Latest news with #AspenMusicFestival
Hindustan Times
22-07-2025
- Entertainment
- Hindustan Times
Renée Fleming makes directing debut with wrestling-themed 'Così fan tutte' at Aspen Music Festival
ASPEN, Colo. — Renée Fleming's 'Così fan tutte' was ready to rumble. Renée Fleming makes directing debut with wrestling-themed 'Così fan tutte' at Aspen Music Festival Long a star soprano, Fleming made her directing debut Monday night at the Aspen Music Festival and School by transporting Mozart's masterpiece from 18th century Naples, Italy, to a gym in Yarmouth, Massachusetts, amid professional wrestling's rise in 1980. Posters on stage display Sylvester Stallone as Rocky, wrestler Randy Savage and Jane Fonda hawking her workout video. In Fleming's concept, Fiordiligi and Dorabella are workout-obsessed high school sisters. 'It's a coming of age for the protagonists and a loss of innocence,' Fleming said. An outstanding student cast ages 25-32 mostly making role debuts, was accompanied by conductor Patrick Summers leading a 45-piece orchestra at the 375-capacity Wheeler Opera House, opened in 1889 during the Colorado Silver Boom. There are two additional performances through Saturday at a festival that includes about 200 public events from July 2 to Aug. 24. Lauren Carroll, the 26-year-old soprano who sings Fiordiligi, did a split. Dorabella, 27-year-old mezzo-soprano Ashlyn Brown, struggled to lift a heavy barbell. Michelle Harvey's scenic design in the tight space of a 25-foot-wide proscenium included punching bags, bo staffs and ThighMasters. Fleming sang her first Countess in Mozart's 'Le Nozze di Figaro' as an Aspen student in 1984. Now 66, she has, since 2017, limited her singing to concerts, a few contemporary operas and Broadway. Fleming had a circuitous route to her concept. 'I can't do the opera relating to hockey, but I did think of another sport that reminds me so much of opera and that's professional wrestling. There's a suspension of disbelief that is huge,' she said. 'Fans believe these characters are real and that the moves are real, and of course it's all completely choreographed.' Fleming at first spoke with Francesca Zambello, the Washington National Opera's artistic director. 'I said, `Convince me, sell me, tell me,'' Zambello related, "`you really have to work it through from the overture to the final curtain.' WNO's 'Così' in 2021 was canceled because of the coronavirus pandemic. In 2020, Fleming and Summers launched Aspen Opera Theater and VocalARTS, with 15 singers annually attending an eight-week program that covers their $12,325 tuition, room and board plus pays a $1,500 stipend. Ashlyn Brown, the 27-year-old mezzo-soprano who performs Dorabella, is a granddaughter of Don Stansauk, the wrestler known as Hard Boiled Haggerty. 'I grew up with wrestling culture,' she said. 'I used to go to the Cauliflower Alley Club meetings when I was a kid. He brought all of his buddies, like Andre the Giant.' Carroll was a cheerleader and her mother is an aerobics instructor. 'She really invests in young artists and it's authentic,' she said of Fleming. 'She really means it and backs it up with action.' In creating the look, Fleming thought back to her time at Churchville-Chili Senior High School in New York. 'I have photographs of me with a really bad mullet and overalls,' she said. Just before intermission ended, a Fonda dress-alike led the audience in calisthenics. Despina , a gym manager here instead of a maid, uses a blender to make protein shakes and heads stretching exercises. 'Renée of course demanded a lot of herself as a singer in that way and that's extended itself to her demands on them in this,' Summers said. Mozart's opera has the two boyfriends adopt hidden identities and romance each other's girlfriend to test their virtue. Both women fall for the other's boyfriend, and while the two couples get back together in the original, Fleming has both relationships come apart. Fiordiligi ends up wearing an 'ERA YES' shirt. Don Alfonso is a gym owner. Guglielmo and Ferrando, the boyfriends , wear Amanda Seymour's colorful clothes, including powder blue and light gray tuxedos with ruffled shirts. Peter Barber, a 31-year-old bass-baritone who sings Don Alfonso, boxes to keep in shape. 'When I was I think 8 or 9 years old after watching `Rocky,' I had a custom boxing robe made for me,' he said. Fleming sang Fiordiligi for the first time at Geneva in March 1992. She greeted the cast at the first rehearsal on June 30 by telling them: 'Toi toi toi. Let's have some fun,' using a performers' expression for good luck. 'I'm astonished that someone who is such an extraordinary singer and performer, they are also an extraordinary stage director,' choreographer Sara Erde said. 'She knows every note of the music, every word of the text.' Fleming learned that unlike with singing, directing requires 'million decisions that have to be made day to day.' At WNO, Fleming had envisioned a set with a stadium-sized video screen. She hopes the staging has an extended life. 'If anybody wanted to do it, it would be really fun in a bigger theater with a budget,' she said. 'Especially the time we're in, it's not a bad time to bring pro wrestling into opera because of the similarities, for the sheer novelty of it.' This article was generated from an automated news agency feed without modifications to text.
