online say they are being threatened with fines and jail time, as increasing enforcement of vague obscenity charges targets a rare space for LGBTQ identity and feminism. In recent months, Chinese police have detained dozens of writers on Haitang Literature City, a Taiwan-based website known for publishing serialised Boys' Love, a genre of erotic fiction mainly written and read by heterosexual women. Originating as a strand of Japanese manga comics in the 1960s known as 'yaoi', the genre has attracted a cult following in Asia and beyond, leading to popular screen adaptations and web series. The stories defy social stereotypes about the roles of men and women, a 22-year-old writer who asked to go by the pseudonym Miu Miu, told AFP. 'It's a kind of resistance… resisting a male-dominated society,' she said. The latest crackdown ensnared mostly amateur writers who earned little to nothing for their work. Under Chinese law, profiting from 'spreading obscene content' can lead to fines and prison. 'Serious' instances can carry jail terms of up to a decade. The obscenity law applies when someone's work gets at least 10,000 clicks or is 'used' to collect fees exceeding 10,000 yuan (nearly $1,400). While the law excludes 'artistic works or works of artistic value', that distinction is usually left to police. Embed from Getty Images 'The rules are outdated,' said a lawyer representing one of the authors and who asked not to be named due to the risk of repercussions. 'The general public's attitude towards sex is no longer the same as it was 30 or 40 years ago,' the lawyer added. One author phoned by police earned 2,000 yuan for two books with a total of 72 chapters that, combined, drew around 100,000 clicks. 'Are there really 100,000 people who have seen my work like they said? Are they really going to sentence me to three to five years?' the author wrote on Weibo. 'Don't they know how precious three to five years of life are?' Censors without borders The investigations have also renewed criticism of a practice known as 'distant water fishing', cross-provincial policing by cash-strapped local governments. The profit-driven enforcement typically involves authorities travelling to another jurisdiction and seizing a suspect's assets. Embed from Getty Images 'Police find this kind of stuff can make them money,' Liang Ge, a lecturer on digital sociology at University College London, said of the targeting of Boys' Love authors. In one case, a policeman from northwestern Lanzhou travelled 2,000 kilometres (more than 1,200 miles) to investigate a writer in her coastal hometown. She was driven to the police station and questioned for hours about her writing. She is currently on bail but could face criminal charges, which would disqualify her from taking China's civil service exam and positions in some hospitals and schools. Another 20-year-old author received a police summons which prompted her to travel hundreds of miles from the city of Chongqing to Lanzhou. On arrival police urged her to 'return the illegal income' she had earned from her writing to reduce her sentence. 'It's a very dirty practice,' said the lawyer, noting the central government in Beijing has issued several directives against it. 'Social awakening' Activists see the crackdown on alleged obscenity as part of a wider push to suppress LGBTQ expression — an effort that has expanded under President Xi Jinping. Embed from Getty Images China classified homosexuality as a crime until 1997 and a mental illness until 2001. Same-sex marriage is not legal and discrimination remains widespread. The Boys' Love genre — often lightly erotic but sometimes overtly explicit — has become increasingly censored as its popularity has boomed. Television adaptations have rewritten male lovers as friends, as same-sex relationships are banned from the screen. In 2018, a writer known by her pseudonym Tianyi was sentenced to over a decade in prison for earning $21,000 from a homoerotic novel about a teacher and his student. Last year, a court in Anhui province heard 12 cases involving spreading obscene content for profit, according to public records which do not give outcomes of the trials. Many in China 'feel less and less space to express themselves freely', said Ge, the lecturer and a longtime reader of Boys' Love. 'It's not just about posting something on social media, it's about reading something in their private life.' As news of the crackdown spread, Haitang users rushed to cancel their accounts. But writer Miu Miu said she has not given up hope she might be able to finish her favourite stories. 'Sexual knowledge has become taboo,' she said. 'This is a social awakening.'

Chinese social media reacts to news of Ne Zha 2's English version
Chinese social media reacts to news of Ne Zha 2's English version

South China Morning Post

time10-07-2025

  • South China Morning Post

Chinese social media reacts to news of Ne Zha 2's English version

Chinese social media reacted positively to yesterday's announcement that there will be an English version of the globally successful Chinese animated film Ne Zha 2, to be released in North America, Australia and New Zealand later this year. Oscar-winning actress Michelle Yeoh will be voicing one of the characters. 'We're looking forward to seeing Zha er [as Ne zha is affectionately known in the Chinese online community] speaking English on the screen,' said one Weibo user. 'Zha er secretly practised his English during the summer vacation without telling us,' quipped another. Chinese internet users are pondering which character Michelle Yeoh will voice. Photo: Reuters A24 and CMC Pictures are teaming up to bring the English-language version to cinemas on August 22.

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