Latest news with #CapitolAttack
Fast Company
2 days ago
- Politics
- Fast Company
This public art project found a new way to bring the January 6 attacks to life
President Donald Trump's modus operandi is to keep the news cycle moving, fast. For even avid consumers of news, that can make it hard to keep up. But one public art project is doing its best to slow things down by retelling stories in new ways, the latest shining light on the people behind the attack on the U.S. Capitol on January 6, 2021. Wall of Shame is artist Phil Buehler's 50-foot-long, 10-foot-tall mural put up in the Bushwick neighborhood of Brooklyn in partnership with Radio Free Brooklyn; it takes a data viz approach to very recent history. Subtitled Visualizing the J6 Insurrection, it's made up of more than 1,500 color-coded waterproof vinyl panels that display a headshot, name, age, and hometown of rioters who invaded the Capitol on January 6, along with details of their actions on that day, including their charges and sentencing—all information that is publicly available. The U.S. flag-inspired colors used for the mural are designed to turn right-wing positioning of rioters as patriots on its head. Red panels indicate violent rioters, while blue panels indicate those who damaged property. The rest are white, according to Radio Free Brooklyn, a local New York station. 'A red hat, white skin, and blue jeans don't make you a patriot. But storming the Capitol makes you a traitor,' Buehler told the station. Buehler's approach makes the attack more personal. This isn't another photo or footage of the faceless mob of flag-waving rioters storming the Capitol in an attempt to overturn an election; it's a look at individual people from the crowd. The artist fact-checked everything written on the panels with reporting from NPR. The artist has made two previous murals with Radio Free Brooklyn. Wall of Lies in 2020 was made up of 20,000 false statements Trump made during his first term as president. Wall of Liars and Deniers in 2022 showed Republican candidates running for office that year who denied the results of the 2020 election. Wall of Shame was unveiled on Independence Day. A February Washington Post /Ipsos poll found that 83% of Americans opposed Trump offering clemency for violent criminal offenders connected to the attack, and 55% opposed him offering clemency for nonviolent crimes. But in today's fast-paced political news cycle, January 2021 can feel like ancient history. By turning the backstories of those who attacked the Capitol into public art, Buehler and Radio Free Brooklyn found a new way to visualize the story, and from hundreds of different points of view. The super-early-rate deadline for Fast Company's Most Innovative Companies Awards is Friday, July 25, at 11:59 p.m. PT. Apply today.
Reuters
6 days ago
- Politics
- Reuters
Judge tosses lawsuit seeking to shield names of FBI agents on Capitol riot probe
WASHINGTON, July 17 (Reuters) - A U.S. judge on Thursday dismissed lawsuits brought by FBI agents seeking to prevent President Donald Trump's administration from publicly identifying those who worked on the investigation into the January 6, 2021, attack on the U.S. Capitol by Trump supporters. U.S. District Judge Jia Cobb in Washington found that the risk of Justice Department leadership disclosing the names of FBI agents is "too speculative" to allow them to sue. "They do not plausibly allege that Defendants are about to engage in any of the conduct agents are worried about," Cobb wrote in her ruling, which granted the Trump administration's bid to dismiss the cases. Spokespeople for the FBI agents who sued and the Justice Department did not immediately respond to requests for comment. The Justice Department has said it is conducting an internal review of potential misconduct in the probe, which led to more than 1,500 criminal cases against Trump supporters accused of storming the Capitol in a failed attempt to stop certification of his 2020 election loss. Justice Department officials have not ruled out publicly naming agents, but have said they have no immediate plans to do so. Two groups of FBI agents anonymously sued in February after Justice Department leadership demanded the FBI turn over a list of more than 5,000 agents who were involved in the investigation, an order FBI leadership at the time initially resisted. The legal dispute reflected the ongoing tensions within the Justice Department as Trump officials expelled dozens of staffers involved in investigations condemned by Trump. Lawyers for the agents argued their identities were at risk of being shared with the White House and wider public, citing Trump's decision to pardon nearly all charged in the Capitol attack and vows from top administration officials to expose past 'weaponization' in the federal government against Trump and his supporters. They argued that disclosure of the list would jeopardize their safety, making them potential targets of former January 6 defendants they investigated, and would violate a federal privacy law as well as protections under the U.S. Constitution. Justice Department officials have said that agents who were assigned cases and followed orders will not be disciplined. Department lawyers argued the agents had not produced sufficient evidence that their names were at risk of being disclosed.
