
Amazon offers massive 79% discount on Sarah Jessica Parker's Lovely fragrance for Prime Week
The 'gem of a fragrance' has been reduced to just £20.50 for three days only
Sarah Jessica Parker's perfume is on sale for a couple more days
(Image: BANG Showbiz )
Amazon customers can now get their hands on a 'gem of a fragrance' at an astonishing 79% discount during a limited-time offer. Sarah Jessica Parker's Lovely, usually priced over £90 for a 200ml bottle, has been reduced to just £20.50 for Prime Week (July 8-11).
The perfume carries a floral scent featuring notes of lavender, martini, bergamot, mandarin orange, and palisander rosewood. It also has a heart of patchouli, orchid, and narcissus before settling into a woody base of cedar, white amber, and musk.
The fragrance was made by renowned perfumers Clement Gavarry and Laurent Le Guernec, who boast an impressive portfolio of successful fragrances.
Gavarry is known for Kayali's Eden Juicy Apple (£73 for 50ml) and Phlur's Vanilla Skin (£99 for 50ml), while Le Guernec has contributed to several Bond No 9 scents, often priced over £275 per bottle, as well as Estée Lauder's Beautiful Magnolia (typically £87 for 100ml). For money-saving tips, sign up to our Money newsletter here .
Lovely has built an impressive average rating of 4.6 out of 5 from 2,957 reviews. One satisfied customer said: "I wear this perfume every day for work and have had a lot of people ask what it is as it smells so nice. Good value for money."
Another customer has worn it for almost two decades. They said: "An absolute gem of a fragrance! I wear as my work perfume and also everyday fragrance. It's light and flowery but not overpowering which is ideal when working in the NHS.
"People comment in this all the time, and because it is EDP it lasts all day! I have been buying this for 17+ years and it never fails to make me feel fab!"
However, one buyer wasn't convinced by how long the scent lasted. They said: "This perfume smells quite nice when you spray it, but the scent disappears really quickly, within an hour, and I have a very good sense of smell.
"It's very disappointing, especially after reading the reviews. I know this is an inexpensive perfume, but I'd still expect to be able to smell it on me for longer, especially as some of the reviews said the fragrance lasted all day. For me, this was certainly not true."
It's worth bearing in mind that how you apply a fragrance can affect how long the scent lingers. It's recommended to spritz perfume onto clean and recently moisturised skin, with at least one spray per pulse point.
It's also suggested not to rub your wrists together as this can interfere with the fragrance.
Other shoppers did however praise its longevity, with one writing: "Amazing fragrance! It lasts a good number of hours and doesn't wear off quickly. If you love a good floral scent, this is for you!".
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Lovely by Sarah Jessica Parker is available for £20.50 now on Amazon.
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Daily Record
33 minutes ago
- Daily Record
'I'm a beauty writer and these are my top 11 Amazon Prime Day perfume deals'
We're on day three of Amazon's mammoth Prime Day event. Available until midnight tomorrow, July 11, it's been an exciting few days for anyone looking to make a bargain. Now, as a beauty writer, the annual sale has provided me with an abundance of discounts across cosmetics, hair care and makeup goodies, from a range of high street and premium brands. However, where I think the sale truly shines is with its perfume deals. I'm not the only one that would agree that buying a new bottle of scent can be quite pricey, which is why it's always handy to be on the lookout for deals. Even outside of Prime Day, Amazon has become a go-to for its fragrance discounts, as it offers free next day delivery on many bottles for those who are signed up with a Prime membership, and with a 30-day free trial still on offer, it might be worth considering for some new shoppers. As for me, since I have tried various different scents over the years from florals to spicy woods, I'd like to think that I have quite a good nose for finding some of the best perfume deals on offer at the moment. From celebrity favourites, iconic brands, and little-known bottles, here are just a few perfumes I would personally bag in this year's Amazon Prime Day sale. Rachel's top picks Sarah Jessica Parker Lovely Eau de Parfum for Women, 200ml - was £95.62, now £20.50 (79% off) Massive 79 per cent saving aside, the Sex and the City star's bestselling perfume remains a firm favourite with a 4.6 rating from perfume buffs who say it "lasts all day" and gets "many compliments" when worn. Blending notes of citrus, rosewood, lavender, apple