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‘Texas Tiger' filmmakers drop teaser on ‘All We Imagine As Light' fame Hridhu Haroon's 23rd birthday
‘Texas Tiger' filmmakers drop teaser on ‘All We Imagine As Light' fame Hridhu Haroon's 23rd birthday

Mint

time2 days ago

  • Entertainment
  • Mint

‘Texas Tiger' filmmakers drop teaser on ‘All We Imagine As Light' fame Hridhu Haroon's 23rd birthday

Texas Tiger teaser OUT: Upcoming Kollywood film 'Texas Tiger,' featuring 'All We Imagine As Light' actor Hridhu Haroon, is in the spotlight after its filmmakers dropped its teaser on June 29. The official title reveal video was released on the occasion of Hridhu Haroon's 23rd birthday. Selvah Kumar Thirumaran directorial movie is produced by Sujith, Balaji Kumar, Parthi Kumar and Selvah Kumar. Film trade analyst Sumit Kadel in a post on X stated, 'Texas Tiger - the upcoming Tamil film headlined by All We Imagine As Light star #HridhuHaroon — has been officially announced with a title reveal video, unveiled on the occasion of the actor's birthday.' He added, 'The film is written and directed by #SelvahKumarThirumaran, known for Family Padam, and produced by #Sujith, #BalajiKumar, #ParthiKumar, and Selvah Kumar himself.' The trailer ends with the caption, 'Tigerians roar begins.' Born in 2002, Hridhu made his acting debut in August 2022 with Crash Course on Amazon Prime. Hridhu, who previously starred in films like Mura, Mumbaikar, Thugs, and the critically acclaimed All We Imagine as Light, has a number of films in the pipeline. Upcoming films of Hridhu Haroon include Bad Girl, Veera Dheera Sooran and Maine Pyar Kiya. He will also feature in Dude, starring Pradeep Ranganathan in the lead, which is scheduled to release around Diwali festival. Payal Kapadia directorial Malayalam film 'All We Imagine as Light' won the prestigious Grand Prix award at the 2024 Cannes Film Festival. The film made its world premiere on 23 May 2024 at the 77th Cannes Film Festival and became the first Indian film in 30 years to compete in the competition. 'All We Imagine As Light' began streaming on OTT platform Disney+ Hotstar from January 3 onwards and is also available on Amazon Prime.

Discussing dichotomy in Mumbai and All We Imagine As Light at SCREEN Film Club screening at NCPA
Discussing dichotomy in Mumbai and All We Imagine As Light at SCREEN Film Club screening at NCPA

Indian Express

time17-06-2025

  • Entertainment
  • Indian Express

Discussing dichotomy in Mumbai and All We Imagine As Light at SCREEN Film Club screening at NCPA

Payal Kapadia's Grand Prix winner All We Imagine As Light succinctly captures the dichotomy that populates Mumbai. That dichotomy also cropped up in the post-screening discussion with the audience at the National Centre of Performing Arts where SCREEN Film Club held a screening of the film on Monday evening. The debate primarily revolved around the use of linearity and light — or lack of these thereof — employed in the film. 'The way light is used in this film, every frame has its own meter. Light in the title isn't just physical, it's also metaphorical — the darkness we're living in and the light we're all seeking,' said Shubhra Gupta, The Indian Express film critic, while hosting the discussion. 'The cinematography by Payal's partner Ranabir Das is also a character in the film,' she added. However, an audience member disagreed with the stance and said, 'I felt the cinematography was so unnecessarily dark. I've worked a lot in slums, so I can say there's not so much darkness even inside slums. This is the Mumbai of today,' she said. Other audience members responded to this observation through their reading of the use of the titular 'light' in All We Imagine As Light. 'I think the darkness is very deliberate. These two nurses commute for two hours to work. The only time they live is at night. One of them says that this city comes to life at night. It's so liberating to see the life through them. Otherwise we just see it like we or people like us know it,' pointed out another lady. Another grouse that the lady had with All We Imagine As Light was the lack of linearity. She said, 'The entire film was very disjointed. It wasn't storytelling at its best, I'm sorry to say. Why do the two nurses trail Parvati? Where does the husband come up on the shore?' 'The script doesn't need to follow a linear structure. It's following the emotional health and movement of the protagonist towards acceptance,' countered a fellow audience member. Shubhra also underlined the context by explaining the background of the filmmaker which reflects in the film. 'Payal comes from a documentary background. So her screenplay is very observational. We can't see the cuts and edits like we can do in other feature films. There's just a flow which is very lifelike,' she argued. From her discussion with Payal over the last year, Shubhra lauded the crystal-clear approach that the filmmaker has towards her craft. 'She knows exactly what she wants. Every frame is brass tagged. When you wonder if the husband is real or surreal, she wants it to be exactly like that,' said Shubhra. Also Read — All We Imagine As Light movie review: Payal Kapadia's lyrical ode to working-class Mumbai and female friendship 'If you have a reaction, you'll feel like 'Ye kya hai.' But if you have a response, you'll know what this film is trying to do. We're so distracted now that we can't spend even a minute without looking at our phones,' said Shubhra, adding, 'Instead of saying my way or highway, we learn about different POVs. This film takes us back to what cinema was always supposed to be: to look at life through someone else's eyes.'

