
Art inspired by Detroit's landscape breaks new ground at The Shepherd
'The Sea and the Sky, and You and I' opened last month to more than 500 visitors for its May 17 premiere, and has continued to draw attention and foot traffic over the following weeks.
The show's 28 artists — 17 of them from Detroit — are: Halima Afi Cassells, Wesaam Al-Badry, Candida Alvarez, Esteban Cabeza de Baca, Dawoud Bey, LaKela Brown, Ashanti Chaplin, David Antonio Cruz, Olayami Dabls, Bryce Detroit, Chantell Donwell, Jamea Richmond-Edwards, Olivia Guterson, L. Kasimu Harris, Scott Hocking, Doug Jones, Louise Jones, Joanna Keane Lopez, Paul Kremer, Le'Andra LeSeur, Dameon Miller, Keisha Miller, Mario Moore, Ebony G. Patterson, Benjy Russell, Neha Vedpathak, Jordan Weber and Rosha Yaghmai.
The exhibition's title is taken from the first line in lyrics Oscar Brown Jr. wrote to the classic Miles Davis composition 'All Blues.' It was suggested by legendary Detroit artist (and jazz lover) Allie McGhee, said curator and Shepherd artistic director Allison Glenn.
'This is the second chapter of a two-part exhibition series that was really looking at the landscapes and histories of Detroit,' Glenn said. 'This was prompted by my return to the city to work, and looking around the east side and remembering parts of the city's art history, and also noticing that, while much has changed, certain things had not changed. A real core tenet of that was the artist- and community-led public art projects that continue to happen around the city, which really started in the 1970s and '80s.
'After there was big divestment from the city, artists really paved the way — artists like Tyree Guyton and Olayami Dabls influenced artists like Bryce Detroit and Tanya Stephens and Kim and Rhonda Theus, the sisters behind the Canfield Consortium. This exhibition provided an opportunity to ask what it would look like for an organization to work in collaboration with multiple already existing, site-specific artist- and community-led projects. So programmatic partnerships really came into play, allowing The Shepherd to be in dialogue with all these other long-standing arts organizations in the city.'
See also: DIA's revamped African American art galleries to reopen in heart of museum this fall
Glenn said she hopes visitors have an opportunity to really understand the changing landscapes of the city.
'In order to look forward, we have to look back,' she said, 'and so we're situating the work that we're doing within this longer legacy of artists and cultural producers in the city of Detroit over a 50-plus-year legacy, honoring that work and wanting to be in dialogue with it. I hope that people walk away with a clearer understanding of how artists engage with the materiality of built environments.'
'The Sea and the Sky, and You and I' is on view through Aug. 30, 2025, at The Shepherd, 1265 Parkview St., Detroit. For more information, go to LSCgallery.com.
Contact Free Press arts and culture reporter Duante Beddingfield at dbeddingfield@freepress.com.
This article originally appeared on Detroit Free Press: Art inspired by Detroit's landscape breaks new ground at The Shepherd
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Forbes
18 hours ago
- Forbes
Miami Swim Week 2025: What Designers And Models Really Think Of The Shows
MIAMI BEACH, FLORIDA - MAY 31: Designer Jasmine Mercedes walks the runway with models wearing ... More Everlast® x Merc Swim during Miami Swim Week: The Shows on May 31, 2025 in Miami Beach, Miami Swim Week: The Shows) This year's Miami Swim Week® wasn't just about sun-soaked skin and high-cut bikinis. It was a runway revolution, led by designers and models who are reshaping what beauty looks like—literally. From size inclusion to cultural expression, the week-long affair pulsed with a new kind of energy: one that centers authenticity, body positivity, and diverse representation. As the world's premier Swim & Resort Wear event, Miami Swim Week® – The Shows 2025, returned to Miami Beach from May 28 to June 1 at the Mondrian South Beach, it marked a pivotal moment for Latin and African American designers, who brought both heritage and innovation to the forefront. Organized by founder Moh Ducis, the event highlighted bold showcases and brand activations, including the Australian Gold Bunga-GLOW Lounge. Watch Full Interview With Swimwear Designers Here The week featured standout showcases from Liberty & Justice, Autty Simone, Lemango, Luxe Living Fashions, Clarisse Céleste, Ettis Swim, AQUA INTIMA, Zoe's African Fashion, Maison Hadascha, Sol Y Luna, Naava Swim, Atelier Martinez, Nur Karaata, Bambu Brazil, Tempt Me, Relleciga, Normal Culture, Hera Sea, Flavia Palmiero, IA VISION, Ángel de la Guarda, Mars The Label, Swimwear, Yonique, Holipick, Baiah, Lila Nikole, Ivoire Swim, Alma Delgado x Anaia Swimwear, The Pink Portal, and Lovelit Couture. Designing with Purpose MIAMI BEACH, FLORIDA - MAY 31: Model Terra Johnswalks the runway wearing Everlast® x Merc Swim ... More during Miami Swim Week: The Shows on May 31, 2025 in Miami Beach, Miami Swim Week: The Shows) For Jasmine Mercedes, founder of Merc Swim, the Everlast-sponsored showcase was more than a design opportunity—it was a dream come true. Inspired by Muhammad Ali's legendary robes and the aesthetics of the Creed film series, Mercedes brought boxing-inspired femininity to the beach. 