Blessed be the comeback? ‘The Handmaid's Tale' is on track to return to this major Emmy category for final season
Up until the fifth season, the Hulu series had fielded at least one nominee in the category each time it was eligible. For the first season in 2017, it landed a lone nomination for Alexis Bledel, who prevailed. The following year, it tripled its Season 1 total with bids for Kelly Jenrette, Cherry Jones, and eventual winner Samira Wiley. While it wasn't eligible for a full season in 2019, it was allowed to enter the final three outings of Season 2 as orphaned episodes and occupied a slot with Jones, who gave the show its third straight victory in the category. For the third season in 2020, it picked up another mention for Bledel, who was also cited alongside Mckenna Grace for the fourth season in 2021. Grace was eligible again for the fifth season two years later, but she was likely hurt by the general apathy toward the season, which earned 20 fewer noms than the prior one.
More from Gold Derby
2025's 10 best TV shows so far: 'Adolescence,' 'Cobra Kai,' and 'Severance' among our editors' top picks
'No way we're changing the title': 'Trainwreck: Poop Cruise' director on creating Netflix smash hit and why a sequel is 'screaming to be made'
This year, Handmaid's has double the chance to return to the category, fielding two contenders in Jones and Season 6 addition . Of the two, only the former is currently expected to crack the six-person lineup, sitting in fifth place in Gold Derby's odds, but that's not surprising. A five-time nominee and three-time winner — including a second time in this category, for Succession in 2020 — Jones is an Emmy fave, and she's already been recognized for her role on the series. As Holly, June's (Moss) activist mother who was presumed dead but turns up alive in one of Season 6's most shocking moments, she gets her best material yet in the show's farewell installment, and has the benefit of not just sharing most of her scenes with Moss but having the bulk of her screen time in the first two episodes. Though certainly not a new name to Emmy voters as a previous nominee herself, for The Good Place in 2020, Carden faces a bigger hurdle as a late cast addition who also doesn't make her first appearance until the seventh episode of the final season, meaning voters have to have stuck around until the end to see her performance. But if they did, they ought to have been impressed by her fierce turn as Ava, a CIA operative working undercover as an Aunt in Gilead to help take down the totalitarian theocracy from within.
SEE D'Arcy Carden on her 'dream come true' joining 'The Handmaid's Tale' and Phoebe's 'different Aunt energy'
The big question for both actresses is whether Handmaid's can rebound after almost being shut out for its fifth season. Though it's made a massive comeback before, nabbing a series-high 21 bids for its fourth season after dipping to what was at the time a series-low 10 for its third, it did so under different circumstances. Not only was the show aiming to recover from a considerably higher nomination total that notably still included a drama series nom, but it did so in a wide-open year for drama that was littered with ineligibilities due to the pandemic. This year's field is much more crowded, with multiple returning heavy-hitters, including The Last of Us, The White Lotus, Squid Game, and Severance, as well as several breakout hits, including The Pitt and Hulu stablemate Paradise, in contention.
But what Handmaid's has going for it is timing. Much like the third season, which aired in the summer of 2019, the fifth one aired in the first half of the eligibility window, from September to November 2022, likely making it a distant memory by the time voting began the following June. For its final season, the dystopian drama returned to its usual mid-spring slot, having premiered with three episodes on April 8. Its series finale dropped on May 27, just a little over two weeks before voting opened on June 12, which means the show was probably top of mind for TV Academy members as they marked off their ballots. Of course, that's assuming they were caught up on the series by then, but if its streaming numbers for the week of the finale are anything to go by, there's little reason to believe they weren't.
Bolstered by its best reviews since Season 2, the show has also received a renewed push from both critics and its streamer in the home stretch. Though final-season narratives don't always pan out at the Emmys (ask This Is Us, which was expected to make a big splash for its sixth and final season but wound up with just a single bid for one of its original songs), Handmaid's can flaunt a unique legacy. Not only has it changed the game for streaming shows at the Emmys as the first one to win a series prize, but it has also permeated real-life politics, with the red cloaks and white bonnets worn by the namesake concubines on the series having become international protest symbols in the fight for women's rights and reproductive freedom.
