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Book Review: Isabel Allende's latest strong female protagonist is a journalist

Book Review: Isabel Allende's latest strong female protagonist is a journalist

Best-selling author Isabel Allende has been beloved for decades by millions of passionately loyal readers for her strong female protagonists and epic story lines stretching across the Americas.
In novels such as 'The House of the Spirits," 'Eva Luna,' and more recently, 'Violeta,' indomitable women take center stage and drive dramatic narratives conjured into being with a splash of magic realism by the writer who was born in Peru and raised in Chile.
It's no different in Allende's latest book, 'My Name is Emilia del Valle,' which features an adventurous journalist in San Francisco during the late 1800s. Young Emilia is surprisingly intrepid for a female of her time, challenging and vaulting over gender barriers as she moves from writing cheap novels under a male pseudonym to pushing for her real byline — as a woman — to be published above her newspaper articles.
Much of Emilia's intellectual curiosity and confidence comes from her stepfather, a Spanish speaking schoolteacher who marries her pregnant mother, a novice Catholic nun abandoned after a romance with a wealthy Chilean aristocrat.
Although Allende initially sets her story in the United States, she gradually moves the action to Chile when Emilia persuades a newspaper editor to let her travel to the South American country to help cover Chile's civil war, emphasizing her Spanish language skills.
She's dispatched along with fellow newspaper correspondent Eric Whelan, who will focus on the main news while she handles the features.
Along with the professional challenge, Emilia wants to learn more about the father she has never known, and herself. Once in Chile, Emilia faces extreme dangers she has never imagined and questions where she came from and where she's going.
It's a story likely to be appreciated by the legions of Allende fans who have ensured she's considered the world's most widely read Spanish-language author. Although the Chilean-American novelist is fluent in English, and has long lived in California, she writes in her native Spanish and her books are translated.
The recipient of Chile's National Literature Prize in 2010, Allende is considered an American literary treasure as well. She was inducted into the American Academy of Arts and Letters in 2004 and was awarded the Presidential Medal of Freedom by President Barack Obama in 2014.
Allende previous novel, 'The Wind Knows My Name,' published in 2023, was a departure from her familiar tales featuring strong women. In that book, she braided the stories of two young children traveling alone in different times and places – one during the brewing Holocaust in Europe and the other in modern day Arizona on the border with Mexico.
But all of Allende's books, 'My Name is Emilia del Valle' included, have the epic feel of a major Hollywood film, the kind of production that everyone will tell you must be seen on the big screen to be truly appreciated.
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Netflix's new crime thriller series looks like a mystery-laced revenge story — here's the first trailer
Netflix's new crime thriller series looks like a mystery-laced revenge story — here's the first trailer

Yahoo

time11 hours ago

  • Yahoo

Netflix's new crime thriller series looks like a mystery-laced revenge story — here's the first trailer

