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Vogue Singapore
29-06-2025
- Entertainment
- Vogue Singapore
Meet the designers behind the custom looks for Vogue Singapore's ‘Home' issue cover shoot
Zantz Han For our July/August issue, we take a deep dive right into the crux of home. What does home mean to you? On a seemingly humble scale, it could be the comfort of a warm dinner with your family after a long day—served on the same dishware that's been passed down for years, with intricate details and every sign of being well-loved. On a larger scale, home could mean community—especially within Southeast Asia. Travelling to neighbouring countries and still finding slices of your own culture a few hundred miles away: in the food, the language, and even in the way people dress. And what better way to pay tribute to the idea of home than by spotlighting regional designers who've made it their mission to honour heritage while rethinking it for today. Across custom pieces, archival finds and modern reinterpretations, these five designers shaped the looks for our shoot—each one carrying a distinct piece of tradition. Together, these pieces come together to craft a vibrant visual feast of heritage, seen through a dynamic Southeast Asian lens. Below, we spotlight and delve deeper into the five visionaries and their designs, each bringing their own distinct take on melding heritage with the pulse of today. Zantz Han 1 / 5 Adeline Esther Adeline Esther is an Indonesian fashion designer celebrated for her couture creations that blend traditional craftsmanship with fresh, avant-garde aesthetics. A graduate of ESMOD Jakarta, she founded her eponymous label in 2016, quickly gaining attention for her intricate designs and attention to detail. Her work often features structural silhouettes, elaborate embellishments, and a keen sense of experiment. In 2024, she debuted at Plaza Indonesia Fashion Week with the 'Mercurial' collection, showcasing 15 sequin-heavy gowns that shimmered like molten mercury. For the cover shoot, Esther presents two custom creations: a bridal-inspired ensemble embroidered with delicate gold threads and a coordinating headpiece, alongside a voluminous floral skirt paired with a sharply tailored black jacket—a subtle nod to the enduring East-meets-West silhouette. Shop Ester. Zantz Han 2 / 5 Behati Behati is a Malaysian fashion brand founded by designer Kel Wen in 2018, aiming to redefine traditional Malaysian attire for the modern era. The name Behati meaning 'heart' or 'blessing' in Malay, reflects the brand's philosophy of infusing cultural heritage with contemporary design. Kel Wen's background in fashion design and his diverse upbringing in Melaka, Malaysia, influenced his appreciation for the country's multiracial society. Behati's collections often feature reinterpretations of traditional garments like the Baju Melayu and sarees, incorporating modern fabrics and silhouettes to appeal to a younger, fashion-forward audience. The brand has gained recognition for its innovative approach to cultural wear, blending elements from various Malaysian ethnic groups to create a cohesive and inclusive fashion narrative. Behati's designs have been showcased at Kuala Lumpur Fashion Week and have attracted a growing following among millennials and Gen Z consumers. The cover shoot sees the Malaysian designer once again pushing boundaries with bold designs that play with proportion, plus a daring, translucent peekaboo peony piece that reimagines the floral emblem with fresh, edgy flair. Shop Behati. Zantz Han 3 / 5 Laichan Local designer Laichan Goh—often hailed as the 'godfather of modern cheongsam'—was instrumental in reshaping traditional Chinese attire in Singapore with his figure-flattering cuts and a seamless blend of classic and contemporary styles. Since launching The Dress Shop in the '80s and later establishing a presence at Raffles Hotel Arcade in 1991, Laichan's elegant qipaos became synonymous with vintage glamour. After his recent passing, his visionary legacy lives on as his brother, Eddie Goh, now helms the label, carrying forward the delicate balance of heritage and modernity that defined Laichan's work. The spread features the local visionary's makings in the form of a striking red qipao worn by Zoe Tay , channelling the perfect dose of retro sophistication. Shop Laichan. Zantz Han 4 / 5 Toton Also from Indonesia, Toton Januar is a designer renowned for his ability to merge familiar Indonesian textiles with modish silhouettes. Born in Makassar and raised by his seamstress mother, Toton developed a passion for design early on. Initially pursuing civil engineering, he later switched to Media Broadcasting and eventually studied Fashion at Parsons New School of Design in New York. In 2012, he co-founded the brand Toton with Haryo Balitar, aiming to reinterpret Indonesia's rich cultural heritage through contemporary fashion. His designs often incorporate traditional fabrics like Batik and Ikat, reimagined in modern cuts and styles. Toton's work has been showcased at international platforms such as Paris Fashion Week and Tokyo Fashion Week. His commitment to sustainability and ethical practices has also garnered attention, with collections that emphasise artistry and cultural preservation. For our 'Home' issue, Toton reinterprets the kebaya with intricate lacework and modern cuts, offering a softer, romantic take on heritage dressing. Shop Toton the Label. Zantz Han 5 / 5 Raymond Wong Raymond Wong is a Singaporean fashion designer and founder of Rumah Kim Choo, known for his expertise in traditional Peranakan attire. Wong's passion for preserving Peranakan heritage has led him to acquire and restore these garments, ensuring that the intricate beadwork, embroidery, and craftsmanship are maintained for future generations. His work serves as a bridge between the past and present, highlighting the rich cultural history of the Peranakan community in Singapore. Through his collections and exhibitions, Raymond Wong has contributed significantly to the appreciation and understanding of Peranakan fashion and its importance in our local multicultural tapestry. Anchoring the cover shoot is a vibrant piece of living history—a rare 1965 koon , a traditional Peranakan wedding garment from the local designer. Shop Rumah Kim Choo. Vogue Singapore's July/August 'Home' issue will be out on newsstands from 13 July and available to preorder online.
