logo
Unorthodox new dating trend Aussies are jumping on as they ditch frustrating apps: 'Such a different vibe'

Unorthodox new dating trend Aussies are jumping on as they ditch frustrating apps: 'Such a different vibe'

Daily Mail​21 hours ago
Fed-up young Aussies are abandoning dating apps and jumping onto a new and unorthodox craze in the hopes of finding love.
Instead of getting lost in toxic online platforms, friends are using PowerPoint presentations to pitch their lovelorn mates as a romantic prospect to a pub full of singles.
The events are a refreshing departure from the grim world of dating apps that involve endless swiping, lacklustre conversations with matches, and disappointing meet-ups.
A Forbes study in 2024 found 75 per cent of Gen Z singles who used Tinder, Hinge or Bumble felt burnt out and didn't think they could make a genuine connection.
Matchmaking company Pitch Perfect Match hosts the new dating events, with co-founder Selani Adikari labelling it a game-changer.
'Friends are better matchmakers for two reasons, they know you best and they're not afraid to boast about you in ways that you might not feel comfortable with,' she said.
'A person's friendships are a direct reflection of themselves, so when your friends go up to pitch you, someone watching can get a vibe for who you are, through your friends, and that's very difficult on dating apps.
'Meeting people in person is such a different vibe to scrolling through 2D photos on an app.'
The Sydney local said the 'aha moment' for the idea arrived after three years of singledom and a growing frustration with the limitations of dating apps.
The format is simple yet refreshing. Instead of self-promoting, singles get pitched by their friends in a three-to-four-minute PowerPoint-style presentation.
Ms Adikari said that the friend advantage hits different because best pals can boast with honest charm.
She said the novel approach challenges the superficial swiping culture and makes people feel more hopeful about love.
Forrester's in Surry Hills debuted the idea on Valentine's Day and declared it wildly successful, with the next event planned for September 18.
Events and reservations manager Sarah Cheney said they trialled the idea after witnessing the growing trend of 'Pitch Your Friend' nights popping up across the US.
Ms Cheney agreed friends made better matchmakers than dating apps and algorithms.
'A friend knows you; an app doesn't,' she said.
'Apps rely on hard data filters like age and height, while a friend sees the full picture – your personality, your values, your quirks.
'With dating apps and algorithms, people are trying to portray themselves as they see themselves, but what actually ends up happening is that they portray themselves as they aspire to be.
'This is why so many first dates are such flops – the person you fell in love with on the app isn't the same as the one you met for a coffee, for dinner, or at the park.'
Ms Cheney said events that bring strangers together in real life were becoming rarer.
'Younger generations that have grown up online with social media as a primary source of interpersonal connection are craving more than likes and DMs,' she said.
'I think this trend is also challenging the way we tend to judge a book by its cover when using dating apps.
'You can't swipe left on someone pitching their bestie in person – you have to watch and listen to the whole thing.
'By the end of the pitch, I think most people find that their initial judgment of that person was wrong and it opens them up to be more curious and less reactionary.'
While it's early days, Forrester's has been offered as a free wedding venue for any couple that ties the knot after meeting at their inaugural event.
Scientist-turned-love-guru Samantha Jayne praised the concept because it revealed authentic multidimensional qualities missing from the swiping culture.
'When your friends promote you it is real, it shows the connections you have in your life and you are a great person important enough in someone's life that they have gone to the effort of creating a pitch for you,' she said.
'The energy of a friend who believes in you is contagious. It invites the audience and potential dates to feel something, connection, curiosity, empathy.
'That is rarely achieved in static app profiles.'
Ms Jayne said there had been a 'drastic' decline in singles using dating apps.
'At first when joining a dating app a person gets excited with the prospects of options it's a confidence boost but after no genuine connections or outcomes that occur as a result then that is when frustration kicks in,' she said.
'The technology itself is very useful and makes sense but the biggest problem is the people don't know how to use it.
'However, there are effective ways to make the apps work if you know how to use them.'
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

The Narrow Road to the Deep North review
The Narrow Road to the Deep North review

