Latest news with #Chic
The Guardian
2 days ago
- Entertainment
- The Guardian
Nile Rodgers and Chic at Glastonbury review – pop's most reliable band bring the party to the Pyramid
Sunday at 6pm is a point in the Glastonbury experience what you really need is something dependable. You are sunburnt. The heat is still brutal. You are exhausted. The state of the toilets is unspeakable, and you crave a certain straightforward reliability. And, despite his attempts to reboot the Chic brand with a new album a few years back and a handful of fresh production gigs, Nile Rodgers seems largely content to see out his days in the business of straightforward reliability, simply touring the world playing his old songs. In fairness, if you'd written the catalogue of material he has, you might be inclined to ensure people don't forget about it. The initial shock you may have felt at seeing a reconstituted version of the greatest disco band of all playing Glastonbury's West Holts stage in 2013 has long disappeared – Chic have become a ubiquitous live presence in Britain in the ensuing years – but the meat of their set remains preserved in aspic, more or less the same as it was 12 years ago. That said, anyone who quibbles with the quality of said meat – Everybody Dance, I'm Coming Out, Upside Down, He's the Greatest Dancer – is the kind of person who shouldn't be allowed to express any opinions about music whatsoever: this is unequivocally some of the greatest pop ever made. There's an argument that it's too good to be rattled out at such speed, crammed into medleys and interspersed with faintly corny interludes in which Rodgers encourages his vocalists to hit ever higher notes and discusses 'maximum funkosity' – stuff that's all a bit at odds with Chic's original ultra-sophisticated image, the self-styled Black Roxy Music – and his triple-tested patter about his career ('You may not know that I also produced records for other people including Diana Ross, Madonna and David Bowie': you're joking, why have you never mentioned this before etc etc). It also might be nice if they didn't cut out the breakdown from Sister Sledge's Thinking of You – arguably the most exquisite 30 seconds of music in Chic's entire oeuvre – in favour of a section where the audience is encouraged to clap along. But given the sheer frequency with which Rodgers and Chic perform live, becoming a little cavalier with your material is probably inevitable, even when your material is as good as this. Besides, you can't argue with the efficacy of what they do, or indeed the sheer profusion of hits, so many that you barely notice that they don't play Lost in Music or My Forbidden Lover: this is a set in which Daft Punk's Lose Yourself to Dance counts as a deep cut on the grounds that it was only the second single from Random Access Memories and shifted a mere 1.3m copies as opposed to Get Lucky, which sold 8m in America alone. The huge crowd go nuts, and understandably so: in the face of such widespread delight, it seems a bit off to nitpick. It's the second time Chic have been played the slot immediately after the Sunday afternoon legend. Their appearance in 2017 was simply a matter of extending the elated atmosphere created by former Bee Gee Barry Gibb; following Rod Stewart feels more like a salvage operation. Straightforward and reliable, Nile Rodgers and Chic are clearly up to either task.
BBC News
3 days ago
- Entertainment
- BBC News
Nile Rodgers on 'all killer, no filler' Glastonbury Festival set
Music legend Nile Rodgers has said playing Glastonbury Festival means "everything" to him. Thousands of people watched Nile Rodgers and Chic perform hit after hit on the Pyramid Stage has written and produced songs for many other artists and played tracks he had worked on alongside the likes of Diana Ross, David Bowie and Madonna during the told BBC Radio Somerset he believes performances should be "all killer and no filler", adding: "Often, when we play in front of new people, they just don't realise the amount of songs that we have until they listen to us and it's like 'damn, they did this one too'." The American band first performed at the festival in 2013 when they played on the West Holts stage, before headlining in their third performance at the festival, they treated the audience to huge hits including Le Freak, I Want Your Love, and Get Lucky. Rodgers described playing at Glastonbury as a "wow" moment and said he loved the way festivals bring in "a lot of people who have never seen you before" as well as asked if he gets nervous, he said: "No. This is what we want to do."You sit in your bedroom practicing all along and you can't wait for a moment like Glastonbury. You don't ever really believe you're going to achieve it, but when it comes... wow."