Even if that legacy isn't enough for Handmaid's to make a full-scale comeback, it may suffice to push it back into the acting categories, in which it's historically performed well, earning 28 of its 76 total nominations and six of its 15 wins there. Of this year's acting races, Best Drama Guest Actress is arguably the most unsettled one, with only the top four in the odds — The Last of Us duo Kaitlyn Dever and Catherine O'Hara, and Severance's Gwendoline Christie and Merritt Wever — being safe bets for noms. Hilary Swank is in sixth place for Yellowjackets, but the Paramount+ with Showtime series hasn't exactly been a hit with the acting branch and has to overcome the polarizing reception to its eligible third installment. So if voters looked to fill the final few slots on their ballots, they may have just gone back to one of their former faves in the category and sent Handmaid's some good weather one last time.
Best of Gold Derby
Cristin Milioti, Amanda Seyfried, Michelle Williams, and the best of our Emmy Limited Series/Movie Actress interviews
Paul Giamatti, Stephen Graham, Cooper Koch, and the best of our Emmy Limited Series/Movie Actor interviews
Lee Jung-jae, Adam Scott, Noah Wyle, and the best of our Emmy Drama Actor interviews
Click here to read the full article.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New York Post
31 minutes ago
- New York Post
This part of the tri-state area could become the next top film destination
The home state of Hollywood A-listers like Meryl Streep, Jack Nicholson and Michael B. Jordan, New Jersey is staying true to its star-studded roots, becoming one of the nation's most sought-after film destinations in recent years. Adam Sandler, Timothée Chalamet, Lady Gaga and Joaquin Phoenix have all embraced the Garden State as a film hub, since Gov. Phil Murphy signed the Film and Digital Media Tax Credit in 2018. In 2023, 547 projects were filmed in New Jersey, generating $592 million, compared with $67 million in 2017, according to Variety. Tim Sullivan, CEO of the New Jersey Economic Development Authority, who assumed the role in 2018, told FOX Business that the emerging impact of the state's film industry goes far beyond A-list actors and box office buzz. 'Film and TV started in New Jersey, way back in the day under Thomas Edison, in Fort Lee, New Jersey. We were Hollywood before there was a Hollywood,' said Sullivan. 'We're bringing ourselves back to the top of the pack with major investments, because we see a huge economic opportunity here. It's fun to have celebrities running around making movies, but it's really impactful to small businesses, construction workers and vendors who support the industry,' Sullivan said. Phil Murphy signed the Film and Digital Media Tax Credit in 2018, with 547 projects filmed in the state in 2023, generating $592 million. Getty Images for Netflix Netflix recently broke ground in May on its $1 billion project that is expected to transform the Fort Monmouth army installation into a nearly 500,000-foot production studio. Lionsgate also announced their forthcoming 300,000-square-foot production facility in Newark in 2022, along with a 1.6-million-square-foot film and television space in Bayonne. Every morning, the NY POSTcast offers a deep dive into the headlines with the Post's signature mix of politics, business, pop culture, true crime and everything in between. Subscribe here! For Sullivan, the commitment to long-term production made by Netflix, Lionsgate and 1888 Studios – named after the year Thomas Edison patented the motion film camera – means 'a ton of jobs for New Jersey residents.' 'Carpentry, electricians, set design, costume design, hair and makeup, catering, craft services, security, lighting, all kinds of jobs that are supported by the film industry,' he added. Netflix recently broke ground in May to turn the Fort Monmouth army installation into a nearly 500,000-foot production studio. Getty Images for Netflix Sullivan suggested that New Jersey will be a 'top three film destination' once the production studios are up-and-running. While Lionsgate and Netflix have expected completion dates in 2027 and 2028 respectively, 1888 Studios anticipates full operation by 2026. New Jersey's recent work to incentivize the film industry comes amid the Trump administration's efforts to keep film production in America. President Donald Trump announced in early May a plan to impose a 100% tariff on foreign-produced movies.


Forbes
35 minutes ago
- Forbes
‘Verdict: The Diddy Trial' Airs Tonight On ABC ‘
ABC News has announced the special "Verdict: The Diddy Trial," which airs on Wednesday, July 2 at 10 ... More p.m. ET. ABC News just announced Verdict: The Diddy Trial, airing Wednesday, July 2 at 10 p.m. ET on ABC and streaming next day on Hulu and Hulu on Disney+ for bundle subscribers. The special was greenlit following a major development in the high-profile case of Sean 'Diddy' Combs, who was found guilty on two counts of transportation to engage in prostitution, and not guilty on two counts of sex trafficking by force, fraud, or coercion, and one count of racketeering conspiracy. The verdict came on the third day of jury deliberations. According to ABC News, Verdict: The Diddy Trial 'provides a detailed overview of the charges against the music mogul, reconstructing the most pivotal courtroom moments through comprehensive actor reenactments, and taking viewers behind the verdict and what comes next for the once seemingly untouchable Sean 'Diddy' Combs.'The special includes analysis and commentary from: Combs was arrested in September and charged with two counts each of sex trafficking and transportation to engage in prostitution, along with one count of racketeering. He pleaded not guilty to all charges.