martini and musks, it is said to be "effortlessly elegant", with the bottle design itself said to represent the delicate nature of the perfume inside. Currently a popular celebrity perfume among many shoppers, Lovely averages over 2,000 reviews from fans who love its "refreshing" scent. One such review read: "Amazing fragrance! It lasts a good number of hours and doesn't wear off quickly. If you love a good floral scent, this is for you!" It's worth noting that some shoppers find they have to reapply the scent during the day, as one wrote: "Love this perfume. Wish it lasted on me. Need to constantly refresh." Shop the Sarah Jessica Parker Lovely EDP deal here. It's the "iconic fragrance for modern times" that has become a staple for perfume fanatics of all genders. As the first scent to be marketed as unisex, it's reputation is one that has stood the test of time. Offering a citrus-y scent, it's been hailed in reviews as "timeless, fresh and versatile". Another reason I love this deal is the fact that it offers a massive 200ml bottle, allowing shoppers to get more value for their money, as it will last a long time. Offering a massive 4.7 rating based on over 40,000 reviews, there's a reason it's a fan-favourite, as one read: "Calvin Klein One Eau De Toilette deserves a glowing 5-star rating from me. "The scent is incredibly fresh and invigorating, making it a joy to wear. Every spritz takes me back to the nostalgic vibes of the 90's, reminiscent of carefree days and youthful energy. The fragrance manages to strike a perfect balance between being modern and timeless." The casual scent was a drawback for one shopper who wrote: "Really cool fragrance and lasts long. Can also be used as aftershave. The only drawback is that it's a common fragrance type which means you wouldn't feel too 'premium' with this." Shop the Calvin Klein CK One deal here. This is one for my fellow millennials, because does any brand represent the early '00s as much as Juicy Couture? For those who are looking for a "fun" scent, then Viva La Juicy offers vibrant notes of wild berries, mandarin, honeysuckle, gardenia, jasmine, amber and caramel. Not to mention that the decorative pink bow and gold charm detail makes it a bit of a keepsake. It should come as no surprise that the perfume has earned a 4.7 rating based on over 8,000 reviews for its "flirty" and "totally addictive" scent. One shopper praised: "Viva La Juicy has been one of my go-to fragrances for years - fresh, flirty, and totally addictive. Every time I wear it, I get compliments left and right! It's the kind of scent that turns heads without trying too hard - effortlessly chic." The sweeter scent has led some shoppers to think it is more suited to a younger audience, as one review read: "I think this fragrance would appeal to the very young, it is way too fruity and flowery for me." Shop the Viva La Juicy deal here. Ghost Deep Night Eau de Toilette, 75ml - was £55, now £22 (60% off) If there's one perfume brand that I, alongside so many others, tend to return to, then it is Ghost. While I am an avid user of the Orb of Night, I have always wanted to purchase this midnight-inspired fragrance - and with a 60 per cent discount I just might. Not only is the black crescent-moon shaped bottle iconic, but the "enchanting" scent is one that can be worn by anyone. Offering notes of Indian rose, belle de nuit, peach, moon flower and vanilla orchid, there's a reason it has been hailed as "mysterious" and "sultry". Owing to its reputation, Deep Night averages a rather stellar 4.8 rating based on 6,345 reviews, as one read: "Purchased for my mother and she loves it. It's an addictive scent and it lasts for hours. It's distinctive and typical of the Ghost brand. 5* Perfect, because you don't want to be having to reapply constantly." But for those who prefer a stronger scent, this might not be the best perfume, as one three-star review read: "Delivery amazing, love this perfume but downside is that it isn't as strong as normal. Still love it." Shop the Ghost Deep Night deal here. Britney Spears Fantasy Eau de Parfum, 100ml - was £42, now £16 As a Britney Spears fan who grew up singing all her songs, I was a huge fan of her perfumes, particularly the first ever one - Curious. However, I have recently purchased a bottle of Fantasy and can confirm it is indeed worth the hype. Often considered to be the princess of pop's most beloved scent, it's a "tantalizing" fragrance that is perfect for those who are looking for something a touch on the sweeter side. Described as "a magic love potion", it offers notes of red lychee, cupcake and creamy musk. Right now, it averages an impressive 4.7 rating based on over 17,000 reviews from impressed beauty fans who have said that they are "still obsessed" with the Fantasy perfume that they have been wearing for "years." One five-star review read: "I've been wearing this perfume for about 15 years. It lasts all day, and even when I shower but don't wash my hair I can still smell it in my hair from the previous day, so it lasts well. Always get compliments on it too." However, the fruity scent hasn't been to everyone's preference, as one shopper said: "I am not keen on this reformulation. All I get is fruitiness with a sweet twist. The original fantasy was sweet, candy cupcake - gourmand. I can't get past the lychee fruity note which is overpowering." Shop the Britney Spears Fantasy deal here. Until recently, I was not aware that NIVEA, the brand I associate with skincare, offers a few fragrances - and this particular one is said to "smell like summer" and has over 8,000 reviews. Now 35 per cent less, the Amazon Prime Deal offers the perfect chance to try it out and see if it's a worthy addition to the popular brand. Said to capture the scent of the firm's beloved summer sun, it's a "light and airy" fragrance that mixes citrus, florals and woods. Ideal for those who want to evoke a sense of sunshine, its round, golden bottle is also quite a cute addition to any vanity table. Averaging an impressive 4.2 rating, it has been praised in reviews as "uplifting" and "heavenly" by those who are looking to bag a fragrance for the summer season. One review read: "Love love love this. Smells like holidays. Highly recommend. I don't find the scent fades. I could still smell it at the end of the day." A few customers have advised that the lower price-tag reflects the quality of the longevity, as one three-star review read: "Wanted to try this for a long time but was disappointed with how long it lasted." Shop the NIVEA Sun deal here. Other great deals worth checking out While I think the above six are the top deals that I would personally take advantage of, mainly because I enjoy a mix of fragrances, that's not to say that's all there is. As many beauty buffs will confirm, Amazon's Prime Day is a plethora of deals, with perfume being one category with an abundance of choice available, meaning there is something for every scent profile. So, to make sure that everyone can find a bottle for them, I have provided below a list of alternatives that are also worth checking out while they are on offer.


Daily Mirror
5 hours ago
- Daily Mirror
'I tried Maybelline's viral Sky High Mascara on offer for Amazon Prime'
Finding a good mascara can be no mean feat. From getting the perfect curl, length and volume while making sure it doesn't run half way down your face by 3pm, its hard. I have tried so many different mascaras out there, from high-end Lancôme and Dior ones to drug store cheaper alternatives. I am a sucker for a good advert, and this is when I came across the Maybelline's viral Sky High mascara, which currently has over 50% off on Amazon. I have three different mascaras on the go at the moment (bad, I know) but I can't find just one I am happy with. I end up layering all three on top of each other. With pretty much every influencer, makeup guru and even my sister giving their two pence on the product, I knew I wanted to give it a go after such glowing reviews. It is also Molly-Mae's go-to mascara, and if it has Molly's stamp of approval - I was sold. The wand is plastic and slightly tapered which means it's big enough to coat all the lashes with one swipe, but due to the tapered end, it means you won't smudge into the inner corners of your eye. The wand is also flexible so you can wiggle it, zig-zag it or blink it through your lashes - or whatever your technique is. The application was faultless. It definitely covered every one of my lashes, and they were very long which is the ultimate goal for me. However, my biggest gripe with other mascaras is when it ends up under my eyes or on my eyelids halfway through the day and end up looking like a panda with some dodgy black smudged eyeshadow going on. So the Maybelline mascara had passed the application test, but it was time to give it a wear test - and it was a pretty hard one seeing as I was in the office all day and commuting to and from work in a heatwave. But I was pretty impressed, there was a slight smudge under my eyes, but nothing too offensive. Ideally I'd love a mascara that doesn't transfer at all. This mascara managed to last all day, and at the end of my working day my lashes still looked extremely long and fluttery. For the price you really can't go wrong - especially as it's currently on offer for over half price at just £5.99 compared to £12.99. It's not just me who loves it either, as Amazon shoppers have given it an impressive 4.3 out of 5 star rating. One beauty fan wrote: "This