The Independent
22-07-2025
- Entertainment
- The Independent
Renée Fleming makes directing debut with wrestling-themed 'Così fan tutte' at Aspen Music Festival
Renée Fleming's 'Così fan tutte' was ready to rumble. Long a star soprano, Fleming made her directing debut Monday night at the Aspen Music Festival and School by transporting Mozart's masterpiece from 18th century Naples, Italy, to a gym in Yarmouth, Massachusetts, amid professional wrestling's rise in 1980. Posters on stage display Sylvester Stallone as Rocky, wrestler Randy Savage and Jane Fonda hawking her workout video. In Fleming's concept, Fiordiligi and Dorabella are workout-obsessed high school sisters. 'It's a coming of age for the protagonists and a loss of innocence,' Fleming said. An outstanding student cast ages 25-32 mostly making role debuts, was accompanied by conductor Patrick Summers leading a 45-piece orchestra at the 375-capacity Wheeler Opera House, opened in 1889 during the Colorado Silver Boom. There are two additional performances through Saturday at a festival that includes about 200 public events from July 2 to Aug. 24. Lauren Carroll, the 26-year-old soprano who sings Fiordiligi, did a split. Dorabella, 27-year-old mezzo-soprano Ashlyn Brown, struggled to lift a heavy barbell. Michelle Harvey's scenic design in the tight space of a 25-foot-wide proscenium included punching bags, bo staffs and ThighMasters. Fleming sang her first Countess in Mozart's 'Le Nozze di Figaro' as an Aspen student in 1984. Now 66, she has, since 2017, limited her singing to concerts, a few contemporary operas and Broadway. Staging spark was at a hockey game Fleming had a circuitous route to her concept. 'I can't do the opera relating to hockey, but I did think of another sport that reminds me so much of opera and that's professional wrestling. There's a suspension of disbelief that is huge,' she said. 'Fans believe these characters are real and that the moves are real, and of course it's all completely choreographed.' Fleming at first spoke with Francesca Zambello, the Washington National Opera's artistic director. 'I said, `Convince me, sell me, tell me,'' Zambello related, "`you really have to work it through from the overture to the final curtain.' WNO's 'Così' in 2021 was canceled because of the coronavirus pandemic. In 2020, Fleming and Summers launched Aspen Opera Theater and VocalARTS, with 15 singers annually attending an eight-week program that covers their $12,325 tuition, room and board plus pays a $1,500 stipend. Wrestling family history Ashlyn Brown, the 27-year-old mezzo-soprano who performs Dorabella, is a granddaughter of Don Stansauk, the wrestler known as Hard Boiled Haggerty. 'I grew up with wrestling culture,' she said. 'I used to go to the Cauliflower Alley Club meetings when I was a kid. He brought all of his buddies, like Andre the Giant.' Carroll was a cheerleader and her mother is an aerobics instructor. 'She really invests in young artists and it's authentic,' she said of Fleming. 'She really means it and backs it up with action.' In creating the look, Fleming thought back to her time at Churchville-Chili Senior High School in New York. 'I have photographs of me with a really bad mullet and overalls,' she said. Just before intermission ended, a Fonda dress-alike led the audience in calisthenics. Despina (soprano Laura Miah), a gym manager here instead of a maid, uses a blender to make protein shakes and heads stretching exercises. 'Renée of course demanded a lot of herself as a singer in that way and that's extended itself to her demands on them in this,' Summers said. Mozart's opera has the two boyfriends adopt hidden identities and romance each other's girlfriend to test their virtue. Both women fall for the other's boyfriend, and while the two couples get back together in the original, Fleming has both relationships come apart. Fiordiligi ends up wearing an 'ERA YES' shirt. Don Alfonso is a gym owner. Guglielmo and Ferrando, the boyfriends (baritone Finn Sagal and tenor Jonghyun Park), wear Amanda Seymour's colorful clothes, including powder blue and light gray tuxedos with ruffled shirts. Peter Barber, a 31-year-old bass-baritone who sings Don Alfonso, boxes to keep in shape. 