The Guardian

time28 minutes ago

  • The Guardian

The Narrow Road to the Deep North review

There is an overwhelming darkness to The Narrow Road to the Deep North, Justin Kurzel's adaptation of Richard Flanagan's Booker prize-winning novel. Thematically, this is to be expected: it is about a group of Australian prisoners of war constructing the Burma railway in the mid-1940s, at the tail end of the second world war. It is about the lasting trauma of conflict and imprisonment. It spans half a century, and though it tempers its darkness with a rich love story, it is largely violent, fatalistic and sorrowful. But visually, too, you may find yourself fiddling with the contrast and brightness settings. This very much matches its mood to its palette. Jacob Elordi is perfectly handsome and haunted as the younger Dorrigo, a poetry-loving doctor who is about to be married to the well-to-do and socially connected Ella (Olivia DeJonge). The show covers three timelines, two of which follow closely on from one another. Elordi takes the main shift, Dorrigo as a young man. It opens in the thick heat of battle, going straight into the action. Young soldiers trade barbs with gallows humour, as they joke and tease, and place bets on how long they think they are going to live. Their banter is interrupted by exploding mines, the casualties already considerable, just a few moments in. The survivors are captured and put to work on the railway. It is hellish from the off, a vivid nightmare of torture and a tale of impossible endurance. Forty-nine years later, towards the end of the 1980s, Ciarán Hinds is the older Dorrigo, a successful, wealthy and celebrated surgeon, still married to Ella (now played by Heather Mitchell). Dorrigo is brooding, even more haunted and undergoing a reckoning with his own history. He is also celebrated as a war hero, but he is combative, arrogant, even reckless, in his professional and personal life. He gives a furious television interview, ostensibly about his experiences of war, to promote a book, the nature of which is deliberately abstruse. This enforced reflection causes him to remember what he has tried so hard to forget and, as a drama, flipping between timelines, it builds up a picture of what made him the unhappy, unfaithful man he has become. It does this slowly, convincingly and in great, awful detail. The 1980s storyline, in which Dorrigo's philandering ways are laid bare, provides some respite from the relentless violence. This is visceral, in its truest sense. Kurzel captures the bodily horror of war in an almost confrontationally frank manner. As they hack away at rock and trees, the men are emaciated, filthy, full of malaria and dysentery. The camera nestles in among them, and hovers above, conveying a real sense of their closeness and suffering. At one point, a leg must be amputated. This is a gory and drawn-out ordeal. At least, in the darkness, it is partially obscured, though the audio alone is gruesome enough. For all of its bodily horrors, this is a passionate, full-bodied love story too, a strand that is delicately balanced but just as impactful. Before he is called up, Dorrigo visits his uncle Keith (a small, mighty performance from Simon Baker) and is immediately drawn to Keith's young wife, Amy (Odessa Young). She is intrigued, if not impressed, but when they meet again at a poetry reading in a bookshop, after Dorrigo has become engaged to Ella, that initial spark ignites into a forest fire. It takes time for their mutual attraction to become more than yearning and longing, lingering looks and touches, but the pacing of it is moving and affecting. Compared to the grinding chaos of the jungle, their affair is sad and beautiful, as romantic as it is doomed. This is a literary drama and it makes no apologies for that. Dorrigo loves Catullus and Aeschylus. The men perform Romeo and Juliet for each other in the jungle. Amy cements her attraction to Dorrigo with a fragment of Sappho, which reads, simply, 'you burn me'. At times, its novelistic roots are more obviously on show; some of the dialogue is writerly and elevated, as the characters reflect poetically upon human nature and cruelty. And there is much cruelty to consider. There are so many killings, so many deaths, and one particular execution, in the jungle, is one of the most distressing scenes I have watched on television in a long time. The Narrow Road to the Deep North, then, is not an easy prospect, but it is an immensely powerful one, driven by strong performances and a bracing confidence in its ability to tell this story, at its own pace, in its own way. My only complaint is that I would have liked to have been able to see just a little more of it. The Narrow Road to the Deep North aired on BBC One and is on iPlayer in the UK. It is available on Prime Video in Australia, New Zealand, the US and Canada.

I know What You Did Last Summer reboot underwhelms at box office as cult classic maintains top spot
I know What You Did Last Summer reboot underwhelms at box office as cult classic maintains top spot

Daily Mail​

timean hour ago

  • Daily Mail​

I know What You Did Last Summer reboot underwhelms at box office as cult classic maintains top spot

