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Well played Shubman Gill, but did you declare too late out of the fear of Bazball? India captain's tactics ‘boring'
Well played Shubman Gill, but did you declare too late out of the fear of Bazball? India captain's tactics ‘boring'

Hindustan Times

time06-07-2025

  • Sport
  • Hindustan Times

Well played Shubman Gill, but did you declare too late out of the fear of Bazball? India captain's tactics ‘boring'

'Boring, Boring Indians.' Loud chants rang out from the packed Hollies Stand, its occupants clearly in high spirits after generously having courted Bacchus. You could see where they were coming from. India's captain Shubman Gill, right, along with teammates appeal to the umpire during day four of the second Test match against England at Edgbaston(AP) India's lead had already touched 591 when Shubman Gill's wonderful second century of the match came to an end. The sight of Nitish Kumar Reddy walking out at that stage, with potentially 22 overs of batting left in the evening, didn't improve their mood, already blue after another day of batting domination by the visitors. They wanted their guys to go out and do their thing, they didn't want India to add to a total that, in 148 years of Test cricket, had never been even remotely threatened. Which brought the question – how much is too much? India eventually asked England to hunt down 608 to rip history to shreds, to go where no team had even dreamt of going before. Six-oh-eight? Wow. Was that because they were fearful of the 'B' brand of cricket England have embraced in the last three years? Was that because they were apprehensive of the muscle and the might and the intrepidness of the England batting, which made 350 on the last day in Leeds appear a gentle stroll in the park? Was that because they believed the surface was still excellent for batting and that it was better to be safe than sorry? Or was that because they had enough faith in the quality of their bowling, even in Jasprit Bumrah's absence, to pick up 10 English wickets in 108 overs? No one definitive answer to any of these questions, really. India won't acknowledge in public, but if they did wonder whether 591 may not be enough, one can't really blame them. That's what Bazballing England have done to Test cricket. The Edgbaston strip has pretty much been a new-ball surface, as the events of the last four days have amply illustrated. India wanted two bites with the new cherry – for an hour and a little on the fourth evening, and for a while on the final morning, potentially under overcast skies because the forecast is for a bit of rain around the 11.00 am start time even though the chances of precipitation post 1.30 pm currently stand at zero percent on respected weather platforms. They might point to the success of their strategy after having the visitors on the hop, three down by close of Saturday's play. And reinforce their philosophy by noting that despite losing three wickets, the hosts raced to 72 in the 16 overs of play possible. To say that Ben Stokes' England have put the fear of the chase in all oppositions will be no exaggeration. The very fact that people are even discussing – seriously discussing – the chances of England rattling up 536 runs on the final day, at six an over, must be seen as a victory for their steamrolling methods that have allowed them to secure wins in all three Tests previously in which they have conceded more than 500 in the first innings in the Stokes-Brendon McCullum management era. A case can be made out for India giving themselves more overs to have a go at England, considering that both their proven wicket-taking options – Bumrah and Kuldeep Yadav – are warming the benches and maybe India were a little too conservative in their declaration, at 427 for six. But how much, if at all, they were, will become clear when the final day's proceedings unfurl on Sunday and England are confronted with the sternest examination of their character and mindset under Stokes' leadership. Day 5 now looms as a clash of ideologies There was nothing conservative about India's batting approach on Saturday, however. Gill, who it seems can't put a foot wrong when he straps his pads on and takes guard, was again the lord and master of all he surveyed. There was no sign of physical fatigue or mental lethargy despite eight and a half hours with the bat in the first innings while making 269, followed by six hours in the field when England replied to India's 587 with 407. There was no dimming of his appetite, no dialling down of his intensity, no tardiness when it came to running between the wickets. Gill's tally of runs this series sits at a monumental 585 after just four innings. He has occupied the crease for 1,116 minutes – just shy of 19 hours – and yet even towards the end of his run-a-ball 161, he ran his as well as his partner's ones and twos with all the enthusiasm of a fresher. He hasn't put a foot wrong in this Test so far; only time will tell if the declaration delayed is his only, but decisive, error.