New York Times
12-07-2025
- Politics
- New York Times
Trump Administration Fires More D.O.J. Employees Who Worked for Special Counsel
The Trump administration fired another batch of nearly 10 Justice Department employees who once worked for the special counsel's office that twice indicted President Trump, some in relatively minor roles, according to two people familiar with the matter. The dismissals on Friday were the latest sign that the administration was reaching deep into the inner workings of the Justice Department to find and expel not just people who had a direct part in investigating and prosecuting Mr. Trump during his four years out of office but also those who had played secondary roles in the office of the special counsel, Jack Smith. The latest firings, which include at least two federal prosecutors, appeared to once again ignore traditional civil service protections and were said to be based on a broad assertion of presidential authority, according to two people who spoke about the moves on condition of anonymity to avoid discussing a politically sensitive subject. At least seven others who were fired had served as support staff to Mr. Smith's office, the two people said. They helped manage the office, handling tasks like overseeing financial records, performing paralegal services or conducting information security. Since the early days of Mr. Trump's second term, the president's aides have repeatedly sought to fire, punish or demote the people who worked on the cases against him as well on cases stemming from the attack on the Capitol by his supporters on Jan. 6, 2021. The purging from government ranks of anyone associated with these cases has been sporadic, with fresh batches of firings coming at different intervals and often without much explanation, other than the citing of Article II of the Constitution, which defines the powers of a president. Want all of The Times? Subscribe.
Yahoo
07-07-2025
- Politics
- Yahoo
‘Don't forget': mural brings attention to the January 6 rioters pardoned by Trump
Audrey Southard-Rumsey pushed a flagpole into a police officer's chest. Ralph Celentano shoved an officer over a ledge. Pauline Bauer accused Democrats of stealing an election and trafficking children and demanded: 'Bring Nancy Pelosi out here now. We want to hang that fucking bitch.' These are just three of the stories told on the Wall of Shame, a public installation by artist Phil Buehler that launched on 4 July in Bushwick, Brooklyn, New York. The giant red, white and blue mural aims to document and highlight the stories and alleged crimes of more than 1,575 people involved in the January 6 2021 attack on the US Capitol who were pardoned by Donald Trump. The project is the third in what might be called Buehler's art against autocracy trilogy, a series of collaborations with the non-profit Radio Free Brooklyn. It began in 2020 with the Wall of Lies, a 50ft mural displaying more than 20,000 lies told by Trump during his first term in office. The second installation, the Wall of Liars and Deniers, was a mural displaying the 381 Republican politicians running in the 2022 midterm elections who denied Democrat Joe Biden's legitimacy as president. Related: The ongoing fight to replace racist monuments in the US: 'requires a lot of perseverance' 'Artists can have more power than Fox News to turn this around,' Buehler says in a Zoom interview from his Brooklyn studio, reflecting on the struggle for truth in the Trump era. 'Boy, would Magaland hate it if culture, music and art [pushed back]. You've got to double down the other way and start flooding this zone with art as Trump tries to erase it.' The Wall of Shame is a 50ft-long, 10ft-tall outdoor mural featuring the pardoned Trump supporters, colour-coded to distinguish their actions: violent rioters appear in red, those who damaged property are shown in blue, and the remaining individuals are depicted in white. The combined effect resembles a Star and Stripes that has imploded. Buehler spent about 100 hours gathering the rioters' stories, charges and sentences from research by National Public Radio (NPR) and formatting them to be printed on waterproof vinyl and hung outdoors on a fence. NPR had about a thousand photos of the rioters, so Buehler enlisted a friend to track down a further 500 pictures; only about 10 are now missing. He adds: 'Artists can do it in a different way. I'm just presenting facts. It's almost seducing people with a visual that they then approach and go, that's pretty cool, what is that? Then you can read these things and we're benefiting from NPR's reputation having factchecked this.' The rioters are easy to dismiss as an amorphous mob; the mural is a reminder that each is a person with their own career, family and personal demons. Guy Reffitt, 48, from Wylie, Texas, allegedly told his family that he had taken his gun to the US Capitol on January 6 and said to his child: 'If you turn me in, you're a traitor. And you know what happens to traitors. Traitors get shot.' But Pamela Hemphill, 68, from Boise, Idaho, refused Trump's pardon and expressed remorse, describing the police as 'heroes' and the rioters as 'very dangerous people'. Buehler reflects: 'I could see patterns. It's very tribal. Trump was successful in almost stealing red, white and blue as their symbol. They all call themselves patriots on this wall. They all bought into the big lie that the election was stolen. 