
COOFANDY Announces Collaboration with Luxury Designer Matteo Menotto to Advance Global Brand Expansion and Premiumization
Matteo Menotto is an accomplished designer whose career includes a pivotal tenure as Print Design Coordinator for Gucci Menswear, where he led the creative development of prints and soft accessories from 2015 to 2021. With a background spanning top-tier fashion houses and luxury heritage brands, Menotto brings a refined artistic vision shaped by years of innovation at the forefront of global fashion. Now serving as Head of Design for prints and textile accessories at Bulgari, he continues to influence the industry through both consultancy and academic contributions. Partnering with Menotto signals COOFANDY's commitment to elevating its design standards and advancing its move toward a more premium, globally minded brand.
A Collection That Blends Storytelling with Craftsmanship
The COOFANDY x Matteo Menotto capsule collection is more than a seasonal launch—it's a carefully curated expression of form, function, and creative synergy. Inspired by the concept of an 'Exotic Escape,' the series merges Menotto's narrative-driven print language with COOFANDY's focus on versatility and wearability. Each piece in the collection is designed not only to evoke a sense of refined adventure but to meet the everyday demands of modern living through thoughtful materials and construction.
At the heart of the collection is a series of printed shirts that showcase Menotto's original Toile de Jouy-inspired artwork. These garments feature tropical motifs—floating islands, wild tigers, exotic birds, and lush flora—rendered in monochromatic tones for a timeless aesthetic.
COOFANDY Vibrant Hawaiian Print Shirt: A versatile summer essential featuring energetic tropical prints that pair easily with any seasonal outfit. Made from quick-drying, machine-washable fabric that resists shrinking and fading, this shirt offers effortless care and long-lasting vibrancy—ideal for travel, beach days, or casual outings.
COOFANDY Linen Long-Sleeve Henley Shirt: Crafted from a lightweight, breathable, and soft linen blend, this Henley shirt is both refined and functional. It features rollable long sleeves and distinctive button detailing. Designed to maintain color and shape, it's an elegant option for warm-weather layering with a casual yet polished feel.
COOFANDY Floral Hawaiian Vacation Shirt: Designed in a relaxed fit with breathable, lightweight fabric, this floral shirt captures the easygoing spirit of summer holidays. Its casual aesthetic is easy to style and maintain, making it a go-to piece for beach vacations or everyday wear.
COOFANDY Nature-Toned Print Shirt with Modern Minimalism: Featuring a soft, fast-drying fabric and a loose fit, this shirt blends subtle floral prints with earthy tones. The design is clean and modern, offering versatility for various occasions while remaining easy to wash and wear.
COOFANDY Short-Sleeve Nature-Inspired Shirt with Concealed Placket: Made from a high-quality, breathable, and anti-shrink fabric, this shirt features a stylish hidden placket and all-over nature-themed prints. It's an elevated choice for leisure events, blending detailed design with technical comfort.
COOFANDY Summer Beach Shirt and Shorts Set: A coordinated two-piece set tailored for warm weather. The shirt features a hidden placket and cuffed sleeves, while the shorts include functional side and back pockets. Made from lightweight, wrinkle-resistant, and moisture-wicking fabric with slight stretch, this set delivers both comfort and style with bold, vivid prints.
COOFANDY Relaxed Hawaiian Shirt with Earth-Tone Prints: Soft, fade-resistant, and quick to dry, this shirt offers a relaxed silhouette and subtle tropical patterns. The minimalist design ensures styling versatility, making it a staple piece for diverse casual settings.
COOFANDY Versatile Printed Hawaiian Shirt: Crafted for comfort, this shirt features a soft, easy-care fabric and understated tropical graphics. Its relaxed fit and neutral tones offer a clean, stylish option suitable for multiple occasions.
COOFANDY Wrinkle-Free Tropical Floral Shirt: Designed with a refined silhouette and made from wrinkle-resistant, no-iron-needed fabric, this piece combines practical performance with a sharp tropical aesthetic. Ideal for both beach settings and smart casual outings.
Every item in the collection reflects a shared design philosophy: to fuse narrative-rich aesthetics with high-performance materials. The result is a wardrobe that feels thoughtful yet effortless, refined yet relaxed.
Limited Edition, Designed to Stand Out
This exclusive COOFANDY x Matteo Menotto collection is available only for a limited time and in limited quantities. Each piece is part of a curated capsule that blends high-end design with everyday functionality—making it not only a wardrobe upgrade, but a collector's item for those who value thoughtful craftsmanship and unique style.