Sinkholes and the people who love them
Sinkholes and the people who love them

National Observer

time23-05-2025

  • Climate
  • National Observer

Sinkholes and the people who love them

This story was originally published by Grist and appears here as part of the Climate Desk collaboration. This coverage is made possible through a partnership between Grist and BPR, a public radio station serving western North Carolina. Lauren Bacchus is one of many people in Asheville who are strangely enamored with the city's sinkholes. She's a member of the Asheville Sinkhole Group, an online watering hole of more than 3,400 people in and around this North Carolina city who eagerly discuss the chasms that mysteriously emerge from time to time. She even owns a T-shirt emblazoned with the phrase 'For the love of all things holey.' Bacchus concedes sinkholes are an odd thing to be passionate about, but they speak to the impermanence of things made by human hands. 'I don't want to discredit that sinkholes can cause a lot of damage and hurt people, but they do evoke this feeling of excitement and curiosity and mystery,' she said. 'It's a void that opens up where you thought something was solid. That's the reality of the ground we walk on all the time.' The Facebook group recently enjoyed renewed interest when a small pit appeared at an intersection near a storm-damaged area on the outskirts of town late last month. 'Oh, we're so back,' one user wrote. Given the flooding and busted pipes that followed Hurricane Helene, sinkholes have become a pressing problem for a vast swath of the region. Roads already battered by record flooding are pocked by the blemishes, which can be anywhere from a few inches to several feet in diameter — though particularly monstrous ones can reach hundreds of feet wide and hundreds of feet deep. A marked increase in their numbers has been keeping road crews busy In Asheville, according to spokesperson Kim Miller. 'The uptick has impacted staff workload,' she said. Such dints can appear quickly, or over long periods of time. They also can occur naturally, or as the result of humans altering the landscape. Whatever their speed and cause, they are almost always the result of something or someone altering the natural flow of water underground — a problem exacerbated by the extreme rain often brought on by climate change. Over time, these anomalies grow and grow, unseen, until reaching the surface and causing an abrupt cave-in. The country's biggest open sinkhole, Golly Hole, opened 52 years ago in Alabama, creating a rift 350 feet wide and 100 feet deep. But even small ones can be horrendously expensive; all told, sinkholes may have cost the country over $300 million annually during the past 15 years. No one maintains a master list of them, and the US Geological Survey says most are probably never reported. Still, there's enough data to know the majority occur in states like Tennessee, Kentucky, Florida, and Pennsylvania, where soft, porous bedrock is liable to dissolve. The 'sinkhole capital' award might go to Florida, which has seen these craters proliferate after large storms like Tropical Storm Debby in August and Hurricane Milton in October, devouring backyards and chunks of road. Some experts on the matter say that ' sinkhole season ' takes over as hurricane season winds down. Sinkholes are also complicated to resolve: Many states don't require homeowners' insurance to cover them, leaving many people to deal with a big problem on their own. Florida and Tennessee are among the few states that require disclosing past occurrences to anyone buying a house, though those laws are antiquated and lawmakers have been pushing for updates. Regardless of the annoyance, sinkholes have seen a lot of love in Asheville. Bacchus joined the sinkhole group just after its founding in 2019, when a particularly monstrous example swallowed a parking lot in a cavity 36 feet wide and 30 feet deep. That story made national headlines. The owners of the land tried, without success, to fill it with concrete before the city declared that the building on the site was too dangerous to occupy. It remained vacant for years while the corroded piping that caused the sinkhole was repaired. Late last year, a Waffle House in the nearby Mars Hill suffered a similar fate. The day before Helene brought record flooding, a sinkhole took out much of the diner's parking lot, ultimately leading the owners to shut down. Much of Appalachia sits on porous limestone, made of the compressed shells of sea creatures that, millions of years ago, swam and scuttled in shallow seas. This topography, called karst, is full of tunnels and caves. USGS maps paint much of Tennessee, Kentucky, and Virginia in a bright-red, high-risk sinkhole zone. The nuisances have threatened, among other things, a Corvette museum in Kentucky, a police station in West Virginia, and a shopping mall in East Tennessee. For years, a sinkhole at the bottom of the Tennessee Valley Authority's Boone Dam drained it like a bathtub. These geologic formations are an expensive nuisance, and occasionally