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Forbes
05-07-2025
- Entertainment
- Forbes
Angélique Kidjo Joins Hollywood Walk Of Fame As First Black African Musician
GLASGOW, UNITED KINGDOM - JANUARY 17: Angelique Kidjo performs on stage at Celtic Connections ... More Festival at Glasgow Royal Concert Hall on January 17, 2015 in Glasgow, United Kingdom. (Photo by Ross Gilmore/Redferns via Getty Images) The African diaspora and admirers of the cultural potency that stems from the socioculture are celebrating the latest accolade granted unto legendary Afroworld fusion artist, Angélique Kidjo. On Wednesday, July 2, the Hollywood Chamber of Commerce held a live press conference with Hollywood Chamber of Commerce President Steven Nissen and actor Eugenio Derbez and radio personality Richard Blade, also Walk of Famers, announcing the honorees encompassing the 2026 Class of Walk of Famers. Blade announced Kidjo's honor which deemed her as Africa's 'premiere diva,' which is moreover alluding to her Mama Africa aesthetic. Kidjo's coming into the Hollywood Walk of Fame Class of 2026 stands as a historic moment, making Kidjo the first African artist to receive a star on the acclaimed California cement. Kidjo is receiving the honor as part of the Recording category where she joins the legendary gospel group The Clark Sisters, iconic hip-hop Cleveland collective Bone Thugs-N-Harmony, Afro Brazilian percussionist Paulinho da Costa, Miley Cyrus, Zapata Mexican band Grupo Intocable, legendary Australian soft-rock Air Supply, Josh Groban, and Grammy award winning country artist and actor Lyle Lovett. Angélique Kidjo's four-decade career has been marked by an unapologetic grace and global acclaim, with her 2025 Grammy nomination standing as a testament to the enduring success of authentic African artistry in the professional music world. During our exclusive interview at Carnegie Hall last year, Kidjo reflected on her remarkable journey and shared, "Music gave me the strength to talk about anything. My music is steeped in the story of resilience, love, and what you can accomplish with very little." Her words resonated deeply, encapsulating the essence of her four-decade-long career that has seamlessly blended African traditions with global influences. NEW YORK, NY - August 12: MANDATORY CREDITAngélique Kidjo performing on ... More August 12th, 1996 in New York City. (Photo by) With roots in Benin through her Nigerian mother and Beninese father, Kidjo's impact transcends her celebrated music and distinctive Mama Africa persona. She has become a bridge between generations, uplifting rising and seasoned African artists alike. Over the course of her remarkable 40-year career, Kidjo has earned 15 Grammy nominations, securing six wins along the way. In 1995, she received her first Grammy nomination for 'Agolo,' which was recognized in the Best Music Video category. The visual is heralded for its vibrant celebration of Benin culture featuring showcases of Fá deities, costumes adorned with ileke beads, Yoruba-style gele headwraps, and mesmerizing dance routines inspired by the Fon cultural dance, Zinli. The 'Wombo Lombo' songstress swiftly solidified her place on the music globe with subsequent nods for her sixth album Oremi in 1999 and following album, Black Ivory Soul, her 7th in 2003. Her first Grammy win came in 2007 for Best Contemporary World Music Album with Djin Djin, her ninth studio release. The album featured a groundbreaking fusion of African rhythms and Western influences, exemplified by her collaboration with Alicia Keys on the title track. She went on to win Best World Music Album for Eve in 2014, Sings in 2015, and Celia in 2019 and 2020. Most recently, she clinched the Best Global Music Album award for Mother Nature in 2022. Beyond her wins, Kidjo's collaborations with icons like Burna Boy, Yo-Yo Ma, and the Soweto Gospel Choir have also earned her Grammy nods, reflecting her unparalleled ability to bridge generations and cultures through music. In the early 1980s, Angélique Kidjo found herself at a crossroads, grappling with the oppressive political regime in her homeland of Benin. After releasing her debut album, Pretty, in 1981—a project that gained traction across West Africa thanks to Cameroonian producer, Ekambi Brilliant—Kidjo began touring the region. Beninese Jazz musician Lionel Loueke (left) plays guitar as he performs onstage, with his trio, at ... More Carnegie Hall's Zankel Hall, New York, New York, December 13, 2019. Pictured with Loueke are trio-member, Swedish-Italian-American musician Massimo Biolcati (in grey), on upright acoustic bass, and special guest, Beninese Jazz and World Music singer Angelique Kidjo. (Photo by) Speaking with Kidjo during her Carnegie Hall stint last year, she recalled, "I did my first album in 1981. And it becomes a success because the producer was from Cameroon, so I went to Cameroon to do a show. And I started touring in the region." However, her growing prominence couldn't shield her from the pressures of censorship. Musicians were expected to toe the line of propaganda, a reality her father had warned her about: "When you're an artist, you cannot be affiliated with any political party because they come, and they go. Don't be involved." Kidjo's 40-year career and counting proves that African authenticity can lead to sustained success in the music industry—cementing her Mama Africa persona.
