logo
Mick Ralphs, Founding Member of Bad Company and Mott the Hoople, Dies at 81

Mick Ralphs, Founding Member of Bad Company and Mott the Hoople, Dies at 81

Al Arabiya23-06-2025
Mick Ralphs, singer, songwriter, guitarist, and founding member of the classic rock bands Bad Company and Mott the Hoople, has died.
A statement posted to the band's official website Monday announced Ralphs' death at age 81. Ralphs had a stroke days after what would be his final performance with Bad Company at London's O2 Arena in 2016 and had been bedridden ever since, the statement said. No further details on the circumstances of his death were provided. Ralphs is set to become a member of the Rock & Roll Hall of Fame as a member of Bad Company in November.
'Our Mick has passed, my heart just hit the ground,' Bad Company singer Paul Rodgers said in a statement. 'He has left us with exceptional songs and memories. He was my friend, my songwriting partner, an amazing and versatile guitarist who had the greatest sense of humor.'
Ralphs wrote 1970's 'Ready for Love' for Mott the Hoople, later revamped for Bad Company's 1974 debut album, which also included the Ralphs-penned hit 'Can't Get Enough.' He co-wrote Bad Company's 1975 'Feel Like Makin' Love' with Rodgers.
Born in Stoke Lacy, Herefordshire, England, Ralphs began playing blues guitar as a teenager and in his early 20s in 1966 he co-founded the Doc Thomas Group. The band would become Mott the Hoople in 1969. He left the group in 1973 soon after it found commercial success with the David Bowie–penned-and-produced 'All the Young Dudes.' He would form Bad Company with singer Rodgers, who had left his own band, Free. They would be joined by Free drummer Simon Kirke and former King Crimson bassist and vocalist Boz Burrell.
Kirke said in a statement Monday that Ralphs was 'a dear friend, a wonderful songwriter, and an exceptional guitarist. We will miss him deeply.'
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Tom Lehrer, song satirist and mathematician, dies at 97
Tom Lehrer, song satirist and mathematician, dies at 97