When you buy through links on our articles, Future and its syndication partners may earn a commission. Netflix just dropped the first trailer for 'Two Graves,' a new Spanish crime thriller series directed by Goya Award-winning filmmaker Kike Maíllo. The story follows a grandmother's frantic search for her missing granddaughter and her friend, who vanished mysteriously two years earlier. What starts as a quest for answers quickly spirals into a relentless pursuit of revenge. 'Two Graves' is set to premiere on Netflix on August 29, and judging by the trailer, it looks pretty brutal. The trailer introduces Isabel (Kiti Mánver), the grandmother of one of the missing girls, who, with nothing left to lose, takes justice into her own hands and launches an off-the-books investigation. We also meet Rafael (Álvaro Morte), the father of the other girl who went missing alongside Isabel's granddaughter. In the trailer, Isabel confronts him directly, accusing him of knowing more than he's letting on. He simply responds with: 'I owe my daughter this revenge.' This is a clear signal that the story will shift from a slow-burn mystery into full-blown revenge thriller territory. The rest of the footage is pretty brutal at times. Quick flashes show Isabel smashing someone's knee with a hammer in a desperate attempt to extract information, and another scene depicts someone being crushed under the weight of a car. It's gritty, violent, and clear that neither character is holding back anymore. 'Two Graves' on Netflix — what we know right now Along with the first trailer, we also got an official synopsis: 'Two years after the disappearance of Verónica and Marta, two 16-year-old friends, the investigation is declared closed due to lack of evidence and suspects. 'The grandmother of one of the two girls, Isabel, who has nothing to lose, decides to carry out an investigation beyond the law. Isabel will do whatever it takes to uncover the truth about what happened that night and what begins as the search for a culprit, soon becomes a story of revenge.' The rest of the cast includes Hovik Keuchkerian, Nadia Vilaplana, Joan Solé, Zoe Arnao, Nonna Cardoner, Carlos Scholz, and Salva Reina. 'Two Graves' was created by Agustín Martínez and helmed by director Kike Maíllo. With a track record of emotionally gripping and visually compelling movies, Maíllo's distinctive style will likely be instantly recognizable in this upcoming series. He first gained major recognition with 'Eva,' a sci-fi thriller that won him the Goya Award for Best New Director. His subsequent works, such as 'Toro' and 'A Perfect Enemy' show his versatility in crafting tension-filled narratives across genres. Martínez is a celebrated Spanish novelist and screenwriter, best known for crime dramas like 'Monteperdido.' When creating 'Two Graves,' he told Netflix: 'Two Graves is a revenge story led by a character rarely seen at the heart of fiction, someone who could only find her place on a platform like Netflix: a grandmother willing to do whatever it takes to seek justice for the loss of her granddaughter. 'A thriller full of emotion and unexpected twists, brought to life by Kiti Mánver, Álvaro Morte and Hovik Keuchkerian, characters I truly enjoyed writing.' Even though 'Two Graves' isn't officially labeled as a revenge thriller, the trailer definitely leans into that concept with its brutal scenes. Even the shot of Isabel casually wiping blood off her piano made me chuckle (in a good way). But what makes the series stand out isn't some lone, haunted antihero like John Wick. Instead, we get a grandmother and a father, both fiercely determined to seek justice… the bloody way. It's a refreshing twist to say the least. 'Two Graves' looks like it could be a gripping ride packed into just three episodes. If stories about grief turning into a violent reckoning are your kind of thrill, this crime thriller series belongs on your watchlist. You can stream 'Two Graves' on Netflix starting August 29. Follow Tom's Guide on Google News to get our up-to-date news, how-tos, and reviews in your feeds. Make sure to click the Follow button. More from Tom's Guide All the new movies and shows on Netflix in August 2025 Netflix added a movie that's like 'Dead Poets Society' but with a penguin Netflix's new action-thriller series is a relentlessly gripping ride

Flaco Jimenez, Texas accordionist who expanded popularity of Tejano music, dies at 86
Flaco Jimenez, Texas accordionist who expanded popularity of Tejano music, dies at 86

New York Post

timea day ago

  • New York Post

Flaco Jimenez, Texas accordionist who expanded popularity of Tejano music, dies at 86

Flaco Jimenez, the legendary accordionist from San Antonio who won multiple Grammys and helped expand the popularity of conjunto, Tejano, and Tex-Mex music, died Thursday. He was 86. Jimenez's death was announced Thursday evening by his family on social media. He was surrounded by family members when he died in the San Antonio home of his son Arturo Jimenez. 6 Flaco Jimenez, the legendary accordionist from San Antonio who won multiple Grammys and helped expand the popularity of conjunto, Tejano, and Tex-Mex music, died Thursday. AP 'Dad was in peace when he left. He started saying his goodbyes several days before. He said he was proud of himself for what he had done, and he just leaves memories for the public to enjoy. He said he was ready to go,' Arturo Jimenez told The Associated Press in a phone interview on Friday. Arturo Jimenez said a cause of death has not yet been determined. His father had been hospitalized in January after getting a blood clot in his leg. Doctors then discovered he had some vascular issues. Born Leonardo Jimenez in 1939, he was known to his fans by his nickname of Flaco, which means skinny in Spanish. He was the son of conjunto pioneer Santiago Jimenez. Conjunto is a musical genre that originated in South Texas and blends different genres and cultural influences. According to the Butler School of Music at the University of Texas at Austin, the development of conjunto 'began more than a century ago when Texans of Mexican heritage (Tejanos) took an interest in the accordion music of German, Polish, and Czech immigrants. 6 Flaco Jimenez accepts the Lifetime Achievement for Instrumentalist Award during the Americana Music Honors and Awards show Wednesday, Sept. 17, 2014, in Nashville, Tenn. AP The ensuing Tejano accordion music, accompanied by the bajo sexto (replacing the European tuba), soon came to represent the Tejano way of life, which was closely associated with working in the agricultural fields. 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Trump White House ballroom: A look back at Grand Ballroom Trump built at Mar-a-Lago
Trump White House ballroom: A look back at Grand Ballroom Trump built at Mar-a-Lago

USA Today

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Trump White House ballroom: A look back at Grand Ballroom Trump built at Mar-a-Lago

