
Lindsay Lohan's surprisingly SMALL paycheck for her first Freaky Friday movie is revealed
But the 39-year-old actress is now clawing her way back to the top via her upcoming reunion with Jamie Lee Curtis for Freakier Friday, a sequel to the 2003 remake of Freaky Friday.
Along with the many changes in Lohan's career have come major fluctuations in the film star's salary and net worth.
Throughout her career, Lohan has maxed out at earning several million dollars per film, which makes her salary on her first version of Freaky Friday stand out.
Although her breakout hit was Disney's 1998 remake of The Parent Trap, Freaky Friday helped coronate her as a teen idol and cemented her status as a major force in Hollywood.
The film, which was directed by Mark Waters, ended up being a massive hit, grossing over $160 million against a budget of $26 million.
But Lohan was paid shockingly little for the film compared to what she would later earn — just $550,000, according to Celebrity Net Worth.
That would still be a blessing of a payday for any 16- or 17-year-old, but the rising star would soon eclipse it multiple times over.
Her next role was in 2004's Confessions Of A Teenage Drama Queen, for which she reportedly earned nearly double for a $1 million payout.
She maintained that salary for Mean Girls, which she starred in later that year.
The film became one of her signature roles and is now a heavily quoted cultural icon.
Lindsay seemingly could do no wrong for the next few years as she attracted multimillion-dollar salaries.
Her sequel Herbie: Fully Loaded was savaged by critics, but it still performed well at the box office, while her turn toward arthouse cinema with a supporting part in Robert Altman's A Prairie Home Companion earned stellar reviews and a respectable gross against a tiny budget.
Those successes set up Lohan for her biggest payday ever: a reported $7.5 million that she earned for 2006's Just My Luck.
Her luck ran out with that rom-com, which costarred a young Chris Pine.
The film bombed with critics and audiences alike, and it grossed only $38 million against a budget of $28 million, of which Lohan's salary accounted for a significant chunk.
Although it made more money than its production costs, Just My Luck likely made little if any profit when factoring in advertising and other promotional costs.
Things went downhill from there. Her next lead role wasn't until 2007's Georgia Rule, which she starred in with Jane Fonda and Felicity Huffman, but the film underperformed.
That year she starred in the preposterous horror thriller I Know Who Killed Me, which bombed at the box office, and the TV movie Labor Pains.
Lohans career then shifted into a period in which she largely appeared in cameo roles as herself or in small supporting parts.
Her lead role in the controversial Paul Schrader thriller The Canyons in 2013 helped her regain some critical interest, but she failed to capitalize on it with strong roles. Lohan also didn't star in any films between 2015 and 2019.
More recently, she has tried to reinvent herself with the forgettable and poorly reviewed Netflix rom-coms Falling For Christmas (2022), Irish Wish (2024) and Our Little Secret (2024).
That year she starred in the preposterous horror thriller I Know Who Killed Me, which bombed at the box office. It launched a period in which she primarily had cameos in films as herself or took on small supporting roles
Her lead role in the controversial Paul Schrader thriller The Canyons in 2013 helped her regain some critical interest, but she failed to capitalize on it with strong roles. Lohan also didn't star in any films between 2015 and 2019
More recently, she has tried to reinvent herself with poorly reviewed Netflix rom-coms. They were likely lucrative, though, as she was also credited as an EP; seen in April in Las Vegas
Now Lohan is moving back to the top as she stars in the upcoming sequel Freakier Friday with Jamie Lee Curtis (pictured)
However, she also served as an executive producer on those streaming films, meaning she likely made a significantly larger salary than if she was just acting.
Last year, Lohan had a cameo role in the musical remake of Mean Girls, which reportedly earned her $500,000 for a small commitment, a sign that her bankability may be on the upswing.
According to Celebrity Net Worth, Lindsay made an impressive $28 million from her film roles.
However, much of those earnings was squandered on over-the-top expenses, including a reported $40,000 spent on tanning, as well as a mansion that cost her $8,000 per month and a shockingly expensive storage locker that cost $144,000.
The party girl also allegedly ran up an eye-popping $46,000 tab at LA's Chateau Marmont.
According to Business Insider, the IRS ended up seizing control of her bank account in 2012 after she ended up owing $233,000 in back taxes.
Her finances appear to have stabilized in recent years, and Lindsay is now reportedly worth around $2 million.
That's a respectable amount for a successful working actor in Hollywood, though far from what she might have been worth if her run of success hadn't run out or if her expenses hadn't caught up with her.