'You don't see a lot of women of color at Miami Swim Week,' she said. 'To be chosen, to actually be here as a designer and not just a spectator—it means everything. Being on this stage—showcasing not just talent but culture.' Mercedes wasn't alone in spotlighting inclusion. Melissa Odabash, a fashion industry veteran celebrating 25 years in the business, leaned into global femininity with her Amalfi Coast–inspired collection. Her runway featured women of all shapes and sizes. MIAMI BEACH, FLORIDA - MAY 30: A model walks the runway at the Melissa Odabash Show during Miami ... More Swim Week at The Bass on May 30, 2025 in Miami Beach, Melissa Odabash 'All women's shapes are beautiful. I want women to enjoy their holidays and not be self-conscious in their bikinis,' she shared. 'I sell in over 70 countries, and my philosophy has always been the same—every woman, every body, should feel confident. That's what my collections are built for." Diversity as the Design Principle Jaylamena Lanier, founder of Normal Culture, has modeled since she was 12—but now she's rewriting the rules. 'As a Black woman in fashion, I've witnessed the lack of opportunity firsthand. My brand is about reversing that. This year's line was inspired by luxury tones like powder blue and butter yellow, with silhouettes for all—from full coverage to bold cutouts.' MIAMI BEACH, FLORIDA - MAY 30: A model walks the runway wearing Normal Culture during Miami Swim ... More Week: The Shows on May 30, 2025 in Miami Beach, Miami Swim Week: The Shows "It's about creating for every woman. Whether she's a mom, a model, or shopping for her daughter—we deserve fashion that sees us." Brazilian designer Etila Santiago also brought culture to the forefront with Ettis Swim. Her signature? Small bikinis with bold energy. MIAMI BEACH, FLORIDA - MAY 29: Models walk the runway wearing Ettis Swim during Miami Swim Week: The ... More Shows on May 29, 2025 in Miami Beach, Florida. (Photo byfor Miami Swim Week: The Shows)for Miami Swim Week: The Shows) "In Brazil, we celebrate the body, so I wanted to bring that joy here—with vibrant colors and tiny cuts that empower," she added. 'Because every woman deserves to feel special in swimwear.' Designing Identity: From Mythology to Heritage Lala, founder of Luxe Living Fashions, turned to Greek mythology for inspiration. Pearls, embellished veils, and goddess silhouettes brought high fantasy to the catwalk. MIAMI BEACH, FLORIDA - MAY 29: Model Laquishia walks the runway wearing Luxe Living Fashions during ... More Miami Swim Week: The Shows on May 29, 2025 in Miami Beach, Miami Swim Week: The Shows) 'Women are goddesses—period. My pieces are designed to reflect our power and luxury. Miami Swim Week was our temple,' Lala proudly exclaimed. Hadasha Vonley of Maison Hadasha used her platform to pay homage to her Haitian roots. Her collection featured sunset hues, flowing silhouettes, and models of all shades. MIAMI BEACH, FLORIDA - MAY 29: A model walks the runway wearing Maison Hadascha during Miami Swim ... More Week: The Shows on May 29, 2025 in Miami Beach, Miami Swim Week: The Shows) "Black women deserve to be seen and celebrated on global runways. My collection isn't just about clothes—it's about visibility, power, and legacy. A woman is already confident, sexy, and gorgeous,' she said. 'My designs are simply an elevation of that.' Meanwhile, Autty Simone delivered a nostalgic take on early 2000s style. 'I wanted to bring back that early 2000s energy—raw, real, and nostalgic. Every piece I designed came from a place of memory, of moments we all lived through. It's not about perfection—it's about presence,' Simone shared. MIAMI BEACH, FLORIDA - MAY 29: A model walks the runway wearing Autty Simone during Miami Swim Week: ... More The Shows on May 29, 2025 in Miami Beach, Miami Swim Week: The Shows) Purpose-Driven Fashion with a Sustainable Edge Designers from EKaye Collection and Flauuhs merged fashion and function with a collaborative runway moment that prioritized conscious design and unapologetic glamour. MIAMI BEACH, FLORIDA - MAY 30: Model Kaye Cox walks the runway wearing E Kaye Collection during ... More Miami Swim Week: The Shows on May 30, 2025 in Miami Beach, Miami Swim Week: The Shows) 'This collection was about repurposing—breathing new life into deadstock fabrics and letting creativity lead,' said EKay. 