Latest news with #AmericanGigolo
Vogue
18 hours ago
- Entertainment
- Vogue
Attachment Tokyo Spring 2026 Collection
Like many menswear designers, Attachment's Koki Enomoto was thinking about lightness and levity in the run up to this season. How could he loosen up Attachment's uber-restrained brand of minimalism, and give it a dash of summery sprezzatura? To help, he looked at Giorgio Armani's seminal soft tailoring in the 1980s, and landed on Richard Gere's wardrobe in American Gigolo (a perennially popular menswear touchpoint) as a reference. 'It was a relaxed but formal look…the casual way of dressing in that era looked really cool,' said Enomoto at a showroom appointment in Tokyo. 'This time we wanted to express that relaxed image of a man.' He named the collection Easily. The result was a strong showing of menswear staples that felt exactly right for the moment. Reimagining 1980s suit jackets, Enomoto removed the power shoulders and linings to create silhouettes that were much softer but no less commanding. 'In a sense we're remaking it or updating it to fit with the times, especially by adding soft fabrics.' Tactile silk-cashmere sweaters were another focus, and looked as fantastic when tried on in the showroom as they did on the runway. Shout out for the colors, too: coral, amber, charcoal, sky blue, brown—everything was as soft on the eye as on the skin. Enomoto—who took over Attachment from the late designer Kazuyuki Kumagai in 2022—is skilled at putting out collections that feel on-trend but not try-hard. Take the open-toed leather sandals (crucially not flip-flops), the neckties tossed over the left shoulder, or the silky pajama shirts worn with tight black boxer shorts. In-keeping with the mood of menswear at large, these sensual flourishes show that Enomoto and his team have their finger on menswear's fast-beating pulse and, more importantly, are able to add their own flavor to it. Considering how well many of these pieces would slip into (and improve) a contemporary man's wardrobe, the collection lived up to its title. Good casting, good styling, good clothes. One of Enomoto's best yet? Easily.
Miami Herald
15-07-2025
- Entertainment
- Miami Herald
‘American Gigolo' inspired the ‘alluring' interior of this CA house for sale
When a home stands out because of its unique and flawless architecture in an already breathtaking setting, you know its something extraordinary. A California property that was once just an idea on the silver screen has landed on the real estate market in San Francisco's Dolores Heights neighborhood, and it's certainly something to behold. 'While fans of the 1980's film, 'American Gigolo,' were introduced to a sexy new star in Richard Gere, interior designer Kevin Sawyers and his partner, software engineer Peter Steinauer, were taken by the alluring interior design of Gere's character's apartment,' a news release about the residence said. The film is a crime drama centering on a high-end escort falling in love with a politician's wife, and it launched the stardom of Gere. His chic apartment almost plays a character all its own in the film, which inspired Sawyers and Steinauer. 'I was thinking about making ourselves look and feel as good in this house as we could, much the way the sets in 'American Gigilo' flattered Richard Gere,' Sawyers said in the release. 'I wanted to create this set that was for us, for me and Pete.' With three bedrooms and three bathrooms, the home is listed for $6.8 million. Features in and around the 3,174-square-foot residence, per the listing on Compass, include: Massive windowsMetal exteriors'Cedar-clad garage'City viewsPatioFirepitLED lightningSliding glass doorsChef's kitchenFlex level 'While this home is a breathtaking showcase property, the true genius lies in all the invisible and thoughtful details that make the home a delight for every day life in the city,' listing agent Matt Fuller said in the release. The home has been featured in numerous publications including the New York Times, the release noted.