Twenty years after the opening of the Grand Ballroom at President Donald Trump's Mar-a-Lago Club in Palm Beach, Trump announced another new ballroom on a grand scale — this time at the White House. The Trump Administration on July 31 said construction on a $200 million, roughly 90,000-square-foot White House State Ballroom will begin in September. The project will be paid for by donors including Trump and have a seating capacity of 650 people, the White House said. The U.S. Secret Service will oversee security features of the new structure, officials said. "President Trump is a builder at heart and has an extraordinary eye for detail," Chief of Staff Susie Wiles said in a White House news release. "The President and the Trump White House are fully committed to working with the appropriate organizations to preserving the special history of the White House while building a beautiful ballroom that can be enjoyed by future Administrations and generations of Americans to come." The style and architecture of the exterior of the new ballroom will be "almost identical" to the rest of the White House, Trump officials said. The work will include major renovations to the White House's East Wing, where presidents have historically held large receptions. Trump has frequently complained the White House lacks a proper large-scale ballroom for entertaining. While the outside of the new ballroom at what is known as the people's house will feature the same iconic styling as the rest of the property, renderings released by the White House show that the interior style is undoubtedly reminiscent of the Versailles-inspired Donald J. Trump Grand Ballroom that was completed at Mar-a-Lago in late 2004 and had its grand opening in 2005. Here's what to know about Mar-a-Lago's large ballroom and its history. When was Mar-a-Lago completed, and what are some of its features? Construction on Mar-a-Lago began in 1922. The house was designed for cereal heiress Marjorie Meriweather Post in the Spanish-Moorish style by architect Joseph Urban, who also designed the nearby Bath & Tennis Club and the Paramount Theatre farther north in Palm Beach. When completed in 1927 on its 17-acres, the crescent-shaped main house had 115 rooms, with 58 bedrooms and 25 bathrooms. Urban drew on classical designs, looking to the Thousand Winged Ceiling at the Accademia in Venice as inspiration for the 34-foot ceiling in Mar-a-Lago's living room, and the Palazzo Chigi in Rome as inspiration for the hand-painted ceiling in the dining room, according to a 2002 Daily News report about Mar-a-Lago's history. After a major redecoration in 1956, Post added Mar-a-Lago's White and Gold Ballroom as a venue to host to her popular charity events and the square dances for which she was so well-known, according to the 2002 profile. She also added three bomb shelters during the Korean War. What has Trump added to Mar-a-Lago? Trump paid a reported $10 million for Mar-a-Lago in 1985: $5 million for the property itself, an additional $3 million for the furnishings, plus $2 million for the beachfront stretch that years prior was sold to a neighbor. When Mar-a-Lago's club opened in 1995, it had amenities such as a spa, tennis courts and nine-hole golf course. In 2000, construction began on the $3 million beachfront project at Mar-a-Lago that added a new swimming pool, a pair of two-story buildings with cabanas and a snack bar, a spa, fountains, and ramps and stairs down to the beach, the Daily News reported in 2002. In 2004, Trump received approval from Palm Beach to tear down an aging slat house on Mar-a-Lago's property to build a kitchen to help serve the estate's new ballroom, which opened in 2005. Over the years, some of Trump's plans for Mar-a-Lago have been shot down by state and town officials, including a proposal for a 120-slip marina and, before opening the club, a concept that would have subdivided Mar-a-Lago's acreage to build estate homes. What about Mar-a-Lago's Grand Ballroom? The Daily News first reported in 1996 that the National Trust for Historic Preservation was reviewing plans for a new ballroom or expansion of the dance pavilion at Mar-a-Lago. Because Mar-a-Lago is a national landmark, all major changes must be reviewed and approved by the trust. "We're just looking art different concepts, different ideas. It's very preliminary," Trump told the Daily News in 1996. "We need a ballroom because of the success of Mar-a-Lago. It has been so successful that the crowds are potentially hazardous to the facility, and the ballroom could remedy this problem." Mar-a-Lago's team "did a lot of shuttle diplomacy with the National Trust for Historic Preservation," said Wes Blackman, who was Mar-a-Lago's project manager for the ballroom. The trust has easements at Mar-a-Lago, including two to protect the views to the east and west, and one to protect the tree line along the south property line, he said. After Mar-a-Lago opened as a club in 1995, the events coordinator at the time brought Blackman and Trump to the ballroom built by Post and said it would not be able to meet the demand for large events . "There isn't room to put them that is weatherproof," Blackman recalled the coordinator saying. When the ballroom was officially pitched to the town in 1999, it was set to replace a large white tent that Mar-a-Lago had temporarily erected to host large events on the property, Blackman said. Because the structures