Ahmed Al Maghribi Perfumes: A Journey of Elegance and Luxury
The roots of Ahmed Al Maghribi date back to the traditions of Arabian perfumery, which have been honed and perfected over centuries. This legacy is encapsulated in every scent, crafted with precision and care to deliver an olfactory experience like no other. Ahmed Al Maghribi has gained a reputation for offering perfumes that reflect the intricate blend of culture, nature, and science. The brand's ability to combine these elements results in scents that are both timeless and contemporary, appealing to diverse tastes across the globe.
What sets Ahmed Al Maghribi perfumes apart is its carefully curated selection of scents. Each fragrance is meticulously crafted using high-quality ingredients sourced from around the world. The brand's portfolio includes an impressive range of offerings, from floral and fresh notes to woody, spicy, and oriental accords. One of the most notable characteristics of these perfumes is their depth and complexity, with every note building upon the last to create a long-lasting and memorable experience.
Floral scents from Ahmed Al Maghribi are delicately balanced with hints of sweetness, creating an aura of femininity and grace. These fragrances evoke the image of a blooming garden, with top notes that remind one of fresh blossoms. Meanwhile, the brand's woody scents transport the wearer to the heart of nature, where rich, earthy tones linger on the skin long after application. Spicy fragrances, known for their bold and invigorating characteristics, are ideal for those who seek adventure and a touch of mystery. Oriental fragrances, often considered a symbol of luxury, combine exotic elements to provide an intense and captivating aroma.
Behind every bottle of Ahmed Al Maghribi perfume and wholesale perfume is a deep commitment to craftsmanship. The perfume-making process involves a blend of art and science, with perfumers carefully selecting raw materials to create the perfect balance of notes. This attention to detail ensures that each fragrance is not just a scent but a masterpiece. The perfumers employ time-honored techniques passed down through generations, integrating them with modern methods to ensure a fragrance that is both traditional and contemporary.
The selection of ingredients is a critical part of the perfume creation process. Natural oils, flowers, spices, and resins are used to create rich, sophisticated blends. One of the distinguishing features of Ahmed Al Maghribi perfumes is the use of oud, a precious and fragrant resin that is highly prized in Arabian perfumery. Oud is known for its rich, woody scent, and it forms the base of many of the brand's most iconic fragrances.
The packaging of Ahmed Al Maghribi perfumes is as exquisite as the scents inside. Each bottle is designed to reflect the luxury and sophistication of the brand. The use of ornate glass, gold accents, and intricate designs all contribute to a sense of grandeur. Whether in a beautifully crafted box or a delicately shaped bottle, the packaging speaks to the high-quality nature of the perfume within. This attention to detail enhances the overall experience of the fragrance, making it a truly luxurious product.
One of the reasons Ahmed Al Maghribi perfumes and lattafa perfumes in dubai have gained such widespread popularity is their versatility. Whether you are seeking a light, refreshing fragrance for daytime wear or a deep, sensual scent for an evening out, the brand has something for every occasion. The diverse range of perfumes allows individuals to express their personality, mood, and style through scent. For those who prefer to make a bold statement, the spicy and oriental fragrances offer intensity and depth. On the other hand, those who enjoy subtle elegance will appreciate the brand's fresh and floral offerings.
Ahmed Al Maghribi's influence extends far beyond its roots in the Arabian Peninsula. Today, the brand has a global following, with fragrance lovers from all corners of the world seeking out its perfumes. The growing demand for Ahmed Al Maghribi perfumes has led to its presence in prestigious perfume stores across the globe, as well as its availability online. The brand's commitment to quality and its ability to cater to the diverse preferences of fragrance enthusiasts make it a global sensation.
Ahmed Al Maghribi perfumes are more than just fragrances; they are an embodiment of Arabian luxury, tradition, and craftsmanship. With a rich selection of scents that appeal to a wide range of tastes, the brand continues to captivate the senses of perfume connoisseurs worldwide. Each bottle is a work of art, meticulously crafted to offer a sensory experience that lingers long after the scent has faded. Whether you are drawn to fresh floral notes, bold spicy fragrances, or the rich, smoky aroma of oud, Ahmed Al Maghribi offers a perfume for every individual, making it a true icon in the world of luxury fragrances.