Daily Mail
08-06-2025
- Entertainment
- Daily Mail
EXCLUSIVE Legendary actor who starred alongside Julia Roberts in Pretty Woman looks unrecognizable on rare outing
A legendary actor who has worked with numerous A-listers over the years was spotted on a rare outing in Los Angeles this week. The star has 162 acting credits to his name thus far - and has appeared alongside celebrities such as Julie Andrews, Julia Roberts, Anne Hathaway, Richard Gere and Tim Allen. The Emmy winner, 88, has taken on roles in beloved films such as Pretty Woman, American Gigolo and The Princess Diaries franchise. He has also portrayed characters in hit shows throughout his decades-long career including Chicago Hope and Last Man Standing. The star began has career in the 1960s and is also known for his close friendship with late director Garry Marshall - who passed away in 2016. So can you guess who he is? It's Hector Elizondo! The actor was seen briefly stepping out and kept it casual in a long-sleeved green shirt and gray sweatpants. The actor was born in December 1936 in New York City and grew up on the Upper West Side in Manhattan. He later attended the Fiorello H. LaGuardia High School of Music & Arts and Performing Arts - and also played multiple sports as a teenager, such as baseball and basketball. Hector additionally studied dance at the Ballet Arts Company at the venue Carnegie Hall before also taking on roles in plays, including Steambath. Aside from the stage, Elizondo appeared on the screen by taking on minor parts in projects throughout the 60s to the mid-70s. He then landed the role of Abraham Rodriguez in the sitcom titled Popi for a total of 11 episodes. Hector later made appearances in other television shows such as The Rockford Files and The Dain Curse. In 1980, he landed the role of Detective Joe Sunday in the movie American Gigolo alongside Richard Gere and Lauren Hutton. Throughout the early 80s, Elizondo also starred in other films such as Young Doctors In Love and The Flamingo Kid. Hector began has career in the 1960s and is also known for his close friendship with late director Garry Marshall - who passed away in 2016 For 14 episodes, he portrayed D.A. Jesse Steinberg in the show Foley Square from 1985-1986. He gained more recognition when he played hotel manager Barney Thompson in Pretty Woman (1990) - which was directed by Garry Marshall. The film also starred Julia Roberts, Richard Gere and Jason Alexander. Based on his performance, Elizondo notably garnered a Golden Globe nomination the following year. The romantic comedy was also a box office success, and raked in $463.4 million on a budget of $14 million. During the 90s, Hector continued to take on parts in both TV and movie projects - such as Beverly Hills Cop III (1994). That same year, he began to take on a big role in the medical drama series Chicago Hope as Dr. Phillip Waters. He played the character for a total of 141 episodes - and his performance also earned him an Emmy win for Best Supporting Actor in 1997. In 2001, Hector starred opposite Anne Hathaway and Julie Andrews in the Disney movie The Princess Diaries. He played the character of security guard Joe - a role he would reprise in the 2004 sequel Princess Diaries 2: Royal Engagement. Other projects he has taken on roles in include Monk, Grey's Anatomy and Last Man Standing - where he played El Alzate from 2011-2021. His last acting credit was in 2023 when he reprised his role as Monk's psychiatrist Dr. Neven Bell in the TV movie Mr. Monk's Last Case: A Monk Movie. Elizondo is also known for appearing in 18 movies directed by Garry Marshall aside from Pretty Woman and The Princess Diaries franchise, such as Runaway Bride (1999), Raising Helen (2004), Valentine's Day (2010) and New Year's Eve (2011). During a past interview with the Television Academy Foundation, Hector opened up about their 'beautiful friendship.' At one point, the actor had recalled, 'When I asked him about my character in Pretty Woman, hotel manager Barnard Thompson, he said something brilliant. 'He said, "Play the guy that you'd like to work for," and he walked away. That was it. That's how he directs. If you need coaxing, he's there to coax you. He gives you a certain kind of confidence. It makes the day easy.' The star also gushed about how crews 'loved' Marshall and explained, 'If it's your birthday you're going to get a birthday cake. And he loves parades. So during a movie, there's a parade. 'Every department has to compete against the others - there are judges and they give out ribbons. You wear funny hats. That's Garry Marshall. Someone once said, "Garry doesn't make a movie; Garry throws a movie."' And while talking to Variety in 2016, Elizondo further discussed having the chance to work with the late filmmaker. 'Movie stars loved working with him. He made them comfortable. They felt safe. The first act of love is listening. He loved actors.' He also talked about his time starring on The Princess Diaries and said, 'Garry loved Annie Hathaway's smarts and work ethic. If he started at 7, she was there 5 minutes early, ready to roll. 'Julie Andrews made Anne sit next to her and look at the monitor as they rewound the scenes. She was mentoring her on the set.' He continued, 'That's what terrific people do; they pass the baton. Garry liked people who would be part of the solution, not part of the problem.' In regards to what he is most proud of with his career thus far, Hector previously told the Television Academy Foundation: 'I didn't change my name...' Elizondo later explained, 'Also, I was theater-trained. I did repertory theater, I studied. No one ever gave me anything for free. 'You have to put in the time, the sweat. Nowhere is it written that you're going to be successful. And I've reminded kids to redefine success.' The actor added, 'Just put one foot in front of the other. Remind yourself that it's a lot of hard work and be prepared when you're called.'
