Latest news with #ChrisStone
Daily Mail
2 hours ago
- Sport
- Daily Mail
Terrified boy savagely beaten by THREE football player bullies at Christian summer camp while fourth filmed
A student athlete was filmed being savagely beaten by three football players while taking part in a Christian summer camp. The horrific ordeal, which has gone viral online, occurred during a Fellowship of Christian Athletes (FCA) camp at Presbyterian College in South Carolina on July 7. According to lawyers representing the boy, the perpetrators were DW Daniel High School football players - whose friends also recorded the punch-up. Their football coach, Chris Stone, has been put on leave following the fight. Several students have been criminally charged over the gory attack, the school board announced, without providing further details. Daily Mail has contacted Pickens County Sheriff's Office for further details. In the frightening footage, the victim was punched in the face by one individual before another person attacked him inside a dorm room. The unnamed boy was pushed onto the bed by the two, who continued to assault him. The young man attempted to block their punches with his hands. He was then pushed out of frame as one individual said, 'I got to get in here', before they joined in with the beatdown. While the three carried out the attack, another could be seen filming it. The group then backed away from the boy before one returned to punch him in the head. As the three left the room, one of them said: 'Don't even get up', as another added: 'Watch your s*** next time, you know we are not the same n****.' In a statement to Malarkey News, the boy said his attackers had accused him of using racial slurs prior to the assault, which he has denied. He said the attack left him with a 'serious' concussion, and bruises across his head and ribcage. He added that he is no longer able to participate in combat sports. The law firm representing the boy said the camp was a school-sanctioned event with the FCA renting out the campus when the incident took place. In a statement earlier this week, the Pickens County School District Board of Trustees said that several DW Daniel High students were criminally charged after the fight. They said: 'The full Board of Trustees of the School District of Pickens County was made aware late last week that a very serious incident occurred at a school sponsored football camp at Presbyterian College earlier this month. 'Board members have now seen the disturbing video that is circulating on social media. 'This incident, which involved numerous student athletes, resulted in the injury of one student and criminal charges for several students.' It added: 'This matter is serious, not acceptable, and is being addressed by the administration and law enforcement. 'According to the statement all of those involved are minors, and that they are all facing disciplinary action at school and athletic levels. 'The Board is appalled that this serious incident occurred and that a student was injured during a school-sponsored event.' The football coach of the Daniel High School team Chris Stone has also been placed on administrative paid leave as the district conducts an investigation. Stone was brought in to lead the team in April of this year, with the victim saying in his statement that Stone was inside the building at the time. 'Multiple teammates were coming in and out while I was trapped in my room, but nobody thought to get a coach', the boy said. In a statement, 8th Circuit Solicitor David Stumbo said his office was aware of the fight and was monitoring the situation. The Fellowship of Christian Athletes said that the behavior of those captured on their camp 'falls unacceptably short of our standards'. The law firm said they released the footage in hopes of other people coming forward with information that could help the investigation.
