Latest news with #BETAwards


Time of India
2 days ago
- Entertainment
- Time of India
TimTheTatman thinks ‘Just Chatting' killed gaming on Twitch, says that 'IRL is king now'
(Image via YouTube/@TimTheTatman) Twitch was built on gaming, but is that still true in 2025? TimTheTatman isn't so sure. During a recent stream, he dropped a hot take that's got the internet buzzing: Twitch isn't a gaming platform anymore… it's an IRL content machine. With creators like Kai Cenat, IShowSpeed, and others turning streams into full-blown reality shows, the line between gaming and entertainment is blurrier than ever. Gaming Is Getting Drowned Out In a recent stream, TimTheTatman pointed out something wild: Just Chatting had 500K viewers… while League of Legends trailed at 100K and CS2 barely hit 85K. That's a huge gap. And Tim didn't hold back: 'You could argue that the biggest streamers don't even game that much anymore… IRL is king now.' And honestly, he's not wrong. A scroll through Twitch's homepage on any given day will show more people reacting to memes, hosting celeb guests, or debating drama than actually touching a controller. Twitch Is Dead IRL Content Is the New Rockstar Creators like Kai Cenat are practically living a mainstream celebrity lifestyle. Hanging with Drake? Check. Vibing with LeBron James? Yup. Hosting the BET Awards? You bet. It's not just Kai. IShowSpeed's global antics (from meeting Cristiano Ronaldo to setting off fireworks in his room ) rack up millions of views—without a game in sight. They've turned Twitch and YouTube streams into a hybrid of late-night talk shows, reality TV, and chaotic entertainment. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Nhà container với cách nhiệt và chống thấm hiện đại Visionary Echo Tìm Ngay Undo Gaming? That's just a side quest. Twitch's OGs aren't thrilled Tim's concern isn't just nostalgia—it's a wake-up call for the gaming side of Twitch. A lot of OG streamers and fans are starting to ask: Is there even space for 'pure' gaming anymore? Some say we're just in a dry spell. No hype titles, no crazy launches. A GTA 6 or a massive multiplayer hit could swing things back. But others think this shift is permanent. It's a mixed bag. But the trend is clear: people want personalities , not just gameplay. Is Twitch Dying or is it Just Oversaturated? Will Gaming Bounce Back? Gaming isn't dead on Twitch. Let's not be dramatic. The most-subscribed streamers still include tons of hardcore gamers. And even Kai's gaming marathons (like his upcoming Mario Bros. collab with Speed) still pull in massive numbers. B ut the energy is different now. It's less about watching someone sweat through ranked and more about seeing your fave creator in a boxing ring, or doing wild stuff with celebrities. TimTheTatman's take has sparked a debate that's long overdue. Twitch started with games, but it's growing into something else—part talk show, part reality TV, part chaos machine. Whether that's good or bad? That's up to the viewers. But one thing's for sure: IRL content isn't just a side hustle anymore. It is the main event. Game On Season 1 continues with Mirabai Chanu's inspiring story. Watch Episode 2 here.

