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Seeing Ozzy surrounded by generations he had inspired 'was a life-changing experience'
Seeing Ozzy surrounded by generations he had inspired 'was a life-changing experience'

Irish Examiner

time22-07-2025

  • Entertainment
  • Irish Examiner

Seeing Ozzy surrounded by generations he had inspired 'was a life-changing experience'

Few people in the music world can legitimately lay claim to being an icon, and fewer still can remain at the top of their game for the better part of five decades — or to have pioneered a whole new genre. With Ozzy Osbourne's passing, only the three surviving founding members of Black Sabbath can now say that. Pick a heavy metal band, and they'll ultimately be inspired by Black Sabbath. But it stretched way beyond that into all sorts of genres. Even one of the bands that got me seriously into rock and punk, Green Day, played Ozzy's song Crazy Train at their first ever jam session. The fact that people as diverse as Dolly Parton and Elton John sent video messages to be screened at his final concert testifies to the tremendous goodwill Ozzy built up over decades, and nations, and genres, regardless of his personal troubles. Making it to Villa Park at the start of the month for his (and Sabbath's) farewell show was one of those things that's going to stay with me. He could have played it anywhere, but instead, matching the theme of 'Back to the Beginning', he played at his soccer team's grounds within walking distance of the house he'd grown up in. In ages, it stretched from his peers to kids young enough to be his grandchildren, and somewhere in the middle were people like me, who find their greatest expressions through listening to, well, everything (but death metal in moderation, please). The show at Villa Park was almost a blink and you'll miss it experience, but running the gamut from rock and roll to thrash metal to progressive metal, there wasn't a band or musician from across the metal world who didn't show an obvious debt to him or his Sabbath comrades. From left: Geezer Butler, Tommy Iommi, and Ozzy Osbourne from Black Sabbath with their Album of the Year award for '13', Event of the Year, and Living Legend award at the Classic Rock Roll of Honour at The Roundhouse, Camden, London. Picture: Ian West/PA It had everything from old Ozzy comrades on stage (Jake E Lee), to Tool performing on camera for the first time, to Jason Momoa joining the moshpit during Pantera's set. Not just a celebration of music and legacy, but of life itself. With each band performing at least one Black Sabbath song (Guns 'N' Roses did four) or one of his solo tracks, it was a reminder that no matter what the background, their work could just slip right in. For me, some three decades as a metalhead (and proud of it), I had almost given up on the chance of seeing him live. I knew his songs long before I'd given any serious time to Black Sabbath. Listening back at them now, it's amazing to think of the breadth of his solo career — even if he nearly destroyed it several times due to chronic substance problems I was supposed to see him a lifetime ago during Ozzfest when it came to Punchestown, though he was sick on the day and couldn't perform (still, Tool took the headline slot in one of the best concerts I've ever seen). This would have been at the height of The Osbournes TV series, where he ended up slightly reinvented, and more beloved, as the more befuddled dad than prince of darkness. To see him in the flesh, and surrounded by the generations of musicians he had in some way inspired (and I'm a fan of many, from Slayer to Ghost), was a life-changing experience. Ozzy and Sharon Osbourne on stage at the Olympic Torch concert in The Mall, London, England. Picture: Myung Jung Kim/PA I'm glad he got to say goodbye on his own terms, and I'm glad the 45,000 people at Villa Park, including my 20-year-old nephew ('I feel like I've just seen my god in the flesh'), and the millions of people who livestreamed it got to see him on stage one last time. 'I've pretty much been laid up for the last six years,' he told us during a five-song set of his solo work before a four-song reunion with Black Sabbath. Even robbed of his ability to walk by Parkinson's, which had also affected his vocal range (but not his power), he still showed hallmarks of classic Ozzy, grimacing and flashing horns at the crowd before leading them to wave along to his music. One of the biggest cheers went up when he tried to raise himself up out his chair, like all his instincts were telling him. Plenty of otherwise stoic folks got a bit misty around the eyes during his ballad, Mama I'm Coming Home There was something about it, something about the emotion on his face and the catch in his voice that meant everybody in the stadium had an inkling, watching him, that we were in his latter days, even if we all half expected him to defy the odds and go on forever. Even with the final strains of the Sabbath classic Paranoid ringing to bring the curtain down on an epic career the likes of which we'll never see again, we all hoped that maybe, just maybe, he had one more song in him, or one more project. Alas, he has not. The Crazy Train may have left the station one last time, but having raised nearly $200m for charity with that final concert, it left with one of the finest legacies in rock. Would that we could all go out on a high like that. David O'Mahony is the assistant editor at the Irish Examiner and resident office metalhead Read More Ozzy Osbourne's most shocking moments