tragic. A Pennsylvania grandmother died late last year after falling into one while looking for her missing cat. In Western North Carolina, and other areas with notably no limestone, sinkholes are mainly the result of human intervention – construction fill, bad plumbing, and choices made by developers and builders that result in water going places it shouldn't. However they arise, sinkholes have an insatiable quality to them, often expanding in ways that make them difficult and sometimes impossible to repair. But they also create a sense of wonder and fascination — the feeling of peering into another time. By opening a window into a subterranean world of water, fossils, and caves, they offer a glimpse of what came before. And, experts say, we might see more of them as a warming world makes big storms more common. Ernst Kastning, a retired geology professor who taught at Radford University in Virginia, said sinkholes are often a natural reaction to a sudden change, like torrential rain. They can form as all that precipitation flows downhill, such as via an underground cave system. '​​The water has to come out somewhere,' Kastning said. After an intense downpour or sudden inundation, the land attempts to restore equilibrium, which often means water and soil move into inconvenient places. Geologists colloquially call this the earth's 'plumbing system' — the complex network of underground drainage pathways that are a part of the water cycle. Human-caused sinkholes can force a similar reaction through artificially creating what scientists call 'void space' in the ground. This affects how much water the soil can hold and can cause it to collapse. 'If you come in there and dig something or put in something or build something or modify the water flow … you're likely to have nature react to that,' Kastning said. In particular, pumping water out of aquifers and pouring concrete or asphalt, for foundations or roads, for example, causes depressions and allows sinkholes to form. While these depressions can be caused by a variety of factors, the main culprit is rain. Warm temperatures can also make the ground and the rock within it softer. Sinkholes after a storm like Helene, Kastning said, are part of nature's way of righting itself. But if big storms happen more often, so will sinkholes. 'The frequency of these things is increasing,' he said. But so too are the unique opportunities they present. On a sunny April afternoon, three scientists walked across an ancient sinkhole, long since filled in and covered in grass, on the Gray Fossil Site in Gray, Tennessee. Active archaeological digs are currently covered with black plastic and protected by fences. The 4.5-acre, 144-foot deep pit and surrounding forest once provided water to prehistoric animals and, when they died, served as their grave. As museum collections manager Matthew Inabinett put it, 'When a place is a good place to live, it's also a good place to die!' Gray Fossil allows scientists to peer 4.5 million years into the past. Of course, they've only (literally) scraped the surface. 'We've estimated a few tens of thousands of years at current rates to excavate to the bottom,' said fossil site Americorps member Shay Maden. 'So we've got job security on that front for sure.' They've found fossils of exciting species like giant flying squirrels and mastodons, but also have seen more familiar faces, including rhinos (one of which the team named Papaw, since he died at an advanced age) and tropical reptiles. The site, Inabinett said, has become a scrying glass to understand climate conditions of the past. It can also suggest what things might look like in a world a few degrees warmer than today. Many of the fossils found so far are from the Pliocene epoch, which ended about 2.6 million years ago and was about 3 degrees Celsius (5.4 degrees Fahrenheit) warmer than now. That's also about how much warmer Earth is projected to grow by 2100. Oceans were about 25 feet higher back then, and alligators lived in Appalachia. The region's biodiversity, once among the greatest in the world, survived multiple periods of extreme heat and cold. Later, the humid climate of the Pliocene quickly succumbed to the Ice Age. Because silt flows toward the ocean, the Appalachian region has few easily accessible fossils, making Gray Fossil a primary window into the ancient past. 'The Southern Appalachians are one of the most biodiverse regions in North America,' Inabinett said. 'To study this time period, the early Pliocene, is really useful for understanding how that diversity originated.' While not every sinkhole opens a prehistoric portal, even the most mundane of them taps into something primal. For Bacchus, who goes on regular walks to check new and growing sinkholes, they represent the concept of 'the void,' and bring an opportunity for people to reflect on concepts bigger than themselves. 'I am attracted to sinkholes because of the humbling feeling they evoke,' she said. 'I am reminded I am a small animal on this planet, and there's more going on below the surface than we may realize.'