TIME BUSINESS NEWS
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Ziad Rahbani, Lebanese composer and son of icon Fayrouz, dies at 69
BEIRUT -- Ziad Rahbani, a visionary Lebanese composer, playwright, pianist and political provocateur, died on Saturday, at the age of 69, according to the state-run National News Agency. The death was confirmed by a person close to Rahbani who spoke on condition of anonymity. The cause of death was not immediately clear. Born in 1956 in Antelias, near Beirut, Ziad was the eldest son of legendary Lebanese singer Fayrouz and late composer Assi Rahbani, one half of the famed Rahbani Brothers. From a young age, he showed signs of prodigious talent, composing his first musical work at just 17 years old. Raised among artistic royalty, his world was steeped in music, theater, and political consciousness — a combination that would define his life's work. His mother, considered to be the most famous and esteemed performer in the Arab world, performed some of his compositions at her sellout concerts, blending Lebanese folklore with Western syncopation and phrasing. Lebanese President Joseph Aoun mourned Rahbani's death as a national loss, describing him as 'not just an artist, but a complete intellectual and cultural phenomenon.' In a statement, Aoun praised Rahbani as 'a living conscience, a rebellious voice against injustice, and an honest mirror reflecting the suffering and marginalized.' He highlighted how Rahbani's fusion of classical, jazz and Oriental music 'opened new windows for Lebanese cultural expression' and elevated it to global levels. 'Ziad was a natural extension of the Rahbani family, which gave Lebanon much beauty and dignity,' the president added. While his parents helped construct a golden era of Lebanese musical theater steeped in idealism and nostalgia, Rahbani charged onto the scene with irreverent satire, unflinching political critique and jazz-inflected scores that mirrored the chaos and contradictions of a Lebanon at war with itself. 'I admire the music of composers like Charlie Parker, Stan Getz and Dizzy Gillespie,' he once said. 'But my music is not Western, it's Lebanese, with a different way of expression.' Rahbani's music reflected the hybrid heritage of Lebanon, which until the civil war erupted in 1975 was a cultural melting pot where East met West. But it was also deeply rooted in the traumatic events of the sectarian strife, the bloody street battles between rival militias and three years of violent Israeli occupation after the 1982 invasion. His breakout play, Nazl el-Sourour (Happiness Hotel), premiered in 1974 when he was only 17 and portrayed a society disfigured by class inequality and repression. The tragicomic narrative follows a group of workers who hijack a restaurant to demand their rights, only to be dismissed by the political elite. With this bold debut, Rahbani revealed his enduring theme: that Lebanese society was fractured not only by war but by entrenched power. A leftist Greek Orthodox, Rahbani also wrote plays and satirical radio shows centered on his violent environment that mock the sectarian divisions of his country. Rahbani's subsequent plays solidified his reputation as the voice of the disenchanted. In Bennesbeh Labokra Chou? (What About Tomorrow?), he plays a jaded bar pianist in post-civil war Beirut who drifts through a surreal landscape of broken dreams, corruption and absurdity. The work features some of Rahbani's most poignant music and biting commentary, including the famous line, 'They say tomorrow will be better, but what about today?' Prime Minister Nawaf Salam also mourned Rahbani's loss, describing him as 'an exceptional and creative artist—a free voice who remained true to the values of justice and dignity.' More than just a playwright, Rahbani was a composer of staggering range. He infused traditional Arabic melodies with jazz, funk and classical influences, creating a hybrid sound that became instantly recognizable. His live performances were legendary, whether playing piano in smoky clubs in Hamra, one of Beirut's major commercial districts that harbors a multifaceted identity, or orchestrating large-scale productions. His collaborations with Fayrouz, especially during the late 1970s and 1980s, ushered in a darker, more politically charged phase in her career. Songs like Ouverture 83, Bala Wala Chi (Without Anything), and Kifak Inta (How Are You) reflected Ziad's brooding compositions and lyrical introspection. Rahbani came under fire from Arab traditionalists for his pioneering efforts to bridge the gap between Arab and Western culture with music. In recent years, Ziad appeared less in the public eye, yet his influence never waned. Younger generations rediscovered his plays online and sampled his music in protest movements. He continued to compose and write, speaking often of his frustration with Lebanon's political stagnation and decaying public life. Rahbani is survived by his mother, Fayrouz, now 90, his sister Reema and brother Hali.