Rana Daggubati opens up about nepotism in film industries, says 'ultimately you have to stand in front of camera, act'
Rana Daggubati opens up about nepotism in film industries, says 'ultimately you have to stand in front of camera, act'

Hindustan Times

time07-06-2025

  • Entertainment
  • Hindustan Times

Rana Daggubati opens up about nepotism in film industries, says 'ultimately you have to stand in front of camera, act'

Actor Rana Daggubati, known for his roles in Baahubali and Rana Naidu, shared his thoughts about nepotism in the film industry, a point of debate abuzz in the entertainment domains for decades now. Hailing from a prestigious film family, Rana is the son of film producer D Suresh Babu and Lakshmi. He shares a close bond with his uncle-actor Venkatesh Daggubati and is also the cousin of Naga Chaitanya. (Also Read | Rana Daggubati slams paparazzi culture in Bollywood as he reacts to video of him getting angry at paps: 'It's annoying') In an interview with ANI on Monday, Rana emphasised that having a film family background opens up more opportunities and provides a deeper understanding of the industry. He said, "Any industry that your family is from, you understand it more than somebody who's not. How does it help an actor? Ultimately, you have to stand in front of the camera and act. There'll be a lot more opportunities for you. There will be an ecosystem that you understand. It's like if your family is from chemical industries or sugar factories, you'll understand how a sugar factory works and all the byproducts of sugar like that." The actor's mother worked in a film laboratory and his father in a film studio. Rana admitted that her mother's and father's professions helped him become familiar with the basic functions of film studios and laboratories. "My mother worked in a film laboratory, so I understood what a film laboratory looks like and how it functions. My father worked in a studio, so I understood its function, and my uncle was an actor," said Rana. Ranamentioned that the "pressure" to continue his family's legacy motivated him to do something unique, including starting his own production house, Spirit Media, in 2005. "Pressure, in that sense, it was self-inflicted in some manner. You want to do something that is unique, new, and stands out and should stand for a long period of time. Whether it was visual effects, whether it's acting, or producing," said Rana. He is a vocal advocate for contemporary and art house films. Through his production house, he has supported films such as All We Imagine As Light, directed by Payal Kapadia. He believes that his popularity has given him a platform to promote these types of films. "Cinema is one, language never mattered to me when I was watching it as a child. So growing up and working, it didn't matter which language it was, and I feel there's a voice to all kinds of stories. The first film we made at Spirit Media was an art house film. Art house didn't have any other way to release, and I feel like now, since I got a little bit more popular, I can advocate for some cinema," said Rana. Rana will be next seen in the second season of Rana Naidu. It is directed by Karan Anshuman. Apart from the lead actor, the series also stars Surveen Chawla, Arjun Rampal and Kriti Kharbanda in prominent roles. The series is slated to release on Netflix on June 13.

"My mother worked in a film laboratory, so I understood...": Rana Daggubati on nepotism in cinema
"My mother worked in a film laboratory, so I understood...": Rana Daggubati on nepotism in cinema

India Gazette

time06-06-2025

  • Entertainment
  • India Gazette

"My mother worked in a film laboratory, so I understood...": Rana Daggubati on nepotism in cinema

