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The Desi Girl Turns 43: 4 Landmark Films Of Priyanka Chopra That Ruled The Box-Office
The Desi Girl Turns 43: 4 Landmark Films Of Priyanka Chopra That Ruled The Box-Office

News18

time6 days ago

  • Entertainment
  • News18

The Desi Girl Turns 43: 4 Landmark Films Of Priyanka Chopra That Ruled The Box-Office

1/9 Aitraaz (2004): Conventional glamour dominated PC's filmography until Aitraaz dropped in and changed the game. As Sonia Roy, an ambitious corporate boss, Chopra flipped the perception. (Image: IMDb) The film explores the evil of corporate sexual abuse and also stars Akshay Kumar and Kareena Kapoor Khan in the lead roles. Yet, it was the rage, ruthlessness, and ravishing undertone of Priyanka's character that stole the spotlight. A morally and ethically grey character, it depicts how the desire for power blinds a person and turns them into monsters. If there's one film that showcases PC's antagonist avatar, then Aitraaz it is. (Image: IMDb) Don and Don 2 (2006 and 2011): Bollywood has a handful of female cop characters which claimed an iconic status. Roma is one of them. The grit, glamour, and intensity of this character is unmatched. (Image: IMDb) Playing a cop in one of Bollywood's most stylish franchises, she is after the international smuggler, Don (Shah Rukh Khan). Getting through intense training and acting workshops, Chopra proved that she is the OG action heroine of Bollywood. The character isn't just the sassiest and slickest, it was a well-written one too by Farhan Akhtar. PC took the game up with the sequel as well, as her hunt for Don resumed. (Image: IMDb) Fashion (2008): Madhur Bhandarkar always dives deep into an industry and gives us a chilling account of the nitty-gritties of it. With this film, he took his research to the next level. However, it was PC's Meghna Mathur, who again stole the spotlight in this film. (Image: IMDb) Barfi! (2012): Anurag Basu reportedly visited Priyanka Chopra right after an event to discuss Barfi!, and said, 'I think I made a mistake. How can PC play the role of an autistic girl?' (Image: IMDb) An actor's journey is marked by versatility and the moment she sheds her glamour self and dons the hat of an eccentric and complex character. That's what PC did here! Essaying the role of Jhilmil, an autistic girl, she made it clear that nuances of acting lie in quietly internalizing the character and not just delivering dramatic dialogues. The way Chopra infuses a childlike innocence, sensitivity, and depth deserves a watch. (Image: IMDb)

Tanvi The Great's Shubhangi Dutt talks about being compared to Priyanka Chopra's ‘Jhilmil' character in Barfi!: ' I had already imbibed a lot of...'
Tanvi The Great's Shubhangi Dutt talks about being compared to Priyanka Chopra's ‘Jhilmil' character in Barfi!: ' I had already imbibed a lot of...'

Time of India

time15-07-2025

  • Entertainment
  • Time of India

Tanvi The Great's Shubhangi Dutt talks about being compared to Priyanka Chopra's ‘Jhilmil' character in Barfi!: ' I had already imbibed a lot of...'

Shubhangi Dutt earns praise for her role in Tanvi The Great. Her portrayal of an autistic girl is powerful. Comparisons are drawn to Priyanka Chopra's Jhilmil in Barfi. Shubhangi clarifies her approach was distinct. She immersed herself in research and unlearning. She observed the real Tanvi's soul. Shubhangi aimed to embody the essence of every autistic individual. Shubhangi Dutt is earning praise for her powerful portrayal in Tanvi The Great, where she plays a young autistic girl with extraordinary emotional depth. Naturally, comparisons have been drawn to Priyanka Chopra 's acclaimed performance as Jhilmil in Barfi!—but Shubhangi is carving her own path. When asked about comparisons between her role in Tanvi The Great and Priyanka Chopra's portrayal of Jhilmil in Barfi!, Shubhangi told Bollywood Bubble that while both roles may seem similar on the surface, her approach to Tanvi was completely distinct. She shared that the character was deeply challenging, and instead of drawing from a single reference, she immersed herself in extensive research. In fact, even before the shoot began, she had already internalized many of Tanvi's mannerisms, shaping her portrayal through personal interpretation rather than imitation. The actress further revealed that her preparation for Tanvi The Great involved not just research, but also a process of eventual unlearning. On her director's advice, she continued studying various sources until rehearsals began, at which point he told her to forget everything she had learned to find a more instinctive performance. When she met the real Tanvi, she sought clarity on whether she should mirror her exact behaviour. But the only guidance she received was to 'observe her soul'—a cue that helped Shubhangi craft a portrayal rooted in emotional truth rather than imitation. Concluding her thoughts, she also shared that her director's intention was for her to embody the essence of every autistic individual through her own creative lens. While she didn't grasp it immediately, the meaning became clearer over time. Once it did, she built a complete inner world for Tanvi—one she visualised and stayed true to throughout her performance.

