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Amitabh Bachchan expresses grief over Air India crash, sends prayers

Amitabh Bachchan expresses grief over Air India crash, sends prayers

India Today13-06-2025

Megastar Amitabh Bachchan joined the Indian film industry on Thursday in expressing deep sorrow over the tragic Air India flight crash in Ahmedabad. The tragic accident claimed 265 lives, including passengers and crew members, on June 12.The 82-year-old actor shared a post on X in Hindi that read "Oh god! Oh god! Shocked! Stunned! God's grace! Heartfelt prayers! (His tweet loosely translated from Hindi to English)"advertisement
Several celebrities, including Salman Khan, Shah Rukh Khan, Priyanka Chopra, Diljit Dosanjh, Akshay Kumar, Alia Bhatt, Vicky Kaushal, Anupam Kher and others, earlier shared their condolences on social media."Absolutely heartbroken with the news about the crash in Ahmedabad...my prayers for the victims, their families and all affected," wrote Shah Rukh Khan on X."Someone was from India, someone from abroad. Someone was someone's mother. Someone was returning to their son. Someone was on the way to work. Someone was going home after a holiday. But no one knew that this journey would become their last journey," Anupam Kher expressed in the video on Instagram.The Air India Ahmedabad-London flight crashed moments after taking off from Ahmedabad's Sardar Vallabhai Patel International Airport. The aircraft crashed into a government hospital hostel in Meghaninagar. Former Gujarat Chief Minister, Vijay Rupani, also died in the crash.Only one passenger managed to survive out of the 242 people on the plane. He was later identified as Vishwaskumar Ramesh, seated in a passenger seat 11A.Must Watch
IN THIS STORY#Amitabh Bachchan

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Meet Neena Gupta's husband Vivek Mehra: CA, corporate leader and family man who stays away from the limelight
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Meet Neena Gupta's husband Vivek Mehra: CA, corporate leader and family man who stays away from the limelight

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Aditya Narayan wants Diljit Dosanjh 'to make amends' for casting Hania in Sardaar Ji 3: 'There's a limit to tolerance'
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Kolhapuri goes to Milan: From Rs 150 streets to Rs 1 lakh runway sandals
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Kolhapuri goes to Milan: From Rs 150 streets to Rs 1 lakh runway sandals

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Writer Shobhaa De, a lifelong wearer of the iconic Kolhapuri chappals, says these have been her go-to footwear, right from college, though she admits it's getting harder to find a good pair. She doesn't see the Prada Kolhapuri as a 'threat'. 'What's disheartening is that Prada did not bother to identify this unique footwear. It is NOT a sandal—it is a chappal! But maybe the buzz around the Prada Kolhapuri will inspire young fashionistas to rediscover our Kolhapuri and indirectly support its revival.' Live Events Getty Images SHOE STOPPER De could be right. Since the Prada show on June 22, Google Trends has shown a spike in searches for Kolhapuris. Harshwardhan Patwardhan, founder of Pune-based, Kolhapuri-first footwear brand Chappers, has seen an uptick in the buzz around his brand, with a 400500% jump in social media engagement. Its physical stores in Pune and Nashik, apart from 100 stockists across India, have had more walk-ins than before. Chondamma Cariappa, founder of The Sole Sisters , known for its colourful Kolhapuris, too says there has been a significant increase in sales and inquiries along with a noticeable rise in social media activity. After the Prada show, netizens were up in arms, demanding credit. However, Shwetasree Majumder, managing partner, Fidus Law Chambers, who specialises in GI matters, says the Prada controversy is misplaced. She says a GI tag does not mean the holder has legal recourse against Prada for inspiration. 'A GI registration is given under a domestic law. A chappal has to be made in certain districts of Maharashtra and Karnataka and with specific materials, tools, techniques and dyes to be a Kolhapuri chappal. Prada primarily makes its leather sandals in Italy. The GI law has no applicability to perceived 'lookalikes',' she says. She says had Prada sold its chappals as Kolhapuris, it would have been an infringement of GI. 'The GI law prohibits a craft that is not from that specific geography from being called by that particular name.' CAREFUL INNOVATIONS Meanwhile, Indian designers too have been reinventing the wheel. Patwardhan, who has worn Kolhapuris all his life, started his brand in 2015 after he felt the centuries-old design— vegetable-dyed leather, handsewn and flat—could do with an upgrade. He tanned the leather with chromium salts to make it softer. He added contemporary colours, memory foam to the sole and an anti-skid base. He says, 'The intention is to change with the trends but not at the cost of the craft.' The sentiment is echoed by Cariappa and Aprajita Toor, who operate in the premium luxury segment, with Kolhapuris starting at Rs 3,500. Aprajita Toor, founder of an eponymous label she started in 2011, says she not only admires the Kolhapuri but lives in it. 'The true beauty of the Kolhapuri lies in its versatility, it moves fluidly across eras, aesthetics and wardrobes, yet never loses its essence.' It is a sentiment echoed by wearers as the chappal works as daywear, nightwear and even occasionwear. Fashion commentator Prasad Bidapa says, 'The craft of Kolhapuris stands at a crossroads today. A craft must adapt to stay relevant, but this should be done thoughtfully, respecting its heritage and the artisans who have preserved it.' He says only when brands strike a balance between innovation and preservation can Kolhapuris thrive and evolve while maintaining their cultural significance. Agrees Toor, who says that, for her, it was never about reinvention but respectful reinterpretation. She adds, 'What makes it timeless is its rootedness. The Kolhapuri is more than a mere footwear, it's a living legacy. We have consistently experimented with it and, in many ways, pioneered new silhouettes and design languages, but never at the cost of the story that grounds it.' She has worked with refined textures, intricate embroideries and structural elements like heels. Cariappa calls the Kolhapuri the quintessential Indian shoe. She says she keeps the base intact and uses it as a canvas to showcase various crafts in a manner that is fresh—like adding colour and accents like palm weave or handwoven cane wicker craft. Craft and design historian Tanishka Kachru, senior faculty, exhibition design, National Institute of Design, Ahmedabad, says artisans should have full ownership of the design of Kolhapuri chappals as it is their innovation over centuries that has shaped the cultural identity of the footwear. However, she says the fashion industry can provide a huge boost: 'This visibility [thanks to Prada] could drive demand and in turn open up space for artisanal innovation and bring economic benefits to the community.' Toor says the chappals will remain iconic, thanks to its ability to adapt. She says, 'That fluidity is what gives it cultural weight.' The Prada Kolhapuri is probably the push the chappal needs to walk the talk.

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