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Yahoo
20-06-2025
- Entertainment
- Yahoo
This is the one Netflix movie I'm watching on Father's Day — and it's a gripping apocalyptic thriller with heart
When you buy through links on our articles, Future and its syndication partners may earn a commission. Father's Day is here, and like every year, the question of what to watch inevitably comes up. My dad and I don't exactly have a long list of traditional movies as we usually lean toward gritty thrillers, sci-fi flicks, or anything post-apocalyptic (bonus points if it involves zombies). His first suggestion was actually 'Cloverfield.' It's a great sci-fi flick for sure, but we've both seen it more than a few times. I told him to pick something he hadn't seen for once, and after a few minutes of scrolling, he landed on 'Cargo,' which still fits our tastes. I'd seen it back when I first wrote about it as a great watch for anyone excited about '28 Years Later,' and I remember really enjoying it. So I was pretty keen to revisit it. 'Cargo' is a fitting movie because at its core, it's about a dad doing everything he can to protect his child even when time's running out. It's intense and emotional without being overly sentimental, and it's perfect for anyone who also enjoys gripping thrillers. I can confidently say (in my opinion, of course) that it's Martin Freeman's best role. So, if you're looking for a Father's Day movie that delivers both adrenaline and emotion, here's why 'Cargo' is worth adding to your Netflix watchlist. Cargo follows Andy (Martin Freeman) and their infant daughter Rosie as they navigate a post-apocalyptic Australia ravaged by a deadly virus that transforms people into infected creatures. Their safety is compromised when Andy is bitten by an infected individual. As the virus progresses, he realizes he has only 48 hours before he succumbs to the infection. Determined to ensure his daughter's survival, Andy goes on a dangerous journey across the Australian outback to find someone willing to care for Rosie. Along the way, he encounters various survivors, including a young Aboriginal girl named Thoomi (Simone Landers), who is also dealing with the loss of her father to the infection. Andy's quest leads him through desolate landscapes and abandoned towns, all while trying to protect Rosie and find a safe haven for her future. Set against the dry, desolate backdrop of the Australian outback and beautifully shot by seasoned cinematographer Geoffrey Simpson, 'Cargo' is anchored by a deeply human and emotionally grounded performance from Martin Freeman. He stars as Andy, a soft-spoken but determined father making a dangerous journey with only his infant daughter, Rosie, by his side (or rather, on his back). Freeman is usually cast as the comic relief or plays second fiddle, but in this thriller, there's solid evidence that he is more than capable of leading a movie on his own. And he brings a surprising amount of emotion to this apocalyptic story, enough to have you reaching for tissues. Story-wise, it leans more toward a thoughtful, character-focused narrative than your typical chaotic zombie bloodbath. It might not fully scratch the itch for hardcore horror-thriller fans, but the eerie atmosphere and slow-building tension should be enough to keep you engaged, even when the middle portion of the movie slows down to focus on Andy's struggle. In 'Cargo,' the zombies aren't front and center either. They're definitely present, but more as a constant, looming danger than the main focus. Instead of driving the action, they linger in the background, allowing the story to zero in on the human side of survival. This shift ultimately works in the movie's favor, spotlighting the ways people respond under pressure as well as just how far someone will go to protect the ones they love. In this case, Andy will do anything and everything to find his daughter a home before he succumbs to the infection. The gore, when it does appear, is used sparingly and with purpose. So don't worry, zombie lovers, there are still scenes where the infected transform in all their grotesque, oozing glory, and even a moment where entrails are tossed into a cage to bait the infected. Thankfully, these scenes have meaning and aren't thrown in for the sake of ticking off a genre trope. Most of all, 'Cargo' ended up being a surprisingly perfect Father's Day pick. There's tension, survival, a bit of gore for the horror fans, and just enough heart to make you think about the people you'd do anything for. Watching it (again) with my own dad somehow made it land even harder. If you're looking for a solid movie to watch with your dad on Father's Day, 'Cargo' is a great pick. It's got enough suspense and action to keep things interesting without going over the top. Plus, it's fitting for the occasion considering the story focuses on a dad trying to protect his daughter in some seriously tough circumstances, which makes it feel deeply personal (and very emotional). Those seeking more proof that this movie is good will only have to glance at its 88% score on Rotten Tomatoes. The site's critics consensus reads: 'Cargo takes a refreshingly character-driven approach to the zombie genre that's further distinguished by its Australian setting and Martin Freeman's terrific lead performance.' 'Cargo' is available to stream on Netflix. For even more streaming recommendations (and potential Father's Day picks), check out these five thriller movies. New on Netflix in June 2025 Netflix's new homepage is getting pushback from some users Netflix's hilariously fun action-comedy series is back