Stevie Nicks and Lindsey Buckingham seemingly reconcile in cryptic posts
Stevie Nicks and Lindsey Buckingham seemingly reconcile in cryptic posts

USA Today

time17-07-2025

  • Entertainment
  • USA Today

Stevie Nicks and Lindsey Buckingham seemingly reconcile in cryptic posts

Don't look now, but a long-ended relationship could be on the path to mending. Stevie Nicks and Lindsey Buckingham joined the wildly popular American-British band Fleetwood Mac in the 1970s, helping them reach the top of the Billboard Top 200 with Rumors in 1977. Fleetwood Mac's Rumors album went on to win the Grammy for Album of the Year in 1978, but Nicks and Buckingham -- who had been dating -- split up during the making of the album. It was an ugly breakup, with Buckingham even accusing Nicks of being the reason he was kicked out of Fleetwood Mac in 2018. The pair allegedly hadn't spoken since 2019. But Thursday, it seemed like a reconciliation might be on the horizon. Nicks and Buckingham took to their personal Instagram accounts, each posting one line from their 1975 song "Frozen Love" from the debut album of their duo, Buckingham Nicks. "And if you go forward..." Nicks posted in what looked like her own handwriting. "I'll meet you there," Buckingham responded. Both were posted within an hour of each other, and immediately fans started spiraling at the potential implications. Were they just rekindling a long lost friendship? Announcing a reunion tour? So do the posts hint at a future collaboration? It's currently unclear, but at the very least, it seems the former couple has mended some bridges.

RM ranks 87th on GOAT Artists list, becomes 1st BTS member to make solo entry as fans celebrate ‘well deserved' win
RM ranks 87th on GOAT Artists list, becomes 1st BTS member to make solo entry as fans celebrate ‘well deserved' win

Pink Villa

time17-07-2025

  • Entertainment
  • Pink Villa

RM ranks 87th on GOAT Artists list, becomes 1st BTS member to make solo entry as fans celebrate ‘well deserved' win

BTS leader RM has added another major milestone to his solo journey. According to Album of the Year's newly updated rankings, RM was listed among the platform's Top 100 GOAT (Greatest of All Time) Artists. Securing the 87th position based on critic scores, he stands out as the only BTS member to be featured on the list so far. This recognition not only reflects the depth and artistry of his solo discography. It also places him among some of the most critically respected names in global music. Fans applaud RM's solo success The moment the news broke online, fans around the world erupted in celebration. Social media timelines flooded with praise and admiration for RM. Many note how both of his albums, Indigo and Right Place, Wrong Person, have received widespread acclaim. Fans particularly praise their emotional honesty, lyrical depth, and genre versatility. ARMYs were quick to highlight that this achievement is not just a win for RM. But. it's also a proud moment for BTS fans who have supported each member's individual path. Many netizens also expressed joy in seeing RM's artistic growth receive such meaningful recognition outside of his group activities. BTS members in LA for group comeback preparations While RM's solo accomplishment continues to trend, fans are also buzzing with excitement about what lies ahead for BTS as a group. The boys are currently in Los Angeles for a planned two-month creative retreat focused on their next group album. This visit comes after BTS revealed during a previous livestream that a full-group comeback is scheduled for spring 2026. In addition to the album, plans for a global world tour are also reportedly in the works. This marks their highly anticipated return after completing military enlistments. Building anticipation for BTS' next chapter As RM gains recognition for his solo work, and the group begins preparations for their next musical era, anticipation is at an all-time high. Fans are eagerly waiting to see how their individual growth will shape BTS' collective sound in the upcoming album. With RM's latest achievement setting the tone, many believe BTS' next chapter will not only meet expectations, but possibly redefine them once again.