Incredible new Pompeii find shed light on secretive cult of Bacchus
Incredible new Pompeii find shed light on secretive cult of Bacchus

News.com.au

time17-05-2025

  • Entertainment
  • News.com.au

Incredible new Pompeii find shed light on secretive cult of Bacchus

Sex. Drugs. And the Roman version of Rock'n' Roll. Pompeii knew how to party. But you had to be an initiate first. And a new discovery embraces the wild side of the ancient empire's women. Yet another richly decorated banquet hall has been dug out of the volcanic dust and rubble. What makes this one special is the life-size frieze that runs along three sides of the room. It shows a Thiasus (procession) for the god of wine and festivity. And it celebrates the admission of a young woman to the mystery cult. 'For the ancients, the bacchante or maenad expressed the wild, untameable side of women,' says director of the Archaeological Park of Pompeii Gabriel Zuchtriegel. '(It's about) the woman who abandons her children, the house and the city, who breaks free from male order to dance freely, go hunting and eat raw meat in the mountains and the woods.' The fresco provides insight into the secretive cult of Bacchus – the god of frenzy and ecstasy. The damaged central scene shows an older man whispering to the initiate. He's holding a torch to light the way. And above the panel is a strange scene of snakes and fish. Female celebrants shown as dancers in diaphanous gowns or naked hunters carrying their catch are arrayed on either side. Prancing among them are the cult's iconic human-goat hybrid satyrs playing flutes and drinking. 'These frescoes have a profoundly religious meaning which, however, was also designed to decorate areas for holding banquets and feasts,' Zuchtriegel explains, 'rather like when we find a copy of Michelangelo's Creation of Adam on the wall of an Italian restaurant in New York to create a little bit of atmosphere.' Women unchained 'What we see is actually a scene of initiation into the mysteries of Dionysus (the Greek name of Bacchus). In antiquity, various mystery cults existed, not only with regard to Dionysus, but also of Demeter and Isis,' says Zuchtriegel. All involved secret initiation rites, closely guarded beliefs, and intense ceremonies designed to create a spiritual experience for participants. While not official pantheon religions sponsored by the Roman state, they were widely tolerated as somewhat scandalous pursuits. The symbology of the newly uncovered banquet hall frieze appears simple. It's colourful. It's energetic. It's filled with an abundance of food and wine. 'The hunt of the Dionysiac bacchantes was 'a metaphor for an unrestrained, ecstatic life that aims to achieve' great, wondrous things',' Zuchtriegel explains. But the cult was built around the myth that Bacchus had been 'born again'. Some accounts say the son of Persephone had been torn apart by the Titans, the predecessors to the gods. But the king of the gods and his father, Zeus, had his heart recovered and used to bring him back to life through a second mother, Semele. Another says he was born twice. The unborn godchild survived the killing of his mother, Semele. Zeus then carried him to full term by sewing him into his thigh. Most of his myths tell of the boy-god growing up, discovering wine, and rejecting the strictures of civilisation for the pursuit of pleasure and a simple life. The newly discovered fresco shows his tutor and mentor – the old man Silenus – introducing a woman to the cult, promising 'rebirth' into a new life of bliss and plenty. But while Bacchus was worshipped for bringing joy wherever he went, he could drive wayward followers into madness. Archaeologists say the freshly excavated house, dubbed Thiasus after the Bacchanalian procession, had been painted some 40 years before the eruption. It's not the only Pompeii mansion to celebrate the god of excess. The 'House of Bacchus' was excavated in 1879. One of its frescoes shows the god standing beside Mount Vesuvius, wrapped in a gown of giant wine grapes. Beneath writhes another sinister snake. Ancient interior design Roman builders had a clear philosophy: axiality – the Durchblick or 'view through'. Researchers say this wasn't just an architectural idea. The 'right to a clear view' was also a part of Roman law. A virtual reality reconstruction of a Pompeian villa demonstrates how this played out in its occupant's daily lives. The study in the American Journal of Archaeology tracks the sight lines of visitors as they enter and move through one excavated villa, the House of the Greek Epigrams. It shows Roman builders and interior decorators used layouts of long, straight, clear lines to allow people to see through most of the house. But what they saw, and when, was tightly scripted. 'Archaeological investigations conducted on the physical remains of Roman houses and their decor have emphasised the highly ritualistic character of the domestic space, in that it encompassed activities (both religious and habitual …) that were formalised and meaningful,' the study reads. In the case of the House of the Greek Epigrams, those on the street passing by see 'suitably modest motifs, deliberately concealing more luxurious decorative elements'. But guests were given the full sensory-manipulation experience. The artworks exploit the shifting focus of the eye to bring frescoes to life. And different scenes move in and out of the shadows at different times of the day to evoke tailored moods. As with modern interior design, it was as much about the 'construction of the identity of the owner of the house' as it was decorative. 'Rather than rooms with a single view or multiple views, the Roman house would have offered a complex visual palimpsest made up of moving views, interconnected journeys, and comings and goings, of successive investigations in search of the unexpected new detail and mnemonic connections, through the skilful visual play of paintings under the light and in the shadows,' it concludes.