Is Metro...In Dino's Budget Rs 85 Crore? Find Out The Truth
Is Metro...In Dino's Budget Rs 85 Crore? Find Out The Truth

News18

time12-07-2025

  • Entertainment
  • News18

Is Metro...In Dino's Budget Rs 85 Crore? Find Out The Truth

Last Updated: Anurag Basu's eagerly awaited anthology drama Metro… In Dino is generating a lot of buzz for its reported budget. Anurag Basu's eagerly awaited anthology drama Metro… In Dino has generated a lot of hype not just for its ensemble cast but also for its reported budget. The star-studded movie was reportedly made on a huge Rs 85 crore budget, which is a significant sum for any Bollywood romantic film. There are now questions over whether it was a hit or a bust because the movie made Rs 30 crore in eight days. Sources have recently revealed the real cost of production. ' Metro…In Dino was made on a fairly small scale with Rs 40 crore for production and Rs 7 crore for print and promotion, contrary to what many might assume," a source familiar with the project said. The source further added that the film relied on substance and sincerity rather than size. The film, which is a spiritual follow-up to Basu's critically acclaimed Life… In A Metro (2007), stars Sara Ali Khan, Aditya Roy Kapur, Neena Gupta, Anupam Kher, Fatima Sana Shaikh, Ali Fazal, Konkona Sen Sharma, and Pankaj Tripathi. Metro…In Dino, aimed at urban centres, has failed to maintain its momentum following its first weekend. The diminishing figures indicate that the producers will have a hard time recouping their investment. According to the box office tracking site Sacnilk, the Bollywood film has made Rs 26.85 crore in India in just one week. Although the second weekend's business must improve, it is improbable that India's total revenue will surpass Rs 50 crore. Netflix has acquired the OTT rights of the multi-starrer film, the Republic World reported. Given how slowly it is doing at the box office, recovering the budget will be an enormous undertaking. Metro…In Dino had only recouped about 35% of its expected production costs in just 7 days. The music, a joint effort by Basu and Pritam, who reunited following their successful collaborations on films like Barfi! and Life… In A Metro is what further fuels the high-budget rumours. The film is most likely to end its run at the box office below Rs 50 crore and become a box office failure. It is concerning for Sara and Aditya, who have been hoping that Metro…In Dino will succeed after a run of box office setbacks. First Published: Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.

The world has enough noise; we need meaningful stories: Saurabh Shukla
The world has enough noise; we need meaningful stories: Saurabh Shukla

