logo
Australian horror movie director James Wan left heartbroken after shock death of Annabelle haunted doll handler

Australian horror movie director James Wan left heartbroken after shock death of Annabelle haunted doll handler

Daily Mail​9 hours ago
Australian horror director James Wan is mourning the tragic loss of Dan Rivera, the caretaker of his infamous 'haunted doll' Annabelle, who passed away while on tour in the US.
Dan Rivera, 54, was in Gettysburg, Pennsylvania for his Devils on the Run tour - a cross-country event featuring the eerie Annabelle doll - when he was discovered unresponsive at his hotel on Sunday night.
Wan, 48, known for directing the 2013 horror hit The Conjuring, which introduced Annabelle to audiences, and producing its 2014 spin-off, expressed his shock and sadness on social media this Wednesday.
The Saw director shared a heartbreaking report of Rivera's unexpected death on his Instagram Stories, adding a caption adorned with a saddened and shocked emoji.
The news came just one month after Wan expressed his heartbreak after his former producing partner Jason Constantine unexpectedly died.
From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new showbiz newsletter to stay in the loop.
It comes after the veteran ghost hunter died suddenly while touring the US with a 'possessed' doll in one of America's 'most haunted towns', Gettysburg, Pennsylvania.
Emergency dispatch logs confirmed a CPR-in-progress call for a man matching his age, according to the New England Society for Psychic Research (NESPR), where he served as lead investigator.
The organisation later confirmed his death, though the cause remains unknown.
Rivera had built a loyal fanbase through his ghost-hunting work and viral content reviving the eerie legends of Annabelle and other cursed relics.
His final stop - in Gettysburg, a Civil War town long said to be haunted - was completely sold out.
The Annabelle doll gained notoriety through paranormal investigators Ed and Lorraine Warren, who kept it locked in a glass case in their private occult museum and famously warned visitors never to touch it.
The couple's work inspired Wan's The Conjuring and Annabelle films and remains central to modern paranormal lore.
The Devils on the Run tour - during which the actual doll was removed its sealed case for a series of public events - has come under growing scrutiny, with fans fearing its dark energy could be unleashed.
The Raggedy Ann Doll's paranormal legend dates back to the 1970s, when it was apparently given as a gift to a nurse in Hartford, Connecticut, before beginning to exhibit disturbing behaviour.
Annabelle was thought to be possessed by the spirit of a dead child and was said to move on her own, leave terrifying handwritten notes and even allegedly attacked someone.
The case caught the attention of the Warrens, who concluded Annabelle was being manipulated by a demonic entity.
Due to the popularity of the story and subsequent film franchise, the real Annabelle doll was removed from its secure case and included in the Devils on the Run tour, which began touring in May.
The tour wasn't just a viral hit - it stirred controversy too - Critics accusing Rivera and his team of exploiting fear and superstition for profit, while believers warned that transporting the doll could unleash real danger.
During one of the stops, visitors claimed the three-foot-tall doll had vanished without explanation, sparking a wave of online panic and conspiracy theories.
Fears snowballed across social media, with some convinced the so-called 'possessed' doll had unleashed a curse.
Despite the dark nature of his work, Dan was known for his upbeat, engaging presence - especially when it came to Annabelle.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Will Smith exclaims ‘I'm Welsh' as he discovers hometown link
Will Smith exclaims ‘I'm Welsh' as he discovers hometown link

The Independent

time13 minutes ago

  • The Independent

Will Smith exclaims ‘I'm Welsh' as he discovers hometown link

Will Smith expressed delight upon discovering his connection to Wales during an appearance on BBC Radio Wales. Host Lucy Owen revealed that Smith's hometown, Wynnefield, Pennsylvania, was named after a Welsh physician, Dr Thomas Wynne. The actor and singer exclaimed, 'So I'm Welsh! I'm Welsh, basically,' and joked about changing his name to 'Welsh Smith'. Owen said: 'You are Welsh, and we are claiming you.' Watch the video in full above.