San Francisco Chronicle
44 minutes ago
- San Francisco Chronicle
Movie Review: In 'The Old Guard 2,' Charlize Theron and Uma Thurman get half a movie
About 80 minutes into 'The Old Guard 2,' I found myself wondering how the filmmakers were going to wrap things up. There were a lot of threads dangling with Charlize Theron'sgang of immortal warriors, split up and facing extinction, and she still had yet to face off with the new villain, Discord (apparently the first immortal), played by Uma Thurman. The promise of a showdown between The Bride and Furiosa may not justify the existence of this sequel, now streaming on Netflix, but it was something to look forward to nonetheless. And while they do fight, for a little, something even crazier happens not too long after: The movie ends or, rather, stops mid-climax. An ending was never part of the plan. This might be an attempt at a cheeky nod to the life of an immortal — what is an ending after all, I guess? But unlike the first film, which merely left the door open for the possibility of a sequel, 'The Old Guard 2' cuts off mid-movie. Not only is there no option to 'continue watching,' there's no promise we'll even get an 'Old Guard 3.' Moviegoers endure a lot of partial stories in these days of franchise filmmaking, ever desperate for a built-in audience. With some, you know a resolution is coming at a later date, as with 'Mission: Impossible' or 'Wicked.' With others, like 'Dune,' a part two or three might have been a question mark, but the intention was unambiguously there. There's nothing fun or enjoyable about being surprised that you've been watching a 'part one' the whole time, especially on a service that has helped train us to click next episode. Perhaps that also has to do with the quality of 'The Old Guard 2,' which feels like a step down from the first movie, which provided much-needed escapism in the summer of 2020 as we met Theron's Andromache the Scythian (Andy, for short) and welcomed KiKi Layne's new immortal Nile. It ended with Booker (Matthias Schoenaerts) being exiled for a betrayal and the tease that Andy's old companion Quynh (Vân Veronica Ngô), was still alive. Quynh is, understandably, not thrilled that she was left at the bottom of the ocean for centuries. She wants to punish Andy the most — the movie heavily implies that they were more than sisters in arms, but never quite goes so far as to confirm that their love was romantic, which is especially strange given that it doesn't shy away from letting Nicky (Luca Marinelli) and Joe (Marwan Kenzari) be an out gay couple. One of the most significant behind-the-scenes changes is that Gina Prince-Bythewood ( 'The Woman King,' 'Love & Basketball') ceded directing duties to Victoria Mahoney, who has directed episodes of 'Queen Sugar' and 'You' and served as second unit director on 'Star Wars: The Rise of Skywalker.' Working off Greg Rucka and Sarah L. Walker's screenplay, the movies opens with a lively action sequence in which the immortals attempt to nab an arms dealer. Nicky and Joe are the distractors, getting their own James Bond-esque car chase, while Nile, Andy and Copley (Chiwetel Ejiofor) get more hand-to-hand combat on the property. It sets a fun tone and allows for some (mostly) welcome exposition — 'remember, you're not immortal anymore' — for those who might not have the best memory of something they watched at the height of the pandemic. But the film never recaptures that energy again and devolves into an increasingly tedious meditation on time, death and the science of why Andy lost her immortality power (which is approaching 'Face/Off' levels of insanity). Thurman has a mighty good scowl as the 'bad immortal' who long ago decided she didn't have any desire to help the humans who persecuted her kind, but the movie seems to be saving her big moment for later. Overall 'The Old Guard 2' is fine, a bit of a background movie that's probably easy enough to tune in and out of (though Schoenaerts, a standout, gives it some real pathos). Its greatest sin is the non-ending, which might have moviegoers engaging in their own rants about wasted time. Cliffhangers are a gamble — when the movie is satisfying on its own, it can leave them wanting more. In this case, it might just leave them angry. Audiences in 2025 deserve better. 'The Old Guard 2,' a Netflix release now streaming, is rated R by the Motion Picture Association for 'sequences of graphic violence and some language.' Running time: 105 minutes. Two stars out of four.