could not be permanent, air conditioner compressors for events in the tent were placed on trailers, and temporary bathrooms were brought in, he said. The ballroom was "a very large building," he said, with records showing that it was 17,000 square feet, larger than the 11,000-square-foot ballroom built by Post. West Palm Beach-based architect Rick Gonzalez of REG Architects was the lead designer on the project. Blackman said he and Gonzalez took a lot of trips to Washington, D.C., and the trust visited the property as well, as they worked to finalize a design the trust would approve. Together with Gonzalez, Blackman said Mar-a-Lago's team "chased that building all over the property" with the trust until the location was settled. "It's in a hollow, a low spot, and it's behind the wall, and you really have a hard time even knowing the building is there when you pass the property," Blackman said. Before finalizing the architectural plans, Trump sent Gonzalez and Blackman to New York to meet with famed architect Philip Johnson, whose Glass House in Connecticut remains an iconic example of the International Style of design. Johnson, who died in January of 2005, declined to take on the task of designing the new ballroom, which was essentially "locked into the Mediterranean revival framework" because of the rest of the property, Blackman said. "He wasn't into that," Blackman said. "He was in his 'monster phase,' which were a lot of oblique angles, and he wasn't into having to fit into a mold like that." Trump also asked Blackman to consult with another friend: crooner Paul Anka, whom Trump hoped would weigh in on the new ballroom's acoustics. "I did call him," Blackman said. "It was a unique experience." He added that because Trump had already made the decision to have marble floors in the ballroom: "There's nothing you can do with that. It's gonna be a reflective surface," Blackman said of Anka's advice. Trump was adamant that the new ballroom needed to be larger than the 15,000-square-foot Ponce de Leon Ballroom at The Breakers Palm Beach resort, Blackman said. While that was part of the inspiration, he said that Trump also wanted to bring the annual International Red Cross Ball to Mar-a-Lago. Trump was successful, and one of the highlights of Palm Beach's social season soon moved to Mar-a-Lago's Grand Ballroom. "We always thought that it helped getting the National Trust to approve something first, and then that kind of gave us the 'Good Housekeeping' certificate that we could cash in with the Landmarks Commission," Blackman said of the town's approval process. While the project to build the new ballroom received approval from Palm Beach's council in October of 1999, the timeline was pushed back several times because of construction of a new Royal Park Bridge, the Daily News reported in September 2002. The project received final approval from Palm Beach's landmarks board in April of 2002, and construction began the next year, with the building permit issued in August of 2003, Blackman said. While his 10-year tenure with Mar-a-Lago ended soon after receiving the permit, Blackman returned to work on other projects at Mar-a-Lago, including the ballroom's kitchen and the massive flag pole that led to a legal battle between Trump and Palm Beach. What does the Grand Ballroom look like? The exterior of the ballroom building, which is on the property's south side between the main house and Southern Boulevard, was designed by Gonzalez to mimic the Spanish-Moorish style of the rest of the estate, the Daily News reported at the time. But the ballroom's interior was designed with France in mind. The decor drew on Versailles, with shining marble floors, intricate gold leaf designs, crystal chandeliers and soaring 40-foot coffered ceilings. The Daily News reported at the time that the gold leaf alone carried a $7 million price tag, and the overall project cost stood at $35 million. "I modeled the interior after Versailles, and there is nothing like it in the United States," Trump said of the ballroom in a 2005 interview with Florida Design magazine. When it opened, guests were reportedly awestruck by the 17 Stras chandeliers, each with a cost of $250,000 and imported from Czechoslovakia. The first major event in the new ballroom was Mar-a-Lago's annual New Year's Eve Gala to ring in 2005, according to news reports. From a Dec. 31, 2004, Daily News report: "A 1,200-square-foot loggia leads into the two-story foyer through a series of Palladian-style mahogany doors with wrought-iron borders. A staircase leads to a 45-foot observation tower. For New Year's Eve, there will be stages at opposite ends of the ballroom, one for the dance orchestra and one for headliner Vanessa Williams." The next event: a grand party to mark the marriage of Trump to his then-fiancée, Melania Knauss. Their marriage ceremony was Jan. 22, 2005, at the Episcopal Church of Bethesda-by-the-Sea, and celebrants then made the short drive to Mar-a-Lago for the reception. Anka, a guest at the wedding, treated guests to two songs at the reception: "Diana," and a version of the song "Lady Is a Tramp" that Anka dubbed "Donald is a Trump." USA Today contributed to this report. Kristina Webb is a reporter for Palm Beach Daily News, part of the USA TODAY Florida Network. You can reach her at kwebb@ Subscribe today to support our journalism.

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