It's not clear how much Lohan is making for Freakier Friday, but she is also an EP on the project, suggesting it will be a solid payday. The Disney sequel will be released in theaters on August 8, 2025.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Sun
22 minutes ago
- The Sun
Huge movie star drops big hint he's the new Bond with telling move as he leads 007 race
A HUGE movie star has dropped a big hint that he's the new Bond with a telling move, as he heads the 007 race. Fans are desperate to know who the next 007 will be - and they may now be one step closer to finding out. 4 4 There are three frontrunners as the race reaches the finish line, one of which is Australian star Jacob Elordi, 28. The heartthrob and Saltburn star has been a firm name in the mix for a while now. And Although Jacob is Australian, it does not rule him out - especially as Aussie actor George Lazenby previously played Bond in On Her Majesty's Secret Service in 1969. In another clue pointing towards the actor's involvement, he has recently re-activated his Instagram account. This move comes a year after the 28-year-old previously deactivated his account, despite being a regular poster on the platform. As a result, fans have speculated that the star could be gearing up for some promo for a movie, with many keeping fingers crossed that that movie is James Bond. Jacob is yet to share any posts on his Instagram account, despite reactivating it. Hollywood hot property Timothee Chalamet has also seen his likelihood of becoming 007 increase thanks to his previous collaborations with the acclaimed director. The star, who has twice been nominated for the Academy Award for Best Actor, worked with Denis Villeneuve on both Dune and Dune: Part Two - with both flicks going on to become box office hits. James Bond expert drops huge hint about new 007 actor after he starred in movie with huge A-list actress It has sparked speculation that their work together in the past could mean that he is a shoe-in to secure the role from Daniel Craig. According to new odds from Ladbrokes, Timothee has seen his odds rise to a cool 16/1. Last month, 57-year-old Denis was revealed to have been appointed the director of the 26th James Bond flick by Amazon MGM. The Canadian film-maker told how some of his "earliest movie-going memories" were linked to the James Bond movie franchise. He spoke out after his role was made public and said: "Some of my earliest movie-going memories are connected to 007. "I grew up watching James Bond films with my father, ever since 'Dr. No' with Sean Connery. I'm a die-hard Bond fan." In the statement, he added: "To me, he's sacred territory. "I intend to honour the tradition and open the path for many new missions to come. "This is a massive responsibility, but also, incredibly exciting for me and a huge honour. "Thank you to Amazon MGM Studios for their trust." 4 4


The Guardian
22 minutes ago
- The Guardian
Why are we so fascinated by the Coldplay couple?
It wasn't just that a man got caught cheating on his wife. It was that he did it in public. With the whole stadium watching. With Chris Martin, unknowingly, teeing it up. With a camera zooming in at the exact wrong – or maybe karmically perfect – moment. The CEO. The HR director. The affair. The panic. The humiliation. All of it caught, dissected and shared a million times over. We didn't watch that video because we love Coldplay (though, don't we?). We didn't watch just for the scandal. We watched because – despite our small steps toward enlightenment – we're all starving for the satisfaction of seeing someone finally get what they deserve. That's the part we need to talk about. According to a 2023 study in Computers in Human Behavior Reports, the satisfaction we feel during public shaming isn't just about justice – it's about pleasure. Their research found that people experience schadenfreude not only because they believe the person deserved it, but because it simply feels good to watch someone face consequences. We're not just looking for moral clarity. We're chasing the emotional high that comes with it. We don't just want closure, we want content. And cheating, exposed in public, has become the most satisfying genre of all. We as a culture are obsessed with catching cheaters – not just for the drama, but for the justice. We want to see betrayal punished. We want the liar exposed, the philanderer humiliated, the partner who was faithful and trusting to be vindicated. And if we can't get that in our own lives, we'll take it from strangers. This hunger has only grown over the years as the morally hollow have made careers out of turning scandal into spectacle and walking away untouched. But when the deception is undeniable, and the exposure unfiltered, it gives us something we rarely get: visible accountability. Within hours of that five-second clip surfacing, the internet did what it does best: turned a private moment into public symbolism. Their names were revealed along with their titles. Until the camera found them, they looked unbothered, cozy. Then her hand flew to cover her face. He ducked and waddled behind the seats. Then the entire internet gasped, and reached for their popcorn and pitchforks. You could feel the collective applause ripple through the comments section. We all know the feeling of being deceived. We know the sharp