Time Business News
3 days ago
- Business
- Time Business News
Captive Campaigns: Redefining Upscale Marketing Through Mobile Digital Advertising
In the ever-evolving landscape of advertising, Captive Campaigns is carving out a niche that blends cutting-edge technology with a refined approach to marketing. As a leader in mobile digital billboard advertising, the company is elevating how brands connect with consumers by embracing flexibility and sophistication in their campaigns. This upscale business model is not only reshaping traditional advertising but also setting the stage for a new era in Out of Home (OOH) marketing. Captive Campaigns expertly taps into the profound influence of advertising in shaping public perception. OOH advertising has long been recognized as an essential strategy for brands seeking to build stature and awareness, and Captive Campaigns enhances this model with an innovative twist. By utilizing state-of-the-art mobile digital billboards that can traverse key urban locales, the company offers brands the ability to engage directly with consumers in high-traffic areas. This localized approach allows for tailored messaging that resonates with target audiences where they live, shop, and socialize. What distinguishes Captive Campaigns from traditional advertising firms is its commitment to providing a higher return on investment through smart analytics and adaptability. Brands no longer need to lock themselves into static billboard placements; instead, Captive Campaigns harnesses real-time data to optimize campaign locations and times, ensuring that advertisements are delivered when and where they will have the most significant impact. This fluidity sets Captive Campaigns apart as an upscale player in the marketing arena, capable of meeting the unpredictable demands of modern consumer behavior. The recent partnership with high-profile events asserts Captive Campaigns' position within the marketing elite. By aligning with platforms like the BET Awards, the company demonstrates its ability to intertwine brand messaging with culturally significant moments, elevating both the event and the advertisers involved. Such strategic collaborations not only enhance brand visibility but also amplify consumer engagement, showcasing the true potential of mobile digital advertising. Moreover, Captive Campaigns' integration of creativity and technology speaks to the future of branding. The company empowers businesses to become storytellers, crafting visually captivating narratives that captivate audiences on-the-go. This approach fosters a deeper emotional connection between brands and consumers, generating a trust that traditional advertisements often struggle to achieve. As the advertising landscape continues to shift, Captive Campaigns remains at the forefront of innovation. By redefining upscale marketing strategies through mobile digital billboards, the company is not merely changing the way brands advertise; it's creating a new standard. In this digital age, where adaptability and creativity are paramount, Captive Campaigns is poised to lead the charge, demonstrating that when it comes to OOH advertising, the future is indeed mobile, dynamic, and upscale. TIME BUSINESS NEWS
Yahoo
4 days ago
- Entertainment
- Yahoo
Here's What Claressa Shields Had To Say About Losing To Angel Reese At The BET Awards
Boxer Claressa Shields expressed her surprise on X after losing the Sportswoman of the Year Award to WNBA star Angel Reese at the 2025 BET Awards. According to Vibe, Shields, who was nominated alongside top athletes like Dawn Staley, A'ja Wilson, Sha'Carri Richardson, Simone Biles, Flau'jae Johnson, Coco Gauff and JuJu Watkins, shared her thoughts about the loss. Claressa Shields congratulated Reese, but says 'I just thought accolades mattered' 'Still don't know how I didn't win the Sportswoman of the Year for the @BETAwards but Congrats to Angel Reese and all the other Nominees [shrug emoji]. I just thought accolades mattered,' Shields tweeted. Advertisement During her time at Louisiana Stare University, Reese became a star player and was later drafted into the WNBA. Outside of women's basketball, Reese has grown into a superstar. With several brand deals, a podcast, and mentions by Cardi B and Latto, the 23-year-old has become something of an it girl. Here's what fans had to say Her followers quickly chimed in, with one defending Reese: 'You a got ms shields but reese has accolades too.' Shields responded, 'Yes she does but who has more accolades…. More success in their field. Please use google before responding.' Another user clarified, 'It goes year by year not an overall award please read up on the award before you complain about it.' Shields later clarified her stance, emphasizing her support for Reese: 'Ain't nobody saying Angel Reese don't have accolades or she not good…. I'm saying I thought the person with 'THE MOST' accolades and accomplishments would win the Award. I'm team Angel Reese!' Reese and her team have not responded to the series of tweets. The post Here's What Claressa Shields Had To Say About Losing To Angel Reese At The BET Awards appeared first on Blavity.