The Guardian
3 days ago
- Entertainment
- The Guardian
Nile Rodgers and Chic at Glastonbury review – pop's most reliable band bring the party to the Pyramid
Sunday at 6pm is a point in the Glastonbury experience what you really need is something dependable. You are sunburnt. The heat is still brutal. You are exhausted. The state of the toilets is unspeakable, and you crave a certain straightforward reliability. And, despite his attempts to reboot the Chic brand with a new album a few years back and a handful of fresh production gigs, Nile Rodgers seems largely content to see out his days in the business of straightforward reliability, simply touring the world playing his old songs. In fairness, if you'd written the catalogue of material he has, you might be inclined to ensure people don't forget about it. The initial shock you may have felt at seeing a reconstituted version of the greatest disco band of all playing Glastonbury's West Holts stage in 2013 has long disappeared – Chic have become a ubiquitous live presence in Britain in the ensuing years – but the meat of their set remains preserved in aspic, more or less the same as it was 12 years ago. That said, anyone who quibbles with the quality of said meat – Everybody Dance, I'm Coming Out, Upside Down, He's the Greatest Dancer – is the kind of person who shouldn't be allowed to express any opinions about music whatsoever: this is unequivocally some of the greatest pop ever made. There's an argument that it's too good to be rattled out at such speed, crammed into medleys and interspersed with faintly corny interludes in which Rodgers encourages his vocalists to hit ever higher notes and discusses 'maximum funkosity' – stuff that's all a bit at odds with Chic's original ultra-sophisticated image, the self-styled Black Roxy Music – and his triple-tested patter about his career ('You may not know that I also produced records for other people including Diana Ross, Madonna and David Bowie': you're joking, why have you never mentioned this before etc etc). It also might be nice if they didn't cut out the breakdown from Sister Sledge's Thinking of You – arguably the most exquisite 30 seconds of music in Chic's entire oeuvre – in favour of a section where the audience is encouraged to clap along. But given the sheer frequency with which Rodgers and Chic perform live, becoming a little cavalier with your material is probably inevitable, even when your material is as good as this. Besides, you can't argue with the efficacy of what they do, or indeed the sheer profusion of hits, so many that you barely notice that they don't play Lost in Music or My Forbidden Lover: this is a set in which Daft Punk's Lose Yourself to Dance counts as a deep cut on the grounds that it was only the second single from Random Access Memories and shifted a mere 1.3m copies as opposed to Get Lucky, which sold 8m in America alone. The huge crowd go nuts, and understandably so: in the face of such widespread delight, it seems a bit off to nitpick. It's the second time Chic have been played the slot immediately after the Sunday afternoon legend. Their appearance in 2017 was simply a matter of extending the elated atmosphere created by former Bee Gee Barry Gibb; following Rod Stewart feels more like a salvage operation. Straightforward and reliable, Nile Rodgers and Chic are clearly up to either task.
Daily Mail
3 days ago
- Entertainment
- Daily Mail
Glastonbury fans brand Nile Rogers and Chic the 'best act they've seen in years' at Worthy Farm as he leads performers on final day of festival
Glastonbury fans branded Nile Rogers and Chic the 'best act they've seen in years' after his set on Sunday, as he led the performers rounding out the festival's final day. The 1970s icon, 72, known for hits such as Le Freak and Everybody Dance, took to the Pyramid Stage after Rod Stewart 's Legends slot. But fans were quick to praise Rogers' groove-filled performance, demanding that it should have been one of this year's headliners instead. Glastonbury returned to Worthy Farm, in Somerset, this year with The 1975, Neil Young and the Chrome Hearts and Olivia Rodrigo headlining. Taking to the stage on Sunday for the final day of the festival included the likes of Wolf Alice, Snow Patrol and Noah Kahan. And Fat Boy Slim, real name Norman Quentin Cook, took to Instagram to reveal that his set was his 100th time performing at Glastonbury. Fat Boy Slim wrote: 'My 100th set. Thanks for having me. Alan Carr tell us where we are…. GLASTONBURY ❤️.' Meanwhile St. Vincent, real name Annie Clark, brought her All Born Screaming tour to the Woodsies Stage. 'I would like to thank you for hanging in all the way to day four of this festival,' she said to the crowd. 