'Diversity, for us, starts from within. It's about turning what's overlooked into something powerful.' 'And the shoes had to match that energy,' added Trina Flauuhs. 'I designed stilettos that love your feet—comfortable, sexy and made for women who walk with purpose.' What the Models Saw At Swim Week But perhaps the most honest reflections came from the models. Terra Johns, Kaye Cox, and Allison Wuest recalled being among the only women of color in certain rooms. "There were just three of us," said Cox. "We added the flavor, the texture. But we need more." MIAMI BEACH, FLORIDA - MAY 29: Model Terra Johns walks the runway wearing Montage Swimwear during ... More Miami Swim Week: The Shows on May 29, 2025 in Miami Beach, Miami Swim Week: The Shows) They all echoed a shared truth: representation on the runway still has a long way to go. Chirstin Zhane, who lost over 100 pounds before entering modeling, shared: "Being curvy, being brown—you didn't see that on runways growing up. To walk here now is not just personal, it's progress." Watch Full Interview With The Models & Photographers Here For Deja Lighty, the moment was emotional. "This is my dream. I kept pushing, and seeing women with afros and natural hair walk proudly—it shows other girls that they belong here, too." MIAMI BEACH, FLORIDA - MAY 30: Model Deja Lighty walks the runway at the Melissa Odabash Show during ... More Miami Swim Week at The Bass on May 30, 2025 in Miami Beach, Melissa Odabash Models Mystique, Genesis Infante, and KP stressed the emotional impact of seeing women of color, with afros and natural hair, walk proudly—unfiltered and untouched by unrealistic beauty standards. MIAMI BEACH, FLORIDA - MAY 30: Model Mystique walks the runway wearing Normal Culture during Miami ... More Swim Week: The Shows on May 30, 2025 in Miami Beach, Miami Swim Week: The Shows) 'We bring something different to the runway—our features, our hair, our bodies are all beautifully unique,' said Mystique. 'I show up for the Afro-Latinas—for all of us,' Infante added. MIAMI BEACH, FLORIDA - MAY 30: Model KP walks the runway wearing Normal Culture during Miami Swim ... More Week: The Shows on May 30, 2025 in Miami Beach, Miami Swim Week: The Shows) Beyond the Runway: Retail and Storytelling Among the standout voices amplifying diverse fashion was Daniela Licata, co-founder of Curio Vibe, a retail platform curating over 300 brands from around the world. Her boutique, based at Faena Bazaar and in Bridgehampton, is rooted in international craftsmanship and individuality. "Swimwear in Miami isn't just trend—it's culture," Cotta explained. "We focus on elevated fabrics, global influences, and unique pieces you won't see anywhere else. Swim Week is a reflection of that diversity." Licata believes that fashion should feel personal—and discovering independent designers from Latin America, Europe, and beyond is part of the thrill. "Our clients love knowing no one else will have what they're wearing. That's luxury to us." Behind the Lens It wasn't just models making the magic. Creatives like Albert Hilt, Anthony Collins, and Wilson Photos brought the visual storytelling to life. Miami-based videographer Collins expressed, 'Diversity means showing what the real world looks like,' said Collins. 'Miami is a fashion city now—and we're showing the world why.' MIAMI BEACH, FLORIDA - JUNE 01: A model walks the runway wearing Lila Nikole during Miami Swim Week: ... More The Shows on June 01, 2025 in Miami Beach, Miami Swim Week: The Shows) Photographer Wilson Photos summed it up: "I saw beauty from every corner of the world this week—and I got to document it. That's what this is about." Hilt chimed in, adding, 'To me, diversity means you can come from anywhere and still create something meaningful. I came from a place with no color—now I get to paint my life on a canvas and make something of it,' Final Thoughts MIAMI BEACH, FLORIDA - MAY 30: Model Ayinde Warren walks the runway wearing Normal Culture during ... More Miami Swim Week: The Shows on May 30, 2025 in Miami Beach, Miami Swim Week: The Shows) At Miami Swim Week 2025, diversity wasn't a marketing checkbox—it was the story. Whether through vibrant design, raw testimonials, or cultural pride, every voice added something vital to the evolving definition of beauty. As designer Julia Marie Chu put it: 'I don't just design for one body. I want everyone to enjoy what I create—everyone.' The message was clear: cultural connectivity is becoming the new standard at Miami Swim Week.