By Palash Srivastava New Delhi [India], June 6 (ANI): Actor Rana Daggubati, known for his roles in 'Baahubali' and 'Rana Naidu', shared his thoughts about nepotism in the film industry, a point of debate abuzz in the entertainment domains for decades now. Hailing from a prestigious film family, Rana Daggubati is the son of film producer D Suresh Babu and Lakshmi. He shares a close bond with his uncle, superstar Venkatesh Daggubati and is also the cousin of star Naga Chaitanya. In an interview with ANI on Monday, Daggubati emphasised that having a film family background opens up more opportunities and provides a deeper understanding of the industry. He said, 'Any industry that your family is from, you understand it more than somebody who's not. How does it help an actor? Ultimately, you have to stand in front of the camera and act. There'll be a lot more opportunities for you. There will be an ecosystem that you understand. It's like if your family is from chemical industries or sugar factories, you'll understand how a sugar factory works and all the byproducts of sugar like that.' The 'Rana Naidu' actor's mother worked in a film laboratory and his father in a film studio. Daggubati admitted that her mother's and father's professions helped him become familiar with the basic functions of film studios and laboratories. 'My mother worked in a film laboratory, so I understood what a film laboratory looks like and how it functions. My father worked in a studio, so I understood its function, and my uncle was an actor,' said Rana. Daggubati mentioned that the 'pressure' to continue his family's legacy motivated him to do something unique, including starting his own production house, Spirit Media, in 2005. 'Pressure, in that sense, it was self-inflicted in some manner. You want to do something that is unique, new, and stands out and should stand for a long period of time. Whether it was visual effects, whether it's acting, or producing,' said Rana Daggubati. Daggubati is a vocal advocate for contemporary and art house films. Through his production house, he has supported films like 'All We Imagine As Light' directed by Payal Kapadia. He believes that his popularity has given him a platform to promote these types of films. 'Cinema is one, language never mattered to me when I was watching it as a child. So growing up and working, it didn't matter which language it was, and I feel there's a voice to all kinds of stories. The first film we made at Spirit Media was an art house film. Art house didn't have any other way to release, and I feel like now, since I got a little bit more popular, I can advocate for some cinema,' said Rana Dagubatti. Rana Dagubatti will be next seen in the second season of 'Rana Naidu'. It is directed by Karan Anshuman. Apart from the lead actor, the series also stars Surveen Chawla, Arjun Rampal and Kriti Kharbanda in prominent roles. The series is slated to release on Netflix on June 13. (ANI)

"My mother worked in a film laboratory, so I understood...": Rana Daggubati on nepotism in cinema
"My mother worked in a film laboratory, so I understood...": Rana Daggubati on nepotism in cinema

Time of India

time06-06-2025

  • Entertainment
  • Time of India

"My mother worked in a film laboratory, so I understood...": Rana Daggubati on nepotism in cinema

Actor , known for his roles in 'Baahubali' and 'Rana Naidu', shared his thoughts about nepotism in the film industry, a point of debate abuzz in the entertainment domains for decades now. Tired of too many ads? go ad free now Hailing from a prestigious film family, Rana Daggubati is the son of film producer D and Lakshmi. He shares a close bond with his uncle, superstar Venkatesh Daggubati and is also the cousin of star Naga Chaitanya. In an interview with on Monday, Daggubati emphasised that having a film family background opens up more opportunities and provides a deeper understanding of the industry. He said, "Any industry that your family is from, you understand it more than somebody who's not. How does it help an actor? Ultimately, you have to stand in front of the camera and act. There'll be a lot more opportunities for you. There will be an ecosystem that you understand. It's like if your family is from chemical industries or sugar factories, you'll understand how a sugar factory works and all the byproducts of sugar like that. " The 'Rana Naidu' actor's mother worked in a film laboratory and his father in a film studio. Daggubati admitted that her mother's and father's professions helped him become familiar with the basic functions of film studios and laboratories. "My mother worked in a film laboratory, so I understood what a film laboratory looks like and how it functions. My father worked in a studio, so I understood its function, and my uncle was an actor," said Rana. Daggubati mentioned that the "pressure" to continue his family's legacy motivated him to do something unique, including starting his own production house, Spirit Media, in 2005. Tired of too many ads? go ad free now "Pressure, in that sense, it was self-inflicted in some manner. You want to do something that is unique, new, and stands out and should stand for a long period of time. Whether it was visual effects, whether it's acting, or producing," said Rana Daggubati. Daggubati is a vocal advocate for contemporary and art house films. Through his production house, he has supported films like 'All We Imagine As Light' directed by Payal Kapadia. He believes that his popularity has given him a platform to promote these types of films. "Cinema is one, language never mattered to me when I was watching it as a child. So growing up and working, it didn't matter which language it was, and I feel there's a voice to all kinds of stories. The first film we made at Spirit Media was an art house film. Art house didn't have any other way to release, and I feel like now, since I got a little bit more popular, I can advocate for some cinema," said Rana Dagubatti. Rana Dagubatti will be next seen in the second season of 'Rana Naidu'. It is directed by Karan Anshuman. Apart from the lead actor, the series also stars , Arjun Rampal and Kriti Kharbanda in prominent roles. The series is slated to release on Netflix on June 13.

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