Tom's Guide
15-06-2025
- Entertainment
- Tom's Guide
This is the one Netflix movie I'm watching on Father's Day — and it's a gripping apocalyptic thriller with heart
Father's Day is here, and like every year, the question of what to watch inevitably comes up. My dad and I don't exactly have a long list of traditional movies as we usually lean toward gritty thrillers, sci-fi flicks, or anything post-apocalyptic (bonus points if it involves zombies). His first suggestion was actually 'Cloverfield.' It's a great sci-fi flick for sure, but we've both seen it more than a few times. I told him to pick something he hadn't seen for once, and after a few minutes of scrolling, he landed on 'Cargo,' which still fits our tastes. I'd seen it back when I first wrote about it as a great watch for anyone excited about '28 Years Later,' and I remember really enjoying it. So I was pretty keen to revisit it. 'Cargo' is a fitting movie because at its core, it's about a dad doing everything he can to protect his child even when time's running out. It's intense and emotional without being overly sentimental, and it's perfect for anyone who also enjoys gripping thrillers. I can confidently say (in my opinion, of course) that it's Martin Freeman's best role. So, if you're looking for a Father's Day movie that delivers both adrenaline and emotion, here's why 'Cargo' is worth adding to your Netflix watchlist. Cargo follows Andy (Martin Freeman) and their infant daughter Rosie as they navigate a post-apocalyptic Australia ravaged by a deadly virus that transforms people into infected creatures. Their safety is compromised when Andy is bitten by an infected individual. As the virus progresses, he realizes he has only 48 hours before he succumbs to the infection. Determined to ensure his daughter's survival, Andy goes on a dangerous journey across the Australian outback to find someone willing to care for Rosie. Along the way, he encounters various survivors, including a young Aboriginal girl named Thoomi (Simone Landers), who is also dealing with the loss of her father to the infection. Andy's quest leads him through desolate landscapes and abandoned towns, all while trying to protect Rosie and find a safe haven for her future. Set against the dry, desolate backdrop of the Australian outback and beautifully shot by seasoned cinematographer Geoffrey Simpson, 'Cargo' is anchored by a deeply human and emotionally grounded performance from Martin Freeman. He stars as Andy, a soft-spoken but determined father making a dangerous journey with only his infant daughter, Rosie, by his side (or rather, on his back). Freeman is usually cast as the comic relief or plays second fiddle, but in this thriller, there's solid evidence that he is more than capable of leading a movie on his own. And he brings a surprising amount of emotion to this apocalyptic story, enough to have you reaching for tissues. Story-wise, it leans more toward a thoughtful, character-focused narrative than your typical chaotic zombie bloodbath. It might not fully scratch the itch for hardcore horror-thriller fans, but the eerie atmosphere and slow-building tension should be enough to keep you engaged, even when the middle portion of the movie slows down to focus on Andy's struggle. In 'Cargo,' the zombies aren't front and center either. They're definitely present, but more as a constant, looming danger than the main focus. Instead of driving the action, they linger in the background, allowing the story to zero in on the human side of survival. This shift ultimately works in the movie's favor, spotlighting the ways people respond under pressure as well as just how far someone will go to protect the ones they love. In this case, Andy will do anything and everything to find his daughter a home before he succumbs to the infection. The gore, when it does appear, is used sparingly and with purpose. So don't worry, zombie lovers, there are still scenes where the infected transform in all their grotesque, oozing glory, and even a moment where entrails are tossed into a cage to bait the infected. Thankfully, these scenes have meaning and aren't thrown in for the sake of ticking off a genre trope. Most of all, 'Cargo' ended up being a surprisingly perfect Father's Day pick. There's tension, survival, a bit of gore for the horror fans, and just enough heart to make you think about the people you'd do anything for. Watching it (again) with my own dad somehow made it land even harder. If you're looking for a solid movie to watch with your dad on Father's Day, 'Cargo' is a great pick. It's got enough suspense and action to keep things interesting without going over the top. Plus, it's fitting for the occasion considering the story focuses on a dad trying to protect his daughter in some seriously tough circumstances, which makes it feel deeply personal (and very emotional). Those seeking more proof that this movie is good will only have to glance at its 88% score on Rotten Tomatoes. The site's critics consensus reads: 'Cargo takes a refreshingly character-driven approach to the zombie genre that's further distinguished by its Australian setting and Martin Freeman's terrific lead performance.' 'Cargo' is available to stream on Netflix. For even more streaming recommendations (and potential Father's Day picks), check out these five thriller movies.