Don't miss the chance to own a piece of this exclusive collaboration. Shop now before it's gone.
A New Chapter in COOFANDY's Design Journey
The COOFANDY x Matteo Menotto collaboration marks a pivotal step in the brand's global and premium positioning. By aligning with a designer rooted in luxury fashion, COOFANDY sharpens its creative direction while reinforcing its commitment to accessible, well-crafted menswear.
This collection reflects a clear evolution—where international design standards meet everyday function—signaling COOFANDY's continued rise as a modern, globally-minded brand.
Media Contact
Company Name: COOFANDY
Contact Person: Charlotte Liu
Email: Send Email
Country: United States
Website: https://coofandy.com/
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CTV News
4 hours ago
- CTV News
Paralyzed concert pianist makes triumphant return to the stage thanks to new technology
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'It's a huge win for music, and it's a huge win for accessibility music and equality of opportunity,' Baldini said. '(Now), people with disabilities have the potential for performing on stage and on a professional level, which is something that has never been done before. 'The few images that we captured, the videos, are going to be the start of something that maybe could inspire some kids with disabilities to pursue musical careers.' Resonate was actually named after the right of the three piano pedals, known as the sustain, damper or resonance pedal, which is required to play the majority of classical music, according to Baldini. It keeps the notes playing after a musician's fingers are taken off the keys. The stage beckons Last December, Baldini went to the Winspear to see if a performance like this would be possible, if he could wheel onto the stage and if Resonate would work with the piano. A few months later, he was asked if he would be interested in playing in some shows with the Edmonton Symphony Orchestra (ESO). ESO The Edmonton Symphony Orchestra's Anime in Concert show. (Edmonton Symphony Orchestra) The three concert performances for Anime in Concert over two days in June were the largest crowds Baldini had played in front of since Resonate was developed. 'It's been a dream come true for me to be able to perform with a full symphony orchestra on stage after my injury in my wheelchair,' said Baldini. 'I had an incredible feeling, It went really well. 'The audience responded not as at a classical concert where the audience is more composed, which made the energy coming from the audience amazing.' When he wheeled out onto the stage, he started playing, not saying anything until after the first song, once the audience had a chance to question how he could play while in a wheelchair. 'The focus was music, not disability,' Riccardo said. 'The stigma about disability should disappear from the concept. I'm there performing like anyone else.' Baldini performed One Summer's Day from Spirited Away and Kanashikute Yarikirenai from In This Corner of the World. 'Growing up, I watched a lot of anime and I love it. I think there's so much depth into these Japanese productions that I always enjoyed,' Baldini said. 'I was very much pleased to play the music from these movies.' He said the other performers and staff at the Winspear were very accommodating and encouraging, 'like a big family.' Music is what matters Resonate in its current form has been ready since 2024, as the first prototype was 'too loud' according to Baldini and having it be unobtrusive was important to him. 'It's not about you, it's about the music and conveying some emotions, and I think we achieved that throughout the concert, and hopefully also shared a good message with my performance,' he said. 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'There is so much more that can come and you can do despite whatever situation and whatever cards you are dealt by life. Just be creative and don't give up.'

CTV News
a day ago
- CTV News
Tech promised virtual reality would revolutionize entertainment. That moment might finally be closer than we think
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Earlier this year, Apple also launched an immersive Metallica concert for the Vision Pro and announced in July it's readying its first upgrade to boost the Vision Pro's performance. Taken together, this signals that tech and media behemoths are still betting that consumers will be willing to spend hundreds, if not thousands, to experience concerts, movies and sporting events beyond the confines of a traditional screen. A chicken-and-the-egg paradox In the 10-plus years since Oculus debuted the Rift, headset manufacturers have produced lighter, more powerful devices. Meanwhile, companies are finally warming to the idea of another medium for storytelling. Tech companies have a history of flirting with VR projects aimed at mainstream users. In June, Meta offered live virtual rinkside tickets to Stanley Cup games, echoing previous NBA and WNBA offerings. Headset owners have attended virtual concerts for years, including Apple's immersive Alicia Keys session and Meta's Blackpink show. Disney even launched a Disney+ app for Apple's Vision Pro on Day 1 in 2024. But these have been pilots to gauge interest, not long-term investments. Historically, headsets have been trapped in a chicken-and-egg paradox: to woo entertainment content, they need mass adoption; but to reach that scale, headsets need premium content. The technology must also be comfortable, powerful and popular enough to gain mass appeal. For Sarah Malkin, director of entertainment content for Meta's VR division Reality Labs, that cycle is already being broken. 'I think the 'it moment' is when you are regularly engaging in experiences in mixed reality that are super complementary and part of your integrated life,' Malkin told CNN. 