'I'm not sure what kind of trip you're on but I want to be on it too, baby.' Over on The Other Stage, thousands of people hugged their best friends and chanted 'me and you' as Wolf Alice played friendship anthem Bros. Pete Doherty also returned to the festival as The Libertines took to the Pyramid Stage for the two o'clock slot, playing Up the Bracket, the title track from their 2002 debut album. Sir Rod was joined by a trio of veteran superstars during a rousing performance which saw him perform alongside his former Faces bandmate Ronnie Wood, Simply Red's Mick Hucknall and Scottish singer Lulu. He was also joined by the festival's founder, Sir Michael Eavis, who was wheeled on to the stage by his daughter, organiser Emily Eavis. Hucknall, 65, was welcomed on stage for a rendition of Simply Red hit If You Don't Know Me By Now. Rolling back the years, Sir Rod then performed the Faces' 1971 hit Stay With Me while Rolling Stones star Wood, 78, played guitar. Lulu then made her entrance, wearing an all-white ensemble, to sing Hot Legs alongside Sir Rod and Wood. After Rod's performance, Rogers took to the stage and Glastonbury viewers were blown away by his set. Taking to social media, they wrote: 'Nile Rogers at Glastonbury. Just wow, best I've seen this year by a country mile,'; 'Just caught up with the Nile Rogers and Chic set at Glastonbury. Best set of the whole weekend by the country mile. Banger after banger. Knew every song. Proper legend. And the band and backing singers were tight as f***. 10/10,'; 'Nile Rogers & Chic absolutely brilliant,'; 'Nile Rogers and Chic just nailed it. Epic,'; 'Nile Rogers and chic have just restored my faith in Glastonbury, I loved it when he said this is what Glastonbury is about peace love and good times and rightly bloody so!'; 'Nile rogers, true legend.. His music has made so many people happy over many years ❤️❤️❤️❤️❤️,'; 'Wow Nile Rogers & Chic take a bow. What a Sunday set in the sunshine. Amazing!'; 'Omg Nile Rogers and Chic at Glastonbury. What. A. Band. Wow,'; 'Nile Rogers should been the headline act end of,'; 'Nile Rogers and Chic never disappoint, brilliant once again,'; 'Nile Rogers better than most (if not all!) at #Glastonbury2025,'; 'Wow Nile Rogers showing them how it's done - the best yet,'; 'Nile Rogers showing #Glastonbury2025 how it SHOULD be done,'; 'Best thing I've seen on Glastonbury in years. Nile Rogers is terrific on the guitar.' British soul singer Celeste opened the Pyramid Stage on Sunday before rock outfit The Libertines took to the stage. Other notable performances came from British funk group Cymande, US singer Shaboozey and Australian duo Royel Otis. Over at the Pilton Palais cinema, actress Jodie Comer answered questions about her career and said she felt 'really excited' to embark on a UK and Ireland tour of Prima Facie - the play that saw her win a best actress Olivier.
Irish Daily Mirror
3 days ago
- Entertainment
- Irish Daily Mirror
Rod Stewart suffers awkward moment on Glastonbury stage as guest doesn't appear
Sunday is upon us at Glastonbury after an eventful weekend of music and mayhem. But the drama isn't over, with Glastonbury bosses this morning slamming Bob Vylan's 'Death to IDF' chants on stage, declaring the punk rap duo had "crossed the line". It comes as police confirmed yesterday that they are investigating the footage. Tonight, Rod Stewart is set to perform in the legends spot, with final headliner Olivia Rodrigo bringing an end to the festival. It comes at an awkward time for Rod after fellow singer Kate Nash lashed out at the legend on Saturday evening. He made some surprise comments back in 2023 about retiring, where he said: "I'm not retiring. But I want to move on. I had great success with The Great American Songbook, all-American standards, and I've just done a swing album with Jools Holland, which is going to come out next year, so I want to go in that direction. I just want to leave all the rock 'n' roll stuff behind — for a while, maybe." Nile has worked with many artists over the years and namedropped just a few as he reeled off some of their biggest hits. Diana Ross, David Bowie and Daft Punk were all mentioned as Nile and Chic sang I'm Coming Out and Upside Down. Of course, Nile Rodgers and Chic have opened with their song Le Freak. Even the security are all getting involved, as they dance to the song in their bright blue polo shirts. Nile then segues into Everybody Dance, their 1977 hit. Nile Rodgers and Chic will be next on the Pyramid Stage, with their set beginning in just over 10 minutes time. The group have been performing around the UK as of late and are heading to Glastonbury this afternoon for what promises to be an exciting set ahead! Sir Rod Stewart made sure to roll back the years to his adoring Glastonbury crowd on Sunday, but he had to let his backing singers take over midway through his set Straight after entertaining with his rendition of Do Ya Think I'm Sexy, Rod told the crowd: "The girls are going to do a song for you while I change my shirt." He swiftly made an exit leaving fans surprised. Read more here. Rod was due to finish at 5.15pm but he kept going a little over his time. "We have got to get off the stage soon, we are done," he tells the crowd before singing hit track Sailing. He also