Forbes
20-06-2025
- Entertainment
- Forbes
Mariah Carey Earns Her First Solo Hit Song In A Decade
Mariah Carey returns to the Hot 100 solo for the first time in 10 years with her new single 'Type of ... More Dangerous,' which also launches at No. 1 on other Billboard lists. Mariah Carey performs onstage at the BET Awards 2025 held at the Peacock Theater on June 09, 2025 in Los Angeles, California. (Photo by Christopher Polk/Billboard via Getty Images) Throughout the 1990s, Mariah Carey was the queen of the Hot 100, scoring one No. 1 smash after another. Several of her hits from that decade ruled for historically-long periods of time. Lately, Carey has spaced her releases further apart, and she doesn't land big wins like she used to. But the beloved singer is back on Billboard's ranking of the biggest songs in America this week with 'Type Dangerous,' which helps her return to the tally unaccompanied for the first time in years. 'Type Dangerous' opens at No. 95 on the Hot 100 this week. According to Billboard, the track earns Carey her first completely solo hit on the chart roster in a decade. The last time she debuted a tune on the tally without any other featured artists credited was in May 2015, when 'Infinity' arrived and peaked at No. 82. In the years since 'Infinity' debuted, Carey has pushed a handful of tracks onto the Hot 100, but all of them benefited from another artist being included. Her list of recent hits includes 'I Don't' with YG and 'Oh Santa!' alongside Ariana Grande and Jennifer Hudson. Those two tunes peaked at Nos. 89 and 76, respectively. Of course, Carey returns to the Hot 100 every holiday season with 'All I Want for Christmas Is You.' The track finds its way back to the tally sometimes in November, sometimes not until December, but for the past half-decade, it has risen all the way to No. 1 every year. The blockbuster has now accrued a total of 18 weeks ruling the list — a number that will surely climb again at the end of 2025. 'Type Dangerous' powers its way onto the Hot 100 thanks largely to a healthy sales sum. The single opens at No. 4 on the Digital Song Sales chart, with a little under 5,100 pure purchases, according to Luminate. That also sends it straight to No. 1 on both the R&B/Hip-Hop Digital Song Sales and R&B Digital Song Sales tallies. It similarly opens inside the top 10 on a handful of other genre-focused rankings.
Yahoo
19-06-2025
- Entertainment
- Yahoo
Lil Wayne's ‘Tha Carter VI' debuts at No. 2 on Billboard 200 while Morgan Wallen holds No. 1 spot
Lil Wayne gave fans a full-course meal with Tha Carter VI. Deluxe tracks, signed CDs, and an evolution of that Hot Boy sound that's kept him in the conversation for decades. But even with all that momentum, the album still couldn't snatch the top spot on the Billboard 200. Trending Shannon Sharpe apologizes to Nicki Minaj after past comment sparks diss track response Fathers and their daughters: Check out 13 Hip Hop girl dads Check out the must-see performances from the 2025 BET Awards According to Billboard, Tha Carter VI debuted at No. 2 on the Billboard 200 with 108,000 equivalent album units sold. That includes 73,000 streaming-equivalent units and 1,000 in track-equivalent units. These streaming numbers show that Lil Wayne's digital reach in 2025 is still unmatched, proving his legacy continues to thrive in the streaming era. So, who held Wayne off? None other than Morgan Wallen. His latest release, I'm the Problem, held steady at No. 1 for another week with 209,000 units through June 12. That's right, Wallen's country-pop grip on the charts hasn't let up, even with Wayne applying serious pressure. Tha Carter VI still marks another strong entry in Wayne's legacy. It extends his run of Top 10 albums on the Billboard 200 to 13. And while the No. 2 debut might sting for longtime fans expecting a chart takeover, the numbers show just how locked in his fan base still is. The album came with plenty of buzz, boosted by collaborations, a deluxe edition with two bonus tracks, and limited signed physical copies that collectors surely chased. It's Wayne's first studio album since 2020's Funeral, which opened at No. 1 on the Billboard 200. This time around, though, the competition was tighter. Regardless, the impact is definitely there. Wayne's rollout gave veteran energy with modern reach, showing that even after 20+ years in the game, he's still charting high and drawing real attention from old fans and new listeners alike. Wallen may have kept the crown this week, but Tha Carter VI proved Lil Wayne's reign is far from over. You Might Also Like Lil Wayne's 'Tha Carter VI' album and tour mark a major return for the Hip Hop icon 17 essential André 3000 verses in celebration of his birthday