Al Arabiya

time10 hours ago

  • Al Arabiya

Tom Lehrer, song satirist and mathematician, dies at 97

Tom Lehrer, the popular song satirist who lampooned marriage, politics, racism, and the Cold War, then largely abandoned his music career to return to teaching math at Harvard and other universities, has died. He was 97. Longtime friend David Herder said Lehrer died Saturday at his home in Cambridge, Massachusetts. He did not specify a cause of death. Lehrer had remained on the math faculty of the University of California at Santa Cruz well into his late 70s. In 2020, he even turned away from his own copyright, granting the public permission to use his lyrics in any format without any fee in return. A Harvard prodigy (he had earned a math degree from the institution at age 18), Lehrer soon turned his very sharp mind to old traditions and current events. His songs included 'Poisoning Pigeons in the Park,' 'The Old Dope Peddler' (set to a tune reminiscent of 'The Old Lamplighter'), 'Be Prepared' (in which he mocked the Boy Scouts), and 'The Vatican Rag,' in which Lehrer, an atheist, poked at the rites and ceremonies of the Roman Catholic Church. (Sample lyrics: 'Get down on your knees, fiddle with your rosaries. Bow your head with great respect, and genuflect, genuflect, genuflect.') Accompanying himself on piano, he performed the songs in a colorful style reminiscent of such musical heroes as Gilbert and Sullivan and Stephen Sondheim, the latter a lifelong friend. Lehrer was often likened to such contemporaries as Allen Sherman and Stan Freberg for his comic riffs on culture and politics, and he was cited by Randy Newman and Weird Al Jankovic, among others, as an influence. He mocked the forms of music he didn't like (modern folk songs, rock 'n' roll, and modern jazz), laughed at the threat of nuclear annihilation, and denounced discrimination. But he attacked in such an erudite, even polite, manner that almost no one objected. 'Tom Lehrer is the most brilliant song satirist ever,' recorded musicologist Barry Hansen once said. Hansen co-produced the 2000 boxed set of Lehrer's songs, The Remains of Tom Lehrer, and had featured Lehrer's music for decades on his syndicated Dr. Demento radio show. Lehrer's body of work was actually quite small, amounting to about three dozen songs. 'When I got a funny idea for a song, I wrote it. And if I didn't, I didn't,' Lehrer told The Associated Press in 2000 during a rare interview. 'I wasn't like a real writer who would sit down and put a piece of paper in the typewriter. And when I quit writing, I just quit. … It wasn't like I had writer's block.' He'd gotten into performing accidentally when he began to compose songs in the early 1950s to amuse his friends. Soon he was performing them at coffeehouses around Cambridge, Massachusetts, while he remained at Harvard to teach and obtain a master's degree in math. He cut his first record in 1953, Songs by Tom Lehrer, which included 'I Wanna Go Back to Dixie,' lampooning the attitudes of the Old South, and 'Fight Fiercely, Harvard,' suggesting how a prissy Harvard blueblood might sing a football fight song. After a two-year stint in the Army, Lehrer began to perform concerts of his material in venues around the world. In 1959, he released another LP called More of Tom Lehrer and a live recording called An Evening Wasted with Tom Lehrer, nominated for a Grammy for best comedy performance (musical) in 1960. But around the same time, he largely quit touring and returned to teaching math, though he did some writing and performing on the side. Lehrer said he was never comfortable appearing in public. 'I enjoyed it up to a point,' he told The AP in 2000. 'But to me, going out and performing the concert every night when it was all available on record would be like a novelist going out and reading his novel every night.' He did produce a political satire song each week for the 1964 television show That Was the Week That Was, a groundbreaking topical comedy show that anticipated Saturday Night Live a decade later. He released the songs the following year in an album titled That Was the Year That Was. The material included 'Who's Next?' ponders which government will be the next to get the nuclear bomb…perhaps Alabama? (He didn't need to tell his listeners that it was a bastion of segregation at the time.) 'Pollution' takes a look at the then-new concept that perhaps rivers and lakes should be cleaned up. He also wrote songs for the 1970s educational children's show The Electric Company. He told AP in 2000 that hearing from people who had benefited from them gave him far more satisfaction than praise for any of his satirical works. His songs were revived in the 1980 musical revue Tomfoolery, and he made a rare public appearance in London in 1998 at a celebration honoring that musical's producer, Cameron Mackintosh. Lehrer was born in 1928 in New York City, the son of a successful necktie designer. He recalled an idyllic childhood on Manhattan's Upper West Side that included attending Broadway shows with his family and walking through Central Park day or night. After skipping two grades in school, he entered Harvard at 15, and after receiving his master's degree, he spent several years unsuccessfully pursuing a doctorate. 'I spent many, many years satisfying all the requirements, as many years as possible, and I started on the thesis,' he once said. 'But I just wanted to be a grad student; it's a wonderful life. That's what I wanted to be, and unfortunately, you can't be a Ph.D. and a grad student at the same time.' He began to teach part-time at Santa Cruz in the 1970s, mainly to escape the harsh New England winters. From time to time, he acknowledged a student would enroll in one of his classes based on knowledge of his songs. 'But it's a real math class,' he said at the time. 'I don't do any funny theorems. So those people go away pretty quickly.'

Saudi initiative Sound Futures seeks to bridge music industry gaps
Saudi initiative Sound Futures seeks to bridge music industry gaps