BBC News
23-07-2025
- Entertainment
- BBC News
'There were days where I felt I could never leave': Intimate images of 'the real Hotel California'
The legendary Record Plant Studios was where the most iconic rock stars of the 1970s gathered, immersing themselves in the decadent atmosphere. Now a new book offers a glimpse inside – and argues that The Eagles' time there inspired the US band's most famous song. In 1974, seeking more creative autonomy and a punchier rock sound, The Eagles parted company with their London-based producer, and headed back to their hometown of Los Angeles, California, where Record Plant Studios, founded by legendary audio engineer Gary Kellgren and shrewd businessman Chris Stone, offered a radical alternative. Here – immersed in the studios' relaxed set-up, where every aspect of the rock-star lifestyle was serviced, from hotel suites to hot tubs − they recorded their hit album Hotel California. Warning: This article contains mentions of drug use. Even when The Eagles took their partying into the studio, the managers did not mind. As Stone remarks in a revealing new book, published by Thames & Hudson: "The longer we kept them there, the more money we made." With musicians finding it so hard, once checked in, to tear themselves away, it was little wonder that within a year of the title track's release, there were whisperings that the Record Plant was the "real" Hotel California. Buzz Me In – Inside the Record Plant Studios, by veteran music journalists Martin Porter and David "Mr Bonzai" Goggin, tells the story of one of the US's most successful recording studios during its most decadent years; from its beginnings (in 1968) in New York – where Jimi Hendrix's Electric Ladyland was made – to its wild Californian incarnations in LA and Sausalito, recording rock legends such as Fleetwood Mac, The Who and The Eagles. Buzz Me In, named after the password used to gain entry to the LA studio, invites the public into a rock 'n' roll world that few have seen. Accompanied by a playlist of the studios' seminal recordings, it draws on Stone's memoirs and archives, behind-the-scenes images, and more than 100 interviews with the artists, producers and studio staff who helped shape Record Plant's success. In the 1970s, Porter and Goggin got closer than most to the secret world behind the studio's doors. "It took me many years to realise that it was a pretty special time," Porter tells the BBC. Forty years on, one figure who had survived this frenzied period stood out: Chris Stone, who is pictured in the book in front of the bubble-written logo designed by Kellgren. "Chris Stone was very prominent in the business and told great stories," says Porter, who was convinced that Stone's memories of the Record Plant's wildest decade were a book in the making. Yet Stone kept knocking him back, insisting: "The story dies with me, Porter." But in the last two years of his life (he died in 2016), he relented, uniting Porter with Goggin, his close friend and publicist, to help steer the endeavour. A blueprint exported worldwide Record Plant was special. "The major artists, that's where they wanted to go," Goggin tells the BBC. It led the race for the latest technology ("more tracks, bigger speakers…") and "created an environment that was unlike the traditional, [more clinical] recording studios". It also gave artists more freedom from the record labels, creating a blueprint for a new way of working that was later exported worldwide. The wizard driving this new direction was Kellgren. He was "fun", "creative" and "innovative", says Porter. "He knew how to work the console, make great sounds, but he also knew how to create a party, and a space where artists wanted to make music and hang out and spend time." More like this:• The album that sent shockwaves through the 00s• The 'untold story' of the ultimate 70s rock band• Why Oasis defined the spirit of 90s Britain When, in 1969, the duo opened a sister studio in LA (and another in Sausalito in 1972), they supercharged the original concept, creating a sort of rock hotel, with group Jacuzzis, mirror-ceilinged bedrooms, bedrooms with nicknames including "S&M", and, in keeping with the era, a variety of illicit drugs intended to keep these paying guests holed up as long as they could. "Mirrors were embedded in the consoles, and the assistants were instructed to make sure there was a clean blade and a straw there every morning," says Porter. Unsurprisingly, Record Plant was a magnet for the wildest rockers, including The Who's hot-tempered drummer Keith Moon, who is pictured in the book in 1976 against the tie-dyed sound-absorbing screens of Record Plant's LA studio. During one frustrating vocal session, he smashed a light bulb in the ceiling each time he missed a note, eventually plunging the studio into darkness. While Stone supplied the business acumen, Kellgren was its creative force: a capricious character who spent most of the 1970s high on drugs, and died tragically young in 1977. He was the brains