Axios
2 days ago
- Axios
Museum of African American History uses AI to share Black history
The Museum of African American History is using AI to share the stories of iconic Black Bostonians. Why it matters: The museum is expanding its use of AI beyond its Frederick Douglass hologram in hopes of bringing new life to the museum's artifacts — and thus to the telling of African American history in Massachusetts. State of play: The "Black Voices of the Revolution" exhibit opened Tuesday in the Abiel Smith School with two interactive, AI-based displays. One lets visitors hear from historic Black women, including Elizabeth Freeman, one of the first enslaved people to successfully sue for their freedom in Massachusetts. The other lets visitors interview the museum's collection of primary sources, pulling details from the collection to answer questions and prompts like a chatbot. What they're saying: The exhibit "is an opportunity for us to tell a unique story of the American Revolution from the African American perspective," Noelle Trent, the museum's president and CEO, tells Axios. Trent says the partnership with TimeLooper has enabled the museum to use AI in an ethical manner to share these stories. Zoom in: The exhibit examines six topics, ranging from slavery to relationships with indigenous people to Black print culture, per a press release. The exhibit not only shares African American perspectives around the American Revolution, but also highlights other issues African Americans faced at the time, whether as enslaved people or freed communities. If you go: The museum is open the rest of the week, including July Fourth.

Business Insider
3 days ago
- Business Insider
See inside Eagle's Nest, the 42-acre New York Vanderbilt estate where a Gilded Age heir built his sprawling mansion
The Suffolk County Vanderbilt Museum is a must-see for any "Gilded Age" fan. The museum was once the estate of William K. Vanderbilt II, the son of William and Alva Vanderbilt. Alva is the inspiration behind Bertha Russell, who is played by Carrie Coon on the show. Can you hear "The Last Great American Dynasty" playing in the distance? There are many historical mansions on Long Island, but only one was once owned by the legendary Vanderbilt family. The 42-acre estate of William Kissam Vanderbilt II, which included his summer "cottage" of Eagle's Nest, is now a museum that's open to the public. Eagle's Nest was first built in 1910 as a small cottage, but as William II spent more time there, it expanded until 1936, when a full redesign was finished; it had become a 24-room Spanish Revival mansion. William II spent time at Eagle's Nest until his death in 1944. His will stipulated that, upon the death of his wife Rosamund, the estate would be left to Suffolk County and would become a museum, which it did after her death in 1947. The Vanderbilts are one of the best-known (and richest) families in American history — so much so that Bertha Russell, the main character on HBO's " The Gilded Age," is based on Alva Vanderbilt, William II's mother. In fact, a major plot line in season three is based on William II's sister, Consuelo Vanderbilt, marrying the Duke of Marlborough in 1895. So, as a new fan of " The Gilded Age," I knew I had to check out Eagle's Nest — even if Larry Russell isn't really based on William II, I still needed to see the real mansion that his character might live in. The museum is open every day except Monday and Thursday, and tours of the mansion are offered on Sunday, Tuesday, Friday, and Saturday. Tickets for the museum range from $8 to $14, depending on age, while a guided tour of the mansion is an additional $8. Here's what it was like to set foot in the home of a Vanderbilt. On the North Shore of Long Island, about 40 miles outside New York City, lies the Suffolk County Vanderbilt Museum. Inside the grounds are hiking trails, gardens, and a gift shop. There's also the Charles and Helen Reichert Planetarium, which holds multiple shows daily. The biggest attraction, though, is Eagle's Nest, the 24-room mansion of William K. Vanderbilt II, the great-grandson of Cornelius Vanderbilt. Before I toured the home, I visited the museum grounds. At the entrance stood a pair of stone eagles, which were taken from Grand Central Terminal. Cornelius Vanderbilt himself commissioned the train station. One of the first things I did was head toward the Rose Garden; sadly, most of the roses had already bloomed. But the landscaping was still immaculate. Even if the roses were already gone, the views of the Long Island Sound were worth it. Then it was time to head over to Eagle's Nest. Eagle's Nest was originally built in 1910 as a small cottage. It expanded over the next three decades to become this Spanish Revival-style mansion. The courtyard was set up for Shakespeare readings, which happen throughout the summer. One side of the mansion is a natural history museum. The other side is preserved to be just as the Vanderbilts left it in the early 1900s. This was unlike any other historical mansion I've seen on Long Island, which are usually modeled on medieval castles or Tudor mansions. These cobblestones were taken from the streets