Cult classic Beetlejuice - the musical is now on stage in Toronto
Based on the 1980's cult classic - Beetlejuice, the musical is now on stage in Toronto. CTV's Andria Case reports.
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CTV News
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The Weeknd performs a medley during the 67th annual Grammy Awards on Sunday, Feb. 2, 2025, in Los Angeles. (AP Photo/Chris Pizzello) Canadian music superstar The Weeknd will take the stage at Commonwealth Stadium on Saturday, and the city is offering some tips to make your concert experience run smoothly. Commonwealth security screening and bag policy Gates open at 5:30 p.m. with the opening act taking the stage at 6:45 p.m. Concert goers are asked to arrive early to give themselves time for screening at the stadium entrance. Fans are encouraged not to bring a bag to the show, but those who chose to bring one should be aware of the clear bag policy at Commonwealth. Bags that are clear plastic, vinyl or PVC and do not exceed 12″ x 12' x 6″ are allowed. Small clutch bags that are not clear, but do not exceed 4.5″ x 6.5″ in size, can be taken into the stadium. All bags may be subject to search. Fans who don't bring a bag can use the express security lanes when entering the stadium. A limited first-come, first-serve bag check will be available for $20 on the east side of Stadium Road, near Gate 9 entrance, north of the LRT lots. Stadium staff are not responsible for lost items. Merchandise Merchandise will go on sale on Saturday at noon outside the stadium on the west side at Gate 6 and the east side by Gate 9. Free transit Transit is free for anyone with a valid concert ticket. The ticket will be accepted on buses and LRT up to 90 minutes before the concert starts and up to 90 minutes after it ends. There is no need to tap on or off with Arc validators while using a concert ticket as fare. Transit costs are covered as part of the $1.50 facility use service fee charged to ticketholders at the time of purchase. Park and ride is available at the following locations: Eaux Claires Lot (97 Street and 157 Avenue) Lewis Farms (1021 Webber Greens Dr.) - Arrive early as this location has limited parking spots due to Valley Line West LRT construction NAIT Lots A/B and D (109 Street and 118 Avenue) - parking is $6 at these lots. Nakî Transit Centre (15520 Campbell Rd.) ETS will also run a shuttle from Churchill Station (100 Street and 102 Avenue southbound) to Stadium, to help move people to and from the event. Buses will start running at 5:15 p.m. and run approximately every five minutes until the concert starts. After the concert buses will leave from the stadium until all passengers have been collected. Riders can also park at the following locations and take the Capital Line LRT to Commonwealth Stadium: Clareview Transit Centre (48 Street and 139 Avenue) Belvedere Transit Centre (62 Street and 129 Avenue) Parking There is no parking at Commonwealth Stadium and parking restrictions are in place in neighbourhoods around the stadium. Only residents with valid parking permits can park on the streets in those areas. The Commonwealth LRT parking lot will close at 5 p.m. on Saturday. Concert goers are encouraged to use other forms of transportation, including transit, bikes, ride shares or taxis. Bikes, ride shares, taxis, and accessibility There will be supervised bike parking on site at the northeast corner of Clarke Stadium. Ride share services and taxis will be available at pick up and drop off areas on the northwest side of the stadium at 90 Street and 110 Avenue near Lot A, and on the east side at 84 Street and 106 Avenue. Signs will be in place to guide concert goers to pickup and dropoff locations. Accessibility gates are #2, 6, 9, and 11. Wheelchair drop off is in Lot A by Gate 6. Please make sure wheelchairs are properly labelled and identifiable.
