Latest news with #Amulya
Hans India
17-06-2025
- Entertainment
- Hans India
Amulya Boddapati's mesmerising Bharatanatyam Arangetram performance
The 'Bharatanatyam Arangetram' of Amulya Kriti Boddapati took place last Sunday evening at Shilpa Kala Vedika, Madhapur. Guru Praveena Vadapalli has trained her disciple to a high level of proficiency. Her dance school, Nrityopachara, can be credited with having many students of considerable calibre who have presented performances to acclaim. Praveena has also learnt 'karanas' from the renowned Dr Padma Subramanyam after starting out with 'Bharatanatyam' under Rukmaji Rao, Mridula Anand, and Madhavi Marellapudi. After a long career in software, she has devoted herself full-time to her passion—classical dance. Amulya is pursuing science in Grade 12. Academically, she has won numerous gold medals and completed an internship at AIG. She plays various musical instruments and is a keen debater. Amulya is an avid reader, interested in proofreading, marketing, and logistics in her spare time, eager to explore new fields with curiosity, dedication, and creativity. The young artiste looked charming in her beautiful 'aharya' of maroon, orange, and gold and stood out even on the vast stage. Repeated salutations were deftly offered to the Lord in the opening Ganesha 'keerthanam — Ekadantam Vinayakam.' The elephant-headed Lord is large of vision and mien, revered by all. He is the radiant child of Parvati, resides in devotees' hearts, and fulfills all their desires. The 'Trimaata Kauthuvam' was a vibrant composition in praise of the divine feminine trinity of Saraswati, Lakshmi, and Parvati. The attributes of each Goddess were distinctly and clearly brought out by the dancer. The 'angika abhinaya' was well presented in conveying their respective appearances with elan. Saraswati is the divine embodiment of knowledge, holding a book and a rosary along with a veena. Lakshmi appears in eightfold guise, bestowing the 'aishwaryams' of wealth, food, courage, progeny, knowledge, victory, patience, and power. Parvati is paid homage as the loving mother of Ganesha and Skanda, who in her fierce form eradicates evil. The challenging 'varnam' 'Swami Naan' combined technical mastery with expressive depth. Nritta, natya, and abhinaya were all depicted with a precision of delineation rare to find in such a young artiste. The complex jathis were executed with admirable composure, and the 'trikala jathi' in three speeds—slow, medium, and fast—was a climactic highlight. Lord Shiva, in the refrain, is urged to grace his servant whose whole life has been devoted to the God's chants and prayers without delay. The 'muktayi swaram' describes him as red-haired, adorned with the moon and Ganges, dancing with radiant smile and exceeding grace in the golden chamber of Chidambaram. Amulya's 'sancharis' deepened the emotional landscape of the piece. These described Markandeya's life and a scene from 'Nandanar Charitam' with vigorous detail. The 'charana swaras' express the magnetic power of the Lord's celestial dance. A few delightfully done verses from 'Padmanabha Stotram' preceded 'Sri Ramana Vibho' in 'Arabhi'. Devotion and awe were soulfully conveyed as Padmanabha is eulogized by Swati Tirunal as the consort of Sridevi—a playful Krishna who slays demons, subdues serpents, and dances with the 'gopis', charming them with his flute. Worshipped by all the Gods, radiant with the 'vanamala' garland, his majesty embodies countless glories. The delight of sages, the divine jewel of the Yadu clan, he bears the conch and discus on his arms. He is the personification of bliss and compassion. In the 'charanam', the striking image of Krishna dancing on the snake's hood was vividly brought to life. The light-hearted 'javali' in 'Khamas' was rich in 'shringara rasa'. The exploration of the dynamics of romance through the nayaka-nayika bhava was eloquently rendered by Amulya. The sparks of emotions combined with softer nuances created a melting portrayal of sweet invitation, desirous of delight. Gentle lilt and emotive subtlety predominated. As the heroine is tormented by Cupid's arrows, she is overcome with eagerness to meet her Lord. Longing and reproach mingle in love's intensity as he is entreated to approach without hesitation to embrace the nayika and ease her aching heart! The 'thillana' in 'Kuntalavarali' concluded the repertoire with a lively exposition of intricate footwork in a brisk tempo. It was a fitting finale to an exuberant performance, done with agility and stamina. The 'mangalam', a 'Tyagaraja sankeertana', ended the recital. The lighting was handled with aplomb by Basavaraju to maximum effect, and Hari Mangalampalli anchored with competent crispness. The spirited orchestra added value to the performance: Praveena on the nattuvangam, Chandar Rao on vocals, Chandrakanth on mridangam, Sai Kolanka on violin, Venkateswarulu on flute, and Sridhar Acharyulu on rhythms—all acquitted themselves with excellence. Prof. Anuradha J. Tadakamalla (Department of Dance, University of Hyderabad) graced the occasion as chief guest.