loneliness of loving someone who's looking elsewhere, of having suspicions but not proof, accusations returned with a side of gaslighting. So when someone gets caught in 4K, we devour the moment. The visuals were almost too perfect: the Coldplay ballad, the cheering crowd turning confused, the abrupt shift from smug to stunned. Don't we all wish we had that experience? A camera that didn't look away. A crowd that said: 'We see it, too.' Because in our own lives, we confront; they deflect. We cry; they move on. And there's no applause, no witness. Just you and an unrelenting ache, their version of what happened and the truth. The CEO and the HR director are merely serving as stand-ins for the guy who ghosted you after two years, the woman who swore nothing was going on with her co-worker, the husband who moved on so fast you wondered if you hallucinated your entire marriage. Watching those two squirm on screen is a kind of spiritual revenge. We tell ourselves it's about ethics, boundaries, accountability. But at the end of the day, don't we just want someone to answer for the betrayal we never got closure for? Of course, pain is not performance. And justice is not the same as humiliation. Public shaming feels like accountability – but it rarely is accountability. As Jon Ronson warns in his book So You've Been Publicly Shamed: 'An instant digital mob justice can devastate without offering redemption.' Watching strangers get exposed might feel good temporarily. We nod at the cosmic slap, but it doesn't fix the trust broken in a marriage or the respect damaged in a workplace. It doesn't change who they were when no one was watching. There's a flip side to witnessing this embarrassment that flickers just below the surface. We might laugh, but something in us recoils as we imagine the real cost to those involved: lost jobs, fractured marriages, psychological fallout for their children. A hyperlink trail that will follow them to the grave. As Evan Nierman, author of The Cancel Culture Curse and CEO of the crisis PR firm Red Banyan, puts it: 'The internet has a way of locking people into their worst moment. When a misstep goes viral, the court of public opinion rarely allows space for explanation, nuance, or repair.' And once the pile-on begins, it escalates fast. 'Digital shame operates at a scale and speed our psychology isn't built for,' he warns. 'What starts as a laugh can quickly spiral into character assassination, with consequences that long outlast a viral moment.' Yet this moment – our collective gasp at betrayal made universal – revealed something crucial: we're craving truth, acknowledgment. We're craving slow, messy, quiet reckoning with accountability that extends beyond the tap-and-scroll. But in a world where real accountability is rare, a viral headline like this feels close enough – as though love, loyalty and truth might still mean something, even if only for a moment on the Jumbotron. Jessica Ciencin Henriquez is a writer in Ojai, California, and the author of the forthcoming essay collection, If You Loved Me, You Would Know. You can find her on social media @TheWriterJess


The Guardian
22 minutes ago
- The Guardian
Peta praises Ozzy Osborune for ‘the gentle side he showed to animals'
Perhaps the most notorious of Ozzy Osbourne's outrageous on-stage antics was biting the head off of a bat on stage. So as tributes for the late rocker poured in from around the globe, one stuck out as particularly surprising – from People for the Ethical Treatment of Animals (Peta). The 76-year-old Black Sabbath frontman's death was announced Tuesday, with his family saying Osbourne – who suffered from various ailments, including a form of Parkinson's disease – 'was with his family and surrounded by love'. Tributes soon poured in for Osbourne from musical world luminaries such as Elton John, Ronnie Wood and Rod Stewart … and Peta, the famously strident animal-protection group. 'Ozzy Osbourne was a legend and a provocateur, but Peta will remember the 'Prince of Darkness' most fondly for the gentle side he showed to animals – most recently cats, by using his fame to decry painful, crippling declawing mutilations,' Peta said on its website and social channels. 'Ozzy may have been the singer, but his wife, Sharon, and his daughter, Kelly, were of one voice when it meant protecting animals. 'Ozzy will be missed by animal advocates the world over.' Osbourne had famously partnered with the organisation in 2020 to speak out against the declawing of cats, and lent his face to an ad campaign showing his bloodied hands with the tagline, 'It's an amputation. Not a manicure'. 'Amputating a cat's toes is twisted and wrong. If your couch is more important to you than your cat's health and happiness, you don't deserve to have an animal! Get cats a scratching post – don't mutilate them for life,' Osbourne was quoted as saying at the time. Peta suggests that those looking to protect their pets to seek out 'humane ways to prevent cats from scratching on furniture'. As well as biting the head off a dead bat he believed to be a stage prop in 1982 while performing in Iowa – and later going to hospital for a rabies inoculation – Osbourne also claimed to bitten the heads off two doves during a record label meeting the year before, supposedly having brought them to the meeting to release as a sign of peace.