Fashion Network
05-06-2025
- Business
- Fashion Network
Bottega Veneta celebrates 50 years of its woven leather signature with a poetic campaign
Italian luxury brand Bottega Veneta is marking the 50th anniversary of intrecciato (meaning 'woven' in Italian), the leather technique that has become its signature. To celebrate five decades of artisanal excellence, the Italian label, part of the Kering luxury group, has launched a striking new campaign titled 'Craft is Our Language.' The visuals feature a series of moving hands—intertwined and interlaced like leather strips—alongside notable personalities. The story of intrecciato dates back to the 1970s when Renzo Zengiaro, the craftsman behind Bottega Veneta, introduced the weaving technique. He co-founded the house in Vicenza in 1966 with Michele Taddei. Their technique and design quickly became a reference in luxury leather goods. At the time, leather in the Veneto region—better known for ready-to-wear—was especially thin, suitable for weaving and commonly used in gloves and shoes. Zengiaro's idea was to use wider leather strips to create bags using his very own developed method. However, success came slowly. Years later, Zengiaro recalled that buyers in Paris rejected his woven leather bags, claiming they looked too much like summer straw bags. The brand halted production, kept only a few samples, and offered them to the Japanese and American markets. Customers in those regions quickly drove up demand, laying the foundation for what ultimately became Bottega Veneta's hallmark. Since then, intrecciato has been reinterpreted in numerous ways by the brand's various creative directors—across apparel, materials, and even oversized weaves. The technique has been used to craft highly coveted accessories, often widely copied. It quickly became a staple in all product categories, from jewelry and furniture to ready-to-wear. Yet the brand's new campaign barely shows its bags or products. Instead, it highlights creativity, craftsmanship, and human connection. This focus explains the use of hands—literally forming a language—as illustrated in a well-known book by Italian designer Bruno Munari. Bottega Veneta honors him through this project. The anniversary campaign 'views intrecciato not just as a technique, but as a metaphor. The interwoven leather strips, which over time became the house's hallmark, represent the bond that links individuals. It symbolizes sharing, transmission, and the collective spirit that drives Bottega Veneta's philosophy,' the house explained in a statement. Shot by photographer Jack Davison and choreographed by Lenio Kaklea, 'Craft is Our Language' is built around a series of portraits paired with images of hands. The selected figures come from the worlds of art, film, fashion, literature, music, and sport. The lineup starts with actress Lauren Hutton, who carried a Bottega Veneta woven clutch in Paul Schrader's 1980 film American Gigolo and walked the runway in 2016 for the brand's 50th anniversary wearing a modernized version of the same piece. Others featured in the campaign include designer Edward Buchanan—who served as Bottega Veneta's first ready-to-wear creative director from 1995 to 2000—Italian filmmaker Dario Argento, actress Julianne Moore, poet and sculptor Barbara Chase-Riboud, singer-songwriter Neneh Cherry, and novelist Zadie Smith.
Fashion Network
05-06-2025
- Business
- Fashion Network
Bottega Veneta celebrates 50 years of its woven leather signature with a poetic campaign
Italian luxury brand Bottega Veneta is marking the 50th anniversary of intrecciato (meaning 'woven' in Italian), the leather technique that has become its signature. To celebrate five decades of artisanal excellence, the Italian label, part of the Kering luxury group, has launched a striking new campaign titled 'Craft is Our Language.' The visuals feature a series of moving hands—intertwined and interlaced like leather strips—alongside notable personalities. The story of intrecciato dates back to the 1970s when Renzo Zengiaro, the craftsman behind Bottega Veneta, introduced the weaving technique. He co-founded the house in Vicenza in 1966 with Michele Taddei. Their technique and design quickly became a reference in luxury leather goods. At the time, leather in the Veneto region—better known for ready-to-wear—was especially thin, suitable for weaving and commonly used in gloves and shoes. Zengiaro's idea was to use wider leather strips to create bags using his very own developed method. However, success came slowly. Years later, Zengiaro recalled that buyers in Paris rejected his woven leather bags, claiming they looked too much like summer straw bags. The brand halted production, kept only a few samples, and offered them to the Japanese and American markets. Customers in those regions quickly drove up demand, laying the foundation for what ultimately became Bottega Veneta's hallmark. Since then, intrecciato has been reinterpreted in numerous ways by the brand's various creative directors—across apparel, materials, and even oversized weaves. The technique has been used to craft highly coveted accessories, often widely copied. It quickly became a staple in all product categories, from jewelry and furniture to ready-to-wear. Yet the brand's new campaign barely shows its bags or products. Instead, it highlights creativity, craftsmanship, and human connection. This focus explains the use of hands—literally forming a language—as illustrated in a well-known book by Italian designer Bruno Munari. Bottega Veneta honors him through this project. The anniversary campaign 'views intrecciato not just as a technique, but as a metaphor. The interwoven leather strips, which over time became the house's hallmark, represent the bond that links individuals. It symbolizes sharing, transmission, and the collective spirit that drives Bottega Veneta's philosophy,' the house explained in a statement. Shot by photographer Jack Davison and choreographed by Lenio Kaklea, 'Craft is Our Language' is built around a series of portraits paired with images of hands. The selected figures come from the worlds of art, film, fashion, literature, music, and sport. The lineup starts with actress Lauren Hutton, who carried a Bottega Veneta woven clutch in Paul Schrader's 1980 film American Gigolo and walked the runway in 2016 for the brand's 50th anniversary wearing a modernized version of the same piece. Others featured in the campaign include designer Edward Buchanan—who served as Bottega Veneta's first ready-to-wear creative director from 1995 to 2000—Italian filmmaker Dario Argento, actress Julianne Moore, poet and sculptor Barbara Chase-Riboud, singer-songwriter Neneh Cherry, and novelist Zadie Smith.