mascara delivers impressive length and lift without clumping. The flexible wand makes it easy to reach every lash, and the formula is lightweight yet buildable. It lasts all day with minimal flaking. Overall, a great drugstore option for long, defined lashes." Users must download or already have WhatsApp on their phones to join in. All you have to do to join is click on this link, select 'Join Chat' and you're in! We may also send you stories from other titles across the Reach group. We will also treat our community members to special offers, promotions, and adverts from us and our partners. Some of these articles will contain affiliate links where we will receive a commission on any sales we generate from them. If you don't like our community, you can check out any time you like. To leave our community click on the name at the top of your screen and choose Exit group. If you're curious, you can read our . While another penned: "This is a good mascara for the price. First photo after application, second and third photo at the end of the day. Slight panda eye/smudging but not too drastic. Application wise the brush is quite bendy compared to others but goes on well after the 5/6th use (perhaps it thickens slightly??)." Another viral mascara that is loved by beauty fans is the L'Oreal Telescopic mascara which is currently on offer for £6.99 as opposed to £10.99. It promises to provide up to +70% length and up to 36 hours of wear. The mascara features a flexible multi-comb for easy and high-precision application, and the brush is made with elastomer bristles and flat surfaces that evenly distribute the formula. A pricier but top-rated mascara is the Lancôme Définicils High Definition Mascara, which is also on offer for Prime Day for £20.30 (usually £24). It delivers instantly longer, separated lashes and the patented brush evenly distributes mascara from root to tip, creating a natural, clump-free look.


The Guardian
6 hours ago
- The Guardian
From ayahuasca rituals to a birthday in the favelas: Arles photography festival takes us on a trip
Artists have always been fascinated with imagining the invisible – but few have taken it quite as far as Musuk Nolte. The 37-year-old Mexican photographer has spent a decade working with the Indigenous peoples of the Peruvian Amazon region – and found inspiration there by taking ayahuasca with a shaman called Julio. Nolte tells me he first took ayahuasca when he was five years old – with his mum, an anthropologist who studied the psychedelic brew. The powerful hallucinogenic visions he experienced while with the Shawi community in their ancestral homeland, the Paranapura basin, have been translated into a series of images titled The Belongings of the Air, presented as small suspended light boxes, glowing like fireflies in a darkened room. They are unconventional documents, not showing the Shawi directly but reflecting the Shawi cosmovision. Pulsating with flashes of bright white light, the images have an allegorical tenor: we move with quickened breath from the intimate to the epic, from a woman and child washing clothes in a river to a closeup of a man's ear, to the blazing eyes of a big cat, to a dazzling constellation of blurry silver flecks. This latter image was created by photographing rows of candles lit for forcibly displaced relatives whose whereabouts remain unknown. The feeling it stirs is one of the universe melting. The Belongings of the Air is among the highlights of this year's Les Rencontres d'Arles, the world's oldest and most prestigious photography festival. There are dozens of exhibitions here, taking over the ancient, crumbling cloisters, churches and crypts of the Roman city until October. Nolte's trippy, illusory work is also included in An Assembly of Sceptics, the shortlist exhibition for the 2025 Discovery award Louis Roederer Foundation that includes seven projects by artists using photography to conjure alternate versions of reality and destabilise the status quo. Bolivian-Algerian artist Daniel Mebarek presents portraits taken in a free mobile photo studio he set up in the huge open-air market in El Alto, Bolivia. The photographs reflect an eagerness, particularly of middle-aged men, to be seen. He recounts a story of an inebriated man who later returned to thank the photographer with a bag of pears, and another of a man who kissed his photograph in elation. There are also the fraught, time-bending, cryptic collages of Cairo by Heba Khalifa, who uses family photographs and photomontage techniques in part to help her confront and heal after an abusive childhood. The spellbinding photographs by Octavio Aguilar also travel through time to the artist's Ayuuk ancestors, a heritage conjured through images of his friends dressed as deities