'When I was I think 8 or 9 years old after watching `Rocky,' I had a custom boxing robe made for me,' he said. Role a part of Fleming's life for more than 30 years Fleming sang Fiordiligi for the first time at Geneva in March 1992. She greeted the cast at the first rehearsal on June 30 by telling them: 'Toi toi toi. Let's have some fun,' using a performers' expression for good luck. 'I'm astonished that someone who is such an extraordinary singer and performer, they are also an extraordinary stage director,' choreographer Sara Erde said. 'She knows every note of the music, every word of the text.' Fleming learned that unlike with singing, directing requires 'million decisions that have to be made day to day.' At WNO, Fleming had envisioned a set with a stadium-sized video screen. She hopes the staging has an extended life. 'If anybody wanted to do it, it would be really fun in a bigger theater with a budget,' she said. 'Especially the time we're in, it's not a bad time to bring pro wrestling into opera because of the similarities, for the sheer novelty of it.'
Associated Press
22-07-2025
- Entertainment
- Associated Press
Renée Fleming makes directing debut with wrestling-themed 'Così fan tutte' at Aspen Music Festival
ASPEN, Colo. (AP) — Renée Fleming's 'Così fan tutte' was ready to rumble. Long a star soprano, Fleming made her directing debut Monday night at the Aspen Music Festival and School by transporting Mozart's masterpiece from 18th century Naples, Italy, to a gym in Yarmouth, Massachusetts, amid professional wrestling's rise in 1980. Posters on stage display Sylvester Stallone as Rocky, wrestler Randy Savage and Jane Fonda hawking her workout video. In Fleming's concept, Fiordiligi and Dorabella are workout-obsessed high school sisters. 'It's a coming of age for the protagonists and a loss of innocence,' Fleming said. An outstanding student cast ages 25-32 mostly making role debuts, was accompanied by conductor Patrick Summers leading a 45-piece orchestra at the 375-capacity Wheeler Opera House, opened in 1889 during the Colorado Silver Boom. There are two additional performances through Saturday at a festival that includes about 200 public events from July 2 to Aug. 24. Lauren Carroll, the 26-year-old soprano who sings Fiordiligi, did a split. Dorabella, 27-year-old mezzo-soprano Ashlyn Brown, struggled to lift a heavy barbell. Michelle Harvey's scenic design in the tight space of a 25-foot-wide proscenium included punching bags, bo staffs and ThighMasters. Fleming sang her first Countess in Mozart's 'Le Nozze di Figaro' as an Aspen student in 1984. Now 66, she has, since 2017, limited her singing to concerts, a few contemporary operas and Broadway. Staging spark was at a hockey game Fleming had a circuitous route to her concept. 'I can't do the opera relating to hockey, but I did think of another sport that reminds me so much of opera and that's professional wrestling. There's a suspension of disbelief that is huge,' she said. 'Fans believe these characters are real and that the moves are real, and of course it's all completely choreographed.' Fleming at first spoke with Francesca Zambello, the Washington National Opera's artistic director. 'I said, `Convince me, sell me, tell me,'' Zambello related, "`you really have to work it through from the overture to the final curtain.' WNO's 'Così' in 2021 was canceled because of the coronavirus pandemic. In 2020, Fleming and Summers launched Aspen Opera Theater and VocalARTS, with 15 singers annually attending an eight-week program that covers their $12,325 tuition, room and board plus pays a $1,500 stipend. Wrestling family history Ashlyn Brown, the 27-year-old mezzo-soprano who performs Dorabella, is a granddaughter of Don Stansauk, the wrestler known as Hard Boiled Haggerty. 'I grew up with wrestling culture,' she said. 