behind the weighty brick invitations to the LA studio opening, sent to rock royalty far and wide, causing chaos at the post office. On the opening night, the silk-screen-printed invitations were handed to a tuxedoed builder who cemented them together, creating an eye-catching wall of fame. Parallels with Hotel California Working alongside producer Bill Szymczyk, The Eagles would spend an intense nine months at Record Plant LA honing their Hotel California album, whose title song spoke of a place where you could "check out any time you like", but could "never leave". John Lennon was a case in point, encamping at the studio for the best part of five years, enjoying the opportunity to jam with Mick Jagger, or have Elton John play on a new record. It was at Record Plant LA that he spent his infamous "lost weekend" phase, and, in 1980, he signed an autograph for the receptionist at Record Plant New York just minutes before he was fatally shot. Record Plant and its legendary parties drew numerous stars into its vortex, gave them everything they wanted, and held them in its thrall. In Buzz Me In, Ken Caillat, who produced Fleetwood Mac's Rumours album, describes the band's experience at the Sausalito studio as "druggy" and "claustrophobic". In a poignant echo of that famous lyric, he remarks: "There were days where I felt I could never leave." Record Plant had no qualms about catering to every predilection in its quest to sell studio time. On the days Hendrix was expected at the New York studio, a bowl of freshly rolled joints would be placed on the mixing desk. At Sausalito, a tank of nitrous oxide (laughing gas) was installed by Sly Stone's bed; in the LA studio's canteen, The Eagles' Glenn Frey ran up a $50,000 (£37,000) gambling debt playing pinball. Even clean-living Stevie Wonder "was eating up $175 an hour for Studio C [LA] while he was just playing air hockey". The culture of the place was communicated before you even stepped inside. In the studio parking lot, Kellgren would station his purple Rolls-Royce with the licence plate GREED next to his silver Mercedes-Benz, DEDUCT. The album Hotel California went platinum in December 1976, and the eerie six-and-a-half-minute title song – with its beguiling mix of rock, country and Latin influences, including a flamenco-style guitar intro – topped the US charts the following May. The parallels between the lyrics and the studio were obvious to Kellgren. "My God, they're writing about Record Plant!" he exclaimed to producer Jimmy Robinson. The "warm smell of colitas rising up through the air" recalled the marijuana smoke that filled the studios, for example; while the "lovely face" on reception could be attributed to Rose Mann, who would direct visitors down a long open-air hallway into a labyrinth of corridors suggested in the song's opening verse. Her "Tiffany-twisted" mind may have been inspired by the Tiffany-glass ceiling of the control room at Sausalito, or perhaps the 125 stained-glass windows at "The Castle", a Hollywood mansion off Sunset Boulevard purchased by Record Plant in 1975, where Kellgren had hoped to create a rock palace, and whose spires bear some resemblance to the Beverly Hills Hotel featured on the album cover. Some Record Plant employees were convinced that the night manager Michael Gately, who buzzed everyone in, was the "night man" in the song; his "master's chambers" denoted the echo chambers just along the hall from Studio C; the studio's walled car park was the "courtyard", where staff liked to party. And might the "spirit" of "1969" hark back to the studio's star-studded opening? Rumours circulated that the Record Plant was the real Hotel California, encouraged by Kellgren, who saw that the myth-making was good for business and, says Goggin, "certainly didn't try to stop it". The evidence was persuasive. "Pink champagne on ice" might simply be code for Record Plant's extravagances, but the "mirrors on the ceiling" were more literal. There was a mirror over the vocal booth in Studio C, in every back hotel room, and – most significantly – over the king-sized bed of the nautical-themed Boat Room, a space frequented by The Eagles that had a hideaway concealed beneath a panel under the bed where Kellgren would spy on the recording sessions below. The Eagles, however, batted away such speculation. "It's a song about the dark underbelly of the American Dream, and about excess in America, which was something we knew about," Don Henley told Gayle King in a 2007 interview for CBS. "There are so many similarities," Porter tells the BBC. "A lot of the lyrics, a lot of the vibe at the time, was inspired by the place where they wrote the song." The question is put to Chris Stone in the book. "Was the Record Plant the real Hotel California?" His reply: "We were anything our customers wanted us to be." Buzz Me In – Inside the Record Plant Studios by Martin Porter and David Goggin is published by Thames & Hudson. -- For more Culture stories from the BBC, follow us on Facebook, X and Instagram.