Sony's attempt to revive I Know What You Did Last Summer may have brought back the original stars, but it couldn't bring back the box office magic. The latest installment of the legacy slasher, which reunited Freddie Prinze Jr. and Jennifer Love Hewitt, opened to a lukewarm $13 million domestically, the lowest debut in the franchise's nearly three-decade history. Caught between two superhero juggernauts — DC 's Superman and Marvel's upcoming Fantastic Four: First Steps (which hits theaters this Thursday) — the horror reboot failed to make a splash. This is a sharp contrast to the original 1997 film, which opened to $15.8 million and went on to gross over $125 million worldwide. Released in the wake of Scream's success, I Know What You Did Last Summer helped define the teen slasher boom of the late 1990s. With a tight, suspenseful plot — four friends cover up a hit-and-run, only to be stalked a year later by a hook-wielding figure who 'knows what they did' — it became a horror staple and cultural touchstone. The 1998 sequel, I Still Know What You Did Last Summer, wasn't as well-reviewed but still pulled in over $84 million globally. Together, the first two films built a recognizable franchise out of Lois Duncan's original novel. The 2025 reboot follows the now-adult survivors, who find themselves drawn back into a fresh cycle of terror after a new group of teens faces eerily similar threats. Ultimately, it landed in third place, narrowly beating out Smurfs and the polarizing A24 Western Eddington. While the film's $18 million budget keeps it in the realm of possible profitability, its lukewarm reception didn't help. Critics gave it a 38% Rotten Tomatoes score, and audiences were equally unimpressed, handing it a tepid 'C+' CinemaScore. Even director Jennifer Kaytin Robinson took the underwhelming reviews in stride, cheekily tweeting just one word: 'camp.' Meanwhile, Superman continued to fly high, hauling in $57.3 million in its second weekend and bringing its global total to over $400 million. With a modest 54% drop from its opening weekend, the reboot is holding strong — a crucial win for Warner Bros., which is betting on the film to launch a new era of DC superheroes. Spinoffs like Supergirl and Clayface are already in the pipeline, along with a rebooted Wonder Woman. Other newcomers didn't fare much better. The Rihanna-led animated Smurfs movie opened to a soft $11 million, despite a sprawling A-list voice cast, and Eddington, Ari Aster's Western satire starring Joaquin Phoenix and Pedro Pascal, debuted with a sluggish $4.2 million and a less-than-stellar 'C+' CinemaScore.

I met my husband when I was 19 and he was 41 – people thought it was a bad idea, but six years on we've got a kid
I met my husband when I was 19 and he was 41 – people thought it was a bad idea, but six years on we've got a kid

The Sun

time4 hours ago

  • The Sun

I met my husband when I was 19 and he was 41 – people thought it was a bad idea, but six years on we've got a kid

LOVE often blooms in unexpected ways, sometimes defying what society considers the norm. For one couple, Iyah and Rafah, their story has been a vibrant testament to finding happiness on their own terms, despite early doubts from others. 2 Iyah recently shared an update with her 840.4K TikTok followers, celebrating six years of marriage and the joy of building a family, a journey many initially questioned. Sharing a happy video of them dancing together, they wrote: 'Us six years later because my husband didn't give up pursuing me even when everyone said 'you're 41. 'Dating a 19-year-old is a bad idea.' Their relationship first captured attention due to their significant age difference. When they met, Iyah was just 19 years old, while Rafah was 41. On their TikTok page, @ rafal_and_iyah, Iyah had previously described meeting Rafah as "a dream come true." She's also openly spoken about the deeper connection that drew them together, moving past the age gap. As she explained, at 19, she already knew she wanted to get married and become a young mum. Rafah, then 41, had "wanted a family for so long," making their aspirations perfectly aligned. Iyah revealed that both of them initially worried about the age difference and how their families might react. Press sec Karoline Leavitt calls 32-yr age gap with husband 'atypical' & admits life turned into 'circus' after they met However, they ultimately decided that external opinions didn't matter, choosing instead to follow their hearts and start a family together. Now, six years into their marriage with children, they're clearly celebrating having trusted their own path despite the initial "bad idea" warnings. Their latest video gained 604k views and 319 comments after three days of being shared and many people's opinions have been divided. One person wrote: 'She was 41 and he was 19. and he was pursuing her, that's how I understood it. 2 'Now they're supposedly 47 and 25, if you can believe the story.' While a second added: 'You two look beautiful together. And I'm glad he never stopped fighting for you too!' And a third commented: 'I'm 60 and my husband is 82. We've been together since 1989. Don't judge. 'My parents reached 55 yrs before my dad's passing, he reached 67 before his mother experienced a stroke that forced her into a care home. 'Nothing can touch us. We're strong.' A-list age gap relationships that have stood the test of time Kris Jenner & Corey Gamble - 25 years The Kardashian matriarch, 69, met her younger man, 44, at a mutual friend's 40th birthday party in Ibiza. They've been together since August 2014. Sam & Aaron Taylor-Johnson - 23 years The director, 57, and actor, 34, reportedly met at a film audition in 2009, and were married by 2012. The pair share two daughters and Sam has two children from a previous marriage. Rosie-Huntington-Whiteley & Jason Statham - 20 years The model, 37, started dating actor Jason, 57, in 2010. They were wed in 2016 and have since welcomed a son and a daughter together. Catherine Zeta-Jones & Michael Douglas - 25 years Catherine, 55, was introduced to Michael, 80, a film festival in 1996 and engaged three years later. Shortly after their engagement, the couple welcomed a son and married in 2000.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store