Tesco's 'gorgeous' and 'beautiful' £25 midi dress looks 'stunning on'
Tesco's 'gorgeous' and 'beautiful' £25 midi dress looks 'stunning on'

Daily Record

time13 minutes ago

  • Daily Record

Tesco's 'gorgeous' and 'beautiful' £25 midi dress looks 'stunning on'

Tesco F&F Clothing is selling a new dress that fans are loving - and they say it looks 'expensive' and 'classy' Tesco shoppers are heaping praise on a "stunning" dress they've seen online. The retailer's own F&F Clothing range is selling the dress for £25, sparking excitement among customers keen to snap it up. TikTok user Annabelle (@annabellevictoriax) shared a clip showcasing the dress online. Her post was captioned: "We are going to the races." The dress featured in the clip is the F&F Polka Dot Ruffle Midi Dress in Ivory. It has an overall polka dot pattern, ruffle trims and a split hem. Alternatively, shoppers can snap up the satin halterneck maxi dress with cowl back detail in rust from ASOS for £50. New Look has the £33.99 Olive Satin Twist Back Slip Midi Dress, while Next stocks the Lime Green Textured Satin Halter Sleeveless Midi Dress for £55. The video racked up 71.6k views, more than 18,000 likes and many comments from excited fans. Beneath Annabelle's post, one person said: "You look absolutely stunning" and a second wrote: "I've got this for hol and it's stunning on." A third added: "That looks so nice I may have to get it", and a fourth wrote: "It looks beautiful." A fifth comment read: " Pure perfection," and a sixth said: "Looks stunning on you." Another said: "Just goes to show you don't have to spend silly money on designer dresses as that is gorgeous." The praise continued, with one shopper writing: "Wow that dressing looks stunning on. When she posted it in Tesco I liked but didn't think it was that nice to buy but it looks so expensive and classy on I love it and now I want it." The dress was also featured in a clip from Julia (@the_julia_edit). The post was captioned: "F&F Try On. If you like a bit of monochrome you'll like this reel @fandfclothing. I'm wearing a size 10 in all the dresses and a medium in the cover up." Among the comments, one person said: "It's such a lovely fit and so pretty on," and a second wrote: "I have the white one too it's so so lovely." However, some shoppers shared their disappointment with Tesco, particularly around pricing and sizes. One person said: "Tesco's have gone expensive." A second wrote: "Gorgeous girl, dresses look fab. we definitely don't have these in Tesco here, Belfast." Another wrote: "Half of the clothes are out of stock or in size 8 or 18." Despite this, others praised the dress. One shopper said: "All beautiful but I really loved the black off the shoulder and white polka dot."

Killer space meatballs to cursed shrubbery: Stephen King's TV adaptations – rated bad to best
Killer space meatballs to cursed shrubbery: Stephen King's TV adaptations – rated bad to best

The Guardian

time14 minutes ago

  • The Guardian

Killer space meatballs to cursed shrubbery: Stephen King's TV adaptations – rated bad to best