thanked all his celebrity guests. After that awkward moment, Lulu has appeared to sing with Rod. The pair headed out to see the crowd as they sang with one another, with Rod even stopping to help Lulu walking down the stairs. They sang Hot Legs together. Rod is now in a green suit as he welcomes Ronnie Wood and Lulu onto the stage. However, things turned a bit awkward when Rod stopped and said 'oh Lulu is coming on in a bit' as Ronnie grabbed his guitar and played for the huge Glastonbury crowd. As Rod promised, Mick arrived on stage for a duet of If You Don't Know Me By Now. Rod and Mick sang the hit song together, with Mick looking very casual in his dark blue t-shirt and light blue washed jeans compared to Rod's bright pink suit. Rod has decided to take a quick break to change his shirt. "The girls are going to do a song for you while a change my shirt," he told fans in the crowd as the band broke into a rendition of Lady Marmalade. Rod soon returned to the stage in a full pink suit. There was an emotional tribute to Christine McVie as Rod projected her face on the big screen at Glastonbury. He also teased there would be special guests on later before revealing that Ronnie Wood, Mick Hucknall & Lulu would be joining him in the final half an hour or so of his set. Rod made a bit of an error with his opening for Maggie May, coming in too early. But that didn't stop fans from singing along to Rod. With the biggest reaction so far, Rod's track Maggie May had the whole of the huge Glastonbury crowd singing along. Rod continued to thank fans for coming to his set and said he was really enjoying himself. He told fans: "There's been a lot of the Middle East recently quite rightly so. I want to draw your attention to Ukraine," before performing Love Train. He regularly pays tribute to Ukraine in his sets. The star - who has housed refugees from the country in the UK - usually dedicates his 1991 anti-war song Rhythm of My Heart to Ukraine but chose a different song today. After finishing his first song, Rod told the crowd that music brings us together. "Enjoy yourselves ladies and gentlemen, music brings us together, " he told the huge crowd. Yes, really! Rod Stewart has arrived on stage to huge cheers from the packed out crowd at the Pyramid Stage. He opened his set with Tonight I'm Yours. Rod wore a black jacket emblazoned with gold for his headline set as women danced in the background with red sequin dresses. Sir Rod Stewart will soon be gracing the Pyramid Stage. His comments back in 2023 about retiring had fans stunned. He said: "I'm not retiring. But I want to move on. I had great success with The Great American Songbook, all-American standards, and I've just done a swing album with Jools Holland, which is going to come out next year, so I want to go in that direction. "I just want to leave all the rock 'n' roll stuff behind — for a while, maybe." Singer Kate Nash lashed out at a number of people on Saturday evening in a series of brutal jabs. Among those she let rip at included JK Rowling, Rod Stewart, Denise Welch, Keir Starmer and Nigel Farage - an eclectic bunch! The Foundations hitmaker, who was headlining the Left Field tent at Glastonbury Festival on Saturday night, appeared to slam Harry Potter author Rowling on stage. She told the audience: "The loudest feminist voice in the UK is currently transphobic and that is something that I take very f****** personally, as a feminist and a feminist with trans friends in my life, trans people that I love and that are very important to me. "Dismantling systems of oppression lies at the very core of feminism, so transphobia is not f****** feminist. And just because you're a f******* millionaire and a f****** bully with an army of trolls on the f****** internet. "I don't give a f*** mate. I don't give a s*** about the hundreds, if not thousands of comments, that I've been receiving from trolls since I penned my essay, released it into a song. It's called Germ." Laying into music bosses next - and Denise Welch, who was at the festival supporting her son Matty Healy's band The 1975 - Kate continued: "The music industry doesn't know what to do with me. They tried to get rid of me, but they didn't. There is a record executive sweating their t*** off with Matt Healy's mum. "They're scared of me. I like that. But I was made of mother f****** Bricks. But they didn't believe me. I even gave them a second warning a few years later when I told them 'Do not underestimate the girl'. Is it my fault they didn't believe me? "I'm not going to give my third warning. It's too late for that. I'm taking my bricks and I'm throwing them through the f****** window.' Launching into her song D***head, she said: "F*** Rod Stewart. This one [Why You Being A D****head For] goes out to Keir Starmer, JK Rowling, Rod Stewart and Nigel f****** Farage.' Last week Rod announced his support for Farage in an interview with the Times. The Libertines were struck with technical issues this afternoon on the Pyramid set, sparking