important in Ayuuk mythology who influence nature. Aguilar, like Nolte, offers another way of interacting with the environment based on Indigenous knowledge and ways of seeing. As wildfires raged nearby in Marseille, less than an hour from Arles, the urgency of this message loomed large. An Assembly of Sceptics reflects this year's strong Latin American focus, centred on several big exhibitions diving into the past, present and future of photography in Brazil – part of the programme of the Brazil-France cultural year. The story of Brazilian photography at Arles begins in São Paulo in 1939, when 18 amateur photographers founded the Foto-Cine Clube Bandeirante (FCCB). The FCCB's headquarters in São Paulo's first skyscraper emphasised the intertwining of photography and architecture as the vehicles of modernism. The early works of the FCCB photographers, in the 1940s and 1950s, reflected modernist ideals with a cool, graphic poise – pristine documents, sometimes verging on abstraction, of urban construction, cables, wires and the clean, curvilinear forms of São Paulo's new modernist landmarks by the likes of Oscar Niemeyer. Human figures, when they appear, are puny against the might of progress. Later, though, several photographers started to unravel this modernist utopia, revealing those cast out, excluded from the benefits of this supposed social progress. Alice Brill was one of the rebels, who was ejected from the FCCB after less than a year. Her images move away from the exaltation of modernism to a darker picture of the human cost of development. Her photos of poverty and the poor living conditions of communities on the city's outskirts, of cluttered streets littered with rubbish, São Paulo's proud skyscrapers distant in the background, are a far cry from the untainted, uncrowded visions that followed the FCCB's guidelines at the time. They act as reminders that progress rarely benefits all. At cultural space La Croisière you are propelled into the rhythm and colour of one of Brazil's largest favelas, the sprawling Aglomerado da Serra located in the hills of Belo Horizonte. A dual exhibition, Portraitists of the Hill draws from the archives of Serra residents João Mendes and Afonso Pimenta. Mendes and Pimenta collaborated to document their local communities for more than 50 years, but this show focuses on the first two decades of their work there, between 1970 and 1990. Though Serra was established out of a lack of proper housing for Belo Horizonte's swelling population, Mendes and Pimenta show the autonomy of an energetic, stylish community who they photographed with obvious affection and warmth. Here are images of irrepressible joy and happiness, beautiful and chaotic. They record the lively tempo of children's birthday parties, the shining primary school graduates at a local state school and the agile moves of those trained in the martial art capoeira. But they also pay homage to quieter domestic moments, families in their living rooms and around kitchen tables. The exhibition pays particular attention to the duo's images of fathers, grandfathers and men holding children – in one image, a local shopkeeper proudly holds a neighbour's newborn baby up to the camera. A man in his underwear in his living room puts his arm around his smiling wife. A father props baby twins on his knees, a balancing act belied by his composure as he looks directly at the camera. The pictures shift ideas about the caring roles of men in a patriarchal society, as if conscious too of the legacy of these pictures, and their potential to shape how the children in them might look back and remember. Activist and artist Claudia Andujar, who has lived in São Paulo since 1955, is best known and widely celebrated for her work with the Yanomami Indigenous people of Amazonia. Her decades-long activism contributed to the recognition of Yanomami territory in 1992. Yet while this acclaimed work continues to be relevant given the struggles of Indigenous peoples in Brazil and beyond, it has perhaps skewed the understanding of Andujar as an artist. In the Place of the Other at Maison des Peintres redresses that, the first exhibition to home in exclusively on Andujar's early, less known works, made in Brazil soon after she arrived in the country in the 1960s and 1970s, and before she began to work with the Yanomami. It's a small but utterly enthralling show, bringing to light several series originally produced and published by Realidade (Reality), a groundbreaking Brazilian magazine published between 1966 and 1976 that combined reportage and experimental design. The images are astonishing – Andujar's fearless, extraordinarily direct gaze is emphasised by these large-scale reproductions. For a 1967 story about the work of traditional