Sinkholes and the people who love them
Sinkholes and the people who love them

Yahoo

time12-05-2025

  • Climate
  • Yahoo

Sinkholes and the people who love them

Lauren Bacchus is one of many people in Asheville who are strangely enamored with the city's sinkholes. She's a member of the Asheville Sinkhole Group, an online watering hole of more than 3,400 people in and around this North Carolina city who eagerly discuss the chasms that mysteriously emerge from time to time. She even owns a T-shirt emblazoned with the phrase 'For the love of all things holey.' Bacchus concedes sinkholes are an odd thing to be passionate about, but they speak to the impermanence of things made by human hands. 'I don't want to discredit that sinkholes can cause a lot of damage and hurt people, but they do evoke this feeling of excitement and curiosity and mystery,' she said. 'It's a void that opens up where you thought something was solid. That's the reality of the ground we walk on all the time.' The Facebook group recently enjoyed renewed interest when a small pit appeared at an intersection near a storm-damaged area on the outskirts of town late last month. 'Oh, we're so back,' one user wrote. Given the flooding and busted pipes that followed Hurricane Helene, sinkholes have become a pressing problem for a vast swath of the region. Roads already battered by record flooding are pocked by the blemishes, which can be anywhere from a few inches to several feet in diameter — though particularly monstrous ones can reach hundreds of feet wide and hundreds of feet deep. A marked increase in their numbers has been keeping road crews busy In Asheville, according to spokesperson Kim Miller. 'The uptick has impacted staff workload,' she said. Such dints can appear quickly, or over long periods of time. They also can occur naturally, or as the result of humans altering the landscape. Whatever their speed and cause, they are almost always the result of something or someone altering the natural flow of water underground — a problem exacerbated by the extreme rain often brought on by climate change. Over time, these anomalies grow and grow, unseen, until reaching the surface and causing an abrupt cave-in. The country's biggest open sinkhole, Golly Hole, opened 52 years ago in Alabama, creating a rift 350 feet wide and 100 feet deep. But even small ones can be horrendously expensive; all told, sinkholes may have cost the country over $300 million annually during the past 15 years. No one maintains a master list of them, and the U.S. Geological Survey says most are probably never reported. Still, there's enough data to know the majority occur in states like Tennessee, Kentucky, Florida, and Pennsylvania, where soft, porous bedrock is liable to dissolve. The 'sinkhole capital' award might go to Florida, which has seen these craters proliferate after large storms like Tropical Storm Debby in August and Hurricane Milton in October, devouring backyards and chunks of road. Some experts on the matter say that 'sinkhole season' takes over as hurricane season winds down. Sinkholes are also complicated to resolve: Many states don't requireask homeowners' insurance to cover them, leaving many people to deal with a big problem on their own. Florida and Tennessee are among the few states that require disclosing past occurrences to anyone buying a house, though those laws are antiquated and lawmakers have been pushing for updates. Regardless of the annoyance, sinkholes have seen a lot of love in Asheville. Bacchus joined the sinkhole group just after its founding in 2019, when a particularly monstrous example swallowed a parking lot in a cavity 36 feet wide and 30 feet deep. That story made national headlines. The owners of the land tried, without success, to fill it with concrete before the city declared that the building on the site was too dangerous to occupy. It remained vacant for years while the corroded piping that caused the sinkhole was repaired. Late last year, a Waffle House in the nearby Mars Hill suffered a similar fate. The day before Helene brought record flooding, a sinkhole took out much of the diner's parking lot, ultimately leading the owners to shut down. Much of Appalachia sits on porous limestone, made of the compressed shells of sea creatures that, millions of years ago, swam and scuttled in shallow seas. This topography, called karst, is full of tunnels and caves. USGS maps paint much of Tennessee, Kentucky, and Virginia in a bright-red high-risk sinkhole zone. The nuisances have threatened, among other things, a Corvette museum in Kentucky, a police station in West Virginia, and a shopping mall in East Tennessee. For years, a sinkhole at the bottom of the Tennessee Valley Authority's Boone Dam drained it like a bathtub. These geologic formations are an expensive nuisance, and occasionally tragic. A Pennsylvania grandmother died late last year after falling into one while looking for her missing cat. In Western North Carolina, and other areas with notably no limestone, sinkholes are mainly