India Gazette
16-06-2025
- Business
- India Gazette
Fifth Fast Patrol Vessel 'Achal' built by Goa Shipyard launched for ICG
Panaji (Goa) [India], June 16 (ANI): 'Achal', the fifth Fast Patrol Vessel (FPV) in a series of eight being constructed by Goa Shipyard Ltd (GSL) for the Indian Coast Guard (ICG), was ceremoniously launched on Monday in Goa by Kavita Harbola in the presence of Coast Guard Commander (Western Seaboard), Additional Director General Anil Kumar Harbola, according to a release by Ministry of Defence. Designed and constructed under stringent dual-class certification from the American Bureau of Shipping and Indian Register of Shipping, the FPV features over 60 per cent indigenous content. The vessel measures 52 meters in length and 8 meters in breadth, with a displacement of 320 tons. Powered by a CPP-based propulsion system, the vessel can reach a top speed of 27 knots, according to the release. With its primary roles of protection, monitoring, control, and surveillance, 'Achal' is equipped to safeguard offshore assets and island territories. Its launch marks another milestone in the long-standing partnership between the Indian Coast Guard and GSL, further reinforcing the collective march towards Aatmanirbharta in defence manufacturing. Built at a total cost of Rs 473 crore, the project has also provided a significant boost to local industry by generating substantial employment and supporting MSMEs engaged in production activities at various factories and within GSL, the release added. The ceremony was attended by Chairman Managing Director, GSL, Brajesh Kumar Upadhyay, along with senior officials from the Indian Navy, ICG, shipyard and others. GSL had also launched two vessels of the same series in January of this year for the Indian Coast Guard. According to a release, the two vessels, Amulya and Akshay, were launched ceremoniously by Vandana Agrawal in the presence of Sanjeev Kumar, IAS, Secretary (Defence Production) amidst the resonant chants of the 'Atharva Veda'. The distinguished gathering included IG HK Sharma, TM, DDG (M&M), as well as key stakeholders from the defence and maritime communities. Speaking at the launch, Brajesh Kumar Upadhyay, CMD, GSL, highlighted the Shipyard's impressive growth trajectory, which has seen a remarkable 100 per cent increase in Gross Revenue, crossing the Rs 2,000 Crore threshold. 'GSL has consistently outperformed its past achievements, embracing cutting-edge technologies and transformative policies to become one of India's foremost shipbuilders with indigenous capabilities,' CMD Upadhyay stated. He attributed GSL's success to its steadfast commitment to innovation, modernization, and the dynamic partnership with the Indian Coast Guard, which has continually strengthened operational readiness for national security. (ANI)
Time of India
26-04-2025
- General
- Time of India
Labourer's daughter shines in Andhra Pradesh SSC exams, gets land as reward
P Amulya, daughter of daily wage earners in Palnadu district, overcame financial hardships to excel in her SSC exams, scoring an impressive 593 out of 600 VIJAYAWADA: P Amulya, a bright student from a poor agricultural family in Tubadu village, Nadendla mandal, Palnadu district, has achieved a remarkable feat. Despite facing financial challenges, Amulya cleared the secondary school certificate (SSC) examination with flying colours, securing 593 marks out of 600. What makes her achievement even more inspiring is that she comes from a family of daily wage earners, and her parents, Anil and Ruthamma, have been working hard to make ends meet. Amulya too worked in farms to support her parents financially and fund her education. Noble gesture by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Google Brain Co-Founder Andrew Ng, Recommends: Read These 5 Books And Turn Your Life Around Blinkist: Andrew Ng's Reading List Undo Moved by Amulya's success, Palnadu district collector Arun Babu announced a grant of one acre of agriculture land to the family under the landless agriculture poor scheme. The collector's gesture aims to empower the family and enable them to support Amulya's further education and that of her siblings. Amulya, the eldest of four girl children, never let her family's financial struggles deter her from pursuing her education. She would often help her parents with their daily wage work on weekends and festival holidays, but her focus on studies remained unwavering. Her hard work and dedication paid off when she emerged as a topper in the SSC examination in her school, Chirumamilla Zilla Parishad high school. Amulya expressed her gratitude and joy over the collector's decision, saying that she will continue to study with the same vigor and become a govt official. "I aspire to assist the poor, just like the district collector has done for my family," she further said.