of Greenwich Village in Manhattan before the streets were paved over. Upon entering the home, the first thing you see is the staircase. It was imported from a Belgian castle. There are portraits of William II's family in the entryway. This is his father, William Kissam Vanderbilt. He ran an arena you may have heard of: Madison Square Garden. Pictured top right is William II's mother, Alva Vanderbilt. She inspired Carrie Coon's character, Bertha Russell, on "The Gilded Age." The first room I saw was the dining room. The ceiling is constructed from Florida cedar, or Southern Red cedar. In the corner is a beautifully crafted fireplace. The floor tiles were imported from Portugal. Next to the formal dining room is the butler's kitchen. At the height of William II's entertaining, 36 servants worked at Eagle's Nest. With a view as great as Eagle's Nest's, of course there's a screened-in veranda. Off the veranda is the Portuguese sitting room, named for the ornate fireplace imported from Portugal. It was constructed in 1494. Here's one of the guest rooms open for display. Each guest room had its own closet and bathroom. Then, it was time to go upstairs and view the rest of the mansion. One upstairs sitting room was almost entirely covered in dark wood. It also housed a giant organ. A portrait of William II's sister Consuelo can be seen in this room, in the bottom left. She coined the term "heir and a spare," which she used to refer to her sons with her first husband. She was married to Charles Spencer-Churchill, the Duke of Marlborough. If their marriage didn't produce children, his title would've gone to his first cousin, Winston Churchill. Here's one of the guest bathrooms at Eagle's Nest. Note the marbled walls and tub. This was William II's bedroom. The room is bright, with beautiful views of the water — he probably had a great view of his 264-foot yacht, the Alva. In addition to loving the sea, William II was an avid race-car driver, naturalist, and golfer. His bed, seen here, was a to-scale replica of the bed of Napoleon Bonaparte. These buttons, right by his bed, were connected to the servant's staircase. He could summon his butler, and lock or unlock the servants' stairwell. In his bathroom, nods to his love of the water included a large ship on the floor. He also had a shower, which was somewhat unusual for the time. To get to his wife's quarters, I had to pass through the breakfast room. Like the rest of the home, it had a lovely view of the water. William II had two wives — this is how the bedroom looked when it was occupied by his second wife, Rosamond Lancaster Warburton. This is her changing room and bathroom. Rosamund's tub is made of rose marble — a nod from William II to his nickname for his wife. As I left the living quarters, I reached one of the entrances to the museum. This room is dedicated to William II's son, William K. Vanderbilt III. Inside were specimens collected by William II's son on a 1931 trip to Africa. The scenes reminded me of the American Museum of Natural History in New York City, which made sense — the same designer and taxidermist, William Belanske, did both. This is a portrait of William III during a safari in 1931. He died two years later in a car crash at 26. While it was time to exit this wing, there was still the rest of the museum to see. The other half of the mansion is filled with specimens the elder William collected on his trips around the world. There's also a miniature replica of his yacht, Alva. During World War II, he donated it to the US Navy, and it was renamed the USS Plymouth. It was sunk by U-boats in 1943. There are multiple rooms that are filled with sea creatures. William II himself discovered multiple species during his travels. Down a final set of stairs was a basement filled with more relics from William II's life. There were also two of his cars parked and awaiting a driver (and probably a tune-up). As I exited the home and crossed the courtyard, I was surprised to learn that there was even more to see. I followed a sign for even more "habitats." I don't know what I was expecting, but it wasn't a giant whale shark hanging from the ceiling. Another room was dedicated to large predators. It had a taxidermied lion and a tiger, but my favorite was the polar bear. The exit brought me to the back of the house. I decided to go back to the central courtyard to see if I had missed anything. And I had! There was a small doorway that led to Eagle's Nest's backyard. The house was set on a hill, so the yard was multi-level. First, I walked to the right. There was a large reflecting pool. Then I walked to the left and came across another fountain and some well-manicured hedges. But the main attraction was, once again, the view. The lawn was open, so I decided to trek down and see what structure at the bottom was. To my surprise, it was a filled-in saltwater pool. They'd even left the ladder in. There were also changing rooms. With that, I had seen almost everything the Vanderbilt Museum had to offer, with the exception of a few hiking trails. I left the museum with a greater understanding of the Vanderbilts — and ready to keep watching "The Gilded Age."