Motor 1
21-06-2025
- Automotive
- Motor 1
'Don't Waste Money:' Expert Shares Which Fuel Additive to Use Based on Your Car's Problem. Then He Shares How to Use It
Fuel additive fatigue is real. With dozens of brightly labeled bottles lining the aisles of AutoZone and Pep Boys stores everywhere—promising smoother rides, better mileage, or cleaner engines—picking the right one can feel like a guessing game. A viral TikTok video cuts through the noise, offering a symptom-based guide to choosing the right additive without the hype. Chris Stone (@chrisfrombeachside), vice president of Beachside Auto Parts in Daytona, Florida, says he recorded the video to help unfamiliar motorists make the best choice when selecting from the dizzying array of products promising to turn their vehicle into a fine-tuned machine. Stone's advice resonated with his audience. Hundreds shared their preferred additives, asked for additional information, and wrote comments thanking him. As of this writing, his post has been viewed 1.2 million times. How Do You Choose and Use the Right Additive? Between bold claims, cryptic acronyms, and engine diagrams that look like they belong in a textbook, it's easy to feel like you're flying blind. Instead of hype, Stone offers plain-language advice: Choose the product based on your symptoms, like hesitation, rough idle, ticking, or knocking, and you'll have a better shot at actually solving the issue. Trending Now 'I Bet You Didn't Know This:' Woman Discovers This Little-Known Perk to Driving A Subaru. Then Her Order Comes in the Mail Man Says He Bought a Nissan Frontier Because of These Standard Features. Should You Consider the Same? If your car is sluggish off the line, Stone advises trying AMSOIL P.I. Burning oil at startup? Marvel Mystery Oil still has a place in the modern garage, according to Stone. And for engines showing signs of knock or ping — especially in turbocharged vehicles — he recommends Royal Purple Max Clean to smooth out combustion. He doesn't stop at recommending products. Stone shares a useful technique for effectively using a fuel additive . He says that for most fuel system cleaners, you should wait until your tank is under a quarter full, pour the additive in, and then drive aggressively (within legal limits) to circulate the treatment effectively before refueling. This helps the cleaner come into more direct contact with injectors and combustion surfaces, increasing its effectiveness. Of course, fuel additives aren't a magic fix. If you've got a check engine light or ongoing performance issues, it's best to get a professional diagnostic. But for routine maintenance, especially with older or high-mileage vehicles, the right additive can play a useful role in keeping your engine running smoothly. When Should You Use an Additive? Most mechanics and product manufacturers recommend using a treatment every 3,000 to 5,000 miles. However, that interval can vary depending on fuel quality, engine design, and driving habits. High-mileage vehicles, cars frequently driven in stop-and-go traffic, or those using lower-quality fuel may benefit from more frequent use. Drivers who use high-grade gasoline may find they need additives less often. This doesn't necessarily mean you shouldn't use a fuel additive if you always buy premium. While many premium fuels contain detergents to keep injectors clean, dedicated fuel system cleaners tend to offer higher concentrations of active ingredients like PEA (polyetheramine), which can clean deeper into the intake valves and combustion chamber. This can be especially helpful for older engines or cars with unknown maintenance histories, where carbon buildup may already affect performance. It's also important to note that compatibility matters. Not every fuel additive is designed for every engine type. Some are explicitly formulated for gasoline engines, while others are safe for diesels or compatible with ethanol-blended fuels. Hybrids and direct injection engines may also have different needs or tolerances. Always check the label for your engine type, and avoid assuming that any additive is one-size-fits-all. The wrong product can reduce effectiveness at best and cause damage at worst. Another point of confusion for many DIY car owners is whether it's okay to mix multiple additives in the same tank. The short answer is no, unless the manufacturer explicitly allows it. Most companies advise using just one additive per treatment cycle to avoid unintended chemical interactions or dilution of key ingredients. It's best to wait until your tank is nearly empty, add the recommended dose, and then refill, following label instructions closely to ensure safe and effective results. 'There's a lot of marketing out there, but nobody knows exactly what's good for what,' Stone told Motor1 over the phone. 'They all claim the same things, but they're all made differently and they have different values for different drivers.' More From Motor1 Here's Why Your Fuel Mixture Is Just as Important as Your Oil Mixture It's Incredible How Badly Low-Quality Fuel Can Damage Your Engine 'That's Obviously a Villain Car:' Man Spots Honda Fit in Parking Lot. Then He Notices the Back 'Making It Personal:' Man Buys 'Lemon' Ford F-150 From Used Car Dealership. Then He Decides to Get a Custom Wrap and Warn Buyers Share this Story Facebook X LinkedIn Flipboard Reddit WhatsApp E-Mail Got a tip for us? Email: tips@ Join the conversation ( )