midwife Dona Odila, Andujar captured, with an unflinching eye, the climatic moments of a child being born. These photographs of a woman labouring at home led to the magazine being confiscated by the police. Other works soar with cinematic beauty, such as a series of pictures following a controversial medium known as Zé Arigó, who was later imprisoned for his 60-second 'psychic surgeries'. One excruciating image immortalises the surreal moment he inserts the flat blade of a knife into a patient's eye. This exhibition draws out Andujar's unique combination of empathy and audacity, and her deep interest in the human psyche. Her first experiments with colour filters applied to the camera evoke an apparent interest in 'aura', the things felt but not seen. Her photographs of drug addicts and of a psychodrama session take photojournalism into a daring, bold new terrain and have more in common with Dario Argento and Quentin Tarantino than Henri Cartier-Bresson and Robert Frank, who Andujar exhibited alongside at MoMA in the 1960s. The exhibition culminates in A Sônia, a series of nudes of Andujar's one time muse, an aspiring model from Bahia. Andjuar met Sônia, and never saw her again after the three hour shoot. A Sônia presents another completely different facet to Andujar. She wasn't happy with the original slide film portraits she took and so rephotographed them through coloured photographs – the resulting nudes look like X-rays, ethereal and strange. On the face of it this intimate exchange (and more classical subject matter) seems disconnected from Andujar's other works – but it is ultimately about one person trying to understand another, from the outside in. Just as her photojournalism in Brazil began as a way of understanding her adopted homeland, here Andujar writes that 'perhaps I was seeking an idealised reflective identification with what I do not know about my own body'. Latin America dominates, but Australia too has an important landmark moment at Arles this year – the first ever big exhibition of Australian photography to be held at the festival. On Country is an expansive, encompassing survey featuring about 20 artists in the huge Eglise Sainte-Anne. As a result of its ambition and diversity, it is varied in quality, with some repetitive moments. The exhibition centres on connections to Australian terrains and topographies, taking inspiration from the First Peoples' definition of 'country' as a broad way to describe a spiritual and cultural connection to the land. Adam Ferguson's brooding, dramatic photographs of the Australian outback, made over the course of a decade, ruminate on the devastating impact of environmental crisis on rural life in these scorched, vast landscapes. Ying Ang's evocative, architectonic installation, with intersecting images and vinyls, explores the overdevelopment of the Gold Coast, now Australia's crime capital. The best works, though, were the large-scale, weirdly wonderful performances of Michael Cook, a Bidjara peoples artist who photographs himself as an alter ego, dressed in a suit, in places of colonial power, multiplied until he fills the space. If one show truly blew me away this year, it was the mind-boggling In Praise of Anonymous Photography. Marion and Philippe Jacquier ran the recently closed Lumière des Roses gallery, a home for the nearly 10,000 photographs they'd collected over 20 years by unknown and amateur photographers. This exhibition brings together images from the collection in various categories – there's some of the 120 Cindy Sherman-esque self-portraits by a photographer the collectors name 'Zorro', posing with whips, aviation masks and thigh-high boots. There are Mr Roussel's carnivalesque portraits of a wife, her features altered, sometimes grotesquely, by painting applied to the photograph. There are the pictures a Parisian pharmacist took of his customers without consent via a secret camera installed behind his counter – only one child seems to have spotted what was going on. Why the pharmacist did this, we will never know. There is also a tranche of the self-portraits of Lucette, the hero, in my mind, of Arles this year. Born in 1908, she travelled solo to France, Greece, Egypt, Syria and Scandinavia between 1954 and 1977. On her trips, she took 850 pictures – and the sole subject of them all is herself. She is also almost always out of focus. The photographs, when the Jacquiers acquired them, were meticulously organised and catalogued by date and location. The show is brilliant and bizarre, telling stories about obsession, fetish, loneliness and secret desire. In fact it's so good that it sends out a warning to all professional photographers – perhaps anyone really can take a decent picture. Les Rencontres d'Arles runs until 5 October