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National Arts Centre reveals diverse lineup for 2025-26 season

National Arts Centre reveals diverse lineup for 2025-26 season

National Post15-05-2025
There is always something new and creative to discover at the National Arts Centre, whether it's an edgy modern-dance show or a surprising take on an orchestral classic.
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With four stages under its hexagonal roof and a skilled team of specialized artistic programmers in charge of six different genres of performing arts, the NAC's schedule gets filled with gems well in advance.
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The 2025-26 calendar is no exception. Between September 2025 and spring of 2026, dozens of concerts, theatrical productions and dance events will be shoehorned into the building, including no fewer than nine world premieres. One show calls for a skateboard ramp at centre stage, while another is described as a Macbeth-meets-biker mashup.
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The season will also mark a farewell for maestro Alexander Shelley, who has been leading the NAC Orchestra for more than a decade — and whose two young sons were born in Ottawa. Shelley has designed a final season that will include a big opera production of Puccini's Tosca, an all-Canadian edition of the Great Performers series, a seasonal presentation of Handel with an all-Canadian cast of vocalists, four world premieres and more.
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The first, scheduled for January 2026, is co-produced by Toronto's Soulpepper Theatre and written by Natasha Mumba, a graduate of Ottawa's Canterbury arts high school and now based in Toronto. Entitled Copperbelt, it's the story of a Zambian-born woman who's made a life for herself in Toronto, but is compelled to return to her homeland when her estranged father falls ill.
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The second Aquino-directed world premiere is cicadas, created by David Yee and Chris Thornborrow. Commissioned by the NAC, it's an eco-thriller set in Toronto in 2035.
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The English theatre season also features a family play described as a live theatrical cinema experience starring Canadian DJ Kid Koala, who performs live on piano and turntables every night of the Dec. 3-13 run. The tale of a small-town mosquito trying to make it big in music also uses puppeteers, miniature sets, a string trio and cameras to tell its story.
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Another six shows will be presented by the Indigenous theatre department under the artistic leadership of Kevin Loring. They range from the inter-tribal collaboration that drives Nigamon Tunai to the world premiere of Tomson Highway's latest, Rose, to an allegorical circus piece from New Zealand, Te Tangi a Te Tūī.
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