'I used to go to the Cauliflower Alley Club meetings when I was a kid. He brought all of his buddies, like Andre the Giant.' Carroll was a cheerleader and her mother is an aerobics instructor. 'She really invests in young artists and it's authentic,' she said of Fleming. 'She really means it and backs it up with action.' In creating the look, Fleming thought back to her time at Churchville-Chili Senior High School in New York. 'I have photographs of me with a really bad mullet and overalls,' she said. Just before intermission ended, a Fonda dress-alike led the audience in calisthenics. Despina (soprano Laura Miah), a gym manager here instead of a maid, uses a blender to make protein shakes and heads stretching exercises. 'Renée of course demanded a lot of herself as a singer in that way and that's extended itself to her demands on them in this,' Summers said. Mozart's opera has the two boyfriends adopt hidden identities and romance each other's girlfriend to test their virtue. Both women fall for the other's boyfriend, and while the two couples get back together in the original, Fleming has both relationships come apart. Fiordiligi ends up wearing an 'ERA YES' shirt. Don Alfonso is a gym owner. Guglielmo and Ferrando, the boyfriends (baritone Finn Sagal and tenor Jonghyun Park), wear Amanda Seymour's colorful clothes, including powder blue and light gray tuxedos with ruffled shirts. Peter Barber, a 31-year-old bass-baritone who sings Don Alfonso, boxes to keep in shape. 'When I was I think 8 or 9 years old after watching `Rocky,' I had a custom boxing robe made for me,' he said. Role a part of Fleming's life for more than 30 years Fleming sang Fiordiligi for the first time at Geneva in March 1992. She greeted the cast at the first rehearsal on June 30 by telling them: 'Toi toi toi. Let's have some fun,' using a performers' expression for good luck. 'I'm astonished that someone who is such an extraordinary singer and performer, they are also an extraordinary stage director,' choreographer Sara Erde said. 'She knows every note of the music, every word of the text.' Fleming learned that unlike with singing, directing requires 'million decisions that have to be made day to day.' At WNO, Fleming had envisioned a set with a stadium-sized video screen. She hopes the staging has an extended life. 'If anybody wanted to do it, it would be really fun in a bigger theater with a budget,' she said. 'Especially the time we're in, it's not a bad time to bring pro wrestling into opera because of the similarities, for the sheer novelty of it.'
New York Times
20-07-2025
- Entertainment
- New York Times
Renée Fleming, Star Soprano, Tries Out the Director's Chair
A young soprano was rehearsing a difficult aria from Mozart's 'Così Fan Tutte' when the director stopped her and made a suggestion. 'I always liked to lay down for this part,' the director said, 'because it lets the body relax.' It's not every opera director who can talk about performing choices in the first person. But on that summer afternoon in Aspen, Colo., the woman staging the scene was Renée Fleming, perhaps the most famous soprano of recent decades. Fleming was passing on a career's worth of accumulated wisdom to a cast in which the oldest singer is 32. Among her lessons was when to say no. 'Just remember, you're going to be more nervous onstage than you are now,' Fleming said as the group worked on some aerobics-style choreography for the production, set in the early 1980s. 'So maybe don't do these jumps, because even if you can sing while you're doing them now, you're going to be out of breath on opening night.' Fleming is making her directing debut with this 'Così,' which opens on Monday at the Wheeler Opera House as part of the Aspen Music Festival and School, one of the country's most prestigious summer programs for rising artists. She joins a select group of divas (and divos) turned directors. This fall, the tenor Rolando Villazón's production of Bellini's 'La Sonnambula' comes to the Metropolitan Opera. And the mezzo Denyce Graves is staging Scott Joplin's 'Treemonisha' for Washington National Opera next year. Want all of The Times? Subscribe.