Arab News

time2 days ago

  • Arab News

Saudi initiative Sound Futures seeks to bridge music industry gaps

DUBAI: Saudi Arabia's MDLBEAST Foundation is inviting regional entrepreneurs to take part in the 2025 edition of Sound Futures, an initiative designed to bridge the gap between music-related startups and investors. For the latest updates, follow us on Instagram @ The initiative aims to create local jobs, foster entrepreneurship, and accelerate the regional music economy by giving a stage to startups and entrepreneurs in the music and music-tech space to pitch their ideas to an audience of investors and industry experts during the XP Music Futures Conference, which will run from Dec. 4–6 in Riyadh. A post shared by MDLBEAST FOUNDATION (@ 'The music and creative industries in Saudi and the Middle East are evolving rapidly, but support systems for early-stage startups still lag behind at the moment … Sound Futures offers a timely platform for founders to gain access to mentorship, exposure, and possibly investment and funding to help bring their ideas to life or scale their businesses,' MDLBEAST's Bader Assery told Arab News. Applications are open to startups, budding entrepreneurs and even students from across the Middle East and North Africa region, with a focus on discovering the next big thing in music — innovations that could shape the future of music creation worldwide. 'One great example is Maqam Labs,' Assery explained. 'They started with an idea in year one and returned the following year with a working physical synthesizer that brings Middle Eastern scales (Maqamat) into the world of electronic music.' The initiative aims to 'champion early-stage music startups. Whether they're building tools for artists, fan engagement platforms, or music tech products,' with applications set to close by October. According to Assery, key challenges faced by music startups in the region include financial concerns, as well as a lack of access to potential industry partners. 'Access is the biggest hurdle we've seen so far. Access to capital, the right mentors, industry partners, and even data. Founders also talk about the difficulty of validating their ideas in a market that's still building its infrastructure,' he said, referencing issues Sound Futures seeks to address.

Birmingham mourns the death of native son Ozzy Osbourne
Birmingham mourns the death of native son Ozzy Osbourne

Al Arabiya

time4 days ago

  • Al Arabiya

Birmingham mourns the death of native son Ozzy Osbourne

Ozzy Osbourne's fans had sensed the end was near. At his final show just a few weeks ago, admirers watched the heavy metal icon perform while seated on a black throne and knew it would likely be the last time they saw the lead singer of Black Sabbath. He died Tuesday at age 76. So there was little surprise Wednesday as they made pilgrimages to sites around Birmingham, the city in central England where Osbourne grew up and the band was formed. Outside the Crown Pub, where Black Sabbath played its first gig, Daria DeBuono, 59, and Stephen Voland, 32, both from New York, described the bond the rockstar had with his fans during that farewell show at the city's Villa Park stadium. Even though he stayed seated throughout, the man nicknamed the Prince of Darkness reveled in the embrace of the crowd, they said. 'It's like that is what he was living for, that is what he was keeping himself alive for, was to have that final glorious moment of love,' DeBuono said. 'And being in the crowd, you can just feel the love in the arena that day. It was just very emotional,' Voland completed her thought. 'When I was watching the show, I told her, 'This is like a living memorial that he gets to enjoy,'' he said. 'All this hard work and everyone is here for him. I just felt like it was a cool thing not knowing that this was happening very soon after.' The original members of Black Sabbath reunited for the first time in 20 years on July 5 for what Osbourne said would be his final concert. Osbourne had been diagnosed with Parkinson's disease in 2019. 'Let the madness begin!' he told the 42,000 fans packed into Villa Park as the show got underway. On Wednesday, Birmingham sites linked to Black Sabbath became magnets for fans of the band's front man, who built a second career as a star of the reality TV show 'The Osbournes.' They gathered around the bull in Birmingham New Street station, which was created for the 2022 Commonwealth Games and is known as 'Ozzy.' And they trooped to a mural on Navigation Street that was painted in honor of Black Sabbath's farewell concert. 'He's one of us,' West Midlands region Mayor Richard Parker said at the mural. 'There is an enormous amount of pride – he was forged by this place and he put this place on the map and everyone could relate to him.' But the biggest draw was the Black Sabbath bench, where fans can take selfies alongside life-size images of the four band members. The bench, which was unveiled on the Broad Street canal bridge in 2019, has been surrounded by tributes to Osbourne. 'I think it is so beautiful that he got to finish and do his wish before he finally passed,' said Matthew Caldwell, 36, of Stourbridge, just west of Birmingham. 'Very sad but incredible.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store