Yahoo
23-04-2025
- Entertainment
- Yahoo
Argentina's Ca7riel and Paco Amoroso Bring Their Explosive Live Show to New York's Bowery Ballroom: Concert Review
Ca7riel & Paco Amoroso are a Latin/hip-hop/multi-genre duo who are superstars in their native Argentina and much of Latin America, but until recently were little known in the U.S. outside the Latin music genre. That began changing first with their NPR Tiny Desk Concert last fall, then with their incendiary appearances at Coachella earlier this month. The duo's 2024 debut album, 'Baño María,' featured their strong singing and rapping over largely electronic instrumentation, and although their new EP 'Papota' has live instrumentation from their band, it does not prepare you for what an explosive and exciting live band it is — and not only because the group brought the same set to New York's 575-capacity Bowery Ballroom that they played at Coachella and in stadiums on the recently completed Lollapalooza South America tour. On Tuesday night, they practically erupted off of the Bowery stage. The duo — who have comic, antic stage presence that belies their serious musical chops — are accompanied by nine top-flight musicians: a three-piece horn section, two backing singers, a keyboardist, percussionist, bassist and a powerhouse drummer (who, astonishingly, has a tattoo of the logo for '70s progressive rockers Emerson Lake & Palmer on his arm) — while Ca7riel played guitar on several songs. All of the musicians' formidable skills are on full display in their live set, which finds them changing direction in a head-spinning but still fluid manner: They'll be playing a Latin-flavored song and then make a hard left into hip-hop and then serve up a smooth '80s R&B-flavored number that actually had my companion saying, 'This reminds me of Bone Thugs N Harmony'; a couple of others veered into cool-jazz territory found the horn section evoking mid-'70s Stevie Wonder and Earth Wind & Fire (and featured a stinging jazzy solo from keyboardist Javier Burin). In just one example of the group's versatility, Ca7riel — who happens to be a blazing guitarist — peeled off some tasteful, jazzy licks on one song, even scat-singing along with his solo a la George Benson, and on the next was rapping loudly while pulling elastic faces and jumping up and down. Even though the joyfully enthusiastic audience knew the words to all of band's songs — nearly all of which were from the album and EP — and sang along passionately, you truly never knew what was coming next. But for all of their musical expertise and undeniable chops, most of all Ca7riel and Paco are fun, playing with the audience, making faces, doing a comical exercise routine to their latest single 'El Dia Del Amigo' (which they took to even more comical ends on 'Jimmy Fallon' earlier this week). And the musicians all looked like they were having a great time too: Clad in more or less matching outfits — white shirts with black shorts, which bassist Felipe Brandy customized with hilarious oversized sunglasses and sock garters — they were laughing, goofing around and cheering each other throughout the set, all without missing a single beat. There were even lasers. Ca7riel & Paco Amoroso will be on tour in North America for most of the spring, and come back in the summer for Lollapalooza in Chicago and presumably more dates. Even if you don't speak Spanish or have little familiarity with Latin music, you'd be hard pressed to find a more entertaining live show.