the result of human intervention – construction fill, bad plumbing, and choices made by developers and builders that result in water going places it shouldn't. However they arise, sinkholes have an insatiable quality to them, often expanding in ways that make them difficult and sometimes impossible to repair. But they also create a sense of wonder and fascination – the feeling of peering into another time. By opening a window into a subterranean world of water, fossils, and caves, they offer a glimpse of what came before. And, experts say, we might see more of them as a warming world makes big storms more common. Ernst Kastning, a retired geology professor who taught at Radford University in Virginia, said sinkholes are often a natural reaction to a sudden change, like torrential rain. They can form as all that precipitation flows downhill, such as via an underground cave system. '​​The water has to come out somewhere,' Kastning said. After an intense downpour or sudden inundation, the land attempts to restore equilibrium, which often means water and soil move into inconvenient places. Geologists colloquially call this the earth's 'plumbing system' — the complex network of underground drainage pathways that are a part of the water cycle. Human-caused sinkholes can force a similar reaction through artificially creating what scientists call 'void space' in the ground. This affects how much water the soil can hold and can cause it to collapse. 'If you come in there and dig something or put in something or build something or modify the water flow … you're likely to have nature react to that,' Kastning said. In particular, pumping water out of aquifers and pouring concrete or asphalt, for foundations or roads, for example, causes depressions and allows sinkholes to form. While these depressions can be caused by a variety of factors, the main culprit is rain. Warm temperatures can also make the ground and the rock within it softer. Sinkholes after a storm like Helene, Kastning said, are part of nature's way of righting itself. But if big storms happen more often, so will sinkholes. 'The frequency of these things is increasing,' he said. But so too are the unique opportunities they present. On a sunny April afternoon, three scientists walked across an ancient sinkhole, long since filled in and covered in grass, on the Gray Fossil Site in Gray, Tennessee. Active archaeological digs are currently covered with black plastic and protected by fences. The 4.5-acre, 144-foot deep pit and surrounding forest once provided water to prehistoric animals and, when they died, served as their grave. As museum collections manager Matthew Inabinett put it, 'When a place is a good place to live, it's also a good place to die!' Gray Fossil allows scientists to peer 4.5 million years into the past. Of course, they've only (literally) scraped the surface. 'We've estimated a few tens of thousands of years at current rates to excavate to the bottom,' said fossil site Americorps member Shay Maden. 'So we've got job security on that front for sure.' They've found fossils of exciting species like giant flying squirrels and mastodons, but also have seen more familiar faces, including rhinos (one of which the team named Papaw, since he died at an advanced age) and tropical reptiles. The site, Inabinett said, has become a scrying glass to understand climate conditions of the past. It can also suggest what things might look like in a world a few degrees warmer than today. Read Next Why are all of America's biggest cities sinking? Matt Simon Many of the fossils found so far are from the Pliocene epoch, which ended about 2.6 million years ago and was about 3 degrees Celsius warmer than now. That's also about how much warmer Earth is projected to grow by 2100. Oceans were about 25 feet higher back then, and alligators lived in Appalachia. The region's biodiversity, once among the greatest in the world, survived multiple periods of extreme heat and cold. Later, the humid climate of the Pliocene quickly succumbed to the Ice Age. Because silt flows toward the ocean, the Appalachian region has few easily accessible fossils, making Gray Fossil a primary window into the ancient past. 'The Southern Appalachians are one of the most biodiverse regions in North America,' Inabinett said. 'To study this time period, the early Pliocene, is really useful for understanding how that diversity originated.' While not every sinkhole opens a prehistoric portal, even the most mundane of them taps into something primal. For Bacchus, who goes on regular walks to check new and growing sinkholes, they represent the concept of 'the void,' and bring an opportunity for people to reflect on concepts bigger than themselves. 'I am attracted to sinkholes because of the humbling feeling they evoke,' she said. 'I am reminded I am a small animal on this planet, and there's more going on below the surface than we may realize.' This story was originally published by Grist with the headline Sinkholes and the people who love them on May 12, 2025.