'To me, that's already happening.' Global shipments of augmented reality (AR) and VR headsets increased by around 10 per cent in 2024 to 7.5 million and nearly 30.8 per cent to 3.4 million in the US, according to IDC, a global market intelligence and data company. Although IDC predicts shipments around the world will tumble this year due to delayed product launches, it expects a massive rebound in 2026 with worldwide shipments surging 98.5 per cent to 11.3 million. However, the results haven't always lived up to the hype. Mark Zuckerberg's Metaverse has cost Meta US$46 billion over three years. Reality Labs, the company's VR division, posted $4.2 billion in operating loss and just $412 million in sales in Q1, down from the previous quarter. But tech giants continue to experiment with the technology. Meta invested $3.5 billion in eyewear manufacturer EssilorLuxottica SA to bolster its AI spectacle gambit, according to Bloomberg. (A Meta spokesperson declined to comment on the report.) Snap recently said it plans to launch new augmented reality spectacles next year, and Google continues to work with partners like Xreal and Samsung on upcoming headsets and glasses that run on its new Android XR software. Samsung will be among the first to launch such a device with its upcoming Project Moohan headset. With more sophisticated hardware and a budding content portfolio, Bertrand Nepveu, a former Vision Pro contributor and partner at Triptyq Capital, said wider adoption is crucial. 'It's still early, but there's no technical limitation right now, it's more (that) we need people to invest because you need a critical mass,' Nepveu told CNN. Samsung's Project Moohan Attendees photograph Samsung's Project Moohan mixed-reality headsets with Google at the Galaxy Unpacked event in San Jose, California, on Jan. 22. (Michaela Vatcheva/Bloomberg/Getty Images via CNN Newsource) A paradigm shift in content Although big names like James Cameron and Sabrina Carpenter are already beginning to explore VR, immersive storytelling has yet to gain that crucial widespread popularity. Slow growth can be partially attributed to incorrect assumptions by studios. 'You can't just take the flat version of what you put on Disney+ or Netflix or Amazon, and just throw that up,' Jenna Seiden, an industry consultant and adviser who has worked with Skydance Media, Niantic, CAA, and Xbox, told CNN. 'You need to build natively so the audience is going to have a different experience per platform.' While creating media for virtual and mixed reality may seem like a departure from developing content for 2-D screens, Seiden says the secret to success is a tactic media companies are already familiar with: exclusivity. 'You look at the creation of HBO (Max), you look at the creation of Apple TV+, they grew their audiences based on exclusives, that's why you went to them,' Seiden said. 'I think that model is very familiar to entertainment companies, and they can go to their board saying, 'Hey, this is how platforms grow, with exclusive content.'' That's what makes live virtual sports an easy way to break down extended reality (XR) barriers for audiences. Paul Raphaël, co-founder of Felix & Paul, said sports can be easily adapted for immersive platforms using 180-degree cameras. 'You already have quite a few events and sports being broadcast, whether it's live or asynchronous,' Raphaël said. 'As the audience grows, it's a really straightforward path to create the content or to broadcast the content.' For Hollywood, the possibility of a new major distribution platform couldn't come at a better time. In today's fracturing media environment — shaken by streaming, the collapse of the cable bundle, and post-Covid box office woes — a new medium could be a crucial selling point, especially for entertainment boards looking for a new revenue vein. Jack Davis, co-founder of CryptTV, said headsets might provide a much-needed pipeline for premium content. 'As gigantic structural changes happen in TV and film, the industry is going to need to replace those things in the aggregate,' Davis said. 'This could be one of the only formats that premium entertainment actually seems like it makes sense (for) the user base.' Budgetary and content hurdles Over the past decade, investment in VR has been eclipsed by more pressing innovations, including self-driving cars and AI. Although it's difficult to determine how that has directly impacted XR investment, funding data from Crunchbase, a predictive company intelligence solution, shows that backing for AI and self-driving has steadily increased, rising from $39.96 billion in 2019 to $105.36 billion by 2025. Meanwhile, XR funding has experienced more erratic behavior — reaching a peak of $4.087 billion in 2021 but dropping to $347.69 million by 2025. Things were much the same in the venture capital world, where the number of global VR deals has also dropped in recent years. PitchBook, which examines private equity and VC deals, notes that 2019 was the largest year for VC deals in VR in the last decade, recording $6.43 billion in deals worldwide. That was significantly smaller than the $57.084 billion from AI-focused venture capitalists that year. In 2025, VR VCs have fallen to only $3.61 billion in global deals while AI VCs have grown to $130.89 billion. But Nepveu said that's changing. 'Now that AI is more understood, you know what it's good for, what it's not capable of, the budgets now are going back into XR,' Nepveu claimed. Still, tech giants investing in the development of mixed reality headsets face a daunting challenge that extends beyond the entertainment available. They need to convince consumers that the devices are both worth paying for and putting on their faces. That's partially why Apple emphasized the Vision Pro as a spatial computing tool, focusing on work and productivity rather than just 2-D and 3-D entertainment capabilities. Still, even a decade later, experts can't seem to agree on exactly when VR will have its breakout moment. Nepveu said it could happen any day. Raphaël expected one or two years. Davis suggested three to seven. Seiden said five to 10. Raphaël, however, believes 2-D content may soon feel as dated as pre-Technicolor entertainment. 'Content, the way it is consumed today, is going to be much like we think of black and white movies, where, if a film isn't immersive, it doesn't lose its value, but it becomes something of another era,' Raphaël said. By Liam Reilly.