Scottish Sun
11-06-2025
- Entertainment
- Scottish Sun
Major Hollywood star spotted in Scots city amid filming for blockbuster movie
The secretive project has been filming in the city since the beginning of June A MAJOR Hollywood star has been spotted filming for a blockbuster movie in a Scottish city. Director JJ Abrams was snapped speaking to crew members on the movie set in Edinburgh. Advertisement 7 Director JJ Abrams was spotted in Edinburgh this morning Credit: Les Gallagher 7 He was spotted speaking to crew members on the film set Credit: Les Gallagher 7 Several streets in the capital have been transformed for the upcoming film Ghostwriter Credit: Andrew Barr It's understood film crews descended on the capital to work on the upcoming sci-fi flick Ghostwriter. Acting legend Samuel L. Jackson is tipped for a key part in the movie. The motion picture is also set to star Wednesday lead Jenna Ortega, Sex Education's Emma Mackey and Top Gun: Maverick actor Glen Powell. The secretive project has been filming in the city since the beginning of June, with several streets around the city transformed into a film set. Advertisement The Oz Bar on Candlemaker Row is one of the pubs to get a makeover. A number of props have also been spotted on set such as advertising boards and what appears to be vending machines. Filming locations include Advocate's Close, Borthwick's Close, Fleshmarket Close, Mary King's Close, Old Assembly Close and Parliament Square. JJ Abrams, who is behind hits like Cloverfield and the recent Star Wars films, was spotted in Edinburgh directing some scenes and speaking to crew members this morning. Advertisement He was sporting some dark sunglasses and a khaki quilted jacket. Glen Powell's stunt double also appears to be at the shoot. Scots Lord of the Rings megafan scales Ben Nevis in full movie armour Production is set to continue until Friday, June 13. Warner Bros trucks have also been parked up on streets across the city. Advertisement Crews are then set to head to Glasgow, with filming for the flick expected to start over the weekend and will run into next week. However, it means that a number of roads will be closed throughout the city for days as a result. Almost 70 roads will be shut and pedestrians will be banned from moving through the streets during "action", the council says. The closures are being implemented by Glasgow City Council, which has warned that bus and taxi lanes will also be impacted, with a suspension in place. Advertisement 7 Streets across Edinburgh have been transformed for the film Credit: Andrew Barr 7 A number of props have also been spotted on set from advertising boards and what appears to be vending machines Credit: Andrew Barr 7 Film crews descended on the capital to work on the upcoming sci-fi flick Ghostwriter Credit: Andrew Barr 7 Warner Bros trucks have also been parked up on streets across the city Credit: Andrew Barr
Indian Express
11-06-2025
- Entertainment
- Indian Express
Predator Killer of Killers movie review: A dazzlingly animated gore-fest with heart, humour, and horrific violence
While many people have tried to project meaning onto Steven Spielberg's Jaws — some have called it a parable about the Vietnam War, others have described it as a post-Watergate examination of the American middle-class — the movie is perhaps best enjoyed as a piece of pulp, devoid of any subtext at all. It is, after all, about a people-eating shark. Some things should remain uncomplicated. Nothing, for instance, would suck the joy out of a Predator movie more than trying to extract a deeper meaning from it. The franchise's surprise new instalment, the animated offshoot Predator: Killer of Killers, embraces the simplicity at its core. And although it's written by two grown men, it has the giddy energy of something concocted by teenage boys. Killer of Killers is directed by Dan Trachtenberg, who brought a freshness to both the Cloverfield and Predator franchises with his no-nonsense approach to lore that would've typically invited a denser exploration. His idea for a sequel to the memorable monster movie Cloverfield wasn't a globe-trotting, VFX-heavy action extravaganza; 10 Cloverfield Lane was a chamber piece featuring only three characters, locked in a basement while an alien invasion unfolds above ground. His take on the Predator franchise, Prey, wasn't an intergalactic adventure set on an alien planet; it was a near-silent period piece featuring a Native American protagonist. Also read – Scott Pilgrim Takes Off review: Netflix's radical retelling of cult classic is an Eternal Sunshine-level event, and one of the best shows of 2023 Killer of Killers continues down this inventive path. Divided essentially into three broad chapters with an extended epilogue, the movie is a lean, 80-minute-long thrill-ride with visuals so immaculate that you might just double your viewing time pausing an admiring the frames. The first chapter is set in the era of Vikings. A warrior seeks vengeance against the man who killed her father, while also protecting her precious son from the horrors of her vicious world. Their quest is brought to a halt when they come face-to-face with a Predator. Killer of Killers supports the indisputable theory that any movie under the sun could be made 20% better if you were to just add a Predator to it. Imagine how much more enjoyable Hera Pheri would be if Paresh Rawal had to save his butt from a murderous alien; imagine if Sunny Deol was