There's nothing wrong with fondling Molly Malone's statue
There's nothing wrong with fondling Molly Malone's statue

Telegraph

time07-05-2025

  • Entertainment
  • Telegraph

There's nothing wrong with fondling Molly Malone's statue

There's a folder on my iCloud's photo storage labelled 'art' that I may need to delete before the sex police haul me off to the gulag. For every snap of me grinning happily by a Van Gogh masterpiece, there's another of me goosing a statue, generally male. I freely admit I find it hard to visit Cambridgeshire's Anglesey Abbey without visiting the Colossal Bacchus with Panther and giving his non-colossal marble member a fond pat. Partly because the garden's pagan sculptures always make me think of the impish moving statue in Peter Greenaway's film The Draughtsman's Contract and partly – to state the glaringly obvious – that being drawn to representations of the naked human form is an instinctive and time-honoured impulse. From the Greek myth of Pygmalion to CS Lewis's The Lion, the Witch and the Wardrobe, there's been a lurking fear and hope that cold stone might spring to life. But statue-fondling is now an endangered pastime, with self-appointed decency monitors denouncing the practice. This week a 23-year-old Dublin student, Tilly Cripwell, announced a campaign to stop tourists buffing the bronze breasts of the city's Molly Malone sculpture (believing the gesture brings luck) by raising her on a plinth. Cripwell, who often busks close to the figure, views the bronze-handling as 'disgusting behaviour' that violates 'one of the few representations of women in Irish culture.' I would find her outrage more convincing if Malone was a verified historical figure, rather than the coquettish subject of a popular ditty, and if the figure's breasts weren't so cartoonishly large (the late sculptor Jeanne Rhynhart appears to have channelled Barbie). Even Dubliners affectionately refer to the sculpture as 'the tart with the cart'. Yes, I know this sounds close to statue blaming; but can we all remember for a second that we're discussing an inanimate object and, for that matter, a decidedly ropey work of art. If you want to seek love's blessings from a rather better statue, try Verona where you can queue at the Casa di Giulietta to touch the polished right breast of Romeo's innamorata. So popular is this fertility ritual with both sexes that Juliet's breast wore thin, meaning a replica was installed in 2014 – only for the copy to develop a small cavity too. There was a brief public contretemps about the petting but, this being Italy, the scales tipped in favour of sensuality. In Paris, meanwhile, nobody appears too outraged about the shiny, caressed breasts of the Buste de Dalida (an iconic 70s' chanteuse) in Montmartre. Quite right too. There are plenty of examples of male sculptures being pawed by an adoring public – especially if you count the much-massaged testicles of Arturo Di Modica's charging bronze bull on Wall Street. Another fine Parisian example is the tomb of 19 th -century journalist Victor Noir, who died duelling. His prostrate effigy boasts a gleaming crotch and lips from the thousands who subscribe to the story that getting handsy or smoochy will enhance their fertility and general desirability. The city's authorities had a brief fit of the vapours in 2004 and installed a fence, but it was taken down after a public outcry. There are limits, of course. No one would wish Parliament Square's dignified statue of British suffragist leader, Millicent Garrett Fawcett, to be manhandled. It was bad enough when trans rights protestors defaced her image with graffiti last month. An act which starkly demonstrated our current schizophrenic attitude towards public sculptures: are they there to be embraced, defaced or pushed in a river? In my view, a little light fondling is vastly preferable to vandalism.

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