Unreleased Beyonce music stolen from car in Atlanta
Unreleased Beyonce music stolen from car in Atlanta

The Sun

time15-07-2025

  • Entertainment
  • The Sun

Unreleased Beyonce music stolen from car in Atlanta

ATLANTA: Unreleased music by global superstar Beyonce and confidential concert plans were stolen from a rental car in Atlanta last week, police confirmed. The theft occurred on July 8, just two days before the Atlanta leg of her 'Cowboy Carter' tour began. According to a police report, the stolen items belonged to Beyonce's choreographer, Christopher Grant, 37, and a dancer. Grant discovered the car's rear window smashed and luggage missing, including multiple jump drives containing watermarked and unreleased music, show footage, and set lists. An Apple MacBook, headphones, and luxury clothing were also taken. Police traced the MacBook and headphones to a location but did not recover the items. Authorities issued an arrest warrant for an unnamed suspect, who remains at large. The 'Cowboy Carter' tour, launched in April, follows Beyonce's historic Grammy win for Album of the Year in 2024. The country-themed album highlights Black artists' contributions to the genre, challenging industry norms. Beyonce wrapped up her Atlanta performances on Monday, with two final shows scheduled in Las Vegas later this month. - AFP

Canadian singer-songwriter Charlotte Cardin reveals her beauty must-haves
Canadian singer-songwriter Charlotte Cardin reveals her beauty must-haves

Vancouver Sun

time14-07-2025

  • Entertainment
  • Vancouver Sun

Canadian singer-songwriter Charlotte Cardin reveals her beauty must-haves

Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page. Canadian singer-songwriter Charlotte Cardin's resume is, by all measures, impressive. The six-time Juno Award winner, Album of the Year winner, and Billboard Canada Women of the Year winner has added another bullet point to the list of achievements: a L'Oréal Paris ambassador. The Montreal-born, now Paris-based singer has been named a face of the global beauty brand in both Canada and France. It's a dual-country representation that Cardin says is a proper fit. 'I'm Québécoise — I grew up in Canada, but I now live in France, so it just made sense for me to be an ambassador for both places,' Cardin explains. 'I think what they have in common — aside from the language, of course — is that both have this 'less-is-more' approach when it comes to beauty.' Where Cardin says Parisians are known for a 'chic, effortless vibe,' the style in Quebec embraces a more natural approach. 'So even though fashion and beauty trends differ between the two, that understated, natural approach is something they share,' she says. 'And it's definitely something I connect with.' A post shared by L'Oréal Paris Official (@lorealparis) The 99 Nights singer says the brand role is more than just a business move, it's a continuation of a relationship with a company that has long played a role in her life. 'I grew up watching my mom, my grandmothers and my sister do their makeup, so L'Oréal has always been present in some way,' Cardin says. 'Beyond that, I really connect with the brand's values. L'Oréal has always spoken about feminism, female empowerment and inner beauty — and those are values I deeply believe in.' The singer-songwriter says she's 'very proud' to take on the new role. Discover the best of B.C.'s recipes, restaurants and wine. By signing up you consent to receive the above newsletter from Postmedia Network Inc. A welcome email is on its way. If you don't see it, please check your junk folder. The next issue of West Coast Table will soon be in your inbox. Please try again Interested in more newsletters? Browse here. As for her personal approach to beauty — with her flawless complexion, blue eyes and big smile, Cardin has become somewhat of a darling in fashion and beauty, too — the star leans in to the less-is-more approach that suits both Canada and France. 'Makeup, for me, has always been about enhancing my features rather than hiding behind anything,' she notes. 'I think makeup is such a creative, beautiful thing, and even though I'm not the most skilled or creative when it comes to doing my makeup, I've always felt like the best version of myself when I use just a little bit to enhance certain features.' She admits, though, that she arrived at that approach as part of a personal beauty evolution. 'Coming from a modelling background, I've had experiences where people used my face and my body as their canvas,' Cardin says. 'And while some of those experiences were eye-opening and creatively interesting, it never fully felt right to me.' When the now-30-year-old stopped modelling at age 19 she recalls feeling empowered to ' reclaim the narrative of my own body and beauty' and to use beauty to tell her story — her way. 'Rather than being a vessel for someone else's,' she says. 'I think my simple, classic approach to beauty and the fact that I don't wear a lot of makeup probably comes from that — it's my way of keeping it authentic and connected to who I am.' Cardin points to the Plump Ambition Gloss by L'Oréal Paris in the shade Worth It as her personal go-to. 'It's so natural,' she says of the sheer, peachy pink shade. 'It gives that kind of kissed-lip look, with a nice shine, but without any stickiness. Plus, it's plumping and has this little tingling effect on the lips, which feels amazing.' A beauty discussion with Cardin wouldn't be complete without touching on her trademark tresses. Her long, honey-brown locks are the source of admiration — and envy — for many a beauty fan. 'For my hair, I really try to stay away from heat tools,' Cardin dishes. 'I don't use blow dryers or irons unless it's for a special event and my hairdresser is styling it. Usually, I just let it air-dry naturally and let it do its thing. 'That's honestly how I've managed to keep it as healthy as possible over the years.' Aharris@

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