'Their social media posts and messages that were part of the record when they were indicted show that they believed a lot of the other lies like Pizzagate – we've got to stop the pedophiles taking over. They're in a media bubble. They believe it and they're in it together and they did see themselves as patriots.' The project aims to foster solidarity and courage among those who oppose authoritarianism. Buehler recounts how the defacement of the Wall of Lies by the far-right group Proud Boys galvanised the community, leading them to cut out the Proud Boys graffiti and spraypainted hearts all over it and raise money for a bigger mural. 'How are we going to survive the next four years? This runs through your head. Then what can I do? Community gives you courage. Marching in those parades gives you courage to fight against this. We're using this symbolic art piece to rally around a different flag.' The Wall of Shame – installed at the same location as the Wall of Lies – was provoked by Trump's decision on his first day back in office to grant clemency to about 1,500 individuals charged or convicted in connection with the January 6 insurrection, including people found guilty of assaulting police officers. Democrats called the move an affront to justice and democracy. Yet the controversy has been almost forgotten in the fast-paced news cycle, overwhelmed by a deluge of Trump drama from Elon Musk to Signalgate to tariffs to protests in Los Angeles to military strikes on Iran. But Buehler insists: 'We look at that as the first of his steps in his march toward authoritarianism. 'OK, let's pardon all the people that rioted.' 'It's interesting what we've seen since. He sent thousands of national guard and marines to LA for mostly peaceful protests. I don't know if it's ironic or telling that, during the January 6 riots, he watched them on television on the other side of DC and didn't do anything and then pardoned them. A hundred and forty cops got hurt and now this year [FBI director] Kash Patel is saying, 'Touch a cop, go to jail.' I guess the unsaid part is, 'Touch a cop, go to jail unless it's for Trump and what Trump wants.'' The artist adds: 'He's since followed it up with some illegal deportations. He disobeys the courts constantly. He's turned the White House into a car dealership showroom with Tesla. And now he's starting a war [against Iran] without the authorisation of Congress. I guess we're trying to highlight that was the first thing. Don't forget that one: the pardon of the rioters. That was his first act of trying to emulate Putin and become an authoritarian leader.' Trump has been waging war on reality for a decade, conjuring a mirror world in which up is down and black is white. He has described the January 6 rioters as patriots and martyrs while dismissing those who protested against immigration enforcement raids in LA as 'insurrectionists'. When he faced criminal investigations he blamed the 'weaponisation' of the justice department, while any negative media coverage is routinely branded 'fake news'. Rob Prichard of Radio Free Brooklyn, who initially suggested that Buehler tackle the January 6 pardons, finds something Orwellian in Trump's attempts to rewrite history and dominate the cultural space. The president has seized control of the John F Kennedy Center for the Performing Arts and ordered the removal of so-called 'improper, divisive or anti-American ideology' from Smithsonian Institution museums, forcing the resignation of the director of its National Portrait Gallery. Speaking from Park Slope, Brooklyn, Prichard, 69, says via Zoom: 'As a nation we are as close to autocracy as we've ever been. It seems like fascism is basically a war on consensus reality and we need to put a pin in those points where it's so obvious that it's not true. 'Trump's entire political career is predicated on a demonstrable lie, saying Barack Obama was born in Kenya, and because we never called him out on it properly in the first place, it just continues. If you can get away with it you play the hand again. Steve Bannon [a rightwing podcast and former Trump adviser] is flooding the zone. We need to flood the zone too but with the truth.' The colour-coding of the mural is intentional, designed to reclaim a national symbol from what the creators perceive as its co-option by Trump supporters. Prichard adds: 'We're not ceding the red, white and blue. We claim it and we claim the true meaning of representative democracy. 'I have hope because for one thing, autocracy and fascism is predicated on violence and the threat of violence. Both violence and the threat of violence are untenable. They can't be. You just can't maintain them forever and it has to break. The fever has to break eventually and either there's complete submission or we liberate ourselves. I don't see complete submission. That's part of our DNA.' Prichard does not use words such as fascist lightly. His 91-year-old mother is German and was forced to join Hitler's youth movement when she was seven years old. 'She remembers it. She is deathly afraid of Trump. If she were 10 years younger, she would probably move to Germany permanently.'