Vogue Singapore
29-06-2025
- Entertainment
- Vogue Singapore
Zoe Tay on her legacy, storytelling and the essence of belonging
There are few names as synonymous with Singapore as Zoe Tay. Fondly known as the Queen of Caldecott Hill, she has firmly cemented her place in local pop culture, renowned for her striking looks, raspy, gravitas-laden voice and undeniable acting chops. Now 57 years old, Tay's journey began in modelling, eventually clinching first prize in the 1988 Star Search, which landed her a three-year contract with Mediacorp and gave her a leg up in acting. Peranakan history is a medley of intricate textures and emblems, one of the most iconic being beadwork. Here, Indonesian fashion designer Adeline Esther reimagines the tradition with a contemporary take. Bee de Chaumet necklace and earrings; Adeline Esther headpiece. Zantz Han 'Modelling is quite different as posing for shots is different from acting,' she reflects. 'My career in acting started after winning Star Search, and honestly, I've been blessed with the opportunities given to me: good stories and scripts over the years. Working with many different actors, including overseas ones, gave me varied perspectives and experiences along the way.' Tay clinched Star Awards as recently as 2019 and 2021 for her roles in A Million Dollar Dream and My Guardian Angels , and launched The Zoe and Liang Show podcast in 2023 to mark her 35th year in the business. Yet it's her most recent role in Emerald Hill – The Little Nyonya Story family saga that has further cemented her iconic status. The gilded peony—a cherished Chinese Peranakan symbol of abundance, prosperity and good fortune—blooms across a tented skirt by Adeline Esther, styled with a sleek, form-fitting black jacket. Bee de Chaumet earrings, brooch and ring; Brunello Cucinelli jacket and top; Adeline Esther skirt; Louis Vuitton shoes. Zantz Han Tay notes that this role marks a departure for her, requiring her to age up to 72 years old and tap into the psyche of someone far less vivacious and active than the characters she has previously portrayed. Set between the '50s and '70s, Emerald Hill – The Little Nyonya Story sees Tay acting alongside a mix of veterans and fresh faces, from Jeanette Aw to Tyler Ten, as she takes on the role of the matriarch of the Peranakan Zhang family in Singapore. Being a pivotal character in one of Singapore's most culturally significant productions comes with the quiet weight of responsibility—not only in representing heritage, but in taking care of oneself throughout the process. Over the years, Tay has found small ways to do this. 'I watch my diet carefully, especially during filming, and drink lots of water. I also exercise, such as going hiking when possible. Basically, I try to have as much me time as I can, while also ensuring I have time for my family.' Here, she talks about the impact of Emerald Hill – The Little Nyonya Story in terms of local storytelling, an ever-changing landscape of entertainment as well as what home has meant to her over the years. Peranakan door frames often feature intricate carvings, their interiors being a celebration of heritage wrapped in fine details, artistry, and nostalgic charm. Zantz Han Hi Zoe, thank you so much for joining us today. What has life looked like for you lately? I've been keeping busy with work, doing some travelling and spending time with family too. There are so many places that I still want to visit! Tell us about your experience on our Vogue Singapore shoot. What was it like for you? It was interesting and exciting. Fashion-wise, there was a fusion of nyonya elements and avant-garde styles, and I can't wait for the cover to be released. You began your career in the late '80s, when Singapore's entertainment scene was developing. How has your experience evolved over the years? When I started, it was always about trying to learn the craft and improve by learning from my seniors. It was hard work. I don't think much has changed over the years in terms of needing to work hard and continuously improve. There is always something new to work on. What's important is to have a passion for your work; this is what drives you forward. A symbol of celebration, this white cymbidium and palm fruit garland encompasses virtue and morality. Tay wears a red qipao by Laichan—a silhouette that rose to prominence in the '20s. Chaumet Joséphine Soir de Fête earrings and Laurier necklace; Laichan dress; Emporio Armani shoes; socks, stylist's own. Zantz Han You began your career in the late '80s, when Singapore's entertainment scene was developing. How has your experience evolved over the years? When I started, it was always about trying to learn the craft and improve by learning from my seniors. It was hard work. I don't think much has changed over the years in terms of needing to work hard and continuously improve. There is always something new to work on. What's important is to have a passion for your work; this is what drives you forward. Many of your early roles, such as in The Unbeatables and Pretty Faces , became instant classics. What drew you to these projects and how did you prepare for them? I was blessed to be offered these roles. It was the different characters that challenged and attracted me—something I think most, if not all, actors look for. Preparing for roles is important to me. I try to research how the characters should be played, styled and made up; I discuss with directors the best approach and even learn some tricks of the trade. For The Unbeatables , for example, I learnt card and dice tricks. I had to practise really hard to perfect some of the moves. It was