There are several things we have come to expect from small-screen adaptations of Stephen King's many, many novels and short stories and they are, generally speaking, these: there will be a small town beset by an Ageless Evil. There will be children, some of whom will be dead, others merely telekinetic and/or screaming in pyjamas. There will be blood. And flannel shirts. And dialogue so awful you will want to bludgeon it with a spade and inter it in an ancient burial ground, despite the suspicion that it will rise from the dead and continue to torment you. Like the generally superior film versions of the author's works, some of these TV adaptations will, in fact, be very enjoyable. Others will not. And then there is The Institute (MGM+), a new adaptation of a middling 2019 thriller that manages to capture the endearingly wonky essence of King's genius by being both extremely well crafted and, at times, astonishingly silly. But how does it measure up to its predecessors? Let us clamber into a flannel shirt and, screaming pre-emptively, explore the best and worst of small-screen Stephen King. The Shining (1997) Enraged by Stanley Kubrick's magnificent interpretation of his 1977 novel (too little substance, apparently), King responded with a 'definitive' adaptation of his own. Cue this two-part abomination, in which writer Jack Torrance (Steven Weber) terrorises his family with his definitive denim blouson and definitive inability to act. Further definitives: CGI topiary, a young Danny Torrance seemingly incapable of speaking without snuffling (sinusitis?) and a final showdown consisting of a mallet-wielding Jack chasing his nasal son past the same endlessly looped stretch of hotel corridor. Under the Dome (2013-2015) A thunderously bovine fusion of small-town soap and big-budget sci-fi that includes plucky teens, military machinations, a soundtrack packed with SUDDEN and UNECESSARY NOISES and a bit where a pensioner in dungarees shouts, 'OHHHH SHIIIIIIT' at half a sliced-in-two CGI cow. Stuffed from the word go, frankly, due to a premise so risible (alien egg makes indestructible transparent dome descend on town) you wouldn't be surprised if the remaining half of the sliced-in-two CGI cow turned to camera and begged to be put out of its misery. Storm of the Century (1999) A tiny Maine island is besieged by exposition when a stranger in a small hat arrives during a blizzard. The upshot? Tedium. Plus? Levitating guns, CGI snow and hundreds of minor characters, one of whom will, every half hour or so, extend their neck out of the gloom to announce a terrible new subplot before telescoping it back in again while everyone else nods and says, 'yuh'. Not an adaptation, per se, but an original 'novel for TV' (© Stephen King), which is shorthand for '257 minutes of Stephen King being emphatically Stephen King only more so'. The Stand (2020-2021) The apex of the 'large group of out-of-focus extras stands around nodding while a foregrounded hunk expounds on the best way to tackle whatever is threatening the community' genre. In this instance, the threat is twofold. Namely 1) a viral apocalypse and 2) a script that takes King's outstanding 1978 fantasy by its ankles and shakes it until its brain falls out. Makes even the 1994 adaptation (Gary Sinise shouting 'Noooo' at a field for six hours) look tolerable by dint of bewildering flashbacks, zero tension, general confusion, Whoopi Goldberg and wolves. The Langoliers (1995) Some people disappear from a plane, some other people argue about it, one of these people gets eaten by angry space meatballs, the end. A terrible reminder that the worst King has always been sci-fi King, this three-hour duffer has more in common with the appalling 'shouting ensemble' disaster films of the 70s than anything 'one' might wish to watch with one's 'TV dinner'. The result? A miniseries so volcanically dull you had to prick your telly with a fork, like a baked potato, to let the yawns out. The Institute (2025) A tyrannical bootcamp for telekinetic children, you say? With a small-town backdrop, federal bastardry and eccentrics in plaid prophesying on porches? Why, 'tis season four of Stranger Things! Except it isn't. Welcome, instead, to a very solemn eight-part thriller, in which awful things happen slowly to good actors (not least Joe Freeman, son of Martin Freeman and Amanda Abbington) and YA friendships bloom despite the presence of lines of the 'you are about to participate in saving the world!' variety. It is, if you will, Stranger Kings. The Tommyknockers (1993) Nothing says 1993 like Jimmy Smits being punched by an alien while shouting 'Woah' in chinos. And so it proved with this confounding oddity, a sci-fi potboiler that cartwheels into the 'actually hugely watchable' category by virtue of everything from acting to special effects being coated in an almost certainly accidental layer of camp. Cue swirling green gas, comedy dogs, cursed shrubbery, killer dolls, xenomorphs tiptoeing gingerly around a cardboard spaceship and the line, 'I'm gonna nuke you!' Salem's Lot (1979) Not just the finest Stephen King TV adaptation, but one of the finest horror 'events' of the 1970s, by jove. The reason? Genuinely nightmarish imagery (dead schoolboys clawing at bedroom windows, bald vampires rising slowly from kitchen floors, etc) and a near-constant sense of clammy dread. Further proof that when it comes to miniseries, it pays to employ a proper director (Tobe 'Poltergeist' Hooper, in this instance) as opposed to, say, an upturned bucket in a turtleneck. It (1990) King's 1,100-page masterpiece becomes a wildly memorable miniseries, with the obligatory horrible bits (bloodied plugholes, whispering plugholes, murderous transdimensional entities bursting out of plugholes, etc) accompanied by a smart pace and rare emotional investment in the fate of its trembling young protagonists. And then there is, of course, Tim Curry as Pennywise the Clown; a performance of such grotesque enormousness it threatens to explode out of the screen. The Outsider (2020) HBO steeples its fingers over King's 2018 midweight mystery and proceeds to say, 'Hmm' slowly … across 10 episodes … of glacially paced … child murder and …Detective Ben Mendelsohn's … investigative … jeans. And yet. The direction is excellent, the themes (buried grief! The nature of faith!) are explored thoughtfully rather than pounded feverishly with hammers and everything is marinated in that woozy greige lighting that indicates we are in the presence of Proper Acting and are thus unlikely to encounter, say, a pensioner in dungarees shouting, 'OHHHH SHIIIIIIT' at half a sliced-in-two CGI cow.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store