made to throw down with an eight-foot Predator at the end of Ghayal instead of Amrish Puri? Killer of Killers allows these invasive thoughts to win as it chucks a Predator into three different plots, set in three different time periods. As it turns out, the Predators are trying to identify the fiercest human killers from across history, and they land on the Viking warrior, a Ninja, and a World War II fighter pilot. What they do with them is best left unrevealed. But each of the three chapters is written with a simplicity that is altogether missing from modern franchise filmmaking. The shorts work as self-contained stories; the mother-and-son narrative feels both intimate and epic, as does the Japan-set chapter, which follows a couple of estranged 'brothers' whose reconciliation is interrupted by the arrival of an alien. While the first two chapters are largely silent — think of them as episodes of The Mandalorian, as if they were directed by Robert Eggers and Takashi Miike — the third chapter is a fun-filled tribute to Hollywood blockbuster cinema. Tonally different as these shorts are, they're all uniformly breathtaking to look at. The style of animation is similar to what you might have admired in movies such as Spider-Man: Into the Spider-Verse and Teenage Mutant Ninja Turtles: Mutant Mayhem. There's no doubt that these techniques are cheaper than whatever it is that Pixar does, but they also allows filmmakers to be more visually creative. Because they aren't chasing a certain realism in physics, they can make more exciting choices. Every facial expression needn't be intricate; more can be communicated through old-fashioned silent cinema techniques than state-of-the-art technical wizardry. Read more – Asterix & Obelix – The Big Fight review: By Toutatis! Netflix quenches thirst for nostalgia with magic potion for the soul And Trachtenberg has proven himself to be especially talented at visual storytelling. Killer of Killers balances its beauty with an intense appetite for violence. Bodies are axed in half, heads are severed, monsters are slain with giddy enthusiasm. The movie only raises the stakes for his Prey follow-up lined up for release later this year. Unlike that pandemic-era gem, which they did dirty by dropping directly on streaming, Trachtenberg's Predator: Badlands will get a theatrical release. Killer of Killers, on the other hand, is the kind of movie that puts streaming to proper use, as a platform for risky storytelling that doesn't lean on big budgets to make up for shoddy craft. Predator: Killer of Killers Director – Dan Trachtenberg Cast – Lindsay LaVanchy, Louis Ozawa, Rick Gonzalez Rating – 4/5 Rohan Naahar is an assistant editor at Indian Express online. He covers pop-culture across formats and mediums. He is a 'Rotten Tomatoes-approved' critic and a member of the Film Critics Guild of India. He previously worked with the Hindustan Times, where he wrote hundreds of film and television reviews, produced videos, and interviewed the biggest names in Indian and international cinema. At the Express, he writes a column titled Post Credits Scene, and has hosted a podcast called Movie Police. You can find him on X at @RohanNaahar, and write to him at He is also on LinkedIn and Instagram. ... Read More
Edinburgh Live
09-06-2025
- Entertainment
- Edinburgh Live
Everything we know about Edinburgh Warner Bros film with huge Hollywood names
Our community members are treated to special offers, promotions and adverts from us and our partners. You can check out at any time. More info Edinburgh locals have spotted Warner Bros trucks around the city in recent days, with filming for an upcoming project underway. Details have been kept under wraps, with residents previously speculating that the filming was for the upcoming Harry Potter series. It's now understood that the production is for Ghostwriter - a sci-film due for release in 2026. The cast includes Samuel L Jackson, Glen Powell, Jenna Ortega and Emma Mackey. It comes from director JJ Abrams, who is behind films like Cloverfield and the more recent Star Wars films. While the plot is a tightly kept secret, The Hot Mic has suggested the film is an '80s throwback film and follows the author of a series of novels who reveals that the mythical world he's known for creating is in fact real. Production is also said to be happening in London. Spots in Edinburgh such as West College Street, Merchant Street, Candlemaker Row, and Chambers Street are being used as filming locations. (Image: Edinburgh Live) Locals also spotted crews setting up in Holyrood Park back on June 3. None of the rumoured cast have been papped in and around the city as of yet, though one lifelong Samuel L Jackson claims to have had an interaction with his hero. Matt's partner, Rosie, told Edinburgh Live: "Matt finally had his dream come true this week when the legendary actor was spotted filming scenes for his new movie Ghostwriter in the city. Sign up for Edinburgh Live newsletters for more headlines straight to your inbox "Determined not to miss his hero, Matt camped out for 15 hours near the filming location with snacks, a fold-up chair, and unshakable optimism. Armed with only hope and a homemade sign that read 'I've had it with these motherlovin' waits!' he finally got the moment he'd waited a lifetime for." A release date hasn't been given for the film, though it's been suggested that it'll hit our screens next year. Warner Bros have been approached for comment.