also when I started to learn how to play mahjong for real. For Pretty Faces , I created my hairstyle with my hairstylist, and the dressing as well. You've seen the industry evolve over the decades. What have been some of the greatest challenges you've faced and what moments have been the most rewarding? Perhaps the biggest change in the industry over the years has been the proliferation of online media, which meant that promotions for shows had to expand to cover these platforms, including, more recently, social media. For me, the greatest challenge has been keeping up with the fast-changing trends on these platforms. As for the most rewarding moments, I would say falling in love with my job. Also, having roles that, even after all these years, people still recognise and remember. Winning awards is, of course, one of the highlights. It is the peony, however, that features most prominently in Chinese Peranakan wedding garments, as seen in this bridal-inspired creation by Adeline Esther. Embroidered flowers and leaves in gold thread are richly worked into pieces. Bee de Chaumet necklace, earrings and ring; Adeline Esther top, skirt and headpiece. Zantz Han The industry can be highly competitive and demanding. What keeps you grounded? When I started, my dad kept reminding me to do my very best and to do things well and his words have stayed with me to this day. The advice I would give to my younger self is to stay grounded and to stay the course. It's not going to be easy, but every challenge is an opportunity. What does a typical day look like when you're filming compared to when you have downtime? When filming, the schedule can be quite intense for a few months and sometimes we only get a few hours of sleep. When I have downtime, I try to grab as much rest as possible, get a beauty treatment and catch up with friends and family. Now, let's talk about Emerald Hill – The Little Nyonya Story , a show that has resonated with audiences. What initially attracted you to the project? What attracted me was the interesting nyonya culture, and I found the role to be compelling and challenging. In this recent role, I play the matriarch of the family who struggles with depression and dementia while trying to keep the family together. This is different from past roles where I typically portrayed stronger and more active characters. Peranakan windows are often adorned with intricate motifs such as floral patterns, a graceful nod to tradition rich with vibrant symbolism. Zantz Han What was the most challenging or memorable moment during the filming of Emerald Hill – The Little Nyonya Story ? I found playing this grandmother role quite challenging. I had to change my body language and tone of speaking to portray the role. It was more difficult than I had thought. This is the second time Mediacorp has produced a show about the nyonya culture, which is unique to Singapore and Malaysia. I think the characters were interesting and memorable; they left an impression on the audience, young and old. How do you hope Emerald Hill – The Little Nyonya Story will influence local storytelling as a whole? I hope that Emerald Hill – The Little Nyonya Story 's success, both locally and internationally, will help showcase Singapore as a whole, and garner interest and enjoyment in watching more Singaporean dramas. I think this show has sparked curiosity in learning more about Singapore's history as well. In Singapore's current media landscape, what opportunities and challenges do you see for up-and-coming local artists? I think there are always opportunities as social media really opens up the playing field—one can be recognised more easily. But at the same time, there's a lot of competition, so one has to stand out and be memorable. You have to continue working hard, hone your craft and always stay positive. A recreation of a traditional wedding garment from the late 19th to early 20th centuries, from the archives of fashion designer and collector Raymond Wong, features bright colours and is adorned with motifs such as flowers, vines and phoenixes. Bee de Chaumet earrings; Raymond Wong bolero, top and skirt; Christian Louboutin shoes; socks, stylist's own. Zantz Han This issue is themed 'Home'. What does home, in the context of Singapore and SG60, mean to you? Home to me is familiarity, family, comfort and love. Singapore has come a long way and while I always look forward to every National Day, every decade we celebrate our nation's birthday feels that much more special to me. One of my favourite memories growing up is watching the National Day parades: hearing the aircraft roaring past my house, watching the shows live on TV and, in certain years, being at the parade itself. On the personal side, memories of family interactions and dinners through the years hold a special place in my heart. And finally, what's next? I'm currently working on a new drama work-wise, and on the personal side, I intend to explore the world a bit more. Photographer Zantz Han Stylists Desmond Lim and Nicholas See Hair stylist Ryan Yap/Passion Hair Salon Make-up artist Peter Khor using Clé de Peau Beauté Manicurist Filicia Takahashi/Nail Bliss Producer David Bay Set design Abegail Loreno Arendayen Florist Fawn World Photographer's assistants Sin Yean Yam, RQ and Michelle Yap Manicurist's assistants Celine Tan and Summer Chong/Nail Bliss Set designer's assistant Clarice Teh Florist's assistant Rachel Ng Stylist's assistants Lance Aeron and Kuan Special thanks to True Blue Cuisine and Peranakan Museum Vogue Singapore's July/August 'Home' issue will be out on newsstands from 13 July and available to preorder online.