frustration from upset fans. For the first five minutes of the set, festival goers were treated to blank screens, meaning that most of the crowd were unable to see anything. A source told the Mirror: "It was so annoying - the screen was completely black for the first two songs so we couldn't see anything! They sounded really good though." Glastonbury bosses have issued guidance to festival goers on the likely busiest crowds today. Rod Stewart's Pyramid set at 5.45pm and Maccabees' Park performance at 10.15pm are cited as the most likely to attract big audiences. While other potentially busy shows today include Sub Focus at IICON (12.30am) and Marc Rebillet at Shangri-La Stage at 2am. The festival has warned that late-night areas will be popular again tonight, with organisers set to divert crowds at times to clear space. At tented venues, festival goers should expect a one in, one out policy. Loose Women star Penny Lancaster appeared to be having a ball ahead of Rod Stewart's Glastonbury set this eveninng. The 54-year-old happily mingled with friends as she took photos with fans dressed up as her husband with his iconic hairdo. She was later spotted with pal Davina McCall, who stood out in an eye-catching red dress next to husband Michael Douglas. Over the course of two and a half hours, the crowds at Bob Vylan and Kneecap's performances became a snarling cess-pit of hate, the Mirror's Tom Bryant recalls after Saturday's chaos. Glastonbury bosses had warned that morning that they may have to close off access to the West Holts area because of over-crowding. But as soon as Bob Vylan's set began, it became obvious that his act was exactly the aperitif that the febrile crowd craved. But given the levels of controversy it could easily have been the main course. 'We are live on the BBC, so we have to be careful what we say,' said Vylan. But being careful was not on the agenda as he began a spine-tingling chant calling for the murder of the Israel Defence Force. The face of the old lady next to me is contorted with rage as she chants along. Vylan then launches into a rant decrying the music industry figures who had written to Glastonbury bosses calling for Kneecap to be banned including his former 'bald headed c***' of a boss. 'Name him, name him,' menacingly chant the crowd back. The BBC has addressed airing the moment performer Bobby Vylan, of punk rap dup Bob Vylan, chanted "Death to the IDF" to a crowd at Glastonbury on Saturday. The scenes aired live on BBCiPlayer, leaving many viewers upset over the footage as Health Secretary Wes Streeting branded it "appalling". A BBC spokesperson has since responded to the incident in a statement. They told the Mirror: 'Some of the comments made during Bob Vylan's set were deeply offensive. During this live stream on iPlayer, which reflected what was happening on stage, a warning was issued on screen about the very strong and discriminatory language. We have no plans to make the performance available on demand.' Glastonbury Festival said it is 'appalled' by the actions of rap punk duo Bob Vylan on stage on Saturday, saying it "crossed a line". It comes as footage of the set is assessed by police. Performer Bobby Vylan led crowds on the festival's West Holts Stage in chants of 'Death, death to the IDF' on Saturday, before a member of Irish rap trio Kneecap suggested fans 'start a riot' at his bandmate's forthcoming court appearance. A joint Instagram post from Glastonbury and Emily Eavis said: 'As a festival, we stand against all forms of war and terrorism. 'We will always believe in – and actively campaign for – hope, unity, peace and love. 'With almost 4,000 performances at Glastonbury 2025, there will inevitably be artists and speakers appearing on our stages whose views we do not share, and a performer's presence here should never be seen as a tacit endorsement of their opinions and beliefs. 'However, we are appalled by the statements made from the West Holts stage by Bob Vylan yesterday. 'Their chants very much crossed a line and we are urgently reminding everyone involved in the production of the Festival that there is no place at Glastonbury for antisemitism, hate speech or incitement to violence.' Olivia Rodrigo has blasted trolls as she gets ready to send out Glastonbury with a bang this evening as they final headlining act. Asked about how some of her exes and other pals have reacted to being mentioned in her songs, she said: 'Most people have been pretty cool. I just feel like that's a personal thing. It's just like this person to person one on one things. 'Songs are just songs. Lots of the times I write something and it's kind of like an amalgamation of lots of different people. Or I write a lot of songs that are of fantasy sometimes too. 'It's important for me to kind of keep my personal life private. I think I will dive as deep as I can into my songs, but I kind of just don't love talking about it. 