Business Wire
29-04-2025
- Business
- Business Wire
Albany Engineered Composites Awarded Seven-Year Contract from Bell Textron, Inc. for 525 Composite Components
ROCHESTER, N.H.--(BUSINESS WIRE)--Albany International Corp. (NYSE: AIN) announced today that its subsidiary Albany Engineered Composites, Inc. (AEC) has been awarded a seven-year contract from Bell Textron, Inc. (Bell) to produce composite structures components for the Bell 525 helicopter. This award establishes a new partnership with Bell, a key customer in AEC's growing rotorcraft business. 'We are very excited to solidify our long-term support of the 525 for Bell with this contract award,' said Chris Stone, AEC President. 'This agreement is representative of our new, yet strategic, collaboration with Bell, and we look forward to exploring additional opportunities to provide Bell with mission-critical composite components for its suite of aircraft.' About Albany Engineered Composites, Inc. Albany Engineered Composites (AEC) designs and manufactures advanced engineered composite components for engine and airframe applications for commercial and military aircraft, missiles and unmanned vehicles. AEC's specialty composite solutions enable current and next-generation aircraft to perform better while being more fuel-efficient, cost‑effective, and environmentally-friendly. About Albany International Corp. Albany International is a leading developer and manufacturer of engineered components, using advanced materials processing and automation capabilities, with two core businesses. Machine Clothing is the world's leading producer of custom-designed, consumable belts essential for the manufacture of paper, paperboard, tissue and towel, pulp, non-wovens and a variety of other industrial applications. Albany Engineered Composites is a growing designer and manufacturer of advanced materials‑based engineered components for demanding aerospace applications, supporting both commercial and military platforms. Albany International is headquartered in Rochester, New Hampshire, operates 30 facilities in 13 countries, employs approximately 5,400 people worldwide, and is listed on the New York Stock Exchange (Symbol: AIN). Additional information about the Company and its products and services can be found at
Axios
02-04-2025
- Politics
- Axios
Philadelphia gun permit levels high but boom slows
Philadelphians flocked to firearms in 2024 as issued gun permits continued to outpace pre-pandemic levels. The big picture: The high interest comes as some experts report more groups with traditionally lower gun-ownership rates are embracing firearms. State of play: Philadelphia police issued 20,591 license-to-carry permits last year, per city data. That's a nearly 13% drop from 2023, marking a third consecutive year of permit declines. Yes, but: Before the pandemic, gun permits in Philly averaged about 8,400 annually, according to state police statistics from 2014-20. The latest: As of mid-March, license-to-carry permits had exceeded 4,600 this year. The intrigue: Philadelphia saw big declines in homicides and other violent crimes last year. So far, homicides are down 28% compared with the same time last year, per Philly police's online dashboard. Context: Philadelphia, unlike everywhere else in the state, requires a license for carrying both concealed and open firearms. Philly is blocked from passing its own gun control measures due to the state's preemption law, which gives that power to the state Legislature. Flashback: Carry permits skyrocketed in Philly in 2021, reaching a decade high of more than 52,200. Gun sales also surged. Stats for gun sales in Philly for 2024 were not yet available, per a state police spokesperson. Zoom out: Gun sales spiked nationwide starting in 2020 amid climbing homicide rates, protests over police brutality, and a rise in anti-Asian hate crimes. But that pandemic boom appears to be on the decline, with estimated gun sales dropping nearly 4% in 2024 compared with the previous year, per an analysis from The Trace. Meanwhile, growing concerns about racial and political violence have fueled gun purchases among demographic groups with lower gun-ownership rates, such as Democrats and Black, Asian and Hispanic Americans, per a study conducted in 2023. What they're saying: Chris Stone, director of state affairs for Gun Owners of America, tells Axios that groups traditionally not associated with firearms have been embracing gun ownership in recent years, including women and members of the LGBTQ community. Self-defense is a driving force behind the rise in gun ownership, he said. "More and more people are realizing that owning a firearm, being armed, being trained, being smart, being safe isn't a partisan issue," he said. Adam Garber of the gun-control group CeasefirePA tells Axios that fears over safety in Philly were likely propelling people toward guns.