Yahoo
14-06-2025
- Entertainment
- Yahoo
Cheyenne Symphony Orchestra: Meet Violist and Pianist Sabrina Lloyd
Sabrina Lloyd is a versatile musician who has been playing the viola in the Cheyenne Symphony Orchestra since 2012 as both a section violist and subbing as an assistant principal violist. Compared to the violin, the viola has a deeper and warmer sound, and is tuned to a lower-range. It's even often referred to as the alto clef instrument. Lloyd loves the lower range of the viola because it's less likely to squeal like the violin. She came from a musical family, with her mother being a violinist and her dad being a pianist and vocalist. Her mother taught her how to play the violin from the age of 4 and encouraged her and her sister to play the viola so they could play it in case there was no other violist in a performance. She also took piano lessons with her dad beginning at age 7. She said her dad had a more hands-off approach than her mom did, noting that it was a lot more casual. She then made the full switch to viola at age 16 with a new mentor, but said it was a gradual transition, and she was still playing solo violin repertoire before the switch, just because it was more abundant and fun. Although she'd taken violin lessons for several years, her first time playing in an orchestra was when she was in junior high. She also played in chamber music groups with her family, both at church and as a professional ensemble. Lloyd was born in New York, but grew up in northern Utah, where she earned her bachelor's degree at Utah State University in viola performance, as well as a French minor. Because her dad liked to travel, they also lived in California for a little bit, as well as Spain, before heading back to Utah. What brought Lloyd to the Front Range, though, was Colorado State University, where she got her master's in viola performance. She enjoyed participating in music festivals over the summers, like the Aspen Music Festival, in Aspen, Colorado, as well as the Castleman String Quartet program in Boulder, and programs outside of the United States in Quebec, Canada, and Fontainebleau, France. Stephen Wyrczynski was her mentor at Aspen, and his teachings stayed with her for years. Her other teachers — like Margaret Miller from CSU, Erica Eckert from University of Colorado in Boulder, and Russell Fallstad and Brad Ottesen from USU — were also vital in helping her become the musician she is today. The CSO is what brought her and her husband to Cheyennet. They lived in Boulder for a while before he started job hunting. At the time, Lloyd was already in the CSO, so he interviewed for a job in Cheyenne, and the rest is history. In addition to her position in the local orchestra, she also plays in the Fort Collins Symphony, the Greeley Philharmonic and the Wyoming Symphony in Casper. She's been with all of these orchestras for around a decade, as well. A fun fact about Lloyd is that she has perfect pitch, which she says is sometimes a blessing and a curse; when an orchestra is tuning, it can be a blessing, but other things, like singing 'Happy Birthday' in a restaurant, can make it a curse. When Lloyd isn't playing an instrument or singing, she's taking care of her three children or participating in at least two book clubs at any given time, and a fair chunk of her time also goes to being the personnel manager for one of her orchestras. 'It's a hard career path,' said Lloyd. 'The four orchestras I'm in and the personnel manager position are equivalent to one part-time job. Full-time orchestras like the Colorado Symphony pay quite nicely, but there aren't a lot of openings. ... It's very competitive ... but it's also a team sport, you have to work together (with those around you) to create a beautiful musical experience.' Lloyd said that if someone wants to go to school for music, they should be thinking about going to a school where they're on scholarship or won't be in a crazy amount of debt. Despite the hardships, though, Lloyd said she wouldn't have it any other way.