National Post
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Author Maria Reva's return to Ukraine inspired her to complete novel
In 2023, Maria Reva and her sister were on a train hurtling through a Ukrainian night toward the battle-scarred city of Kherson. They were hoping to reach their grandfather, still there in the midst of carnage. It was crisis time for Reva in more ways than one. The novel she had started to write back in Canada was in jeopardy: what she had originally envisaged as a lighthearted romp satirizing Ukraine's controversial 'romance' tours had been upended by Russian aggression. Article content Article content 'I initially felt I had two choices,' the award-winning Canadian writer says now. 'I could keep writing the novel as though nothing happened in real time. Or I could give up on it.' Article content Ultimately, she didn't give up. That return to Ukraine helped her find a way back in, and her debut novel, Endling, has now been published to international acclaim. Typical is the verdict of revered American novelist Percival Everett: 'I love works that are smarter than I am, and this is one.' He's talking about a daring, genre-bending achievement in which Reva herself becomes a recurring presence in the course of a fast-paced narrative. Article content Article content 'I gave up on it multiple times,' she tells Postmedia from her home on Canada's West Coast. 'I honestly did not envisage any future for it beyond finishing it.' Article content In the midst of this struggle came the need to return to the embattled country of her birth. Reva was seven when she and her family emigrated to Canada in 1997. She had been back many time since — 'but I had a sense of terror when I thought of going to Ukraine this time.' Still, she would adjust to the psychology of a country under siege. Once there, as the sisters moved eastward in the hope of reaching their grandfather, 'the sense of danger became more and more normalized.' Yet danger was definitely present. Article content Article content 'On the train during the night, the conductor asked us to keep the blinds down so that we would not emit any light because trains had become a target for the Russians. The way that my sister and I thought of it was that we were in a closed moving coffin.' Article content The moment came when they could go no further. They would not reach the grandfather they loved. Article content 'It was very difficult accepting limitations on what I was capable of,' Reva says sombrely. 'I think that's why my fiction allows me the fantasy of going where I could not.' So a grandfather figure does play a seminal role in the novel she was able to complete. Article content Reva's lighter side surfaced on late-night television a few weeks ago with her cheerfully discussing the sex life of snails with NBC host Seth Meyers. She might have seemed light-years away from the horrors of Ukraine but in fact she was talking about the very same book, Endling, that had confronted her with so many challenges. Article content But snails? Really? Well, an endangered specimen named Lefty turns out to be the key player in a high-intensity scene near the end of the book. Besides, in this author's imaginative world, why shouldn't the fate of a mollusk symbolize the eternal conflict between darkness and light?
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Bannerman Park in St. John's was filled with jigs and reels on Sunday, as the 49th annual Newfoundland and Labrador Folk Festival drew to a close — possibly for the final time. After a year of dire financial problems, Newfoundland and Labrador Folk Arts Society board president Julie Vogt told CBC News the organization needed more money and more tickets sold to make the push to its golden anniversary next year. "It's heartbreaking. It is gut-wrenching. It is wrong in our opinion. It is the most devastating thing, I think, in my career," said Vogt on Sunday. Many attendees had mixed feelings, too, as they hoped this year's festival wouldn't be the last. Volunteer Carole Moody said she'd like to see more local talent. "I don't think that necessarily the huge artist from away [is needed]. I mean, there's lots of other festivals locally that offer those [opportunities]," she said. Volunteer Tom Power is remaining optimistic that this year wasn't the last. "I know there's not a lot of people here this year but, you know, in the past years they've been here," said Power. "I think they just need to go back to their roots … something a little smaller." For 16-year-old fiddle player Sadie Greene the folk festival is an exciting opportunity. "They had Serena Ryder … [Saturday] night, and that was great, but I think they should have Newfoundland singers headlining each night," she said. Finances under scrutiny Vogt shared publicly the society's financial hardships earlier this year, which resulted in fundraising efforts to keep the festival going. Former board member and society vice-president Anthony McDonald has been a vocal critic of the operations, and said he has even been banned as a member and from attending the festival. The Canada Revenue Agency reported that the festival earned around $1.2 million last year, but spent around $1.4 million. McDonald said that money was overspent on staff. "As culturally important to Newfoundland as this [is] … we've probably overspent into oblivion now," he said. CBC News obtained a copy of a financial audit conducted by Bartlett Chartered Professional Accountants. The audit found that the society used restricted funds, meant to be held for unexpected events, without the board's approval. It also criticized the appointment of three roles — board chair, treasurer and executive director — to one person, Julie Vogt. Accountant Richard Bartlett wrote in a letter that the society faces high financial, operational and reputational risks due to "inadequate segregation of key responsibilities." "This lack of separation has compromised several internal controls, thereby increasing the organization's vulnerability to errors, fraud, and collusion," Bartlett wrote. WATCH | The folk festival exits stage left — potentially permanently: The N.L. Folk Festival takes a bow for this year — and could be turning out the stage lights 14 minutes ago Duration 2:59 The 49th annual Folk Festival wrapped up in Bannerman Park on Sunday, with lead organizers saying its days are likely numbered. The CBC's Abby Cole was there to take the temperature of festival goers. The audit also found that bank reconciliations were not performed, and that the society's financial policies manual was outdated. Vogt acknowledges the society's shortfalls, but said nobody stepped up to fill the treasurer role, which resulted in eight months of no financial statements and poor decision making. As for the money spent on staff, Vogt said they deserve to be paid. "Just because we work for a not-for-profit does not mean we don't have bills to pay. We have children to raise, we have food to put on our table," she said. Vogt chalked up the festival's demise to people not being interested in going anymore. "We are not the chosen ones, unfortunately. They would rather see others," said Vogt. Grim future for folk society Vogt gives the society about one more month, unless an angel donor steps in. If by some chance the festival continues into its 50th year, McDonald said he'd like to see more folk artists on the board itself. "I'd like to see some more open mindedness, more consultation with the community, less happening behind closed doors," he said. "I like to see it get back to the way it was. A board of people who really care about the organization, and are there just because they want to see it survive."