'That's the boundary for me. It helps me feel healthy and good about my job and my privacy. I never think about a song coming out when I'm writing it. I'm always just trying to process the emotion and diving as deep as I can. And it's not until it's finished and produced where I'm really like, 'oh, how is this going to be in the world? How are people going to listen to this and interpret it?' 'But I try to keep the songwriting process very insular and just about me and the song.' Fatboy Slim will be performing today at 4pm at The Luna Bar under alias Sunday Service. The DJ just confirmed the news on Instagram accompanied by photos of his Saturday set. He wrote to excited fans: "A glorious Saturday afternoon at @glastofest Genosys. *Just announced* I'm back in Shangri La at 4pm today at Luna for a Kid-friendly Sunday session set." Health Secretary Wes Streeting has warned that the BBC and Glastonbury have "questions to answer" after chants of "death to the IDF" were made on stage at the festival. The Labour MP branded the scenes - which aired on the BBC - "appalling" and a "pretty shameless publicity stunt". It comes after rapper Bobby Vylan, of rap punk duo Bob Vylan, on Saturday led crowds on the festival's West Holts Stage in chants of: "Free, free Palestine" and: "Death, death to the IDF", before a member of Irish rap trio Kneecap suggested fans "start a riot" outside his bandmate's upcoming court appearance. 'I thought it's appalling, to be honest, and I think the BBC and Glastonbury have got questions to answer about how we saw such a spectacle on our screens,' he told Sky News' Sunday Morning with Trevor Phillips. 'But I also think it's a pretty shameless publicity stunt, which I don't really want to give too much indulgence to for that reason.' He said what people should be talking about in the context of Israel and Gaza is the humanitarian catastrophe and the fact that Israeli settlers attacked a Christian village this week. He added: 'The fact that we saw that chant at a music festival, when there were Israelis at a similar music festival who were kidnapped, murdered, raped, and in some cases still held captive, whether it's a Palestinian or an Israeli, whether it's a Christian, a Jew or a Muslim, all life is precious. 'All life is sacred. And I find it pretty revolting we've got to a state in this conflict where you're supposed to sort of cheer on one side or the other like it's a football team.' Asked if the BBC should have cut the live feed, he said the broadcaster has questions to answer, but that he did not know what the editorial and operational 'challenges' are of taking such action. The Israeli embassy has spoken out about chants of "death to the IDF" at Glastonbury, saying that it is "deeply disturbed" by the scenes. Police are investigating the incident after a member of Bob Vylan was seen shouting out the phrase to the crowd, with videos of the moment circulating on the internet. They had been performing on stage ahead of Irish act Kneecap, whose member Mo Chara as recently in court after brandishing a Hezbolla flag on stage during a gig. A statement from the embassy read: "The Embassy of Israel in the United Kingdom is deeply disturbed by the inflammatory and hateful rhetoric expressed on stage at the Glastonbury Festival." They continued to say that such slogans "advocate for the dismantling of the State of Israel", adding: "When such messages are delivered before tens of thousands of festivalgoers and met with applause, it raises serious concerns about the normalisation of extremist language and the glorification of violence." Police continue to examine videos of comments made by acts Bob Vylan and Kneecap at Glastonbury as the festival enters its third day. Rapper Bobby Vylan, of rap punk duo Bob Vylan, on Saturday led crowds on the festival's West Holts Stage in chants of: "Free, free Palestine" and: "Death, death to the IDF", before a member of Irish rap trio Kneecap suggested fans "start a riot" outside his bandmate's upcoming court appearance. According to BBC weather Glastonbury will consist of sunny intervals with light winds and reach highs of 27C. The pollen and UV levels are both seet to be high. 12pm-1pm - sunny intervals and light winds with highs of 23C 1pm-2pm - sunny intervals and light winds with highs of 24C 2pm-3pm - sunny intervals and light winds with highs of 25C 3pm-4pm - sunny intervals and light winds with highs of 26C 4pm-5pm - sunny and light winds with highs of 27C 5pm-6pm -sunny and light winds with highs of 26C 6pm-7pm - sunny and light winds with highs of 25C 7pm-8pm - sunny and light winds with highs of 24C 8pm-9pm - sunny and light winds with highs of 23C 9pm-10pm - sunny and light winds with highs of 21C 10pm-11pm - a clear sky and light winds with highs of 19C 11pm-12am - a clear sky and light winds with highs of 18C Festival-goers at Glastonbury will be basking in the glorious sunshine today, but organisers have urged attendees to '"be safe in the heat" and issued some important safety guidance surrounding consumption of alcohol. Read the full story here.