Time Business News
15-07-2025
- Time Business News
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Start early – Custom embroidery and tailoring take time. – Custom embroidery and tailoring take time. Stay true to your roots – Celebrate your heritage with pride. – Celebrate your heritage with pride. Try multiple styles – Don't be afraid to experiment before the big day. – Don't be afraid to experiment before the big day. Balance comfort with drama – You'll be wearing it for hours. – You'll be wearing it for hours. Match your accessories carefully – Over-accessorizing can overpower the gown. Most importantly, choose a dress that makes you feel beautiful, confident, and uniquely you. An Arabian bridal dress is not just a garment—it's a living tapestry of culture, identity, and celebration. Whether you choose a traditional kaftan or a modern princess gown, the beauty of Arabian bridal fashion lies in its ability to honor the past while embracing the present. With flowing fabrics, dazzling detail, and graceful modesty, the Arabian bridal look continues to enchant and inspire brides all over the world. If you're planning your wedding and looking for something that captures both cultural richness and modern glamour, an Arabian bridal dress may be exactly what you've been dreaming of. TIME BUSINESS NEWS
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Michael Anderson, street photographer who captured soul of Birmingham, dies
BIRMINGHAM, Ala. (WIAT) — Michael Anderson, whose lifelong attention detail and aesthetic lent themselves well to careers as a florist, a decorator and, most notably, a photographer who became a common sight along the streets of Birmingham over the years, has died. He was 74. Jean-Jacques Gaudel, an artist who had been friends with Anderson for over 40 years, confirmed that Anderson died on May 28, three weeks after being diagnosed with stage 4 colon cancer. 'The doctors wanted to do surgery, but he didn't want to do that,' Gaudel said. 'He didn't want to go through that and go through chemo and chose to have no surgery and go straight to hospice.' In the last few weeks of his life, Anderson lived with Gaudel and his wife at their home, where friends would come and go to visit until the very end. 'He was very much at peace with death,' Gaudel said. 'He amazed me in many ways. There was no going back, no regrets. He was happy. He was at peace with his life.' Anderson grew up in East Lake and reportedly studied music at Birmingham-Southern College. After spending some time in San Francisco, Anderson came back home to the Magic City sometime in the 1970s, where he worked as a florist at Park Lane Flowers. Even then, Anderson's ornate style was already widely known around town, with even The Birmingham News doing a profile of his old apartment on Highland Avenue, which he furnished with a grand piano, a French antique china cabinet, a Victorian fainting couch, paintings he had done himself, Oriental rugs and a Louis XVI-style desk. 'I just know how I like for things to look,' he told The News in 1984. For a time, Anderson also worked as a decorator in town, but had caught the photography bug. By the time he retired over a decade ago, he took his new passion and dove into it full-time, constantly wandering across both Birmingham and the state capturing the people, places and things he saw. One of his constant companions on these photo trips was Larry O. Gay, himself a renowned street photographer known in many Birmingham circles. 'Most all the time, we tried to capture the beauty and promote the arts in the city,' Gay said. 'We tried to show the people of Birmingham all we have here.' A particular subject Anderson took joy in capturing was people, whether at concerts, festivals or just living their ordinary lives. 'He tried to get the gleam in the eyes, get to their souls through his photos,' he said. Virginia Jones was another person who felt blessed to be part of Anderson's small circle of friends, often going out to lunch every Friday and spending the rest of the day taking photos and talking about Paris, a city they both loved. 'Sometimes, we would just drive around until something caught our eye,' Jones said. 'He saw the beauty in things.' Over the years, Anderson shied from trying to support himself on his work, often sharing the countless photos he took on his Facebook page and with friends. 'It was never about the money,' Gay said. 'He just enjoyed life.' Gaudel said Anderson was equally skilled as a pianist, playing piano and organ at different local churches and functions. 'I wish people would know about him as a musician because that was a real talent,' he said. 'He was just a star.' However, more than art, Anderson's real love was just being around people, getting to know them and celebrating them. 'He was really just living life to the fullest and embracing the city,' Gay said. For Gay, Anderson's legacy will continue to live on in the countless photos he took over the years. 'He tried to make everything look good in a photo, to capture the essence of it,' he said. Gaudel said there are plans to have a celebration of Anderson's life sometime soon. Many of Anderson's photos can be found on his Facebook page. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