The Guardian
07-07-2025
- Politics
- The Guardian
‘Don't forget': mural brings attention to the January 6 rioters pardoned by Trump
Audrey Southard-Rumsey pushed a flagpole into a police officer's chest. Ralph Celentano shoved an officer over a ledge. Pauline Bauer accused Democrats of stealing an election and trafficking children and demanded: 'Bring Nancy Pelosi out here now. We want to hang that fucking bitch.' These are just three of the stories told on the Wall of Shame, a public installation by artist Phil Buehler that launched on 4 July in Bushwick, Brooklyn, New York. The giant red, white and blue mural aims to document and highlight the stories and alleged crimes of more than 1,575 people involved in the January 6 2021 attack on the US Capitol who were pardoned by Donald Trump. The project is the third in what might be called Buehler's art against autocracy trilogy, a series of collaborations with the non-profit Radio Free Brooklyn. It began in 2020 with the Wall of Lies, a 50ft mural displaying more than 20,000 lies told by Trump during his first term in office. The second installation, the Wall of Liars and Deniers, was a mural displaying the 381 Republican politicians running in the 2022 midterm elections who denied Democrat Joe Biden's legitimacy as president. 'Artists can have more power than Fox News to turn this around,' Buehler says in a Zoom interview from his Brooklyn studio, reflecting on the struggle for truth in the Trump era. 'Boy, would Magaland hate it if culture, music and art [pushed back]. You've got to double down the other way and start flooding this zone with art as Trump tries to erase it.' The Wall of Shame is a 50ft-long, 10ft-tall outdoor mural featuring the pardoned Trump supporters, colour-coded to distinguish their actions: violent rioters appear in red, those who damaged property are shown in blue, and the remaining individuals are depicted in white. The combined effect resembles a Star and Stripes that has imploded. Buehler spent about 100 hours gathering the rioters' stories, charges and sentences from research by National Public Radio (NPR) and formatting them to be printed on waterproof vinyl and hung outdoors on a fence. NPR had about a thousand photos of the rioters, so Buehler enlisted a friend to track down a further 500 pictures; only about 10 are now missing. He adds: 'Artists can do it in a different way. I'm just presenting facts. It's almost seducing people with a visual that they then approach and go, that's pretty cool, what is that? Then you can read these things and we're benefiting from NPR's reputation having factchecked this.' The rioters are easy to dismiss as an amorphous mob; the mural is a reminder that each is a person with their own career, family and personal demons. Guy Reffitt, 48, from Wylie, Texas, allegedly told his family that he had taken his gun to the US Capitol on January 6 and said to his child: 'If you turn me in, you're a traitor. And you know what happens to traitors. Traitors get shot.' But Pamela Hemphill, 68, from Boise, Idaho, refused Trump's pardon and expressed remorse, describing the police as 'heroes' and the rioters as 'very dangerous people'. Buehler reflects: 'I could see patterns. It's very tribal. Trump was successful in almost stealing red, white and blue as their symbol. They all call themselves patriots on this wall. They all bought into the big lie that the election was stolen. 'Their social media posts and messages that were part of the record when they were indicted show that they believed a lot of the other lies like Pizzagate – we've got to stop the pedophiles taking over. They're in a media bubble. They believe it and they're in it together and they did see themselves as patriots.' The project aims to foster solidarity and courage among those who oppose authoritarianism. Buehler recounts how the defacement of the Wall of Lies by the far-right group Proud Boys galvanised the community, leading them to cut out the Proud Boys graffiti and spraypainted hearts all over it and raise money for a bigger mural. 