CBC
a day ago
- CBC
The bandage dress is back — here's how Gen Z is wearing it
The year was 2007. Apple released the iPhone; the Spice Girls set out on their first reunion tour; and the final Harry Potter book hit the shelves. It was also the year the bandage dress — a form-fitting frock that mimics the look of a body wrapped in, well, bandages — was ubiquitous, worn by the likes of Rihanna, Lindsay Lohan and Victoria Beckham. Now, nearly 20 years later, the polarizing silhouette appears to be making a comeback, and the numbers prove it. Molly Rooyakkers — an Amsterdam-based researcher who uses data to forecast fashion trends — noted a recent surge in interest, globally, around the style (a 400 per cent increase in online search traffic in just one week in June). That has slowed, Rooyakkers said, but searches are still up compared to this time last year. "It's definitely still trending," she said. While many may be familiar with the reign of the bandage dress in the late 2000s and early 2010s — some fondly refer to it as the "millennial going-out dress" — couturier Azzedine Alaïa first introduced the look back in the 1980s, drawing inspiration from the layered strips of fabric on Egyptian mummies. In the 1990s, designer Hervé Léger created his own version of the look, and it became a red-carpet staple; supermodel Cindy Crawford famously wore a white number to the Oscars in 1993. In 2007, A-listers started wearing the dress to buzzy events and it trickled down to the masses via fast-fashion dupes. A go-to formula for a night out at the club? A bandage dress, a blazer and a pair of wedge or platform heels to navigate a sticky dance floor. Like most trends, it died out, making way for styles like the slip dress, the wrap dress and the milkmaid dress. But last September — in an obvious nod to Crawford's fashion moment — her daughter, Kaia Gerber turned heads at the Toronto International Film Festival in a similar white bandage dress. It was an early sign of the trend's revival, Rooyakkers said, but the spike came after British womenswear brand House of CB launched a collection of bandage dresses to celebrate the company's 15-year anniversary. "Part of the appeal is that it pushes back against the rise of 'quiet luxury' and more conservative dressing," Rooyakkers said. "A lot of brands that used to cater to the going-out outfits, like PrettyLittleThing, have pivoted to minimalist looks. So people became really excited about the bandage dress because it was in opposition to a mainstream trend that they didn't necessarily like or relate to." Toronto fashion stylist Candy Sai said the trend is resonating with a younger generation. "While millennials remember the bandage dress as a nightlife staple, Gen Z is reinterpreting it through a fresh lens — pairing it with streetwear elements, oversized leather jackets or even sneakers to give it a more casual, wearable edge," she said. And under creative director Michelle Ochs, the Hervé Léger brand is doing its part to bring the style back, releasing a slew of updates on the theme. Of course, there's the concern that the return of the dress glamorizes toxic ultra-thin beauty standards. "The bandage dress is historically associated with very small body types across the 1990s late 2000s, so its comeback seems to overlap with that shift," Rooyakkers said. "It's not that the dress requires a certain body type, but culturally it's tied to that esthetic." For Sai, the trend is no surprise, with Y2K fashion still dominating the runways and the streets. And Rooyakkers believes the dress has staying power as it's come back again and again — and is easy to thrift or find as a dupe. "That accessibility gives it the potential to keep circulating for a while," she said.