Time of India

time11-07-2025

  • Entertainment
  • Time of India

The world has enough noise; we need meaningful stories: Saurabh Shukla

Weighing in on the current landscape of storytelling, laments the shift towards individual narratives over broader communal voices. The actor-filmmaker who was recently in Bengaluru to stage his play Barff, tells us, 'There was a time when we had something to say, but today we've become hyperindividualistic. Tired of too many ads? go ad free now Everyone's writing a rags-to-riches story – it's all about 'I was nobody, now I'm somebody.' That's fine, but where's the communal voice? Where's the concern for the larger world?' 'People say, 'we want great content,' but are they ready to receive it? I still ask myself, 'Is this story really worth telling?' If the answer is yes, I'll go for it. If not, I wait, because the world has enough noise and we need more meaningful stories,' he says. Excerpts: 'FORMULAS HAVE NEVER WORKED FOR ME' When it comes to writing for the screen, the filmmaker tells us he trusts in 'instincts' over conventional rules. 'I started writing because I didn't want to wait around for someone else to give me a script. People talk about formulas—a song in the first 10 minutes, an action scene in the 30th minute, but that has never worked for me. There's no fixed rule to write a script, as a writer, I've learnt that one must follow their instincts, the structure will emerge organically,' he says. 'BARFI! REIGNITED MY PASSION FOR ACTING' Recalling a challenging phase in his career, he says, 'After Satya, I wasn't getting the kind of roles that made me proud. I was even telling people not to approach me — I'd say, 'I'm not an actor, I'm a writer',' he says. But that changed with Anurag Basu's Barfi, which also featured . 'Barfi! reignited my passion for acting. Ranbir (Kapoor) had an amazing energy and joy for the craft. We instantly clicked, and I'd wake up every day looking forward to being on that set. It brought me back to acting — and I started seeing acting as an art form, and it gave me a sense of satisfaction.' 'SPONTANEITY GAVE BANDIT QUEEN ITS REALISM' Drawing a parallel between Barfi! and Bandit Queen, which was his debut film, he says, 'I feel Shekar and Anurag are very similar as directors. During Bandit Queen, didn't even give us a written script; he'd just brief us on the scene's core idea and say, 'Roll camera', that kind of spontaneity gave the film its realism. Tired of too many ads? go ad free now Working on Barfi! with Anurag (Basu), I experienced that same collaborative spirit; he allowed us room to improvise while shooting." On the set of Barfi!, Ranbir (Kapoor) had an amazing energy and joy for the craft. We instantly clicked, and I'd wake up every day looking forward to being on that set. It brought me back to acting Saurabh Shukla 'Your life experiences often reflect in your performance' On playing the same characters across the Jolly LLB and Raid franchises, Saurabh explains, 'Even if it's the same character, you're never really playing them the same way. I was a different person when I did Jolly LLB 1 than I was in Jolly LLB 2. Your life experiences change you, and that change reflects in your performance — even if the audience doesn't consciously notice it. It's not about giving the character a new twist, like suddenly turning the judge into a gangster; it's in the subtle nuances. That's what keeps you and the audience interested.'

Ileana D'Cruz once revealed she ran away from the sets of her first film because people said she will never make it: 'I was made to do things I never expected to do...'
Ileana D'Cruz once revealed she ran away from the sets of her first film because people said she will never make it: 'I was made to do things I never expected to do...'

Time of India

time10-07-2025

  • Entertainment
  • Time of India

Ileana D'Cruz once revealed she ran away from the sets of her first film because people said she will never make it: 'I was made to do things I never expected to do...'

Ileana D'Cruz, now a celebrated Bollywood actress, had a difficult start. During her debut film Devadasu (2006) at 18, she felt overwhelmed by the unfamiliar environment and negativity, even walking off set in tears. A call with her mother, who reminded her of her commitment, grounded her. Ileana persevered, proving resilience triumphs over early criticism, ultimately becoming a bankable star. Before winning hearts in Barfi! and becoming one of Bollywood's most reliable performers, Ileana D'Cruz faced a rocky start in the film industry. At just 18, during the first day of her debut film Devadasu (2006), she felt overwhelmed, doubted, and out of place—so much so that she ran off set in tears. But a grounding call with her mother changed everything, setting her on the path to stardom. In a past interview with Hindustan Times, Ileana revealed that she faced an emotionally rough start to her acting career during the shoot of her debut film Devadasu (2006). At just 18, she found herself overwhelmed by the unfamiliar world of filmmaking—surrounded by a language she didn't understand, asked to perform tasks she wasn't prepared for, and thrown into an environment that felt completely alien. Adding to the pressure, some people on set doubted her potential and made it clear they didn't believe she had a future in acting. Already struggling with self-doubt, the negativity hit hard, leaving her deeply upset. At one point, the stress became so intense that she even walked off the set. But despite the rocky beginning, Ileana pushed through and went on to become one of the industry's most bankable stars—proving that resilience matters more than early criticism. Looking back, the actress remembered feeling completely out of place during her early days in the industry. Emotionally drained and overwhelmed, she once walked out of the studio gates in tears and called her mother. But instead of sympathy, she received a dose of tough love. Her mother reminded her that she had made a professional commitment and had to face the reality, whether or not it was comfortable. The reminder of her signed contract and responsibility helped ground her—and pushed her to persevere through the initial discomfort. She still holds on to the moment when her mother encouraged her to finish what she had started, reminding her that she could return home afterward if she wished. While the pressure was real, Ileana clarifies that her mother never forced her into anything—only offered unwavering support and motivation when she needed it most.

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