'How are we going to survive the next four years? This runs through your head. Then what can I do? Community gives you courage. Marching in those parades gives you courage to fight against this. We're using this symbolic art piece to rally around a different flag.' The Wall of Shame – installed at the same location as the Wall of Lies – was provoked by Trump's decision on his first day back in office to grant clemency to about 1,500 individuals charged or convicted in connection with the January 6 insurrection, including people found guilty of assaulting police officers. Democrats called the move an affront to justice and democracy. Yet the controversy has been almost forgotten in the fast-paced news cycle, overwhelmed by a deluge of Trump drama from Elon Musk to Signalgate to tariffs to protests in Los Angeles to military strikes on Iran. But Buehler insists: 'We look at that as the first of his steps in his march toward authoritarianism. 'OK, let's pardon all the people that rioted.' 'It's interesting what we've seen since. He sent thousands of national guard and marines to LA for mostly peaceful protests. I don't know if it's ironic or telling that, during the January 6 riots, he watched them on television on the other side of DC and didn't do anything and then pardoned them. A hundred and forty cops got hurt and now this year [FBI director] Kash Patel is saying, 'Touch a cop, go to jail.' I guess the unsaid part is, 'Touch a cop, go to jail unless it's for Trump and what Trump wants.'' The artist adds: 'He's since followed it up with some illegal deportations. He disobeys the courts constantly. He's turned the White House into a car dealership showroom with Tesla. And now he's starting a war [against Iran] without the authorisation of Congress. I guess we're trying to highlight that was the first thing. Don't forget that one: the pardon of the rioters. That was his first act of trying to emulate Putin and become an authoritarian leader.' Trump has been waging war on reality for a decade, conjuring a mirror world in which up is down and black is white. He has described the January 6 rioters as patriots and martyrs while dismissing those who protested against immigration enforcement raids in LA as 'insurrectionists'. When he faced criminal investigations he blamed the 'weaponisation' of the justice department, while any negative media coverage is routinely branded 'fake news'. Rob Prichard of Radio Free Brooklyn, who initially suggested that Buehler tackle the January 6 pardons, finds something Orwellian in Trump's attempts to rewrite history and dominate the cultural space. The president has seized control of the John F Kennedy Center for the Performing Arts and ordered the removal of so-called 'improper, divisive or anti-American ideology' from Smithsonian Institution museums, forcing the resignation of the director of its National Portrait Gallery. Speaking from Park Slope, Brooklyn, Prichard, 69, says via Zoom: 'As a nation we are as close to autocracy as we've ever been. It seems like fascism is basically a war on consensus reality and we need to put a pin in those points where it's so obvious that it's not true. 'Trump's entire political career is predicated on a demonstrable lie, saying Barack Obama was born in Kenya, and because we never called him out on it properly in the first place, it just continues. If you can get away with it you play the hand again. Steve Bannon [a rightwing podcast and former Trump adviser] is flooding the zone. We need to flood the zone too but with the truth.' The colour-coding of the mural is intentional, designed to reclaim a national symbol from what the creators perceive as its co-option by Trump supporters. Prichard adds: 'We're not ceding the red, white and blue. We claim it and we claim the true meaning of representative democracy. 'I have hope because for one thing, autocracy and fascism is predicated on violence and the threat of violence. Both violence and the threat of violence are untenable. They can't be. You just can't maintain them forever and it has to break. The fever has to break eventually and either there's complete submission or we liberate ourselves. I don't see complete submission. That's part of our DNA.' Prichard does not use words such as fascist lightly. His 91-year-old mother is German and was forced to join Hitler's youth movement when she was seven years old. 'She remembers it. She is deathly afraid of Trump. If she were 10 years younger, she would probably move to Germany permanently.'
